Here Are The Winners of the 2014 Cannes Film Festival


Winter Sleep

It’s debatable what type of effect a victory of Cannes will have when it comes to the Oscars.  Indeed, because of the festival’s international nature, it’s often the case that some of the most acclaimed films at Cannes aren’t even eligible to be nominated.  Blue Is The Warmest Colour was one of the best films to released in the United States last year but its victory at Cannes certainly did not translate into Oscar nominations.  However, at the same time, there’s probably some truth to the theory that winning the Palme d’Or allowed some of the more mainstream-minded Academy voters to consider The Tree of Life as a legitimate Oscar possibility, as opposed to just an art house indulgence.

So, in other words — who knows?

One thing is for sure.  Winning at Cannes will definitely not hurt the Oscar chances of Bennett Miller, Timothy Spall, and Julianne Moore.  In fact, the only film that truly seems to have been knocked out of Oscar consideration by its Cannes reception would appear to be Grace of Monaco(Well, okay — Lost River, too.  But was anyone expecting Lost River to be an Oscar nominee before it premiered at Cannes?)

Anyway, enough of me pretending to be an expert on how the Oscars work!  Here are the winners from Cannes:

In Competition

  • Palme d’Or – Winter Sleep by Nuri Bilge Ceylan
  • Grand Prix – The Wonders by Alice Rohrwacher
  • Best Director – Bennett Miller for Foxcatcher
  • Best Screenplay – Andrey Zvyagintsev and Oleg Negin for Leviathan
  • Best Actress – Julianne Moore for Maps to the Stars
  • Best Actor – Timothy Spall for Mr. Turner
  • Jury Prize – Mommy by Xavier Dolan and Goodbye to Language by Jean-Luc Godard
Un Certain Regard[39]
  • Un Certain Regard Award – White God by Kornél Mundruczó
  • Un Certain Regard Jury Prize – Force Majeure by Ruben Östlund
  • Un Certain Regard Special Prize – The Salt of the Earth by Wim Wenders and Juliano Ribeiro Salgado
  • Un Certain Regard Ensemble Prize – The cast of Party Girl
  • Un Certain Regard Award for Best Actor – David Gulpilil for Charlie’s Country
Cinéfondation[40]
  • First Prize – Skunk by Annie Silverstein
  • Second Prize – Oh Lucy! by Atsuko Hirayanagi
  • Third Prize – Sourdough by Fulvio Risuleo and The Bigger Picture by Daisy Jacobs
Golden Camera
  • Caméra d’Or – Party Girl by Marie Amachoukeli, Claire Burger and Samuel Theis
Short Films[41]
  • Short Film Palme d’Or – Leidi by Simón Mesa Soto
  • Special Mention:
    • Aïssa by Clément Trehin-Lalanne
    • Yes We Love by Hallvar Witzø

Goodbye to Lanugage

Here’s some news from Cannes and the trailer for Mr. Turner!


As much as I wish I was in Cannes right now, I’m not.  I’m stuck here in the States while everyone else gets to pose for the photographers, walk around topless on the beach, and see movies.  Oh well, there’s always next year.  Until then, I’m keeping up with Cannes via social media.

The festival opened last night with Grace of Monaco and guess what?  The reaction would appear to confirm that the film is just as much of a misfire as I think everyone assumed it would be.  It’s not so much that the film sounds terrible as much as it just sounds like it’s remarkably bland.

However, no sooner had everyone dismissed Grace than everyone started to rave about Mike Leigh’s latest film, Mr. Turner.  I’ve been intrigued by Mr. Turner ever since I first heard about it, largely because it’s a biopic of the great landscape painter J.M.W. Turner and I’ve got a degree in art history.  The enthusiastic reaction that both the film and star Timothy Spall have gotten at Cannes have only served to make me even more excited about seeing this film once it’s released here in December.  (My friends in the UK will get to see it in October.)

