October True Crime: My Father’s Shadow: The Sam Sheppard Story (dir by Peter Levin)


On July 3rd, 1954, Marilyn Sheppard was murdered in her bedroom.

The wife of a prominent neurosurgeon, Marilyn Sheppard was bludgeoned to death in her own bedroom.  Her husband, Sam Sheppard, claimed that he had fallen asleep on a downstairs couch and was woken up by the sound of his wife screaming.  Sheppard said that, when he ran upstairs to the bedroom, he saw a bushy-haired man in the shadows.  The man hit Sheppard, knocking him out.  When Sheppard came to, he saw the man fleeing the house and chased after him.  The two fought outside and again, Sheppard was knocked out.

The police did not believe Sam Sheppard’s story and, after days of headlines that flat out accused him of being the murderer, he was arrested and charged with murdering his pregnant wife.  The press had a field day with the story and the trial was frequently described as being a circus.  Sheppard’s case was damaged by the revelation that he had cheated on his wife multiple times.  Contemporary accounts of the trial portrayed Sheppard as being cocky and arrogant.  As the jury was not sequestered, they saw every tabloid headline about Sheppard.  After deliberating for four days, the jury found Dr. Sam Sheppard guilty of murdering his wife.  He was sentenced to prison.

Sheppard would stay in prison until 1966.  During that time, his mother committed suicide, his father died of an ulcer, and his former father-in-law also chose to end his own life.  Sheppard’s original attorney died in 1961 and his appeals were taken over by a young lawyer named F. Lee Bailey.  In 1966, Bailey argued before the U.S. Supreme Court that Sheppard was denied due process due to the jury not being sequestered.  The Supreme Court agreed and granted Sheppard a new trial.  This time, with the flamboyant Bailey defending him, Sheppard did not testify and the defense focused on the lack of any real evidence that would suggest Sheppard had lied about the Bushy-haired Man.  Sheppard was acquitted.

Today, if Sam Sheppard is remembered, it’s for inspiring The Fugitive, a show about a doctor wrongly accused of murder.  (The show aired while Sheppard was still in prison.)  The majority of online posts and articles that I’ve read about Sam Sheppard have always focused on the retrial and usually end with Sheppard leaving prison.  It’s rare that Sheppard’s life after prison is discussed,  That’s probably because it’s a very sad story.

Sheppard may have been acquitted but he had also just spent 12 years in prison and he came out a changed man.  Sheppard tried to return to practicing medicine but his surgical skills had deteriorated to the extent that two of his patient died after he nicked an artery.  Facing multiple wrong death suits, he resigned from the only hospital that had been willing to give him a job.  He became a professional wrestler and was known as “Killer” Sam Sheppard at some of his matches.  He was also an alcoholic.  Less than four years after getting out of prison, he was dead at the age of 46.

1998’s My Father’s Shadow: The Sam Sheppard Story features Peter Strauss as Dr. Sheppard and Henry Czerny as his namesake son.  The film alternates between flashbacks to Dr. Sheppard’s life and scenes set in the 90s that focus on his son’s attempts to definitively clear his father’s name.  The film suggests that the murder was actually committed by Richard Eberling (John Colicos), who worked as a handyman and a window washer at the Sheppard home and who, when he was arrested for burglary several years after the murder, was discovered to have some of Marilyn Sheppard’s jewelry in his possession.  In the 80s, Eberling was convicted of murdering another one of his clients.  Eberling himself died in prison, the same year that this movie aired.

It’s a big story and My Father’s Shadow tries to do a lot in just 90 minutes.  Sometimes, it tries to do too much.  The flashbacks are occasionally a bit difficult to keep track of.  Sam Sheppard’s son goes from being a military school brat to a long-haired hippy so suddenly that, from a narrative point of view, it’s a bit distracting.  Overall, though, this is an effective look at an interesting story and it features two excellent performances from Strauss and Czerny.  It may not be the definitive telling of Sam Sheppard’s story but it’s a good place to start.

