Tag Archives: Curtis Harrington

Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)

Posted on by Lisa Marie Bowman

For today’s horror on the lens, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Horror On The Lens: Night Tide (dir by Curtis Harrington)

Posted on by Lisa Marie Bowman

Night Tide

First released in 1961 and directed by Curtis Harrington, Night Tide stars a young Dennis Hopper as Johnny, an awkward sailor.  Johnny meets Mora (Linda Lawson), who works as a “mermaid” on the pier.  For Johnny, it’s love at first sight.  However, the more that Johnny pursues her, the more he learns about both her mysterious past and the dark fate of her previous boyfriends.

Night Tide is low-key and atmospheric gem of a movie, one that serve as an inspiration for low-budget filmmakers every where.  Lawson is perfectly cast as the enigmatic Mora but the film really belongs to Dennis Hopper.  Hopper’s naturally off-key presence made him perfect for the role of Johnny.

Night Tide is one of those low-budget movies that, because it’s in the public domain,  has been released on DVD (often in inferior form) by dozens of different companies.  Often times, films like this turn out to be fairly forgettable.  Night Tide, however, is an exception.

Cleaning Out the DVR Pt. 22: Winter Under the Stars

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

I haven’t done one of these posts in a while, and since my DVR is heading towards max capacity, I’m way overdue! Everyone out there in classic film fan land knows about TCM’s annual “Summer Under the Stars”, right? Well, consider this my Winter version, containing a half-dozen capsule reviews of some Hollywood star-filled films of the past!

PLAYMATES (RKO 1941; D: David Butler ) – That great thespian John Barrymore’s press agent (Patsy Kelly) schemes with swing band leader Kay Kyser’s press agent (Peter Lind Hayes) to team the two in a Shakespearean  festival! Most critics bemoan the fact that this was Barrymore’s final film, satirizing himself and hamming it up mercilessly, but The Great Profile, though bloated from years of alcohol abuse and hard living, seems to be enjoying himself in this fairly funny but minor screwball comedy with music. Lupe Velez livens things up as Barrymore’s spitfire…

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A Movie A Day #312: Mata Hari (1985, directed by Curtis Harrington)

Posted on by Jedadiah Leland

Europe, during World War I.  The beautiful dancer, Mata Hari (Sylvia Kristel), is in love with two different soldiers, one German and one French.  (The soldiers, played by Olivier Tobias and Christopher Cazenove, are also friends though they are now on opposite sides of the Great War.)  Forced into the world of decadent, high class espionage by Frau Doktor (Gaye Brown), Mata Hari sleeps with everyone, shares information with both the Germans and the French, and tries to prevent more people from dying.  Just as in history, Mata Hari ultimately has to face a firing squad but not before taking part in threesomes, voyeurism, and a topless sword fight.

The original Emmanuelle in a Cannon Film based on the life of the famed seductress Mata Hari?  It sounds like it should be great but Mata Hari is mostly dull.  I’ve read that Mata Hari was heavily edited before it was released in the United States so maybe that explains why the film is so choppy and nearly impossible to follow.  I was never sure who Mata Hari was spying for and, after a while, I no longer cared.  Sylvia Kristel is frequently naked, which explains why Mata Hari was once a Skinemax staple, but Kirstel later wrote that she was addicted to both cocaine and alcohol while making Mata Hari and maybe that partially explains why she seems to be so mentally checked out through the entire film.  I don’t blame her.  I checked out too.

One final note: About that topless sword fight, it sounds cooler than it actually is.

Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)

Posted on by Lisa Marie Bowman

For today’s horror on the lens, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Grand Dame Guignol: WHAT’S THE MATTER WITH HELEN? (United Artists 1971)

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

The recent FX mini-series FEUD has sparked a renewed interest in the “Older Actresses Doing Horror” genre, also known by the more obnoxious sobriquettes “Hagsploitaion” or “Psycho-Biddy” movies. This peculiar film category lasted from 1962’s WHATEVER HAPPENED TO BABY JANE? until winding down around the early Seventies. 1971’s WHAT’S THE MATTER WITH HELEN? came towards the end of the cycle, a creepy little chiller with Debbie Reynolds and Shelley Winters   getting caught up in murder and madness in 1930’s Hollywood.

I wouldn’t exactly call Debbie Reynolds a “hag”; she was only 39 when this was filmed, and still quite a hottie, especially when glammed-up in a Jean Harlow “Platinum Blond” wig. Deb gets to show off her tap-dancing and tangoing in a few scenes, showing off her still amazing legs for good measure. She and Shelley play a pair of Iowa mothers who (as the opening newsreel footage tells us) have spawned two killer sons that…

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Horror On The Lens: Night Tide (dir by Curtis Harrington)

Posted on by Lisa Marie Bowman

Night Tide

First released in 1961 and directed by Curtis Harrington, Night Tide stars a young Dennis Hopper as Johnny, an awkward sailor.  Johnny meets Mora (Linda Lawson), who works as a “mermaid” on the pier.  For Johnny, it’s love at first sight.  However, the more that Johnny pursues her, the more he learns about both her mysterious past and the dark fate of her previous boyfriends.

Night Tide is low-key and atmospheric gem of a movie, one that serve as an inspiration for low-budget filmmakers every where.  Lawson is perfectly cast as the enigmatic Mora but the film really belongs to Dennis Hopper.  Hopper’s naturally off-key presence made him perfect for the role of Johnny.

Night Tide is one of those low-budget movies that, because it’s in the public domain,  has been released on DVD (often in inferior form) by dozens of different companies.  Often times, films like this turn out to be fairly forgettable.  Night Tide, however, is an exception.