(Not to brag or anything — because you know I would never do that! — but quite a few of the reviews from Cannes are speculating that both the film and Spall could be Oscar contenders.  That’s something that I predicted way back in March.)

As the film premiered at Cannes, the official trailer was also released.

And here it is!

 

Lisa’s Way Too Early Oscar Predictions For May


Whiplash

Whiplash

Of course, it’s way too early for me or anyone else to try to predict who and what will be nominated for an Academy Award in 2015.  However, that’s not stopping me from trying to do so on a monthly basis!

Below are my updated predictions for May.

You can read my predictions for April here and my March predictions here.

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

I’ve dropped Get On Up from my list of best picture nominees, mostly because the film’s trailer is just too bland.  As for some of the other films that some of my fellow bloggers are predicting will be contenders: The Grand Budapest Hotel may very well deserve a nomination but it may have come out too early in the year.  Gone Girl may be too much of a genre piece while Inherent Vice may not be enough of one. Big Eyes would theoretically benefit from the fact that both Christoph Waltz and Amy Adams would appear to be perfectly cast but, after his last few live action films, I don’t have much faith in Tim Burton. As for Into The Woods, my instinct says that Rob Marshall’s latest musical film adaptation is going to have more in common with Nine than with Chicago.

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

No changes here.  I nearly dropped Angelina Jolie from the list, just because she’s being so aggressively hyped and early hype always seems to lead to later disappointment.  If I had dropped her, I would have replaced her with Christopher Nolan for Interstellar.

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Michael Keaton in Birdman

Joaquin Phoenix in Inherent Vice

Christoph Waltz in Big Eyes

I dropped Chadwick Boseman from my list of predictions, again based on the blandness of the trailer for Get On Up.  I also moved Ralph Fiennes down to best supporting actor.  In their place: Joaquin Phoenix and Christoph Waltz.

Best Actress

Amy Adams in Big Eyes

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Michelle Williams in Suite francaise

I dropped Jessica Chastain from the list and replaced her with Michelle Williams.  Why?  There’s really no big reason, beyond the fact that I know more about the role Williams is playing in Suite francaise than I do about the role Chastain is playing in A Most Violent Year.  If The Fault In Our Stars was being released in October (as opposed to next month), I would have probably found room for Shailene Woodley on this list.

Best Supporting Actor

Ralph Fiennes in The Grand Budapest Hotel

Ethan Hawke in Boyhood

Mark Ruffalo in Foxcatcher

Martin Sheen in Trash

J.K. Simmons in Whiplash

I dropped both Robert Duvall and Channing Tatum from this list, largely because I don’t know enough about Duvall’s character in The Judge and because I have a feeling that, when it comes to Foxcatcher, the Academy will either nominate Ruffalo or Tatum but not both of them.  My first replacement is Martin Sheen for Trash, largely because Sheen has never been nominated for an Oscar and the role of an activist priest seems to be perfect for him.  My second replacement is Ralph Fiennes for The Grand Budapest Hotel.  Originally, I was predicting Fiennes would get a best actor nod but — as is explained in this article over at AwardsWatch — a pretty good case can be made for Fiennes getting a supporting nod instead.

Literally minutes before clicking publish on this post, I also decided to remove Christopher Walken and replace him with Ethan Hawke.  With three nominations already — one for acting and two for writing — Hawke seems to be popular with Academy voters and he always seems to do his best work for Richard Linklater.

Best Supporting Actress

Patricia Arquette in Boyhood

Viola Davis in Get On Up

Marcia Gay Harden in Magic In The Moonlight

Kristen Scott Thomas in Suite francaise

Meryl Streep in Into The Woods

Two changes: I dropped Amy Ryan and replaced her with Kristen Scott Thomas.  Again, it’s mostly just because I know more about the role Scott Thomas is playing than I do about Ryan’s role.  I also, shortly before posting this, decided to remove Kiera Knightley and replace her with Patricia Arquette for Boyhood.

