HAVOC (2025) review – Director Gareth Evans returns to action cinema! 


If you enjoy bone-crunching action filmmaking, Gareth Evans’ films THE RAID (2011) and THE RAID 2 (2014) are as good as it gets in the 21st century. When I saw that Evans had a new film coming to Netflix that stars a badass looking Tom Hardy, I have to admit I got excited. The trailer only increased my anticipation with its promise of stylized, intense action, as well as a cast that includes personal favorites like Timothy Olyphant (JUSTIFIED T.V. Series) and Forest Whitaker (GHOST DOG). I settled in front of my TV and hit play, with high hopes for HAVOC!

The film opens with conflicted police detective Walker (Tom Hardy) sharing words of regret via voiceover, and then immediately shifts to a high speed chase between an 18 wheeler and a bunch of cops. It is an intense scene that ends with washing machines filled with cocaine being thrown onto a trailing cop car! We soon learn that the big truck was being operated by Mia (Quelin Sepulvida) and Charlie (Justin Cornwell), the son of ethically challenged businessman Lawrence Beaumont (Forest Whitaker). It seems Charlie and Mia stole the drugs to pay off her debts to Chinese triads. When they go to a club to deliver the drugs, a group of masked men proceed to interrupt the drop and kill everybody, including the beloved son of the triad’s leader Tsui (Yann Yann Yeo). When Walker sees Charlie on security footage from the club, he goes to Beaumont, a man who knows his dirty secrets, and makes a deal. He’ll get his son back, and they’ll be square for life. Soon the triads are in town ready to hunt down and kill Charlie and Mia, who they believe are responsible for the massacre. Add to that a group of corrupt cops, led by Vincent (Timothy Olyphant), who also want Charlie and Mia dead, and detective Walker and his new partner Ellie (Jessie Mei Li) have their hands full on Christmas Eve! 

Here are some observations after my first viewing of HAVOC. First, Tom Hardy is a badass in the central role as Walker. I’ve been a fan of Hardy ever since he started breaking out in America after his performance in BRONSON (2008). I really loved him as Mad Max in FURY ROAD (2015). I’d never really envisioned him as this kind of action lead, but he definitely brings a certain gravitas to the role. Second, this movie feels like a bone crunching super hero movie at times, as it’s chock full of special effects. I found the action sequences featuring gunplay and hand to hand combat to be brutally awesome, but the car chase scenes aren’t quite up to the same standard. I mentioned the 18 wheeler chase in the plot description. As the scene plays out it’s a lot like watching an unrealistic chase scene from a later sequel to THE FAST AND THE FURIOUS franchise. It’s an exciting scene in a lot of ways, but it doesn’t seem set in the real world, which is a slight subtraction for me. Third, the movie is set on Christmas Eve, and I enjoy films that take place on holidays. We have a scene early in the film where “Father of the Year” Walker is buying his daughter’s Christmas gifts at a local convenience store. A little later, there’s a cool abduction scene that plays out to the sound of Bing Crosby singing “O Holy Night.” That’s good stuff. Fourth, director Evans seems to be trying to channel the spirit of 80’s and 90’s John Woo, as his film features an endless arsenal of weaponry, coupled with high emotions, and even a little classic music from an iconic scene in Woo’s own A BETTER TOMORROW (1986). No matter how many rounds are fired, there’s always more bullets or guns to be found as the last half of the film is almost nonstop action spread out over two amazing sets, first in a club and then at a cabin. And both of our featured parents, murderous triad leader Tsui and corrupt businessman Beaumont, get a chance to show their human sides by illustrating their sacrificial love for their children. Although HAVOC most certainly does not compare favorably to Woo’s HARD-BOILED, I can also see that Hong Kong classic being referenced here. Fifth, I’m a big fan of Timothy Olyphant, especially of his character Raylan Givens in the TV series JUSTIFIED. I had to forget Raylan on this night because his character here is an irredeemable piece of crap. Of course, Olyphant is excellent and delivers his evil with a smile on his face. 

Overall, I enjoyed HAVOC, but I don’t think it’s quite as good as either of the director’s RAID films, and that’s okay. I’d probably go with a solid 7 stars out of 10 for a rating. I love Hardy and Olyphant, who both bring their tremendous charisma to the table. I also enjoyed the many cool moments throughout the film leading to the action extravaganza that plays out at the end. It will be interesting to see how often I want to go back to this film in future years. I do know that if you enjoy action movies, you should definitely watch this film. Just don’t expect another RAID 2.

