Retro Television Reviews: The Seduction of Gina (dir by Jerrold Freedman)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1984’s The Seduction of Gina.  It  can be viewed on Tubi!

Gina (played by Valerie Bertinelli) is bored.

She’s a 20 year-old newlywed who spends her days going to college and her nights sitting in a tiny apartment and waiting for her husband, David (Fredric Lehne), to come home.  David is an intern at a hospital.  He works the nightshift and, as a result, he’s usually exhausted and not particularly communicative.  Unlike her husband, Gina comes from a wealthy family and she’s due to inherit a good deal of money as soon as she turns 21.  However, David stubbornly refuses to use any of Gina’s money to make either of their lives better.  He gets angry when Gina even mentions the possibility.  He’s prepared to spend the next ten years living in a crummy apartment and working terrible hours.  Once he establishes himself as a doctor, he says that he and Gina can start to think about starting a family.  Are you getting the feeling that David has control issues?  Because that’s definitely the feeling that I got from him.

Bored and frustrated, Gina turns to gambling.  Who can blame her?  Not only is it a way to make some money and bring some excitement into her life but it’s also something that she’s really good at!  She starts out just putting bets on horse races.  (The owner of a nearby bodega is also a bookie.)  She uses the money to buy a new television set, which David totally freaks out about.  Soon, Gina is sneaking off to Lake Tahoe.  While David works at the hospital, Gina hits the blackjack table and spins the roulette wheel.  She even attracts the eye of Keith Sindell (Michael Brandon), a handsome lawyer who loans her money and obviously has an interest in her that goes beyond card games.  Every morning, she jumps in her car and rushes back to San Francisco, arriving at her apartment before David gets home and lying to David about what she’s been doing all night.

It starts out well but this wouldn’t be a TV movie if there wasn’t a bit of drama.  Unfortunately, Gina’s luck starts to change and she soon finds herself in debt.  The owner of that bodega is a lot less nice when he’s demanding his money.  And Keith might be willing to cheat on his wife with her but he still expects her to pay back the money that he’s given her.  The world of gambling turns out to be harsh and unforgiving.  Gina is forced to find ways to get the money.  If that means lying to her husband, her father (played by Ed Lauter), and her accountant, so be it.  She might even have to — gasp! — get a job as a cocktail waitress!

It’s obvious from the start that Gina is going to get into trouble, or at least it’s obvious to everyone but Gina.  And really, isn’t that the way life is sometimes?  Usually, the only person who can’t see the walls closing in is the person who is about to get crushed.  The Seduction of Gina is melodramatic and predictable but Valerie Bertinelli is likable in the role of Gina and the scenes in casino are enjoyably gaudy and a little bit sordid.  It’s an entertaining movie, a Lifetime film that came out before Lifetime.  The film’s message is not to gamble but The Seduction of Gina makes winning look like so much fun that it probably inspired more people to hit the casinos than to stay at home and balance the checkbook.  In the classic DeMille fashion, this film offers both sin and a hint of salvation but it understands that sin is more entertaining to watch.

Live Tweet Alert: Watch The Collection with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 2012’s The Collection!

This 2012 horror film is a sequel to The Collector!  Will the world’s dorkiest serial killer finally face justice?

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Live Tweet Alert: Join #FridayNightFlix for 10 Things I Hate About You!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie? 1999’s 10 Things I Hate About You!

Heath Ledger and Julia Stiles are too good to be true in this charming romantic comedy!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

10 Things I Hate About You is available on Prime!

See you there!

Scenes I Love: Charles Bronson Delivers His Greatest One-Liner In 10 To Midnight


10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Charles Bronson was born 101 years ago today.  In honor of the man’s legacy, here he is at the end of 1983’s 10 To Midnight, letting Warren Stacy know that “we won’t” be hearing from him.

4 Shots From 4 Films: Special Jean Rollin Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor the memory of the great French director Jean Rollin, who was born 84 years ago today in France,  It’s time for….

4 Shot From 4 Jean Rollins Films

The Rape of the Vampire (1968, dir by Jean Rollin)

The Iron Rose (1973, dir by Jean Rollin)

Night of the Hunted (1980, dir by Jean Rollin)

The Mask of Medusa (2010, dir by Jean Rollin)

Here’s The Trailer for Avatar: The Way of Water


You know, way back in 2010, I took a lot of grief for not particularly liking the first Avatar.