So, those are my predictions for this month!  Agree?  Disagree?  Please feel free to let me know in the comments section below.

Boyhood

Boyhood

 

 

Lisa’s Way Too Early Oscar Predictions For April


michael-keaton-birdman

As I explained in March, I’m going to be doing a monthly series of posts in which I’m going to attempt to predict which 2014 films will be Oscar-nominated.

Obviously, at this point of the year, the nominations listed below are less like predictions and more like random guesses.  However, if nothing else, these early predictions will be good for a laugh or two once the actual Oscar race becomes a bit more clear.

Below, you’ll find my predictions for April.  Check out my predictions for March here.

Best Picture

Birdman

Boyhood

Foxcatcher

Get On Up

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

Best Actor

Chadwick Boseman in Get On Up

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Ralph Fiennes in The Grand Budapest Hotel

Michael Keaton in Birdman

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in A Most Violent Year

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Channing Tatum in Foxcatcher

Christopher Walken in Jersey Boys

Best Supporting Actress

Viola Davis in Get On Up

Marcia Gay Harden in Magic In The Moonlight

Kiera Knightley in The Imitation Game

Amy Ryan in Birdman

Meryl Streep in Into The Woods

Meryl-Streep-Into-The-Woods

6 Bronsonrific Trailers For The Month of March


Even as I sit here typing, one of the local channels here in Dallas is currently showing a marathon of Charles Bronson action films.  All of these movies come from the 70s, all of them star Charles Bronson, and all of them feature a lot of people getting shot.

Perhaps that’s why, when I sent the trailer kitties out to gather the trailers for this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers, they came back with 6 trailers that can only be described as being Bronsonrific.

1) Mr. Majestyk (1974)

2) The Stone Killer (1973)

3) Cold Sweat (1970)

4) Telefon (1977)

5) Borderline (1980)

6) The White Buffalo (1977)

What do you think, Trailer Kitty?

h8BEEA108

Here’s Your Chance To Tell Lisa Marie What To Watch!


So, guess what I did this morning?  That’s right — I put on a blindfold, a stumbled over to my ever-growing Blu-ray, DVD, and even VHS collection and I randomly selected 12 films!

Why did I do this?

I did it so you, the beloved readers of Through the Shattered Lens, could once again have a chance to tell me what to do.  At the end of this post, you’ll find a poll.  Hopefully, between now and next Monday (that’s March 24th), a few of you will take the time to vote for which of these 12 films I should watch and review.  I will then watch the winner on Tuesday and post my review on Wednesday night.  In short, I’m putting the power to dominate in your hands.  Just remember: with great power comes great … well, you know how it goes.

Here are the 12 films that I randomly selected this morning:

The Baader Meinhof Complex (2008) — This German film was nominated for Best Foreign Language Film.  It tells the true life story of the left-wing German terrorist group, The RAF.

The Cat’s Meow (2001) — From director Peter Bogdonavich, this film speculates about the events that led to the shooting of silent film director Thomas H. Ince.  Starring Kirsten Dunst as Marion Davies, Edward Herrmann as William Randolph Hearst, and Eddie Izzard as Charlie Chaplin.

Heavenly Creatures (1994) — The close relationship between two teenage girls (Melanie Lynesky and Kate Winslet) leads to both a vibrant fantasy world and real-life murder.  Directed by Peter Jackson.

In A Lonely Place (1950) — In this film noir from director Nicholas Ray, Humphrey Bogart plays a screenwriter who may (or may not) be a murderer.

Liquid Sky (1983) — In this low-budget, independent science fiction film, an alien lands in New York and soon several members of the city’s underground art scene are vaporized.  Not surprisingly, it all has to do with heroin.

Made in Britain (1983) — A very young Tim Roth makes his debut in this British film.  Roth plays Trevor, a Neo-Nazi who — despite being intelligent and charismatic — also seems to be intent on destroying himself and everything that he sees.