Trailer: Havoc


Chad Stahelski has gotten a large share of kudos for reinvigorating the action genre the last ten years (deservedly so). Yet, one director seems to have been forgotten despite having directed two of the most action-packed and brutal action film of the last 15 years.

I am talking about Welsh-filmmaker Gareth Evans of The Raid and The Raid 2 fame. His work on these Indonesian martial arts action films have been celebrated for years, yet Evans hasn’t really been given a chance by the major studios with any major projects.

Since leaving Indonesia and going back the UK, Evans has made one film (The Apostle) and an action series (Gangs of London). The former was distributed by Netflix and its through them that Evans returns to the scene with another film that looks to be as brutal and action-packed as any he has made in the past.

Havoc stars Tom Hardy who may be competing with Gerard Butler for anti-hero of the 2020’s as he sports such a grizzled and beaten down look as a detective who must navigate his through the corrupt underworld and politics of the city in order to save a politician’s son.

The official and final trailer for Havoc is now out just weeks before it premieres on Netflix on April 25, 2025.

Trailer: Apostle (Netflix)


Apostle

Gareth Evans is pretty much the director who helped usher in the latest renaissance in action films. His films show that action can be done without reling on quick cuts and fast edits. Gone are the days of Christopher Nolan staged fight scenes that shows no life whatsoever and the nausea-inducing edits by Paul Green grass in his Bourne franchise.

Well-known for his work in Indonesia, especially with the Raid franchise, Gareth Evans is now trying his hand in something a bit different, but still looks to be in his wheelhouse. This time around it’s through the largesse of Netflix that he will be making his next project titled Apostle.

The film has been under the radar throughout much of its production and post-production, but with less than a month remaining til it’s October release, Apostle may have just become one of my most anticipated films of the year.

With a cast headlined by Dan Stevens and Michael Sheen, Apostle looks to combine Evans’ stylistic action with period horror. Will the combination be a balanced mix or will it be too much of a good thing and the whole thing falls apart? We’ll find out on October 12, 2018.

4 Shots From 4 Films: Sabotage, The Raid 2, John Wick, Fury


2014 had it’s share of very good action films and here are four that I was particularly drawn to. While the film themselves were of varying degrees of quality in terms of storytelling. These 4 films all had one thing that I enjoyed despite their films’ flaws. They all had action scenes that I thought were quite excellent.

You have gritty present-day action thriller, an operatic gangster epic, a revenge thriller and a war film. One stars an aging action star back from playing politician. Another a foreign film whose filmmaker and star have set the bar for all action films for years to come. Then there’s the stunt coordinators and 2nd unit directors finally making their mark with their first feature-length film. Lastly, a war film that brings the brutality of World War II tank warfare to the forefront.

4 SHOTS FROM 4 FILMS

Sabotage (dir. by David Ayer)

Sabotage (dir. by David Ayer)

John Wick (dir. by Chad Stahelski & David Leitch)

John Wick (dir. by Chad Stahelski & David Leitch)

Arleigh’s Top 9 Films of 2014 (Front End)


We’re now past the halfway point for the film season of 2014. The year has seen it’s share of hits, bombs and surprises. Many look at the box-office numbers some that these films generate as a sign of their success. Others look at how the critics-at-large have graded these films as a way to determine whether they’ve been successful.

I know some people would list nothing but independent arthouse films as their best. They look at genre and big-budget films as not being worthy of being the best of the year, so far. It’s that sort of thinking that limits one’s appreciation of film, in general.

Does having a 150 million dollar budget mean that a film cannot be one of the best of the year. Past history will suggest that’s not the case. Yet, there are cinephiles out there who will dismiss such films because they consider it as being too Hollywood. The same goes for people who look down upon genre films like horror, scifi, westerns and many others that do not fit their slice-of-life drama study. They’re not existential enough for some.

I’ve come to look at all the films I’ve been fortunate enough to see through the first six months of 2014 and picked 9 of the best (I picked a random odd number since Lisa Marie already does the even numbers thing) no matter their genre, type of film and budget. I’ve picked a couple of scifi films, a documentary, an action-packed blockbuster sequel, a wonderfully made 3-D animated film (itself a sequel), a neo-noir Western, a brutal crime-thriller, an indie horror-thriller and one of the best comedies of the last couple years.

