Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey gets involved with gun smugglers!
Episode 1.20 “Across the World”
(Dir by Teddy Sills, originally aired on February 24th, 1958)
Andrew Garcia (Frank Silvera), Herbert Carson (Arthur Batanides), and Carl Walton (Nicholas Colasanto) are using an import/export business to smuggle guns to the communists. (Booo!) When the owner of the company finds out, they murder her in a hit-and-run. Because of the suspicious nature of the woman’s death, Casey is sent undercover to investigate. She shows up at the company, claiming to be the woman’s only heir. Her cover is blown early, leading to her getting knocked around by the bad guys. Fortunately, for her, the bad guys end up turning on each other and eventually, the rest of the police force arrives and puts an end to the smuggling once and for all.
This episode didn’t feature much of Beverly Garland. Instead, the majority of it focused on the three smugglers arguing amongst themselves and then plotting various double crosses. Unfortunately, the smugglers weren’t particularly interesting. Sometimes, bad guys can be compelling to watch but these dopes were obviously doomed from the minute that they first appeared. Though it’s never specifically said to whom they were smuggling the weapons, I’m going to assume that it was probably Castro and his forces. In 1958, there were a lot of Americans who actually thought that Castro would be more willing to work with America than Batista was. Needless to say, they turned out to be incorrect. Casey could have warned them if anyone had bothered to listen!
This was a lesser episode of Decoy but the episode did feature some location shots of New York City. The actors where shivering so I can only assume it was very cold when they filmed this episode.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey gets involved in dark and dirty world of professional boxing!
Episode 1.19 “The Challenger”
(Dir by Stuart Rosenberg, originally aired on February 17th, 1958)
Up-and-c0ming boxer Lenny Capper (Bob Carraway) has a chance to become the middle weight champion of the world but a local mobster known as The Bull (Vincent Gardenia) wants Lenny to throw the fight. First, the Bull has his goons beat up Lenny’s manager, Hecky (Frank Sutton). Then the Bull attempts to spike Lenny’s orange juice. Luckily, Casey is there to switch out the spiked orange juice with a glass of freshly squeezed orange juice. With the power of citrus goodness backing him up, Lenny is able to win the fight and the Bull and his goons are arrested.
This episode was kind of boring. Until it was time for her to switch out the orange juice, Casey spent most of this episode as an observer. The majority of the episode was taken up with scenes of Carraway, Sutton, and Gardenia playing out the very familiar story of the honest lunk-headed boxer with a streetwise manager and a gangster demanding that he throw the big fight. The only thing that was messing was someone to say, “I coulda been somebody, Charlie! I coulda been a contender!”
Casey didn’t even really get to go undercover in this episode. She attended a boxing match and then she just kind of hung around in the locker room. If I was working a case that involved the world of boxing, I would at least want to get dressed up for one of the matches. I would demand to wear the dress that Amy Adams wore whenever she went to Mark Wahlberg’s fights in The Fighter. I would also insist that How You Like Me Now be played while The Bull and his men were being marched out to the paddy wagon.
In the end, the main problem with this episode is that it wasn’t really a Casey Jones story. Instead, it was just a standard boxing tale with Casey rather awkwardly inserted into the action. That said, as the episode ends, Casey looks at the camera and tells us that it takes a lot of work to be the middleweight champion of the world. And then she smokes a cigarette because, even in an episode like this one, Casey was the coolest person in New York.
1979’s Roller Boogie opens with an impromptu parade of roller skaters rolling across the Venice Beach boardwalk. They don’t care about any stuffy people who think that they should be in school or working behind a counter. They’re young, they’re free! One of them wears rainbow suspenders and juggles while skating. (I’ve noticed that every roller skating movie seems to feature at least one juggler in rainbow suspenders. Strangely, you never see them in real life.)
This is followed by a scene of a teenage rich girl Terry Barkley (Linda Blair) getting ready for her day in her poster decorated bedroom. The camera zooms in for a close-up as she picks just the right chunky bracelet to wear.
In other words, it doesn’t get much more late 70s/early 80s than Roller Boogie.