Brad’s thoughts on MISSION: IMPOSSIBLE – THE FINAL RECKONING (2025)


I’ve been trying to make it to the theater to watch the latest, and reportedly the final, “Mission: Impossible” film featuring Tom Cruise as Ethan Hunt. I was finally able to make it this weekend! This film series has been a big part of my life, with the first film opening when I was just a 22 year old kid, and the final film being released when I’m a 51 year old grandpa! Going back to 1996 when Brian De Palma directed the first in the series, I have seen all eight at the movie theater. I have enjoyed all of them, with MISSION: IMPOSSIBLE II as my clear least favorite, which is quite strange since it was directed by John Woo, my favorite director of all of them. I still like it though. This Mission: Impossible franchise has done the near impossible in the fact that it has gotten better and better over the course of its twenty nine years in existence. The first four films in the franchise experimented with different directors, some of the best in the business. The fifth in the franchise, “ROGUE NATION,” was directed by Christopher McQuarrie, who would then direct the rest of the series, including this final installment. McQuarrie’s sure hand has brought us to this final place. In a way, I’m sad to see it coming to an end, but time seems to take a toll on all of us, even Ethan Hunt / Tom Cruise.

MISSION: IMPOSSIBLE – THE FINAL RECKONING, a direct sequel to MISSION: IMPOSSIBLE – DEAD RECKONING PART 1 (2023), opens two months after the prior film. With the evil “Entity” continuing to corrupt global cyberspace and create chaos, it appears the world is headed for a sure nuclear war. With no other choice, U.S. President Erika Sloane (Angela Bassett) reluctantly puts her faith in Ethan Hunt (Tom Cruise) and his team of IMF agents, including Benji (Simon Pegg) and Luther (Ving Rhames). He also gets help from Grace (Hayley Atwell), Paris (Pom Klementieff), and Theo (Greg Tarzan Davis). Together this team goes after Gabriel (Esai Morales), an evil terrorist who’s been working with the “Entity,” in a last ditch effort to eliminate the end-of-the-world threat for a bunch of people who will never know what has been done for them.

I think that MISSION: IMPOSSIBLE – THE FINAL RECKONING is an excellent conclusion to the series featuring Tom Cruise as Ethan Hunt. There are several reasons I feel this way. First, this final episode gives us the things that we’ve loved about the series from the beginning. For example, there is always a section of the film where the team will have to do something that is impossible. They’ll go through the plan with us, the audience, and they’ll explain why it’s impossible and the worst case scenarios they could run into. You can always count on the actual execution of the mission being even worse than the “worst case scenarios,” with the fun being in how they finally achieve their objective after all sorts of complications. We definitely get that here. Second, the relationships that Ethan Hunt shares with his long term team of Luther (all 8 films) and Benji (6 films) bring something special in this final episode. Luther (Ving Rhames) has been with Ethan from the very beginning, and this final episode proves that Ethan isn’t the only person on the team willing to give everything he has to protect a bunch of people who will never know his name. Benji (Simon Pegg) has been with Ethan since the third installment, and the series has seen him go from being nerdy comic relief to an important and trusted member of the team. He’s still funny, but he’s also right in the middle of everything. I like Pegg and it’s been satisfying seeing this character arc. Third, the action sequences are incredible. The final sequence where Ethan Hunt must climb on board not one, but two different biplanes to stop the evil Gabriel from getting away is awesome. These stunt sequences are incredible, and I actually got weak in the knees as I watched the death defying maneuvers, mostly featuring Tom Cruise himself. Fourth, this final installment enjoys revisiting past missions and characters, tying these prior events to where we are now in Hunt’s story. My favorite is the re-introduction of the character William Donloe (Rolf Saxon), the CIA Analyst from the very first film who ran the impenetrable, secure room that Hunt’s team is able to break into in Langley, VA. We learn that his character was banished to a remote post on the Bering Sea as a direct result of what happened 29 years earlier. When he re-emerges here, it’s revealed that his reassignment was the best thing that ever happened to him, and he’s also made an integral part of this final installment. It’s good stuff. 

Finally, I want to finish my thoughts on MISSION: IMPOSSIBLE – THE FINAL RECKONING by discussing actor Tom Cruise. It’s my personal opinion that Cruise is the last of a dying breed, the true movie star who gives everything he has for his films. There are no others who do what Tom Cruise does, which is put his life on the line to entertain us. Jackie Chan did the same thing in his heyday, and there aren’t any others left. The stunts that Cruise completed for this film, as well as the prior films, will never be matched again by a major movie star. That may even be a good thing, but my respect for Cruise’s commitment to his craft places him alone in my book as the greatest movie star on the planet. They certainly don’t make them like Tom Cruise anymore. 