In no special order….

noah-banner222Noah (dir. by Darren Aronofsky)

capawsmovarthc-cvr-a91f8Captain America: The Winter Soldier (dir. by Anthony and Joe Russo)

cold_in_july_ver2_xlgCold in July (dir. by Jim Mickle)

HTTYD2How To Train Your Dragon 2 (dir. by Dean DuBois)

JodorowskysDuneJodorowsky’s Dune (dir. by Frank Pavich)

the-raid-2-berandal01The Raid 2: Berandal (dir. by Gareth Evans)

Snowpiercer (dir. by Bong Joon-ho)

GrandPianoGrand Piano (dir. by Eugenio Mira)

22JumpStreet22 Jump Street (dir. Phil Lord and Christopher Miller)

My honorable mentions: All Cheerleaders Die, X-Men: Days of Future Past, Joe, Edge of Tomorrow, Lego: The Movie, Blue Ruin, Locke, Under the Skin, Only Lovers Left Alive, The Sacrament

The Raid 2: Berandal “Gang War” Deleted Scene


the-raid-2-berandal-teaser-poster

So, just got back from watching The Raid 2: Berandal and I must say that I was left speechless. So, while I gather my thoughts in order to write up a review here’s a clip released by director Gareth Evans of a scene removed from the finished film due to pacing issues.

It’s a scene that took close to 6 days to set-up and film and quite a bit of money to do so. The fact that it’s a scene so heavy in action that it was still deleted from the film just goes to show just how awesome were the action in the film that this particular one was left on the cutting room floor.

Quick Review: The Raid 2 (dir. by Gareth Huw Evans)


 

the-raid-2-posterI didn’t know much about The Raid 2 (or The Raid: Berandal) prior to it’s release. Yes, I loved The Raid Redemption so much that after my initial viewing, I bought another ticket for the next available showing. I also saw the initial trailer, but other than that, I walked in blind. Truth be told, if the season finale of The Walking Dead wasn’t on the same night I saw this and the trains weren’t so damn slow, I would’ve gone right back in for The Raid 2. I know I’ll go back to it later this week, that’s for sure.

Here’s the short of it: The Raid 2 gives you all of the great martial arts from its predecessor (thanks to Choreographers and stars Iko Uwais, Yayan Ruhian, along with writer/director Gareth Evans). The fight scenes are incredibly fluid and well choreographed, some ramped up way past what the first movie delivered. The film also manages to build a story so big that it almost reaches levels akin to Michael Mann’s Heat.  That story length also threatens to hurt the film. Where Redemption was a tight package, the sequel has a 2 1/2 hour-long running time. It moves like an Opera, and as such, there maybe at least one chapter where you kind of wonder where it’s all going and why it’s moving in the chosen direction. The film does a great job of righting itself afterward and everything syncs up.

It’s an absolute fight to keep myself from going into every fight and saying “Did you catch that part when..?! Omigod, wasn’t that awesome!” No spoilers here, but this is one time where I wish I could. This review’s vague on purpose.

Taking place just hours after the events of Redemption, The Raid 2 finds supercop Rama (Iko Uwais) working undercover between 2 rival mob families and trying to weed out rogue cops. The premise sounds simple, but the movie is pretty layered.  Just how deep can Rama go without exposing himself or losing his humanity? In this sense, a lot of the writing pays homage to movies like Donnie Brasco, The Godfather and The Departed (or Internal Affairs, which The Departed was based on). This is all you really need to know about the plot itself, it’s a crime drama. How it conveys the story on-screen is something else entirely.

The balance between the action and drama is pretty even. Each dramatic moment seems to fit well to the ones before and after it. While there maybe one or two areas that require a huge suspension of belief (a person can bleed profusely and still manage to cause a wave of destruction), but depending on one’s mindset, these can be forgiven…or not. Evans chooses his shots carefully, and in some places it’s downright beautiful – especially in an area that focuses on three assassins with a particular skillset.