The plot is pretty simple. Terry meets the king of the roller skaters, Bobby James (Jim Bray). Bobby is a kid from a working class background and he dreams of the day that his roller skating skills will lead to him competing in the Olympics. Terry is rich and she has a snooty best friend (Kimberly Beck) and parents (Beverly Garland and Roger Perry) who are planning on sending her to Julliard. Despite everyone saying that they’re from different worlds, Terry and Bobby enter the roller disco contest together! Cue the montage!
Unfortunately, a crooked businessman (Mark Goddard) is planning on bulldozing the skating rink. Can Bobby and the other skaters defeat the businessman and his gangster pals? Even when guns are pulled on them, Bobby and his friends refuse to give up. Myself, I’d just find another skating rink. I mean, it’s Venice Beach in 1979. It’s hard to believe that there’s only one place to go.
The gangster subplot feels out of place, a misguided attempt to bring some action to a perfectly acceptable teen romance. This was Jim Bray’s only film role and he wasn’t a particularly good actor but he and Linda Blair had enough natural chemistry to bring some charm to the film. Linda Blair, for her part, skates as if the fate of the world depended upon it and she seems to enjoy playing a relatively happy character for once. It’s totally predictable, a bit dumb at times but it’s still likable enough. Ultimately, it’s such a product of its time — look at the clothes, look at the hair, listen to the slang — that it becomes rather fascinating to watch. This is a movie that you watch and say, “So, that’s what 1979 was like!”
About halfway through 1974’s Airport 1975, Sid Caesar has one of the greatest lines in film history.
“The stewardess is flying the plane?”
Hell yeah, she is! After a collision with another plane takes out the crew of a Broening 747, it’s up to head flight attendant Nancy (Karen Black) to keep the plane from crashing until another pilot can somehow be lowered into the cockpit of the stricken airliner. Nancy’s never flown an airplane before but she is dating Al Murdock (Charlton Heston), who may be scared of commitment but who is still described as being one of the greatest pilots who has ever lived. None other than Joe Patroni (George Kennedy) says that no one knows more about flying than Al Murdock.
George Kennedy is the only cast member to return from the original Airport. When we previously met Patroni, he was the cigar-chewing chief mechanic for Trans World Airlines. In Airport 1975, he’s suddenly an executive with Columbia Airlines. His wife (Susan Clark) and his son (Brian Morrison) are also on the plane. Joe Patroni and Al Murdock are determined to bring that plane safely to the ground in Salt Lake City and if that means dropping a pilot into the cockpit from a helicopter, that’s what they’ll do. It’s all a question of whether or not Nancy can keep that plane from crashing while they round up a helicopter and a pilot.
Airport 1975 is so famous for being the movie where the stewardess is flying the plane that it’s often overlooked that it’s also the film where Linda Blair plays a young girl in need of a kidney transplant. When Sister Ruth (Helen Reddy) sees that the girl has a guitar with her, Ruth sings a folk song that has everyone on the airplane smiling. (If I was on a plane and someone started playing folk music, I’d probably jump out. That may seem extreme but seriously, you don’t want to test me on how much I dislike the folk sound.) This scene was, of course, parodied in Airplane! In fact, it’s pretty much impossible to watch Airport 1975 without thinking about Airplane!
It’s also overlooked that Gloria Swanson is one of the many stars to appear in this film but Swanson is the only one playing herself. Gloria Swanson starts as Gloria Swanson and I assume that this 1974 film was set in 1975 in order to generate some suspense as to whether or not Swanson was going to survive the crash. Swanson talks about how, in 1919, Cecil B. DeMille flew her over California. She does not talk about Joseph Kennedy or Sunset Boulevard and that’s a shame. As I watched Airport 1975, I found myself thinking about how different the film would have been if Gloria Swanson had been the one who had to pilot the plane instead of Karen Black.
“Gloria Swanson is piloting the plane?”
