Retro Television Review: Fantasy Island 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

Posted on October 29, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, Mr. Roarke might be a father!

Episode 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

(Dir by Don Weis, originally aired on February 6th, 1982)

After last week’s episode with Julie, Tattoo returns this week and Julie is nowhere to be seen. When Mr. Roarke asks where Julie is, Tattoo mentions that Julie is helping with the Custer’s Last Stand fantasy. At this point, I can only assume that a life insurance policy has been taking out on Julie and Roarke or Tattoo, or maybe both are trying to get her killed so they can collect.

Julie not being present means that she misses out on one of the biggest scandals in Fantasy Island history. A former guest, Fran Warner (Laraine Stephens), returns to the Island after seven years. Accompanying her is her six year-old daughter, Nancy (Nicole Eggert). Fran loudly declares that Mr. Roarke is Nancy’s father and that he now has an obligation to take care of her. Fran even has a birth certificate where, under the father’s name, someone has written — and I kid you not — “Mr. Roarke.”

Is Mr. Roarke the kid’s father? As is his habit, he refuses to answer the question directly when Tattoo asks it. But it soon turns out that no, Mr. Roarke is not Nancy’s father. Instead, Fran is sick and may be dying and she wants to make sure that Nancy is cared for. When Nancy learns the truth, she runs away and Tattoo leads a search party across the Island. Fear not, of course. Nancy is found and a very forgiving Mr. Roarke allows Nancy and Fran to stay on the Island. And Fran’s terminal disease suddenly becomes less terminal!

While this is going on, security guard Kevin Lansing (Ron Ely) gets to live his fantasy of helping a great detective. Kevin doesn’t care which detective he gets to help so Roarke sends him back to Victorian-era London so that Kevin can work with Dr. Watson (a charming Donald O’Connor) to save Sherlock Holmes (Peter Lawford, not looking well in one of his final performances) from the clutches of Moriarty (Mel Ferrer, being as sinister here as he was in countless giallo films). Kevin also falls for Nurse Heavenly (RIta Jenrette, the wife of a corrupt Democrat member of Congress) and is pleased to discover that she’s not really Moriarty’s assistant. Instead, she was just another guest on the Island having a fantasy.

The Sherlock Holmes story was silly but fun, in the way that Fantasy Island often is. It’s always interesting when this show goes into the past and we get to see how the show’s crew dressed up the show’s sets to try to make them look historically accurate. The same street appears in every episode but sometimes, that street is in 1890s London and sometimes, it’s in 1690s Salem and sometimes, it’s just in modern day Fantasy Island! As for the Mr. Roarke’s a father storyline, it was predictable but still, it was a good showcase for Ricardo Montalban’s enigmatic interpretation of Mr. Roarke.

This was a pleasant trip to the Island!

Retro Television Review: Fantasy Island 5.14 “Daddy’s Little Girl/The Whistle”

Posted on October 22, 2024 by Lisa Marie Bowman

This week, the stars align and John Carradine shows up on Fantasy Island.

Episode 5.14 “Daddy’s Little Girl/The Whistle”

(Dir by Don Chaffey and Don Weis, originally aired on January 30th, 1982)

The plane is landing and Mr. Roarke and Julie are getting ready to meet their guests for the weekend. But wait a minute — where’s Tattoo!? Roarke explains that Tattoo has volunteered to spend the weekend learning how to do CPR. When a voluptuous nurse walks by, Julie rolls her eyes and says that Tattoo only cares about learning “mouth-to-mouth.”

“Julie!” Mr. Roarke snaps, even though Julie is probably correct.

Anyway, any episode without Tattoo feels strange and that’s certainly true of this episode. There are two fantasies, one of which was dramatically better than the other. The lesser of the two fantasies involves Christa Ackland (Genie Francis) and her efforts to find out the identity of her father. All she knows is that her mother (Carolyn Jones) knew her father in the Philippines during World War II. Christa is going to be married on Fantasy Island and she wants her real father to give her away.

Three men, all of whom served in the Air Force together, step forward and claim, one after the other, to be Christa’s father. When Christa finally confronts her mother, she learns that her father is not Gene (John Ericson), Al (Alan Hale, Jr.), or Bert (Gene Nelson). Instead, he was a guy named …. well, Guy. Guy was shot down while on a mission. Gene, Al, and Bert all explain that the stepped forward and claimed to be her father out of loyalty to Guy and because they didn’t want Christa to learn on her wedding say that her father was dead. (Apparently, they felt that information would be better received after the honeymoon.) Christa is surprisingly forgiving. She realizes that her stepfather (William Windom) has more than earned the right to give her away. Christa marries George Stickney (James Daughton, the head of the evil frat in Animal House) and Julie cries at the wedding. Awwww!

