We’re now past the halfway point for the film season of 2014. The year has seen it’s share of hits, bombs and surprises. Many look at the box-office numbers some that these films generate as a sign of their success. Others look at how the critics-at-large have graded these films as a way to determine whether they’ve been successful.
I know some people would list nothing but independent arthouse films as their best. They look at genre and big-budget films as not being worthy of being the best of the year, so far. It’s that sort of thinking that limits one’s appreciation of film, in general.
Does having a 150 million dollar budget mean that a film cannot be one of the best of the year. Past history will suggest that’s not the case. Yet, there are cinephiles out there who will dismiss such films because they consider it as being too Hollywood. The same goes for people who look down upon genre films like horror, scifi, westerns and many others that do not fit their slice-of-life drama study. They’re not existential enough for some.
I’ve come to look at all the films I’ve been fortunate enough to see through the first six months of 2014 and picked 9 of the best (I picked a random odd number since Lisa Marie already does the even numbers thing) no matter their genre, type of film and budget. I’ve picked a couple of scifi films, a documentary, an action-packed blockbuster sequel, a wonderfully made 3-D animated film (itself a sequel), a neo-noir Western, a brutal crime-thriller, an indie horror-thriller and one of the best comedies of the last couple years.
In no special order….
Snowpiercer (dir. by Bong Joon-ho)
My honorable mentions: All Cheerleaders Die, X-Men: Days of Future Past, Joe, Edge of Tomorrow, Lego: The Movie, Blue Ruin, Locke, Under the Skin, Only Lovers Left Alive, The Sacrament