4 Shots From 4 Films: Special 1985 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1985 Films

Insignificance (1985, directed by Nicolas Roeg, DP: Peter Hannan)

The Breakfast Club (1985, dir by John Hughes, DP: Thomas Del Ruth)

Rambo: First Blood Part II (1985, dir by George Pan Cosmatos, DP: Jack Cardiff)

Brazil (1985, dir by Terry Gilliam, DP: Roger Pratt)

4 Shots From 4 Films: Special 1967 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we take a look at a classic cinematic year.  It’s time for….

4 Shots From 4 1967 Films

Something Weird (1967, dir by Herschell Gordon Lewis, DP: Andy Romanoff)

Bonnie and Clyde (1967, dir by Arthur Penn, DP: Burnett Guffey)

Who’s That Knocking On My Door (1967, dir by Martin Scorsese, DP: Michael Wadley and Richard Coll)

Point Blank (1967, dir by John Boorman, DP: Philip H. Lathrop)

4 Shots From 4 Films: Special Hal Needham Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we take a moment to remember the great director and stuntman, Hal Needham.  It’s time for….

4 Shots From 4 Hal Needham Films

Smokey and the Bandit (1977, dir by Hal Needham, DP: Bobby Byrne)

Hooper (1978, dir by Hal Needham, DP: Bobby Byrne)

The Cannonball Run (1981, dir by Hal Needham, DP: Michael Butler)

Rad (1986, dir by Hal Needham, DP: Richard Leiterman)

4 Shots From 4 Films: Special Pier Paolo Pasolini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

103 years ago, on this date, Pier Paolo Pasolini was born in Italy.  His controversial films and his mysterious death continue to inspire debate to this very day.  Both the man and his works were full of intriguing contradictions.  Pasolini was an atheist who made one of the best Biblical films ever made.  He was a communist who made films that celebrated individual freedom and who had little use for the upper class liberals who made up much of the European counterculture of the 1960s.  In the end, he was an artist unafraid to challenge all assumptions, whether they were found on the right or the left.  His final film, Salo, was the most controversial of his career.  It was also projected to be the first part of a trilogy, though those plans were ended by Pasolini’s murder.

It’s time for….

4 Shots From 4 Pier Paolo Pasolini Films

Accatone (1961, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Hawks and The Sparrows (1966, dir by Pier Paolo Pasolini, DP: Mario Bernardo and Tonino Delli Colli)

Salo (1975, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

4 Shots From 4 Films: Special New Orleans Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens pays homage to the greatest of Mardi Gras cities, New Orleans!

4 Shots From 4 New Orleans-Set Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)

Zandalee (1990, dir by Sam Pillsbury, DP: Walt Lloyd)

The Curious Case of Benjamin Button (2008, dir by David Fincher, DP: Claudio Miranda)

Bad Lieutenant: Port of Call New Orleans (2009, dir by Werner Herzog, DP: Peter Zieitlinger)

 

4 Shots From 4 Films: Special George Miller Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today the Shattered Lens wishes a happy birthday to one of our favorite people, George Miller!  The doctor-turned-director began his cinematic career with 1979’s Mad Max and he’s gone on to become one of the most influential and important filmmakers out there.  In honor of George Miller’s birthday, here are….

4 Shots From 4 George Miller Films

Mad Max (1979, dir by George Miller, DP: Dave Eggby)

The Road Warrior (1981, dir by George Miller, DP: Dean Semler)

Babe: Pig In The City (1998, dir by George Miller, DP: Andrew Lesnie)

Mad Max: Fury Road (2015, dir by George Miller, DP: John Seale)

Here Are The 2024 Oscar Winners!


It was quite a night for Anora and Sean Baker!  Sean Baker tied Walt Disney’s record by winning 4 Oscars in one night.  After being dismissed as an als0-ran by many critics, Anora made a comeback and swept the Oscars.  It was actually kind of fun to watch.

(As far as my predictions go, I hit 12 out of 23 correctly.  That’s one of my worst showings ever but at least I managed to stay over 50%, albeit barely.)

Best Picture

  • Anora

Best Actor

  • Adrien Brody – The Brutalist

Best Actress

  • Mikey Madison – Anora

Best Supporting Actress

  • Zoe Saldaña – Emilia Pérez

Best Supporting Actor

  • Kieran Culkin – A Real Pain

Best Director

  • Sean Baker – Anora

Best Adapted Screenplay

  • Conclave – Peter Straughan

Best Original Screenplay

  • Anora – Sean Baker

Best Film Editing

  • Anora

Best Cinematography

  • The Brutalist

Best Original Song

  • El Mal – Emilia Pérez

Best Original Score

  • The Brutalist

Best International Feature

  • I’m Still Here – Brazil

Best Animated Feature

  • Flow

Best Documentary Feature

  • No Other Land

Best Costume Design

  • Wicked

Best Make-up and Hairstyling

  • The Substance

Best Production Design

  • Wicked

Best Sound

  • Dune: Part Two

Best Visual Effects

  • Dune: Part Two

Best Live Action Short

  • I’m Not a Robot

Best Animated Short

  • In the Shadow of the Cypress

Best Documentary Short

  • The Only Girl in the Orchestra

8 Shots From 8 Films: Special Lisa Marie’s Favorite Best Picture Winners Edition


8 Shots From 8 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 8 Shots From 8 Films lets the visuals do the talking!

