The Daily Grindhouse: Cannibal Ferox aka Make Them Die Slowly (dir. by Umberto Lenzi)


It’s time we got back to another edition of “The Daily Grindhouse” and this time we go into the lovely and wholesome fun that was the European cannibal subgenre which became popular from the mid-1970’s right up to the early 1980’s. The granddaddy and best of this subgenre will forever be Ruggero Deodato’s Cannibal Holocaust. That film help bring about the flood of cheap copies and knock-offs with each one trying to one-up Deodato’s masterpiece by amping up the violence and gore to try and get banned in as many countries as possible. One of these knock-off’s is Umberto Lenzi’s Cannibal Ferox aka Make Them Die Slowly.

It stars one of the heavyweights of Italian exploitation and grindhouse in Giovanni Lombardo Radice. It pretty much borrows part of the plot of Cannibal Holocaust then adds in a liberal helping of drug-dealers, mobsters and emeralds. Lenzi’s flick dumps the “found footage” style Deodato used for his film and instead goes a more traditional style. This lessens the impact of Lenzi’s film and definitely adds to fuel from critics and detractors who saw nothing of value in this film.

I wouldn’t say that Cannibal Ferox has no redeeming value whatsoever for it is an interesting flick. Gorehounds and lovers of this particular brand of grindhouse cinema have a special place in their heart for this flick with special mention going to the several kill sequences that occur throughout the film. Lead actor Radice gets the most elaborate and gruesome fate in this flick and I would say in most in the subgenre. No wonder in an interview years later he would regret ever filming this flick.

Oh yeah, Lenzi one up’s Deodato’s on-screen killing of a live turtle by doing a pig instead.

Like I said earlier, lovely and wholesome fun for the whole family.

6 More Trailers Exploit The 70s


Now that Thanksgiving has come and gone, it’s time for another installment of Lisa Marie’s Favorite Exploitation and Grindhouse Trailers.  Today, all 6 of our trailers come from the 70s.  That’s actually kind of a coincidence but it’s as close to a theme as I could find so let’s go with it.

1) Superchick

Let’s start things off on a positive, empowering note with the trailer for Superchick.  This appears to be an only-in-the-70s type film.  For one thing, the narrator says “stewardess” instead of “flight attendant.”  What a pig.  (Just kidding…I think stewardess has kind of a nice retro sound to it, to be honest…)

2) Satan’s Cheerleaders

“Are you kidding?  I’m no maiden.  I’ve been a cheerleader for three years…”  Would I find this trailer as amusing if my older sister hadn’t been a cheerleader at the same time that I was going through my whole goth ballerina phase?  Probably.  I haven’t seen the actual film but, for whatever reason, I suspect it doesn’t quite live up to the trailer.

3) Countess Dracula

Ingrid Pitt, who died on the 23rd on the month, helped to bring Hammer films fully into the 20th Century with this film and the Vampire Lovers.  Here she plays the infamous Elisabeth Bathory.

4) Don’t Answer The Phone

This is not a trailer to watch if you’re in a paranoid state-of-mind.  This is a pretty bad movie but it does feature one of the best “psycho” performances of all time from the late character actor, Nicholas Worth. 

5) The House That Vanished

I have mixed feelings about including this one because it’s a TV spot as opposed to an actual theatrical trailer.  But I’m including it anyway because it is the epitome of everything I love about 70s exploitation.  The film is actually an English film that was entitled Scream and Die! which, in all honesty, sounds like a pretty good title to me.   However, by the time it was released in the States, Wes Craven’s Last House On The Left was making a lot of money and every horror film was retitled with a House-themed title.  Also, the “it’s only a movie…” chant is lifted directly from the advertising campaign for Last House On The Left.

6) Ruby

Finally, let’s end with Ruby.  This is yet another one where I haven’t seen the actual movie but from the trailer, it appears to be a proud part of the grindhouse tradition in that it not only rips off Carrie but The Exorcist as well.

BONUS TRAILER:

Yes, I’m including a bonus trailer!  Why?  Because I love you, that’s why.