The main problem with this storyline was that Genie Francis gave a surprisingly bad performance as Christa. Instead of coming across as someone who truly wanted to know about her real father, she instead came across as being petulant and more than a little self-righteous. Carolyn Jones, William Windom, and the three potential fathers were all likable but none could make up for the unsympathetic lead character.

The other fantasy was a bit more fun, even if was impossible to follow the story. Iconologist Adrian Brilles (Edward Winters) dreams of making a great discovery that will bring him fame and prove his theories about ancient hieroglyphics to be correct. Mr. Roarke sends him to a ghost town that is also the home of a museum of ancient artifacts. Working with curator Leila Proctor (Ann Turkel), Adrian discovers what he describes as being “the Rosetta Stone of hieroglyphics.” He also discovers an ancient whistle that will grant him three wishes.

There are a few townspeople, all of whom take a lot of interest in Adrian’s work. Their leader is the town’s mortician and he’s played by — YES! — JOHN CARRADINE! And though Carradine doesn’t get to do much and was obviously physically frail when he filmed this episode, his famous voice and his piercing stare combine to make the Mortician a memorable character. There’s also a fairly ridiculous scene where the townspeople reveal their true selves, which means dancing around while wearing rubber demon masks. It’s silly but it’s effective.

It’s never quite clear what’s happening at the ghost town, beyond the three wishes being a set up to bring the demonic townspeople into the world and to cost Adrian his soul. Fortunately, Mr. Roarke pops up and gives Adrian some cryptic advice about the third wish being the most important. For his first wish, Adrian wishes for the townspeople to be their true selves. (Cue the demon dance.) For his second wish, he goes for fame and adulation. For his third wish, he cancels the first two wishes and this somehow set free not only his soul but Leila’s as well.

Yep, it doesn’t make much sense but it’s got John Carradine and a bunch of horror imagery so it’s fun. That’s all I really ask for when it comes to Fantasy Island. The whistle fantasy makes up for the wedding fantasy and the lack of Tattoo. This was a worthwhile trip to the Island.

Retro Television Review: Fantasy Island 5.12 “The Magic Camera/Mata Hari/Valerie”

Posted on October 8, 2024 by Lisa Marie Bowman

This week’s episode presents your erstwhile reviewer with a bit of an ethical quandary.

Episode 5.12 “The Magic Camera/Mata Hari/Valerie”

(Dir by Don Chaffey and Don Weis, originally aired on January 16th, 1982)

I don’t feel completely comfortable about reviewing this episode of Fantasy Island and I’ll tell you why.

Occasionally, Fantasy Island would broadcast an extra-long episode. These episodes would typically feature three fantasies as opposed to the usual two. Unfortunately, when these long episodes were syndicated, one of the fantasies would be edited out so the episode would fit into an hour-long slot. Usually, the editing was not particularly smooth, either. The end result would usually be an episode that seemed oddly paced and the performances of Ricardo Montalban and Herve Villechaize would often seem uneven as well. As such, it’s neither easy nor particularly fair to review those edited episodes. When it comes to reviewing, I always want to see the complete episode.

And yet, now that the original Fantasy Island is no longer streaming anywhere (seriously, what the Hell, Tubi?), I’m stuck using the episodes that I have on my DVR. And that means reviewing the edited, syndicated versions of these episodes.

As you can probably guess, this is one of those edited episodes. The Valerie fantasy was removed for syndication. That’s a shame because Valerie featured the final televised performance of actor Christopher George, a charismatic B-movie veteran who is pretty popular around the Shattered Lens offices. It also featured Michelle Phillips, though apparently she did not return as the mermaid who she played earlier on the show. I’d love to review Valerie but I can’t. And that sucks,

As for the other two fantasies, one is basically a remake of the Lillian Russell fantasy, except this time Martha Harris (Phyllis Davis) goes into the past and finds herself transformed into her great-grandmother, Mata Hari. She gets to dance. She gets to spy. She gets thrown in prison and sentenced to death but, fortunately, her life is spared when the firing squad’s rifles are filled with blanks and she’s given a drug by one of the men who is in love with that makes her appear to be dead. This was a enjoyable fantasy, mostly because of the costumes and the melodrama.

