A CHINESE GHOST STORY (1987) is a landmark film in the golden age of 1980’s Hong Kong cinema. While my primary interest in the cinema of Hong Kong centers around directors like John Woo, Ringo Lam and Johnnie To, as well as the actors Chow Yun-Fat, Lau Ching-Wan and Andy Lau, I’ve been aware of this film from the very beginning. It’s been a couple of decades since I watched it, so I felt I was well past due for a revisit.

Directed by Ching Siu-tung and produced by the legendary Tsui Hark, A CHINESE GHOST STORY follows Ling Choi San (Leslie Cheung), a naive young scholar who finds himself working as a tax collector. Overly timid and a complete failure at his job, Ling is completely broke, so he seeks shelter in the only place he can afford, a haunted temple on the outskirts of a remote village. That night he encounters Lip Siu Sin (Joey Wong), a ghostly maiden who is being forced to use her feminine wiles to lure unfortunate men to their doom at the hands, or shall I say tongue, of the millennium-old, shape-shifting Tree Demoness Lao Lao (Lau Siu-Ming), who devours the life essence of its victims. Ling’s unusual and genuine kindness towards Siu Sin causes her to have pity on the young man so she decides to protect him from Lao Lao. The two soon share a night of tender romance, where Siu Sin reveals her tragic past and Ling immediately pledges to do anything he can to protect her. As part of this protection, Ling seeks the assistance of the Taoist swordsman Yin Chek Ha (Wu Ma), who initially rejects his request but eventually becomes an unlikely and powerful ally in the young scholar’s quest to keep Siu Sin safe. Ling and Master Yin soon find themselves in the underworld, battling armies of the undead and writhing tongue-tentacles, in an attempt to save Siu Sin from the evil Tree Demoness. Will they free her, or will she spend eternity setting up horny guys to have their essences sucked away and turned into zombies? It’s the age old question that will be answered by the end of the film’s 96 minute runtime. 

Blending elements of horror, romance, comedy, and swordplay, while incorporating innovative special effects, A CHINESE GHOST STORY revitalized the Hong Kong fantasy film and kicked off a trend for folklore ghost films, including its own two sequels. At its core, the film is a timeless, love story, and even with all of the crazy stuff going on, that central theme kept me engaged to the very end. Director Ching Siu-tung is at the top of his game as his film contains a poetic energy that’s extremely rare in any nation’s cinema these days, including Hong Kong. Leslie Cheung, who plays the scholar Ling, had a tendency to overplay the annoying aspects of his characters at this point in his career in the 80’s (I’m looking at you A BETTER TOMORROW). Here, while I don’t love his character for the early sections of the film, I do enjoy it when he decides he’s going to do anything possible to save Siu Sin’s eternal soul and give her a chance to reincarnate. What he lacks in bravery, he makes up in sheer will and his character grows on me by the end. And then there’s Joey Wong as the ghostly seductress Siu Sin. What can I say about her other than this… if you don’t fall in love with Joey Wong in A CHINESE GHOST STORY, there’s probably something wrong with you. It’s a performance that helped propel Wong into her stardom across Asia. Her strong chemistry with Cheung elevates the film’s central love story and gives his character some much needed credibility. Wu Ma plays the cynical and brave Taoist swordsman, Yin, who gives Ling a fighting chance against the tree demoness. It’s a fun character and his mid-film, sword-training “rap” is one of my favorite scenes in the movie. Lau Siu-Ming, a man, plays the tree demoness Lao Lao. It’s an interesting character. Siu Sin continually refers to the tree demon as an “old woman,” but the demon is actually gender fluid and when we see it, it looks more like a man, which seems to enhance its power. We also see the tree demon in its monster form, which is the biggest, longest and slimiest tongue you will ever see. It’s unique and gross at the same time!

I will admit that watching any film starring  Leslie Cheung, at this point in my life, is bittersweet. The man was a Canto-Pop superstar and over time, grew to become one of the best and most interesting actors from Hong Kong. That’s Cheung singing the theme song that plays over the opening credits of A CHINESE GHOST STORY. His work with John Woo and Chow Yun-Fat in the A BETTER TOMORROW film series and ONCE A THIEF are some of the first films I watched when I began my obsession with Hong Kong Cinema in the 90’s. In some ways, my love of Hong Kong movies is inseparable from Leslie Cheung. Suffering from depression, Cheung tragically took his own life on April 1st, 2003 by jumping from the 24th floor of the Mandarin Oriental Hotel, which is located in the central district on Hong Kong Island. It was a horrifically sad end for an extremely talented man. 

Ultimately, in the world of Hong Kong Cinema, A CHINESE GHOST STORY is an easy recommendation in much the same way that movies like JAWS or STAR WARS are here in America. Its legacy of influence over the Hong Kong film industry has stood the test of time, making it a true classic!