Much Ado About Nothing (2013) — In between The Avengers and Agents of SHIELD, Joss Whedon found the time to direct this adaptation of Shakespeare’s play.

Peyton Place (1957) — In this Oscar-nominated film, the sordid secrets of an outwardly idyllic New England town are exposed.

Pretty Poison (1968) — Having just been released from a mental institution, Dennis (Anthony Perkins) finds himself involved with teenager Sue Anne (Tuesday Weld), who — despite her wholesome appearance — is actually psychotic.

Troll 2 (1990) — A family moves to Nilbog, a small town that is populated by vegetarian goblins.  This movie is widely considered to be one of the worst ever made.

Walkabout (1971) — In this visually stunning Nicolas Roeg film, a teenage girl and her younger brother find themselves stranded and left for dead in the Australian outback.  They try to survive with the help of an Aborigine.

Zabriskie Point (1970) — In this 1970 film, the great Italian director Michelangelo Antonioni takes a look at the 60s counter-culture.  Airplanes are stolen, buildings explode, and orgies magically materialize in the middle of the desert.

The poll will be open until Monday, March 24th.

Happy voting!

6 Trailers Marching Through March


Hi there!  It’s Wednesday (or maybe Thursday — daylight savings time  is so freaking confusing!) and that means that it’s time for yet another somewhat random collection of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

1) See No Evil (1971)

2) The Other (1972)

3) Hell Drivers (1957)

4) Exposed (1983)

5) The Lickerish Quartet (1970)

6) Reform School Girl (1957)

What do you think, Gamera?

Gamera

6 Ancient Trailers


Hi there!  Last night, Jeff and I saw Pompeii and I enjoyed it so much that today, I told the trailer kitties to go out and find six trailers that would celebrate the grandeur of the ancient world.

Let’s see how they did with this latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

1) War of the Zombies (1964)

2) The Arena (1973)

3) The Avenger (1962)

4) The Last Days of Pompeii (1959)

5) Caligula and Messalina (1981)  (Warning: Graphic And NSFW)

6) Caligula (1979)

What do you think, Trailer Kitty?

20 Random Thoughts About The Oscars


1901962_10203264475832610_1793065255_n

If only Jared Leto had leaned a little more in.

1) Let’s start with the ceremony itself.  It ran way too long, it was full of slow spots, and it was almost painfully safe.  And yet, it was also fun to watch.  As opposed to Seth McFarlane, Ellen DeGeneres went out of her way to keep things positive and uncontroversial.  There’s a lot of political and social turmoil in the world right now but you wouldn’t know that from listening to any of Ellen’s jokes.

But you know what?  That’s okay.  Last night’s Oscar ceremony was 3 and a half hours of positive energy in an increasingly negative world and how can you complain about that?

2) This may be the first Oscar telecast that I can remember where there really weren’t any bad acceptance speeches.  (I could have done without the woman singing after Twenty Feet From Stardom won for Best Documentary but that’s mostly because I find gospel music to be tedious and everyone knows Stories We Tell should have been nominated and should have won.)  So, who gave the best acceptance speech?  I think it’s a 7-way tie between Jared Leto, Lupita Nyong’o, Matthew McConaughey, the two songwriters who won for Best Original Song, Spike Jonze, and Steve McQueen.

3) How adorable was Jared Leto last night?  Not only did he give a great acceptance speech but he also brought him mom to the ceremony to him!  How sweet!  I think I may have a new celebrity crush to go along with the Franco brothers, Michael Fassbender, Bradley Cooper, Ryan Gosling, and Idris Elba.

4) I enjoyed Pharrell’s performance, largely because it provided proof positive that I’m a better dancer than Meryl Streep.

5) I haven’t seen August: Osage County but, just judging from the clips they showed of Meryl and Julia Roberts in the film, I’m not regretting that decision.  It’s hard to judge a performance on the basis of a few seconds but both Meryl and Julia came across, in what I did see, as being painfully shrill.