The other fantasy features Bob Denver, coming to the Island for the second week in a row. This time, he’s a photographer who wants to take the type of pictures that the world’s greatest photographers couldn’t. Because of the awkward way the fantasy was stated, the photographer ends up with a camera that takes pictures of the future. At first, the photographer is really happy and uses his camera to commit a little insider trading. But then he takes a picture of a newspaper and sees a headline announcing his death in a fiery auto accident. Uh-oh!

Again, neither of the two fantasies is bad (though the second one does require a certain tolerance for Bob Denver that some people may not have) but it was hard for me to enjoy them knowing that I was missing out on a third fantasy. For that reason, I assigning this episode a grade of incomplete. If I ever get a chance to watch the complete episode, uncut, I’ll revisit this review but until then, I really can’t give an overall grade to this episode.

Finally, for those keeping track, both Julie and Tattoo join Roarke when it’s time to greet the guests. That’s only second time that’s happened this season.

Retro Television Review: Fantasy Island 5.9 “Romance Times Three/The Night of the Tormented Soul”

Posted on September 17, 2024 by Lisa Marie Bowman

Smiles, everyone, smiles! It’s time to visit the Island.

Episode 5.9 “Romance Times Three/The Night of the Tormented Soul”

(Dir by Don Weis, originally aired on December 5th, 1981)

This week again finds Tattoo working as Roarke’s assistant, which again means that the episode opens with Julie explaining that she won’t be able to help out Roarke and Tattoo with any of the new people coming to the Island. What makes this week memorable as far as Julie excuses are concerned is that the reason Julie can’t help is because she’s been given a difficult task by Tattoo. A 300-pound woman has come to the Island with a fantasy of leading the Charge of the Light Brigade and Tattoo has told Julie to find a horse for her. Tattoo smirks as Julie tells Roarke. Roarke wishes Julie luck while declining to help her himself.

As for the fantasies, let’s get the boring one out of the way first. Sally Harris (Georgia Engel) works for a phone answering service. I had to look this up via Google but apparently a phone answering service was something that people and companies used in the days before texts, voice mail and email. Someone like Sally would answer the phone for you, collect your messages, and then call you later to give them to you. I guess it was something that companies did when they were too cheap to hire a receptionist or a personal assistant. I don’t know, it just seems strange to me.

Sally has fallen in love with three of her clients, though she hasn’t actually met any of them. Jack (Frank Bonner) is a bon vivant who calls her for love advice. Tony (Frank Converse) is a businessman who calls her for financial advice. Ben (David Groh) is a writer who often discusses his writer’s block with Sally. All three of the men have come to the Island. Sally fears how the men will react to discovering the real her so Mr. Roarke casts a spell and tells Sally that each men will see her the way that he thinks of her. Tony sees Sally as a prim and determined businesswoman. Jack sees her as a dark-haired seductress. And Ben sees her as a …. well, as a clown. He has always resented Sally’s advice. Of course, Ben is the one who ultimately falls in love with the real Sally.

It’s not a bad idea for a fantasy but it doesn’t really work because Georgia Engel isn’t convincing whenever she takes on any of Sally’s different personas. No matter what costume she’s wearing, she still delivers all of her lines in this high-pitched whisper that sometimes make it difficult to understand what she’s saying. (She’s not quite as inaudible here as she was in Jennifer Slept Here but still, I did struggle to hear everything she said.) The men are all thinly written, as well. I was glad she ended up with the writer but in the end, I really wouldn’t have cared that much if she had ended up with the businessman or the sex addict.

The better fantasy features Stephen Shortridge and Dianne Kay as Jason and Beth Martinique. When they were children, Beth and Jason survived a shipwreck and washed up on the shore of Fantasy Island. They were raised by a local millionaire, Richard Martinique (Richard Anderson) and their nanny, Blanche Barrens (Elinor Donahue). Both Richard and Ms. Barrens died one stormy night. Richard was shot and Ms. Barrens’s neck was broken in a fall. Jason and Beth want to go back to their childhood home so they can learn what happened that night. Fortunately, the ghosts of Richard and Ms. Barrens are still in the mansion, giving Jason and Beth a chance to see the tragic accident that led to the deaths of both Richard and Ms. Barrens. Even better, Mr. Roarke and Tattoo show up to inform Jason and Beth that they aren’t really brother-and-sister and therefore, they are free to pursue a romance. That’s good because, before Roarke showed up, Jason and Beth were gazing at each other like the brother and sister from the old Folger’s commercial. You know who I’m talking about.