My list of my favorite Best Picture winners is a fluid one.  There are a few — like All About Eve, It Happened One Night, the two Godfathers — that are always on the list.  I love these four films with all my heart.  Then there are films like No Country For Old Men that I think about and say, “Of course that’s going on the list!”  There are other films that have snuck up on me.  Until I was making out this list, I didn’t realize how much I truly did like Coda.

Anyway, here’s my top 8!

8 Shots From 8 Oscar-Winning Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

Casablanca (1942, dir by Michael Curtiz, DP: Arthur Edeson)

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

West Side Story (1961, dir by Robert Wise and Jerome Robbins, DP: Daniel L. Fapp)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, DP: Gordon Willis)

No Country For Old Men (2007, dir by Joel and Ethan Coen, DP: Roger Deakins)

CODA (2021, dir by Sian Heder, DP: Paula Huidobro)

My Oscar Predictions


Okay, let’s do this!  Here are my predictions of what will win at the big show tonight!

Best Picture — Anora

Best Directing — Sean Baker, Anora

Best Actor — Timothee Chalamet, A Complete Unknown

Best Actress — Mikey Madison, Anora

Best Supporting Actor — Kieran Culkin, A Real Pain

Best Supporting Actress — Ariana Grande, Wicked

Best Original Screenplay — A Real Pain

Best Adapted Screenplay — Conclave

Best Animated Feature — The Wild Robot

Best Production Design — Wicked

Best Cinematography — Nosferatu

Best Costume Design — Wicked

Best Film Editing — Conclave

Best Makeup and Hairstyling — Wicked

Best Sound — Dune Part II

Best Visual Effects — Dune Part II

Best Original Score — The Brutalist

Best Original Song — Never Too Late from Elton John: Never Too Late

Best Documentary Feature — Sugarcane

Best International Feature: I’m Still Here

Best Animated Short: Yuck!

Best Documentary Short: The Only Girl In The Orchestra

Best Live Action Short: The Man Who Could Not Remain Silent

Welcome To Oscar Sunday!


Oscar, in happier times

Welcome to Oscar Sunday!

Today is practically a holiday for me.  As someone who loves movies and who also loves award shows, the Oscar Ceremony is an important annual event.  I really don’t feel like the previous year is over until the Oscars have been handed out.  For me, I won’t truly be able to move on from 2024 and really plunge into 2025 until the award for Best Picture is handed out.

This Oscar Sunday might be a little bit more lowkey than past Oscar Sundays but we’ll be here, the TSL crew, watching the show and rooting for our favorite films!  We’ll be posting all the winners, maybe a few reviews, and I’ll be tossing out some Oscar thoughts throughout the day.

Remember that picture below?  That was supposed to be the defining moment of the Oscars, an announcement that the Academy was still relevant and that Hollywood could compete with an increasingly online world.  Today, it can easy to forget just how fawning the coverage was over the 2014 Oscar selfie.  The picture is kind of a Rorschach test.  Do you see Hollywood fun and glamour or do you see a bunch of smug celebrities?  I’ve heard both answers.  I’ve always liked Bradley Cooper’s smile and Jared Leto trying to get in the shot.  What’s often forgotten is that poor Liza Minnelli was in the back of that crowd, trying to get in the picture but being not making it.

The Oscar selfie started out as a good thing but then it inspired other “celebs are just like us!” Oscar moments and boy, did those get old fast.  Chris Rock making people buy Girl Scout cookies was okay.  Jimmy Kimmel sending an army of celebs to interrupt a movie playing next door was Hollywood at its most self-important, walking into a movie that people had paid to see and loudly announcing themselves.  (If that movie’s audience cared about the Oscars, they wouldn’t have been at a movie during the ceremony.)  The infamous Stephen Soderbergh-produced Oscars were the worst, a COVID-era slog that couldn’t even pull off its grand emotional finale.  Probably the most spontaneous and human moment on a recent Oscar telecast was Will Smith punching Chris Rock on live TV, cursing at the top of his lungs, and then rambling about God after winning his Oscar.  Last year, Oppenheimer’s victory felt right and Robert Downey, Jr’s Oscar win felt like a moment that deserved a cheer.  It was a return to the wonderful Oscars of old but now, this year, we’re back to largely obscure nominees and the front runner’s chances falling apart because of things she posted online.  The big question tonight is not whether Emilia Perez will win (it won’t) but whether or not Karla Sofia Gascon’s tweets have taken down Zoe Saldana’s chances along with her own.  The old Oscar selfie hits a bit differently after all that.

Of course, the most interesting thing about this selfie is that, for all the attention it received, it ended up being memory holed, largely because of Kevin Spacey managing to get in the frame.  Ellen DeGeneres, as well, is no longer quite as beloved as she once was.  This picture truly is an artifact of a different time.  Myself, I like old movie so I’m always going to prefer Audrey Hepburn with her telegrams.

Enjoy Oscar Sunday!