At the end of the day, MISSION: IMPOSSIBLE – THE FINAL RECKONING is an incredible close to the extremely successful franchise. It’s probably not the best in the series as it may try to cover too much ground in its efforts to close everything out. Time and repeat viewings will determine its ultimate reputation, but I know that I enjoyed every second of it. I even had some moisture well up in my eyes at the end as the film was reaching its conclusion. I honestly doubt we’ll ever see such prolonged excellence again in a movie franchise. 

Late Night Retro Television Review: Friday the 13th: The Series 3.7 “Hate On Your Dial”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Johnny screws up, making the type of mistake that Ryan never would have!

Episode 3.7 “Hate On Your Dial”

(Dir by Allan Eastman, originally aired on November 6th, 1989)

This week’s cursed antique is an old car radio from 1954.  Smear it with the blood of someone who has just died and the car will transport you back to …. 1954.  That seems like an oddly specific curse and a kind of pointless one.  What if the car radio ends up in the possession of someone who doesn’t care about 1954?

(And, to make clear, Jack does specifically state that the curse involves going back to 1954.)

The car radio does end up in the possession of Ray Pierce (Michael Rhoades), a racist auto mechanic who uses the car to go back to 1954 so that he can hang out with his father in Mississippi.  His father (Martin Doyle) is a member of the Klan, along with his friend, Joe (played, in an early performance, by Henry Czerny).  The 1954 scenes are filmed in black-and-white.  When the show travels back 1954, the first thing we see is an “I Like Ike” billboard, featuring Dwight Eisenhower and a Confederate flag.  Obviously, someone in the show’s Canadian writer’s room didn’t know who supported segregation in 50s and who didn’t.  There was a political party wrapping itself in the Confederate flag in 1950s Mississippi but it wasn’t the Republicans and their candidate wasn’t Dwight Eisenhower.

This episode features Johnny making another one of his trademark mistakes, this time selling the cursed radio to Ray’s “slow” brother, Archie (played by Cronenberg regular Robert A. Silverman).  Only after Johnny sells it does he realize it was probably cursed.  Micki yells at him for not checking the manifest before selling it.  Then Jack yells at him too.  Jack remains angry with him for nearly the entire episode.  It’s understandable that Jack would be upset but then again, maybe they shouldn’t have left inexperienced Johnny alone in the shop in the first place.  Maybe they shouldn’t even be selling antiques at all.  That would definitely solve the problem.

Anyway, this episode featured some of the worst Southern accents that I’ve ever heard and it also featured a cursed objects that didn’t make much sense.  Johnny learned an important lesson about being careful about selling things and I guess that’s a good thing.  That said, Ryan never would have made that mistake!

I celebrate Henry Czerny’s birthday with two of my favorite scenes!


Today is the 66th birthday of the excellent Canadian character actor Henry Czerny. My admiration and appreciation for the man stems primarily from two performances in big movies. The first time I really remember seeing him is when he played the ethically challenged Deputy Director of the CIA Robert Ritter in CLEAR AND PRESENT DANGER (1994). He goes toe to toe with Harrison Ford at times in an incredible performance. Check out the scene below:

A couple of years later Czerny would play IMF Director Kittredge in MISSION: IMPOSSIBLE (1996) with Tom Cruise. Once again, his performance adds greatly to the film and this scene with Tom Cruise may be the best of the movie!

Actors like Henry Czerny are a treasure and I always look forward to seeing them pop up in movies and TV shows. It made me so happy when he showed back up a couple of years ago in MISSION: IMPOSSIBLE – DEAD RECKONING (2023). Happy Birthday, Henry! 🎊🎂🎉

Mini Retro Television Review: T and T 3.10 “Silent Witness”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

Hi, everyone!  I sprained my wrist yesterday and today, it still hurts to type so today’s review is going to be a quick one.  You might even call it a mini-review!

Episode 3.10 “Silent Witness”

(Dir by Alan Simmonds, originally aired on March 10th, 1990)

When a bank is robbed, a young deaf boy named Vito (Daniel DeSanto) is the only witness to catch sight of one of the robbers without his mask on.  The police bring in T.S. to keep an eye on the kid until it is time to testify.