I always enjoy it when Fantasy Island deals with ghosts and haunted mansions and this fantasy was filled with atmosphere and melodrama. The accident that led to death of Richard and Ms. Barrens was ludicrous and yet somehow poignant at the same time.

So, an overall mixed review on this episode but I think the ghost fantasy makes up for the other fantasy. Plus, Tattoo gets to show off his karate skills! Let’s see Julie do that!

Retro Television Review: Fantasy Island 5.8 “Lillian Russell/The Lagoon”

Posted on September 10, 2024 by Lisa Marie Bowman

Episode 5.8 “Lillian Russell/The Lagoon”

(Dir by Don Weis, originally aired on November 28th, 1981)

Tattoo is in this episode, which means that Julie only appears long enough to tell Mr. Roarke that she’s going to busy exploring the island with a bunch of hunky professors. (It says a lot about how poorly the Julie character has been developed that I couldn’t tell if Julie was supposed to be naive or clever when it came to going off with the men.)

At this point, it’s obvious that Julie was only added to the show to act as insurance in case Herve Villechaize walked off the set. Early on in the season, when Herve was apparently negotiating for a better contract, Julie had a few episodes where she was Roarke’s main assistant while Tattoo was described as being elsewhere on the island. But in the episodes where Tattoo is present, Julie always has to go do something else for the weekend. Ironically, Julie is such a bland and unnecessary character that it actually proves Herve Villechaize’s point about how important Tattoo was to the success of the show. By having Julie always leave whenever Tattoo is present, the show really only reminds the viewer that Roarke only needs on assistant and it’s Tattoo.

As for this week’s fantasies, they both have to do with the past.

Calvin Pearson (Claude Akin) has just spent years in prison for a crime that he didn’t commit. He’s finally been released and, understandably, he really doesn’t want to have much to do with the rest of the world. When he was a child, he spent a summer on a nearby island with his father. His father was fisherman and Calvin claims that he once caught a fish that could sing. Calvin wants to spend the weekend on the Island and he wants to catch the same serenading fish.

Sound like a pretty simple fantasy, right? Well, Calvin is not happy to discover that the he’s not alone on “my island.” There’s now a trading post, run by Jake Dutton (Broderick Crawford) and his daughter, Mira (Pamela Susan Shoop). Even worse, there are some recently escaped convicts (led by Glenn Corbett) who want to kidnap Mira! At first, Calvin refuses to get involved. He just wants to fish. But, in the end, he finally does the right thing and saves the Duttons.

What about the “serenading fish?” Calvin may not have caught a fish but he did capture the heart of Mira, who hums a tune that she says she once heard out on the lagoon. Calvin leaves the Island alone but he tells Roarke that he plans to return so that he can work at the trading post with the Duttons.

This fantasy was a bit predictable and you really do have to wonder why Roarke insists on nearly getting his guests killed every week. It seems like that would lead to a lawsuit. But the fantasy does feature a good performance from Claude Akin as a man who manages to conquer his own bitterness.

As for the other fantasy, it features Phyllis Davis as a writer named Lilly Martin who wants to write a book about the singer Lillian Russell. Roarke sends her back to 1890s New York and literally transforms Lilly into Lillian Russell, complete with singing talent and two notorious suitors, “Diamond Jim” Brady (Gene Barry) and Peter Whiting (Craig Stevens). This fantasy was enjoyable eye candy, with Lilly getting to dress up as Lillian Russell and getting to wear all sorts of jewels. Unfortunately, it’s also a fantasy that ends with a poker game. I’ve never been able to follow poker and I always groan a little whenever the plot of a show hinges on the outcome. Whenever people start talking about “bluffing” and “royal flushes,” and all that, my eyes just glaze over and that was the case here.

That said, at least Mr. Roarke got to take part in Lilly’s fantasy, popping up not once but three times to see how everything was going! In fact, Mr. Roarke and Tattoo also popped up in Calvin’s fantasy. It’s always fun when Roarke drops in.

The poker game aside, this was an enjoyable trip to the Island. Season 5 has been a bit uneven but this was one of the better episodes.

Retro Television Review: Fantasy Island 5.6 “Druids/A Night In A Harem”

Posted on July 9, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

Let’s see what’s happening on Fantasy Island this week!