In the years since then, it’s become a lot more common to hear people making the exact same criticism of the film that I made in 2010.  What’s strange though is that the anti-Avatar discourse has gotten so obnoxious that it’s cause me to go from hating the movie to being one of those people who is like, “Okay, it wasn’t that bad.”  Because, seriously, it’s one thing to dislike a film and it’s another thing to make that dislike into your entire personality.

To the shock of perhaps everyone who has knows me, I’m actually rooting for the Avatar sequel now.  I hope it’s good.  I hope it makes a ton of money.  Take that, you snobs!

Anyway, here’s the latest trailer for Avatar: The Way of  Water.

October Positivity: To Save A Life (dir by Brian Baugh)


The 2009 film, To Save A Life, tells the story of two friends.

When they were children, Roger saved Jake’s life by pushing him out of the way of a car.  Roger ended up with a permanent limp while Jake was able to continue playing basketball.  By the time they start high school, Jake (now played by Randy Wayne) is a basketball star while Roger (Robert Bailey, Jr.) is an outcast.  Jake and Roger start to drift apart, with Jake even abandoning Roger so that he can go to a party with his popular new girlfriend, Amy (Deja Kreutzberg).  By the time that they’re seniors, Jake and Roger barely acknowledge each other’s existence.  When Roger brings a gun to school and kills himself in front of his classmates, Jake is wracked with guilt.  When Jake goes to Roger’s funeral, he discovers that he’s the only one of Roger’s classmates who bothered to show up.

Jake tries to go back to his normal life.  He plays basketball.  He dates Amy.  He continues to be the school’s beer pong champion.  He desperately seeks approval from his mother and his father, both of whom are too busy dealing with their own failing marriage to pay much attention to Jake.  However, Jake cannot shake the feeling that he not only betrayed Roger but that his current life is empty.

To the shock of everyone, Jake starts to attend the meetings of a church youth group.  Jake gets to know the other members of the group and discovers that quite a few of them are not particularly sincere in their faith.  The local preacher’s kid, Danny (Bubba Lewis), tells Jake that the church’s youth pastor, Chris (Joshua Weigel), is only using him because he knows that Jake is a popular student and Chris believes that Jake will bring more members into the group.  When Jake convinces Amy to attend church with him, she finds the whole experience to be weird and off-putting.  When she tells Jake that he’s pushing her too hard to be a part of his new group, it’s hard not to feel that she has a point and, fortunately, Jake realizes that she has a point.  Later, she reveals a secret that could change both her life and Jake’s life forever.

With the help of his friend Andrea (Kim Hidalgo), Jake starts to try to reach out to all the other students who, like Roger, believe themselves to be outcasts.  For his efforts, he is shunned not only be his former friends but also by several members of the youth group.  When Jake befriends troubled Johnny Garcia (Sean Michael Afable), Johnny is framed for a crime he didn’t commit….

I’ve reviewed several faith-based films this month, mostly because I felt it would serve as an interesting and occasionally humorous counterpoint to all of the horror reviews.  For the most part, I’ve been fairly snarky in my reviews and I think that snark is justified.  Faith-based films, no matter how sincere they may be, are often rather cringey to sit through.  That said, I actually really liked To Save A Life, which is a generally well-acted, well-directed, and not particularly preachy film.  Unlike a lot of other faith films, To Save A Life doesn’t idealize Jake’s experience.  His problems don’t disappear once he starts going to church and the film makes clear that his guilt over Roger’s death is something that he will always carry with him.  Instead, the film’s emphasis is less on preaching at people and more on just treating them decently and with respect.  The film is willing to concede that Amy has a point when she says that the relentless positivity of the church youth group is all a bit much and that the members themselves can be just as judgmental and hypocritical as anyone else in the world.  Indeed, the film stands out from other faith-based films by featuring a villain who largely hides his activities behind the fact that his father is a preacher.  The film benefits from a cast who, for the most part, all give naturalistic performances.  Randy Wayne and Kim Hidalgo especially do a good job of making their characters seem like actual human beings as opposed to idealized symbols.