This was a sweet episode.  Mr. T, who has occasionally seemed a bit bored with the third season of this show, really brightened up when he was acting opposite DeSanto.  One gets the feeling that both T.S. and Mr. T are naturally protective of kids.  It was nice to see Mr. T being warm-hearted instead of grumpy and annoyed.  It felt like a flashback to the first season, when T.S. Turner was still an earnest idealist.

Proving that everyone has to start somewhere, the great character actor Henry Czerny shows up here as a corrupt cop.

This episode suffered a bit due to its short running time.  Stuffing an hour’s worth of plot led to things occasionally feeling a bit rushed.

The episode ended with Vito watching Turner argue with a detective (Richard Fitzpatrick) and finally speaking, for the first time in the episode.  “Stop!” Vito says.  It was a nice note to end on.  Stop arguing and just be happy that the case has been solved.

And that seems like a good place to stop this review.

Ethan Hunt returns in the Mission: Impossible – Dead Reckoning Part One Teaser!


Holy Cow! On Twitter, Christopher McQuarrie dropped the teaser trailer for Mission: Impossible – Dead Reckoning – Part One and there’s just so much to unpack here. Lorne Balfe reunites with McQuarrie on the score and I’m loving the piece that plays in this trailer. It looks like almost everyone from Mission: Impossible Fallout are back, and some new faces are present with Haley Atwell joining the fray. It’s also interesting to see Henry Czerny back in the mix. If the Fast and Furious movies have taught us anything, it’s that you can always find a use for a character you thought you shelved. Wow, it’s just a teaser, and it’s only Part One! I’m pretty excited for this.

Ready or Not, Review by Case Wright (Dirs. Matt Bettinelli and Tyler Gillett)


R Or not.jpg

The will to survive is a strange thing. Why do some people give up their wallet or purse to a mugger freely and others snap and fight to the death? Back in the days when I could jog, I was in Central Park early on a Sunday and a mugger tried to take my little POS MP3 player.  I could’ve done the smart thing and given it up, but something just clicked and I started punching and punching.  His face was total shock and he wandered off.  He wasn’t threatening my life, but it didn’t matter if he were, I would’ve acted the same. And Yes, my 93 tracks ranging from Springsteen to Modest Mouse remain safe to this day.  Ready or Not tests whether Grace (Samara Weaving) has the will to survive and she didn’t even have an ipod to protect.

The people hunting people is almost a sub-genre, but this movie had style.  It’s got horrible and quasi-incompetent murderers, a tough but vulnerable heroine, and lots and lots of BLOOD!

Grace is set to marry into a family of rich asshats who treat her like garbage.  Well, except for Daniel (Adam Brody) the brother of Alex – the groom to be.  Daniel thinks she should leave because she’s too good for his worthless family.  Daniel has a point.  The aunt is a mean spirited jerk and all of the people who enter the family are pretty desperate in one way or the other, making them agreeable to participate in their lethal affairs.

Grace decides to marry Alex anyway even though the family’s shitty personalities are on full-display.  The honeymoon begins and Grace must choose a card because she is entering the family.  A creepy box has a playing card and determines which card; sometimes the game is Chess, Checkers, or Hide and Seek.  If Hide and Seek is chosen, the family will hunt the new entrant to the family and sacrifice him or her to Satan- In-Laws … Am I Right?!!!

Grace picks hide and seek and the game is a foot….dun dun dun! This kicks off a lot of suspense and humor as Grace fights her in-laws to the death.  Grace asks her new husband Daniel why he didn’t warn her that his family is a bunch psycho killers?  His response: You would’ve left me.  Daniel, you suck! We all hate you Daniel…A LOT!

The family hunts Grace all over the estate and she gets hurt and screams….and Screams…AND SCREAMS! Samara Weaving’s screams are THE BEST EVER.  They are a mixture of gutteral staccato and high pitched terror and they are legit real.  All other scream queens before her must hail the new Queen.   Here is an example of Samara’s amazing scream queen skills:

RIGHT?!!!! She’s is legit awesome – a throwback and beyond to the glory days of horror. She’s a mix of vulnerable and badass, cunning and funny, basically she rocks this entire movie! Everyone should go see this movie tonight!