6) I’m not a religious person but I did enjoy watching all the hipster douchebags having an online meltdown after McConaughey thanked God.  I haven’t seen them that scandalized since Clint Eastwood endorsed Mitt Romney.

7) A lot of people made some unkind comments about Kim Novak and the way she looked (and acted) during last night’s broadcast.  Well, you know what?  Kim Novak is 81 years old and she was directed by Alfred Hitchcock so, as far as I’m concerned, she can do whatever the Hell she wants.

8) I loved Penelope Cruz’s dress!  Penelope Cruz always reminds me a lot of my mom so I’m always happy to see her.

9) “Jim Carey” was briefly a trending topic on twitter, largely because everyone was misspelling Carrey.  That’s probably a bad sign, for an actor, when people can’t spell your name correctly.

10) For the second time in Academy history, Tyler Perry was a presenter.  That’s probably the closest Perry will ever get to winning an Oscar.

11) As far as my predictions went,  I got 18 out of 24 correct.  My mistake is that I assumed there would be more upsets than there actually were.  As a matter of fact, there really wasn’t a single upset this year.

12) I recently rewatched Blue Jasmine and I have to admit that I was a lot less impressed by Cate Blanchett’s performance the second time.  If anything, Sally Hawkins is really the one who held the film together.

13) A film directed by Woody Allen won an Oscar last night.  Has Ronan Farrow responded yet?

14) As far as the winners go, I can’t complain.  My favorite of the nominees was American Hustle but 12 Years A Slave is a great film as well.  I did get a little bored with Gravity winning every single technical award but then again, Gravity deserved its victories.

15) Of all the nominated performances, I think that Barkhad Abdi’s was the most underrated.  I think a lot of people are assuming that Abdi was simply playing himself.  Hopefully, he’ll get a chance to show more of what he, as an actor, is capable of doing.

16) I loved American Hustle but a lot of my fellow film blogger did not.  What I find interesting is that people go so overboard with the American Hustle hate, as if the film’s existence is a personal insult or something.  Seriously, let’s all grow up, okay?

17)  My BFF Evelyn’s review of the show is that U2’s performance of Ordinary Love put her to sleep and she never really woke back up.

18) As is tradition, I live-tweeted the Oscars and it was a lot of fun, even if my tweets weren’t quite as good this year as last year.  When I was asked who I was wearing for the Oscars, I replied, quite truthfully, “Victoria’s Secret” and gained a dozen new followers.

19) One very odd thing of note: essentially, a few hundred of the most outspokenly liberal people in America were all gathered in an auditorium together and yet, somehow, it was a very apolitical evening.  Jared Leto mentioned the people of Venezuela and Ukraine in his acceptance speech and Steve McQueen spoke out against slavery but otherwise, politics did not come up.

20) Now that this Oscar season is over, is it too early to start speculating about next year’s Oscar winners?  Of course not!  A lot of people seem to be excited about Christopher Nolan’s Interstellar.  Myself, I’m curious to see what David Fincher will do with Gone Girl and whether or not the people at AwardsDaily will declare it to be the greatest film ever made without having seen it (which is typically their response to any movie directed by David Fincher).  And let’s not forget that Wes Anderson’s Grand Budapest Hotel is opening in just a few more days.

Here Are The Oscar Winners!


Gravity won the most but 12 Years A Slave won the award that everyone will remember.  With 7 Oscars, Gravity nearly tied with Cabaret for winning the most Oscars without also winning best picture.  Cabaret won 8 Oscars but lost best picture to The Godfather (which won 3 Oscars, the exact same amount as 12 Years A Slave).