To Save a Life is actually pretty good.  And that’s a good note on which to end this October Positivity series.

Horror Film Review: Night of the Comet (dir by Thom Eberhardt)


The 1984 film, Night of the Comet, begins with the end.

The end of the world, that is!

When the Earth passes through the tail of a comet, the end result is that the majority of the world’s population is reduced to red dust.  Those who are exposed to the comet but not turned immediately into dust face an even worse fate.  They are transformed into mindless zombies.  Fortunately, 18 year-old Reggie (Catherine Mary Stewart) and her 16 year-old sister, Sam (Kelli Maroney), both managed to avoid getting exposed.  Sam was in a steel shed, hiding from their abusive stepmother.  Reggie was in a theater projection room with her boyfriend.  When Reggie and Sam wake up in the morning to discover that they are two of the few people left alive on the planet, they do what anyone would do.

They go to the mall!

Which is probably the same thing that me and my sisters would have done if we had found ourselves in a similar situation.  That’s one reason why Night of the Comet holds up so well.  It’s one of the few films to be honest about how most people would probably react to the end of the world.  Instead of giving a big dramatic monologue or having a breakdown or getting into a fight about who is to blame and what it all means, Reggie and Sam try to have a little fun.  Of course, they also grab some guns while they’re at the mall.  They’re not stupid.  They know the situation is grim and they need to be prepared.  But still, there’s no reason why they shouldn’t try on all the clothes that they previously would not have been able to afford.  And why shouldn’t they treat the mall as their own personal playground?  They’re young and they’ve survived the end of the world.  They deserve to enjoy themselves.

Of course, just because Reggie and Sam survived, that doesn’t mean the world is a safe place.  Along with the zombies, there’s also a crazed group of former stockboys who now view the mall as being their own personal kingdom.  And then there’s the scientists, who claim that they’re benevolent but who are actually looking for healthy specimens on which they  can experiment.

Night of the Comet is a terrifically fun horror movie, a real treat for anyone who has ever imagined what they would do if they were among the last people on Earth.  Catherine Mary Stewart, Kelli Maroney, and Robert Beltran (who plays another survivor) brings a lot of energy to their likable roles while Mary Woronov and Geoffrey Lewis are properly menacing as the two main scientists.  The zombies, with their crazed eyes and their decaying faces, are genuinely frightening.  Director Thom Eberhardt wisely doesn’t overuse the zombies.  Indeed, the whole point of the film is that the world is now nearly empty of people, whether they’re zombies or not.  But because the zombies aren’t present all of the time, it makes it easy to forget about them and it also makes all the more frightening when they suddenly show up.

Night of the Comet is an enjoyable mix of horror and comedy, one that holds up well nearly 40 years after it was first released.

Horror Film Review: Killers From Space (dir by W. Lee Wilder)


This is the one with the googly-eyed aliens.

Killers From Space was released in 1954 and, in many ways, it’s typical of the sci-fi B-movies that were released at the time. A nuclear scientist (Peter Graves) crashes the airplane that he’s flying. Everyone thinks that he’s dead but, a day later, he shows up at the army base. He says he can’t remember anything about the crash but once he’s put under hypnosis, he remembers being abducted by a bunch of aliens. No one believes his story but Graves knows what happened and he’s determined to thwart the aliens before they can sap away all of Earth’s energy. And by Earth, I mean America because this film is from 1954 and every character in the movie understands that there’s only one nation that matters!

With a running time of only 70 minutes, it’s a standard alien invasion flick. It’s perhaps a bit distinguished by the presence of Peter Graves, who handles his role with dignity.  Graves was one of those actors who could deliver even the most ludicrous dialogue with a certain amount of gravitas and the film certainly gives him plenty of chances to do just that.  Graves has the perfect deep, resonant establishment voice.  Just the sound of it makes the viewer think of America.  As such, there’s something undeniably fun about him deploying that voice for a film about an invasion of googly-eyed aliens.  And the film is also somewhat notorious for being one of the many B-movie to be directed by Lee Wilder, the brother of Billy Wilder.  Billy Wilder not only perfected the modern comedy but he also made some of the most important film noirs ever made.  He was a master of every genre and someone who inspired countless filmmakers.  He directed witty masterpieces like Double Indemnity and Sunset Boulevard and The Apartment.  Billy Wilder made the first major film about alcoholism, The Lost Weekend. Billy Wilder won Oscars and competed at Cannes. Lee Wilder made movies like Killers From Space.  The Cannes elitists never invited Lee Wilder to their festival and, watching his films, one gets the feeling that it was the festival’s lost.  Ironically, both directors made films that continue to intrigue viewers, though for very different reasons.  Billy Wilder gave us an amoral Hollywood screenwriter narrating a film from beyond the grave.  Lee Wilder gave us googly-eyed aliens.  And true film lovers love both of them for their entertaining contributions to world cinema.