As entertaining as that would have been, it would have meant missing out on Karen Black’s intense performance as Nancy. At times, Nancy seems to be so annoyed with the situation that one gets the feeling that she’s considering intentionally crashing the plane into one of Utah’s mountains. At other times, she seems to be at a strange sort of peace with whatever happens. There’s a scene where she attempts to clear some of the clutter in the cockpit and an instrument panel falls on her head and it’s such a powerful moment because I know the exact same thing would have happened to me in that situation. There’s another moment where I’m pretty sure she accidentally kills the first pilot who attempts to drop into the cockpit and again, it’s a mistake that anyone could have made. The film doesn’t call her out on it because the film understand that none of us are perfect, except for Charlton Heston.
Speaking of which, Karen Black’s emotional performance contrasts nicely with the performance of Charlton Heston. This is perhaps the most Hestonesque performance that Charlton Heston ever gave. Al Murdock is confident, he doesn’t suffer fools, and he’s condescending as Hell. Every time he calls Nancy “honey,” you’ll want to cringe. And yet, it’s hard not to appreciate someone who can be so confident while wearing a tight yellow turtleneck. Charlton Heston watches as the first pilot to attempt to enter the cockpit plunges to his death and immediately declares that it’s his turn to try. “Get me in that monkey suit!” he snaps and it’s such a Heston moment that you have to love it.
There’s a ton of people in this movie. Norman Fell, Jerry Stiller, and Conrad Janis play three rowdy drunks. Erik Estrada, Efrem Zimbalist, and Roy Thinnes are the unfortunate members of the flight crew. Dana Andrews has a heart attack while piloting a small private plane. Myrna Loy appears not as herself but as Mrs. Delvaney, who spends almost the entire flight drinking. Christopher Norris plays Bette, who says that she may look like a teenager but she prefers to be called “Ms. Teenager” and that she’s trained in Kung Fu. Beverly Garland played Dana Andrews’s wife. Larry Storch is an obnoxious reporter. Character actor Alan Fudge plays Danton, the Salt Lake City controller who keeps Nancy calm until Charlton Heston can start snapping at people.
The first time that I watched Airport 1975, I was pretty dismissive of it but, over the years, I’ve rewatched it a few times and I have to admit that I’ve fallen in love with this wonderfully ridiculous film. There’s just so many odd details, like American Graffiti showing up as the plane’s in-flirt entertainment and Sid Caesar saying that he’s only on the flight because he has a small role in the movie and he finally wanted to see it. (It seems like it would have been cheaper to just go to a drive-in but whatever.) And there’s Karen Black, giving the performance of a lifetime and letting us all know that, in 1975, the stewardess flies the airplane!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey solves her easiest case yet!
Episode 1.14 “Bullet of Hate”
(Dir by Teddy Sills, originally aired on January 13th, 1958)
This week, Casey doesn’t go undercover. Instead, she’s just a uniformed police officer who responds to fight between teenage Stella (Sandra Whiteside) and her adoptive aunt, Mary (Joanna Roos). Casey takes sympathy on Stella, who isn’t a bad kid but who is rebelling against her heartless Aunt Mary and Uncle Lester (Alfred Ryder). When Mary ends up getting shot, Stella is the number one suspect and Stella herself even thinks that she’s responsible. But, of course, it turns out that Stella has been framed by Lester.
The main problem with this episode is that we watch as Lester frames Stella by giving her a gun. When Stella fires the gun during an argument, Mary isn’t injured but she does faint. Stella flees. Lester then uses the gun to actually shoot Mary. Since we know that Lester committed the crime, there’s not really any suspense when Casey starts to suspect that Stella’s been set up. We already know she’s been set up and we also know that, since Lester is an idiot, Casey is going to be able to easily solve the case. And since we know that Casey is good with a gun, we’re not that surprised when Casey ends up taking Lester out (in self-defense, of course!). This isn’t like Columbo or the first season of Poker Face where the killer is so diabolically clever that we can’t wait to see how the hero manages to trick them into confessing. Lester’s just a dummy.
Joanna Loos and Alfred Ryder both went overboard as the villainous aunt and uncle but Sandra Whiteside was effective as the desperate Stella. Apparently, this was one of only two roles that Whiteside played in her career. She gives a strong performance.