 BEST PICTURE
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
“Gravity”
“Her”
“Nebraska”
“Philomena”
X – “12 Years a Slave”
“The Wolf of Wall Street”

BEST DIRECTOR
X – Alfonso Cuaron, “Gravity”
Steve McQueen, “12 Years a Slave”
David O. Russell, “American Hustle”
Martin Scorsese, “The Wolf of Wall Street”
Alexander Payne, “Nebraska”

BEST ACTOR
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Chiwetel Ejiofor, “12 Years a Slave”
X – Matthew McConaughey, “Dallas Buyers Club”

BEST ACTRESS
Amy Adams, “American Hustle”
X – Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Meryl Streep, “August: Osage County”

BEST SUPPORTING ACTOR
Barkhad Abdi, “Captain Phillips”
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jonah Hill, “The Wolf of Wall Street”
X – Jared Leto, “Dallas Buyers Club”

BEST SUPPORTING ACTRESS
Sally Hawkins, “Blue Jasmine”
Jennifer Lawrence, “American Hustle”
X – Lupita Nyong’o, “12 Years a Slave”
Julia Roberts, “August: Osage County”
June Squibb, “Nebraska”

BEST ORIGINAL SCREENPLAY
“American Hustle”
“Blue Jasmine”
“Dallas Buyers Club”
X – “Her”
“Nebraska”

BEST ADAPTED SCREENPLAY
“Before Midnight”
“Captain Phillips”
“Philomena”
X – “12 Years a Slave”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE FILM
“The Broken Circle Breakdown”
X – “The Great Beauty”
“The Hunt”
“The Missing Picture’
“Omar”

BEST ANIMATED FEATURE
“The Croods”
“Despicable Me 2”
“Ernest and Celestine”
X – “Frozen”
“The Wind Rises”

BEST DOCUMENTARY FEATURE
“The Act of Killing”
“Cutie and the Boxer”
“Dirty Wars”
“The Square”
X – “20 Feet From Stardom”

BEST CINEMATOGRAPHY
“The Grandmaster”
X – “Gravity”
“Inside Llewyn Davis”
“Nebraska”
“Prisoners”

BEST COSTUME DESIGN
“American Hustle”
“The Grandmaster”
X – “The Great Gatsby”
“The Invisible Woman”
“12 Years a Slave”

BEST EDITING
“American Hustle”
“Captain Phillips”
“Dallas Buyers Club”
X – “Gravity”
“12 Years a Slave”

BEST MAKEUP
X – “Dallas Buyers Club”
“Jackass Presents: Bad Grandpa”
“The Lone Ranger”

BEST PRODUCTION DESIGN
“American Hustle”
“Gravity”
X – “The Great Gatsby”
“Her”
“12 Years a Slave”

BEST SCORE
“The Book Thief”
X – “Gravity”
“Her”
“Philomena”
“Saving Mr. Banks”

BEST SONG
“Alone, Yet Not Alone” from “Alone, Yet Not Alone”
“Happy” from “Despicable Me 2”
X – “Let it Go” from “Frozen”
“The Moon Song” from “Her”
“Ordinary Love” from “Mandela: Long Walk to Freedom”

BEST SOUND EDITING
“All is Lost”
“Captain Phillips”
X – “Gravity”
“The Hobbit: The Desolation of Smaug”
“Lone Survivor”

BEST SOUND MIXING
“Captain Phillips”
X – “Gravity”
“The Hobbit: The Desolation of Smaug”
“Inside Llewyn Davis”
“Lone Survivor”

BEST VISUAL EFFECTS
X – “Gravity”
“The Hobbit: The Desolation of Smaug”
“Iron Man 3”
“The Lone Ranger”
“Star Trek: Into Darkness”

BEST ANIMATED SHORT
“Feral”
“Get a Horse!”
X – “Mr. Hublot”
“Possessions”
“Room on the Broom”

BEST DOCUMENTARY SHORT
“CaveDigger”
“Facing Fear”
“Karama Has No Walls”
X – “The Lady in Number 6: Music Saved My Life”
“Prison Terminal: The Last Days of Private Jack Hall”

BEST LIVE ACTION SHORT
“A quel No Era Yo (That Wasn’t Me)”
“Avant De Tout Perdre” (Just Before Losing Everything)”
X – “Helium”
“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
“The Voorman Problem”