Episode 5.6 “Druids/A Night In A Harem”

(Dir by Don Weis, originally aired on November 14th, 1981)

Hey, Tattoo is back!

Now, interestingly enough, Tattoo is in this episode but Julie only appears for a few seconds, just long enough to tell Roarke that she will be too busy babysitting to help out with any of the fantasies this week. Considering that she’s screwed up almost everything she’s been entrusted with, I’m sure Roarke was relieved to hear this. Still, you have to wonder if there was some rule that Julie and Tattoo couldn’t be equally featured in the same episode.

Tattoo is enthused about one of the fantasies this week. Shy and nerdy Herbie Snyder (Paul Williams) wants to have a harem for the weekend so that he can build up his confidence. Tattoo offers to accompany Herbie on his fantasy but Roarke says that won’t be necessary. It turns out Herbie screwed up when he requested his fantasy and asked to be a part of a harem.

Soon, Herbie finds himself surrounded by a bunch of oily body builders as he becomes a member of an all-male harem that belongs to the Contessa (Jayne Meadows)! Herbie is not comfortable being a sex toy but he is happy to meet and fall in love with Lisa (Pat Klous), the daughter of the Contessa. Fortunately, it turns out that the Contessa has a fantasy of her own and that’s for Lisa (hey, great name!) to meet and fall in love with a good man. Herbie and Lisa even get married on Fantasy Island!

This whole fantasy was silly, with Jayne Meadows devouring the scenery as only a veteran guest star can. That said, Paul Williams and Pat Klous were a cute couple.

As for the other fantasy, Lauren Fandell (Joan Prather) wants to be the center of attention. Roarke informs her that she’s a descendant of Druid queen. It turns out that there’s some druids living on a nearby island! Lauren heads over to Druid Island and is promptly proclaimed Queen of the Druids. “Are you married? she is asked. When she says she’s not, she is proclaimed the Virgin Queen. Uhmmm, okay. Maybe that’s a druid thing but that just seems like a huge assumption to me….

Unfortunately, being the Virgin Queen means that she’s due to be sacrificed to their God, the evil Pan. Roarke shows up briefly and gives her a magic acorn necklace, which she does eventually use to distract Pan and escape with her new boyfriend, Paul (Dennis Cole).

(And yes, it does turn out that Paul was another guest whose fantasy was to study the druids.)

This was a good episode. The fantasies were entertainingly silly and Tattoo was back. We even got a little of the old Roarke/Tattoo banter, which used to be a highlight of the show. This episode, with all of its silliness and melodrama, felt like what Fantasy Island was meant to be.

Retro Television Review: Fantasy Island 4.24 “Paquito’s Birthday/Technical Advisor”

Posted on May 7, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

This week, season 4 comes to an end.

Episode 4.24 “Paquito’s Birthday/Technical Advisor”

(Dir by Don Weis, originally aired on May 23rd, 1981)

This week, Tattoo is stunned to see Manuel (A Martinez) and Consuelo Lopez (Linda Cristal) get off the plane with their young son, Paquito (Anthony Trujillo). Tattoo immediately guesses that Mr. Roarke must have given them a special deal so they could come to the Island and he snaps that Roarke is too nice.

Roarke, never one to worry about being nice when it come to Tattoo, replies that young Paquito nearly died earlier in the year and now, Manuel and Consuelo are on the verge of losing their frame. Manual and Consuelo wanted to give Paquito a wonderful birthday party before they end up homeless. Take that, Tattoo!

Manuel’s wealthy relative, Dona Delores (Victoria Racimo), is also on the Island and Paqutio soon starts hanging out with her, despite Manuel resenting her for having money. Delores, who cannot have children of her own, has an idea. Maybe she could adopt Paquito and give him the life that Manuel and Consuelo never could. In return, she could help Manuel’s out with his money problems.

Don’t worry! Manuel and Conseulo don’t lose Paquito and they even get to stay on Fantasy Island. And it also turns out that Delores isn’t so bad after all. This is Fantasy Island and nothing bad has happened on Fantasy Island since that hunter died at the end of his fantasy. The ending is happy and the fantasy is ultimately pleasant and kind of forgettable. In the end, what I’ll always remember is that the voice of young Paquito was obviously dubbed by an adult woman trying to sound like a child. That was kind of weird.

Of course, it wasn’t as weird as the other fantasy.