The fight scenes are rapid fire moments of hard-hitting shots and bloodshed that may have you wincing or even cheering (like my audience). People are sliced, shot, beaten to a pulp and your jaw may drop at the inventive ways a bat or hammer can be used. In some cases, it takes Close Quarters Combat in as tight as you can possibly get, using camera work that moves above, around and even inside the action when working with multiple fights. The camera isn’t so fast that it suffers from the Bourne Identity/Batman Begins fight blur, but it’s not static either. Remember that free roaming camera technique used in the car ride from Spielberg’s War of the Worlds? There’s a similar usage here that’s beautiful, but in the midst of all that stunt work, one has to wonder if anyone was seriously hurt. The audience lost their minds when Yayan Ruhian appeared, playing a character separate from Mad Dog in Redemption, and our showing ended with a half standing ovation. Not bad for a film focused on fighting.

If you understand that The Raid 2 is hyper-violent, it’s perfectly okay. It’s almost expected, and it works out so very well.

Basically, if you either went to see the The Raid: Redemption and/or enjoyed that film, there’s no reason to avoid The Raid 2. I honestly didn’t think it could get better than the first film and am happily surprised that it has. The film is in a limited release in New York and Los Angeles for now, moving to a wider release on April 11th.

Trailer: The Raid 2: Berandal (Official Domestic)


TheRaid2Berandal

The Raid 2: Berandal premiered today at this year’s Sundance Film Festival. We’ve already gotten two previous trailers and teasers. We now have a third one that just adds to the awesomeness of what I will now dub as the best film of 2014.

The Raid 2: Berandal will make it’s wide release in the United States on March 28, 2014.

Trailer: The Raid 2: Berandal (Official Teaser)


TheRaid2Berandal

In 2011, a little action film from Indonesia directed by Welsh filmmaker Gareth Evans took the world by storm. The film was called The Raid (The Raid: Redemption in the West). It out-actioned every Hollywood blockbuster action film of that year and still manages to hold its own against other action films since.

So, it’s no surprise that a sequel was already in production by the time that film’s theater run was winding down in the West. Gareth Evans will return as director of The Raid 2: Berandal and so will the survivors of the first film.

With filming all pretty much done and the film moving on to post-production the first official teaser trailer for the sequel has been released and all I can say is…WOW.

The Raid 2: Berandal will be punching people in the face sometime around 2014.

Quick Review: The Raid: Redemption (dir. by Gareth Evans)


I have to admit, Gareth Evans’ “The Raid: Redemption” wasn’t on my collective radar. It was by way of two friends on Twitter that I was even aware of it, but damn was it worth it. I can easily recommend The Raid as the movie to catch this weekend if you can find it playing near you (and if you happen to like action films). It’s been a while since I’ve run to the theatre twice in one week for the same film. It’s not perfect, and won’t win any kind of dramatic awards, but it’ll probably have you coming back for a second dose of the action.

The film has three things going for it:

1.) The action is intense, when it happens. The breaks between action moments are small.

2.) The film is short. At about 100 minutes, you almost won’t even realize when the film’s done.

3.) The music really moves it.

Evans and The Raid’s main star, Iko Uwais worked together back in 2009’s Merantau, which I’m looking to see now. The premise of The Raid: Redemption is a simple one. Rama (Uwais), along with 20 other SWAT team (or SWAT Team like) members perform a raid on a building owned by a criminal lord. Once the team gets in, they find the tables turned on them, with everyone in the building becoming their enemy.  This forces the team to try to stay alive and find a way to either escape, or get the Boss. That’s all it is, and honestly, that’s all The Raid would need to be as an action film. It’s as simple a story as Fist of Fury, Hard Boiled, and quite possibly The Expendables. There’s a side element in the film that I won’t go into detail on, which adds to things a little, but all the audience needs to know is that in The Raid, you’re getting pure action. If you’re walking into this expecting something more thought invoking (and that’s not a detriment to the film), you may want to look elsewhere.

Another high point of the film is its soundtrack, performed by  Mike Shinoda (of Linkin Park) and Joe Trapanese has a number of kinetic tracks in it that help to fuel the battles. It comes together very well, though part of me wishes that the main theme had a larger instrumental piece to it.

The pacing for The Raid is pretty good. Again, the time between fights are minimal, and most of it is used to showcase some of the situations the team and the members that live in the complex are in. While a few of these can be tense, they don’t really relax to the point where you’d hope to see more action.

If The Raid suffers from any drawbacks, it’s that that the fights themselves can end up being a little on the repetitive side. Mind you, this could be just a side effect of having seen the film twice already but you’ll find that by the time you get to the second to last fight, some of the moves seem to be repeated. Still, you won’t see anything better than this if you’re looking for a straight laced action film. An easily recommended pick.