This is for Michael Almereyda’s haunting and odd vampire film, NadjaNadja was released in 1994 but it features Peter Fonda so it might as well be from the 70s.

And, since I have to end everything on an even number (it’s a long story), here’s another bonus trailer just so we end up with 8 trailers instead of 7.  This is another unconventional, New York vampire tale — Vampire’s Kiss.  This is also known as the movie where Nicolas Cage actually ate a live cockroach while being filmed.  (Personally, I think of it as being the precursor to Mary Harron’s American Psycho.)

Happy Thanksgiving!


Yes, technically, it’s the day before Thanksgiving but really, Thanksgiving has always been a three-day event.  On Wednesday, you shop for stuff you need.  On Thursday, you realize that you bought too much stuff that you need.  And on Friday, you shop for stuff that you want.

So, anyway, since it technically is Thanksgiving today, let’s get things started with this little short film from the Kubrick of Gore, Eli Roth…

Shut up, Billy Dee Williams — It’s Time For Six More Trailers


Here’s the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.  (I know, I know — worst intro paragraph evuh!  Following the tradition of the Pieces trailer, which can be found below, I’m keeping things simple.  I’ll be back to my usual complicated self next week.)

1) Fear City

Believe it or not, this was directed by Abel Ferrara, the same man who directed Ms. 45Fear City is one of the few Ferrara films that I haven’t seen but the trailer just oozes sleaze doesn’t it?  And speaking of sleaze, maybe that’s what all the men in this film were putting in their hair.  Seriously, why not call it Gel City?  And how about Billy Dee Williams there, sounding like the angel of the final judgment?  Shut up, Billy Dee Williams!

2) A Cat In The Brain

This is one of Lucio Fulci’s final films and you’re either going to love it or you’re going to hate it.  The film is surprisingly meta for an Italian horror film not directed by Michele Soavi.  This is the one where Fulci plays himself and attempts to personally answer his critics.  Anyway, the reason I love this trailer is because of the cat puppet that appears at the end.  It’s so cute!  (Ignore the quote from Clive Barker — he’s almost as much of a whore as Stephen King.)

3) Pieces

“It’s exactly what you think it is!”  Anyone who wants to go into advertising should watch this and learn.

4) The Stud

I imagine this is another film that’s “exactly what you think it is.”  I love trailers that show off what was considered to be chic and decadent in the past.  This is one is from the 70s.  (Surprised?)

5) Cannibal Apocalypse

While the rich people were partying in London, cannibals were apparently ruling the streets of Atlanta.  According to actor John Saxon, starring in Cannibal Apocalypse made him suicidal.  Cannibal Apocalypse is actually a pretty good film with an anti-war subtext and it features a great supporting performance from Giovanni Lombardo Radice so seriously — shut up, John Saxon!  (Actually, Saxon gives a really great performance here — of course, his character is meant to be suicidal — and he’s the main reason that Cannibal Apocalypse works.)

6) Cannibal Man

Much like Cannibal Apocalypse, Cannibal Man is actually an allegory of alienation that’s disguised as a horror movie.  Cannibal Man is a seriously strange movie and highly recommended.

6 Trailers In Rememberance of Lisa Marie’s Youth


This edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers is a sentimental  and sad occasion for me.  I’m a Scorpio (and, seriously, who is shocked to hear that, right?).  What that means is that I’ve got a birthday coming up this Tuesday.  I’ll be turning 25.  I’ll be a quarter of a century old.  So, this will be my last installment of this series as a young woman.  Next weekend, when I post the next installment, I’ll be an adult.

Unfortunately, I didn’t really think about this until I’d already selected my trailers for this installment.  So, I wish I could say that there’s some sort of deep meaning behind why I picked any of these posts.  But there’s not, with the exception of I Drink Your Blood.  And my selection of I Drink Your Blood has less to do with my birthday and more with the fact that it’s the 17th greatest movie ever made.

Anyway, let’s get to the trailers and try not to think about the fact that I’m getting old…

1) Food of the Gods

Two things I love about the trailer: the pompous opening 40 seconds (I loved it when Exploitation mocks the Mainstream through imitation) and the presence of Marjoe “Bad, not evil” Gortner.