Nancy Harvester (Randi Oakes) has spent the past few years of your life taking care of her terminally ill uncle. After her uncle passed, he left her a fantasy in his will. He wants Nancy to enjoy life and finally get a boyfriend. When Roarke informs Nancy why her uncle wanted his will to be read on Fantasy Island, Nancy replies that she’s never even been with a man and there’s no way she can make her uncle’s last fantasy come true. (Her uncle’s last fantasy was for his niece to lose her virginity? That is definitely kind of creepy….) Fortunately, Nancy’s childhood crush, Gene (Jim Stafford), is on the Island and Roarke summons a special friend to give Nancy advise.

Meet Helen of Troy (played by Jill St. John)!

Yes, the same Helen of Troy who inspired one of the bloodiest and most tragic wars in ancient history is the person that Mr. Roarke recruits to give advise to Nancy. I mean, was the mermaid busy? What about Aphrodite? Remember how Aphrodite lives on Fantasy Island? Couldn’t Mr. Roarke have asked them to help out?

Interestingly enough, the dialogue between Helen and Roarke indicate that they are lifelong friends, which would indicate that Mr. Roarke is several thousand years old. Helen also makes a few comments that suggest that she and Roarke were once quite close. Was Mr. Roarke involved in the war with Sparta? I wonder which side he was on.

But what about Nancy? Does Helen help out Nancy? Yes, of course she does. This is Fantasy Island so, of course, Nancy and Gene depart on the same plane.

All fantasies come true on Fantasy Island, which is one reason why the original show continues to be so loved. I would argue that the reason why the recent Fantasy Island reboot failed was because it complicated things by attempting to explore the lives of the people who lived and worked on the Island, as opposed to just focusing on fantasies with happy endings. For all the time that I’ve spent speculating about what the Island actually is and how it works, it ultimately doesn’t matter. No one cares how Fantasy Island works. All that matters is that it does.

So ends season 4 of Fantasy Island. It was a bit of an uneven season. The obvious hostility between Ricardo Montalban and Herve Villechaize made more than a few scenes a bit awkward to watch. I miss the playfulness that defined their interactions during the earlier seasons. But still, the Island is lovely and it’s fun to imagine what it would be like to really go there.

Next week, Roarke and Tattoo are joined by a new helper as the fifth season begins!

Retro Television Review: Fantasy Island 4.22 “Hard Knocks/Lady Godiva”

Posted on April 23, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

Welcome to Fantasy Island, where Mr. Roarke does whatever he wants.

Episode 4.22 “Hard Knocks/Lady Godiva”

(Dir by Don Weis, originally aired on May 9th, 1981)

Sheila Godfrey (Michelle Phillips) comes to Fantasy Island with a simple fantasy, one that Mr. Roarke manages to totally screw up.

Sheila grew up in Montana and loves horses. Because she was often ill while she was growing up, she was often not allowed to ride as much as she would have liked. Now, she wants to be the world’s most famous female equestrian. To me, this seems like a pretty simple and straight-forward request. Sheila is asking to be famous for riding a horse.

Roarke, however, decides that Sheila’s fantasy is that she wants to be the most famous female equestrian in history. And, in Roarke’s opinion, that means that Sheila wants to be Lady Godiva. Now, setting aside the idea that Mr. Roarke is suddenly such a stickler for detail that he’s forcing Sheila to go with a literal translation of her fantasy (which is something that no other guest has ever had to deal with), is Lady Godiva truly the most famous female equestrian ever? Katharine Hepburn used to ride horses. Belle Starr used to ride horses. Joan of Arc rode a horse on occasion. What about Annie Oakley?

But let’s accept that Sheila’s fantasy is to become Lady Godiva. Roarke doesn’t even do that! Instead, he gives her a magic horse named Lancelot, which Sheila rides into medieval England. And, in the past, Lancelot turns into a donkey and Sheila is promptly arrested for poaching on a nobleman’s land. Sheila ends up a servant to Lady Godiva (Gunilla Hutton), who is being imprisoned in her own castle for criticizing the taxes that her husband, Leo (Ken Berry, who is very much not British), has placed on the people living on his land. When Leo says that he’ll release his wife and lower the taxes but only if she’ll agree to humiliate herself by riding her horse naked, Godiva agrees. However, before the ride, she is given a magic potion that knocks her out.