With all that in mind, the main thing that people remember about Killers From Outer Space are the aliens and …. well, who can blame them? Seriously, look at them!

I mean, obviously they’re just big googly eyes and half the time, they don’t even fit correctly. You can probably buy eyes like that for yourself if you really wanted to. But still, the image of those big eyed aliens is undeniably creepy! You may quickly forget most of what happens in Killers From Space. It’s not that memorable of a film, to be honest. But you will never forget those eyes!

The TSL’s Horror Grindhouse: Survival of the Dead (dir by George Romero)


Sitting off the coast of Delaware, Plum Island seems like the perfect place to live. The people are friendly. The town is small and quaint but definitely inviting. There are plenty of horses, for those who like to ride. The island’s one mailman is a welcome sight, dropping off mail everyday and giving everyone a friendly wave.

The only problem with Plum Island is that, as pretty as it may be, it is also the home to two feuding Irish families. Patrick O’Flynn (Kenneth Welsh) and Seamus Muldoon (Richard Fitzpatrick) have been enemies for as long as anyone can remember. Their feud has gone on for so long that its doubtful anyone even know what started it all. The two families have an uneasy peace up until the breakout of the zombie apocalypse. The O’Flynns want to kill every zombie that shows up on the island. The Muldoons, on the other hand, want to keep the zombies as pets and workers until a cure for their condition can be found. Eventually, Patrick O’Flynn turns out to be so reckless in his mission to destroy the undead that he’s exiled from the island. Even his own daughter, Janet (Kathleen Munroe), supports sending Patrick off to the mainland.

However, no sooner has Patrick been exiled then he hooks up with a bunch of AWOL National Guardsmen, who are weary of spending the rest of their days chasing the undead. Patrick leads them back to Plum Island, hoping to use them to destroy the the Muldoons forever.

Released in 2010, Survival of the Dead is both the final entry in George Romero’s Dead films (which started way back in 1968 with the classic Night of the Living Dead) and it was also Romero’s last completed film as a director. (Romero died in 2017, while in pre-production on a film called Road of the Dead.) Unfortunately, Survival of the Dead was not warmly greeted by critics or audiences, many of whom felt that Romero was simply rehashing concepts that he had already fully explored in the previous Dead films.

To a certain extent, those critics have a point. There are a lot of flaws with Romero’s final film, from the obviously low budget to the inconsistent performances. (Welsh, Fitzpatrick, and Munroe are all well-cast and give good performances but the National Guardsmen are all forgettable at best.) At the same time, there’s enough weird moments in Survival of the Dead to make it watchable. Plum Island is a memorably surreal location. The undead of Plum Island continue to exhibit the same behavior in death that they did in life. The mailman still tries to deliver mail. Another zombie continues to ride her horse across the island. It’s only when they sense the living amongst them that they turn deadly. As with all of Romero’s Dead films, the living dead may be dangerous and relentless but the truly scary characters in the film are the living humans who, even in the middle of the end of the world, cannot set aside their differences long enough to work together. The film’s final shot, which suggests that it takes more than death to end a blood feud, is so striking that it makes up for a lot of the weaker moments that came before it.

In the end, the most interesting thing about Survival of the Dead is that it’s more of a western than a traditional horror movie, featuring two warring families fighting on horseback and battling to control the land. Romero often said that he felt trapped by his reputation as a horror filmmaker and that he was actually interested in all genres of film. With Survival of the Dead, Romero finally got to make a Western. The end result is uneven but still has enough interesting moments to make it worth watching.