2) Tintorera

This is the Mexican version of Jaws.  Not only was it directed by the infamous Rene Cardona, Jr. but it stars the original HUGO STIGLITZ! 

3) Prisoner of Paradise

Prisoner of Paradise (which I have never seen) is apparently a hardcore war film from the 70s that starred John C. Holmes’s cock.  The star does not appear in this trailer.  Instead, we get things blowing up followed by something else blowing up which is followed up by something — wait for it — blowing up.  And then, suddenly, we’re on the beach.

4) Machine Gun McCain

Speaking of blowing things up…Machine Gun McCain is one of the many Italian crime thrillers that came out in the late 60s.  They were not only far more violent than American thrillers but usually a lot more interesting too.  Earlier on Saturday, I bought this movie on DVD.  The guy working the register looked at it and said, “I’d watch this first because Britt Ekland’s in it.” 

5) Hell’s Bloody Devils

While the Italians were exploiting the Mafia, Americans were exploiting motorcycle gangs.  Hell’s Bloody Devils is a typical example with a typically 1970 political subtext.  It was directed by Al Adamson who, years later, was apparently murdered and buried in cement.

6) I Drink Your Blood

I Drink Your Blood was released on a double bill with an old black-and-white zombie films called I Eat Your Skin.  All the  scenes in the trailer below are from I Drink Your Blood.  I love the trailer because it is just classic grindhouse.  However, I Drink Your Blood is also one of the best films ever made.  The 18th best, to tell the truth.  Seriously.

Celebrate Halloween with Ms. 45!


Happy Halloween!

In honor of the holiday, here’s a Halloween-themed clip from one of the greatest films ever made — Ms. 45, the movie that proved that the Grindhouse is often more sincerely pro-woman than the mainstream.

(Big spoiler warning: This scene is actually the end of the film so if you’re the type of little toadsucker that’s always crying “You should have warned me boo hoo,” consider yourself warned.)

Song of the Day: Halloween Theme (by John Carpenter)


The penultimate choice for this week’s horror-themed “Song of the Day” feature brings one of the best theme songs ever composed and put on film. I am talking about the Main Title theme for John Carpenter’s classic horror film (also one of the best grindhouse films ever made) and one which launched a whole new horror subgenre with Halloween. This theme would become synonymous with the “slasher film” that when the many copies and imitators of the film came out in droves a year later they would try to replicate this keyboard synthesizer-based theme and fail miserably.

It’s actually a pretty simple theme. Carpenter composed the theme as a piano melody played in a 5/4 meter that even the most novice piano player could play with ease. This theme could be heard throughout the film whenever Michael Myers appears and/or in the vicinity. Some have even started calling it the Michael Myers theme and they wouldn’t be far off. It’s become the film’s leitmotif that Carpenter ends up relying on it to set the mood and tension in the film. Other kids of songs could be heard throughout the film but outside of the Blue Oyster Cult’s “Don’t Fear the Reaper” the rest of the score is forgettable until this theme kicks in.

This theme will be the final of the instrumental themes for the week. With one more day left in this special week-long horror-themed week for “Song of the Day” the last one will definitely usher in another awesome Halloween and help kick off the premiere of what will probably be the best thing to ever grace the tv screen past, present and future.

Song of the Day: Cannibal Holocaust Main Theme (by Riz Ortolani)


The second song in the week-long special edition of the “Song of the Day” feature I’ve chosen the main theme to the infamous and controversial Italian horror film Cannibal Holocaust from Italian filmmaker Ruggero Deodato. The song is part of the film score composed wholly by Italian film composer Riz Ortolani.

The main theme to this greatest of film in the cannibal horror subgenre always take new listeners by surprise. For a film which shows some extreme examples of violence towards people and animals the theme is actually quite gentle and serene with just a hint of sadness in the suite. This theme really doesn’t prepare the viewer for what they’re about to see (though anyone watching Cannibal Holocaust for the first time should at least have an inkling what the film will be about just from the title alone).