It falls to Sheila to disguise herself as Godiva and take the famous ride. The servants respect her decision and turn their back as she rides by on a horse. Well, one guy does take a look and gets yelled at as a result. “You’ll always be known as Peeping Tom!”

Sheila returns to the present and is somehow not upset about the fact that she really didn’t get her fantasy. (Not only did she not get the fantasy she asked for but she didn’t even get the fantasy that Roarke claimed she was asking for. I mean, even if we accept that Sheila’s fantasy was to be Lady Godiva, that didn’t happen. Instead, she became a servant who pretended to be Lady Godiva.) Roarke agrees to send her Lancelot and also informs her that handsome Sir John Apensdale (Patrick Wayne), who Sheila fell in love with while in the past, was actually a Montana rancher who was having a fantasy of his own. And he’ll be happy to teach Sheila how to ride!

Meanwhile, Steve Pryor (Philip Levian) comes to the Island with the fantasy of being a hard-boiled detective. Roarke gives Steve his fantasy and even provides him with a mentor to offer him advice. Who is that mentor? The ghost of Humphrey Bogart (played by Robert Sacchi)! Only Steve can see Bogart, which leads to a lot of scenes of people wondering why Steve is talking to himself.

The case involves delivering a package, picking up a key to a safety deposit box, and dealing with a femme fatale (Martha Smith). It’s a pretty simple case, to be honest. But at least Steve gets to hang out with Bogart. And, to give credit where credit is due, Robert Sacchi’s Bogart impersonation was spot-on.

This episode was silly enough to be likable. That said, I do think Sheila could probably sue Mr. Roarke for not actually granting her fantasy. Seriously, I wonder how many lawyers Mr. Roarke kept on retainer.

Retro Television Reviews: Fantasy Island 4.7 “The Invisible Woman/The Snowbird”

Posted on January 2, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

Smiles, everyone, smiles!

Episode 4.7 “The Invisible Woman/The Snowbird”

(Dir by Don Weis, originally aired on December 6th, 1980)

This week’s trip to Fantasy Island is all about entertainers.

For instance, Ned Pringle (Douglas Barr) is not an entertainer but he wishes that he could be. Instead, the handsome and athletic Ned is a popcorn salesman who works for a traveling circus. He has a crush on a trapeze artist named Velda Ferrini (Pamela Sue Martin) but he feels that he won’t ever be able to talk her unless he too can become a trapeze-artist.

Mr. Roarke grants him his fantasy. He hands Ned a magic pouch and has him climb up a magic ladder. When Ned reaches the platform at the top, he suddenly discovers that he is now standing high above the ground. Below him, the entire circus is waiting for him to audition. Fortunately, as long as Ned has the pouch, there is nothing he can’t do. He’s the world’s greatest acrobat and he is, of course, hired by the circus’s owner, Mr. Ferrini (Don Ameche). Ferrini is the father of Velda and when he hires Ned, he does so under the condition that Ned not try to date his daughter. Good luck with that, Ferrini!

Meanwhile, Velda’s older brother, Mario Ferrini (George Maharis), takes an interest in Ned’s career and he even starts to pressure Ned to attempt the same super dangerous quadruple summersault that led to Mario injuring his leg and having to drop out of the act. Ned, however, realizes that Mario needs to do the summersault himself so that he can get back his confidence. After a conversation with Mr. Roarke (who shows up swinging on the trapeze and wearing a white bodysuit!), Ned allows Mario to have the pouch. Mario finally pulls off the quadruple summersault and he returns to the act. Meanwhile, Ned realizes that he doesn’t have to be an acrobat to be worthy of Velda’s love and he instead becomes the circus’s new manager.

And good for all of them! Ameche, Martin, Maharis, and Barr were all extremely likable in this story, though you do have to wonder what Maharis is going to do if he ever loses the magic pouch. That said, the true stars of the story were the stunt crew. It was pretty easy to spot everyone’s stunt double, which added to the fun of the story. Ricardo Montalban’s stunt double, for instance, appeared to be about 20 years younger than him and blonde.

The episode’s other story deals with a veteran entertainer named Denny Palumbo (Dick Gautier). Denny became a star doing a corny song-and-dance act with his wife, Trish (Neile Adams). However, Denny and Trish got a divorce and their act broke up. Denny is now engaged to Harriet (Elaine Joyce) and he is putting together a new act with two new dancers. Trish’s fantasy is to become invisible so that she can make sure that Denny isn’t cheating on her.