Yes, this review is a little brief, but I don’t want to spoil too much.  Enjoy!

 

Back to School Part II #34: The Ice Storm (dir by Ang Lee)


the-ice-storm

The 1997 film The Ice Storm is kind of a schizophrenic film, which makes sense since it’s set in 1973 and, just from what I’ve seen in the movies, it appears that the early 70s were kind of a schizophrenic time.

It’s a film that deals with two sets of people who all live in an upper class Connecticut community.  One part of the film deals with parents who are freaking out about suddenly being adults.  The other part of the film deals with the children, most of whom seem destined to make the same mistakes as their parents.  It’s a film that is occasionally bracingly realistic and relatable, one that reminds us that being directionless in the 70s isn’t necessarily that different from being directionless in 2016.  At other times, the film feels a bit too studied for its own good.  This is one of those films that features a Tobey Maguire voice-over and, as good an actor as Maguire has always been, he’s always at his worse when reciting a pseudo-profound voice over.  And then there are other times when the film feels a bit too cartoonish for its own good.  Elijah Wood’s a stoner.  Sigourney Weaver walks around with a bullwhip.  David Krumholtz shows up as a character named Francis Davenport.

Fortunately, the film is directed by Ang Lee and Ang Lee is probably one of the few filmmakers who can overcome tonal inconsistency.  Lee is so good with actors and is such a good storyteller that even his lesser films are usually worth watching.  The Ice Storm would just be another silly sin-in-the-suburbs film if it had been made by any director other than Ang Lee.

The main adult in the film is Ben Hood (Kevin Kline).  Ben is married to Elena (Joan Allen) but he’s having an affair with his neighbor, Janey (Sigourney Weaver).  Elena may be upset when she finds out about the affair but she’s still willing to accompany her husband to a key party.  A key party was a 70s ritual in which husbands would throw their car keys into a big punch bowl and then the wives would randomly pick a key and have sex with the owner.  Basically, anytime a TV show or a movie takes place in the suburbs during the 70s, there has to be at least one key party.

And The Ice Storm‘s key party is kind of fun to watch.  Kevin Kline and Joan Allen both give really good performances and Ben is such a loser that it’s fun to watch him freak out when Janey gets a key other than this own.  Elena, meanwhile, ends up going off with Janey’s husband (Jamey Sheridan, pretty much looking the same in this 1997 film as he did in Spotlight and Sully) and they share a really good scene together, one that reveals that none of the film’s adults are really as mature or liberated as they claim to be.

While the adults attempt to play, their children attempt to find some sort of meaning to their empty existence.  Ben and Elena’s daughter, Wendy (Christina Ricci), wears a Richard Nixon mask and enjoys sexually teasing her classmates, especially Janey’s youngest son, Sandy (Adam Hann-Byrd).  Ben and Elena’s oldest son, Paul (Tobey Maguire) is in New York, hoping to lose his virginity to Libbits (Katie Holmes) despite the fact that Libbets is far more interested in his boarding school roommate, Francis Davenport (David Krumholtz).  Paul also compares his family to the Fantastic Four so, assuming Paul survived both the 70s and 80s, he’s probably still living in Connecticut and telling everyone who disappointed he was with last year’s film.

And, of course, there’s Mickey (Elijah Wood).  Mickey is Janey’s oldest son and he’s permanently spaced out.  When the ice storm of the title occurs, Mickey is the one who decides to wander around outside and appreciate the beauty of nature’s remorseless wrath.

Needless to say, the ice storm is also a really obvious metaphor for the way all of these very unhappy (but very prosperous) characters tend to view and treat each other.  Despite all the attempts to pretend otherwise, everyone has a frozen soul.  Nobody’s capable of maintaining any sort of real emotional connection.  Of course, someone dies and everyone’s forced to take a look at the sad reality of their lives and the film ends with a sudden and spontaneous display of actual human emotion.  It’s one of those ideas that probably works better as a literary conceit than a cinematic one.

That said, The Ice Storm is flawed but very watchable.  I enjoyed it, even if it did occasionally seem to be trying way too hard.  It’s well-acted and, if nothing else, I enjoyed getting to see all of the amazingly tacky clothes and the interiors of all those big houses.  These people love their wide lapels and their shag carpeting.  The Ice Storm is not Ang Lee’s best but it’s still good enough.