It’s a testament to Ortolani’s talents that he was able to create a synth-based theme which has only gotten more popular with the passage of time. The theme could almost be considered the unofficial theme to the glory days of grindhouse cinema of the 70’s and 80’s. It’s even become the theme song to the greatest film (both long and short form) ever made: Treevenge. Just watch for yourself right below and you’ll understand why I say it’s the greatest thing ever put on film.

6 Trailers From The Valley of the Exploited


No, the Valley of the Dolls is not one of the trailers included in the latest installment of Lisa Marie’s Grindhouse and Exploitation Trailers.  It just happens to be the movie that I’m watching as I edit this post.   Anyway, Valley of the Dolls was an exploitation film mostly because of human error.  The trailers below are for films that came by their exploitation label honestly.

1) An American Hippie In Israel

There’s some debate as to whether or not this movie actually exists.  I originally saw this trailer as an extra on the I Drink Your Blood DVD about three years ago.  At that time, Grindhouse Releasing claimed that it would be releasing this film on DVD “soon.”  Three years later, the DVD has yet to be released.  Perhaps it’s for the best.  I doubt that actual film could live up to lunacy and silliness of the trailer.

2) Best Friends

This is a good example of a movie that, if it was released today, would probably be marketed as an indie art film.  However, since it came out in the 70s, it played in grindhouses and drive-in movie theaters.  It’s actually a surprisingly well-made and well-acted film.

3) Chappaqua

Much like Best Friends, Chappaqua is proof that art and exploitation often go hand-in-hand.  The film was produced and directed by Conrad Rooks and features William S. Burroughs at his cynical best.

4) The Hellcats 

This is another one of those trailers that proves that, in the late 60s, liberated women were actually more menacing than murderous biker gangs.

5) Hell’s Belles

This movie, I suppose, could also have been called The Hellcat.  Adam Roarke, the star of this one, appeared in every biker film released in 1970.

6) Savage Sisters

This is another one of those films that, frustratingly enough, is not yet available on DVD.  That’s a shame.  The world needs more movies about women kicking ass.

Banned in Vermont: 6 More Shocking Trailers


The latest installment of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers features trailers that are too intense, too shocking, and too controversial for the new age hippies of Vermont.

1) Axe

This film was originally titled Lisa, Lisa.  Isn’t that just a great title?  Seriously, how can you go wrong with a title like Lisa, Lisa?  Just say it a few times.  Lisa, Lisa.  What a great name.

Anyway, this trailer is just pure exploitation and the narrator really loves saying “Axe” repeatedly.  Still, I think he would have been happier saying, “Lisa, Lisa…”

2) Snuff

“The film that could only be made in South America…where life is cheap!”  I’ve never actually seen Snuff though I’ve read a lot about it.  Apparently, this was originally a film called Slaughter.  It was made by pornographic pioneers Roberta and Mike Findlay.  Anyway, the film was bought by another distributor who tacked on some footage of one of the actresses supposedly being killed on camera.  Snuff was then advertised as being an actual snuff movie and, of course, a bunch of dumbfugs believed that it actually was.

3) Olga’s Girls

This is a movie I’ve been meaning on reviewing for a while.  Olga’s Girls is from 1964 and the trailer — like all good grindhouse trailers — makes the film seem a lot more sordid and explicit than it actually is.  The actual film is almost quaint.

4) The Syndicate: A Death In The Family

“The Underworld touches everyone…even you.”  I love the shameless melodrama of this trailer and the serious tone of the narrator.  I also love the swinging crime music.  This Italian film is apparently not available on DVD.

5) The Weird World of LSD

“To fly a giant bird!”  MK-Ultra much?  This is another film I haven’t actually seen and I’ve had next to no success in tracking down a copy.  Why is LSD always so much more fun in the movies than in real life?  Seriously.

6) Possession

As I said in an earlier post, Europe’s art films are often repackaged as America’s grindhouse and exploitation films.  1981’s Possession is a perfect example of that.  People either love or hate this film.  It gave me nightmares but I still think its one of the best (and most important) films ever made.  Everyday, when faced with adversity, I ask myself — “What would Isabelle Adjani do?”