“Boss!” Tattoo says, “Can you do that!?”

“It remains to be seen,” Roarke replies.

(Oh hey, I just got that!)

Just as Roarke gave Ned a magic pouch, he gives Harriet a magic potion that grants temporary invisibility. When Harriet turns invisible, her clothes can still be seen and appear to be floating in mid-air. This leads to her (in her invisible state) undressing in front of Tattoo and Roarke. Tattoo’s eyes get especially wide as everything from Harriet’s dress to her underwear hits the floor. In fact, Tattoo gets so distracted that Roarke snaps, “Tattoo!”

(Later, Tattoo deduces that Roarke can still see Harriet, even after she’s taken the potion and removed her clothes. “Boss!” Tattoo gaps. I’m a bit shocked, myself. Mr. Roarke has always been such a gentleman in the past that I find it hard to believe that he would not have stepped out of the room or, at the very least, turned his back while Harriet undressed.)

Being invisible allows Harriet to spy on Denny. It turns out that Denny is not cheating on her but invisible Harriet still deliberately ruins his rehearsal and causes the new dancers to quit. Needing a partner, Denny turns to Trish, which upsets Harriet even though Harriet was the one who was secretly responsible for inspiring the other two dancers to quit in the first place. Eventually, Harriet realizes that Denny and Trish are meant to be together but that’s okay because she also realizes that she’s meant to be with Denny’s manager, Monty (Sonny Bono, who apparently spent the early 80s living off whatever money he made from appearing on shows like The Love Boat and Fantasy Island).

This story suffered from the fact that all of Harriet’s problems could have been solved by Harriet not acting like an idiot. As I’ve mentioned many times in the past, I am not a fan of the idiot plot. Sonny Bono was likable as Monty but Denny and Harriet were so broadly drawn and performed that I mostly just wanted to Monty to totally get away from both of them.

This week’s trip to Fantasy Island was just silly.

Retro Television Reviews: The Love Boat 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”

Posted on October 19, 2022 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Love, exciting and new!

Let it go, it floats back to you!

We all float down here!

Episode 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”

(Directed by Don Weis, originally aired on November 12th, 1977)

The Love Boat is jinxed!

Or, at least, that’s what the crew assumes when they meet Horace and Henrietta McDonald (played by Ray Bolger and Harriet Nelson). Horace and Henrietta first met when they were children and they’ve been in love ever since. In fact, they met each other on a cruise. Unfortunately, that cruise was the Titanic!

(Remember, when this episode aired, it had been 65 years since the Titanic sank. So, there were still a few elderly survivors around.)

Anyway, the crew worries that Horace and Henrietta might bring bad luck with them and, before you know it, everyone’s getting injured. Doc Bricker gets hit by a door and ends up having to wear a bandage on his head. Gopher trips in the lounge. Isaac gets whiplash after falling in the pool. Julie ends up wearing an eye patch. To be honest, I think the crew is just clumsy.

While the crew is trying not to die, identical twins Ellen and Helen (Diana Canova) are trying to keep the crew from realizing that they’re both on the boat. (They only bought one ticket.) One of the twins falls in love with Doc Bricker. The other can’t stand him. Bricker being Bricker, he really doesn’t care how the twins feel about him. He just wants to get laid. Still, Bricker spend most of the episode very confused and very afraid of the Titanic jinx.

Meanwhile, Julie is shocked when she discovers that Buddy Stanfield (David Hedison) is on the cruise! Buddy is a wealthy and handsome attorney and he’s also Julie’s former lover. They had a whirlwind romance in Paris but then Julie discovered that Buddy was married and her heart was broken. Now, Buddy claims that he’s divorced and Julie starts to fall for him again. It’s pretty obvious that Buddy is lying but who can blame Julie when he’s played by the classy and suave David Hedison. Hedison played Felix Leiter in Live and Let Die and License to Kill. In between dealing with the jinx, the crew tries to proect Julie from Buddy. Of course, Buddy’s wife eventually shows up but at least Julie has her friends to support her!

Anyway, this was a pretty predictable episode and the plot with the twins was way too silly to believed. It didn’t help that the twins appeared to be in their early 20s while Doc Bricker is in his 40s at least. But David Hedison was a perfect cad and Ray Bolger (who, of course, is best-remembered for playing the Scarecrow in The Wizard of Oz) and Harriet Nelson were an adorable couple. This episode was nothing special but it was still enjoyable while it lasted.