This is my final Decoy review for 2025. Retro Television Reviews is going on break for the holidays so that I can focus on Awards Season and Christmas movies! Decoy will return on January 8th, 2026.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
Episode 1.13 “My Brother’s Killer”
(Dir by Stuart Rosenberg, originally aired on January 6th, 1958)
Anne (Barbara Barrie) goes to the police because her boyfriend, Victor Bernard (Bernard Kates), has been acting strangely and refuses to let her into his apartment. At first, the police point out that there’s nothing they can do about this but then Casey, in what can only be described as a miraculous feat of deductive reasoning, guesses that Victor Bernard’s last name might have originally been Bernardino and he might be the brother of wanted robber, Frank Bernardino.
A look at a picture of Victor reveals that he does look a lot like Frank. However, as Casey discovers when she goes over to Victor’s apartment, Frank is dead. But his partner, Hal Bishop (Sy Travers), is still alive. Hal promptly takes Casey and Victor hostage and heads for the Canadian border.
Once you accept that Casey’s miracle hunch (and, seriously, it takes some effort), this is an intense episode. I’m not really a fan of shows in which people are held hostage — the confined narrative tends to get tedious pretty quickly — but this episode featured a typically good performance from Beverly Garland and an absolutely terrifying one from Sy Travers. It also features what seems like a surprising amount of violence for a 1950s television show. Imagine gathering the family in front of the television in 1958 and being immediately confronted by Sy Travers as Hal Bishop pointing a gun at an innocent man’s head and pulling the trigger. A lot of people get shot over the course of this episode, including Hal Bishop himself. Casey survives but there are no smiles or celebrations. There’s just the weary look of someone who has been confronted with the worst that humanity has to offer.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
Casey goes undercover at nightclub.
Episode 1.12 “Queen of Diamonds”
(Dir by Teddy Sills, originally aired on December 30th, 1957)
Casey is working undercover, pretending to be a photographer named Judy. She’s been working at a run-down nightclub for two months, trying to find evidence that the club’s owner, Frank (James Mitchell), was responsible for a payroll theft. Frank has an alibi but Casey is able to get her man when she convinces Frank’s second-in-command, Chi Chi (Al Lewis), to turn on him. Chi Chi is in love with Frank’s girlfriend, Georgia (Kay Medford).
This was not a bad episode. Casey got to wear a pretty dress and Beverly Garland got to show off her acting skills as she flirted with Frank and worked to turn Chi Chi against him. Interestingly enough, this episode ended on something of a melancholy note. Casey managed to send Frank to jail and Chi Chi and Georgia left for France together but the night club closed and blind pianist Alex (Richard Ward), the only truly decent person in this episode, ended up out of a job. In the end, Casey looked almost as if she was about to cry. It’s not easy, working undercover.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week’s episode is really, really good!
Episode 1.11 “Two Days To Kill”
(Dir by Stuart Rosenberg, originally aired on December 23rd, 1957)
Selma Richmond (played by a young Diane Ladd!) is the girlfriend of gangster Johnny Troy (Michael Strong). Johnny is about to go on trial and Selma’s testimony about his crimes is the key piece of evidence against him. Knowing that Johnny wants Selma dead, the police put her up in an apartment. Casey is assigned to protect her.
At first, Casey and Selma seem to become unlikely friends. Selma is flighty and obsessed with Hollywood. Even though she’s testifying against him, she claims that Johnny is just misunderstood. Casey, taking some sympathy on her, tells Selma about the man that she loved. For the first time, we learn something about Casey’s background. We learn that her husband was a cop and he died in a shoot out. It’s a surprising moment and one that’s poignantly played by Beverly Garland. (The camera closes in on her face while she slowly smokes a cigarette.) Not only does it help us understand why Casey sometimes to seems to be emotionally detached but it also shows the friendship between the two women. Casey doesn’t open up for many people but she does for Selma.
However, that friendship ends when Selma realizes that Johnny will be facing the death penalty. Selma manages to sneak a letter Johnny, letting him know where she’s being held. Johnny shows up at the apartment, carrying a knife. Casey is waiting for him with her gun drawn. During the stand-off, Johnny tells Selma that he loves her and Selma believes it. The Johnny uses his foot to unplug the apartment’s lamp. In the darkness, he lunges at Selma and Casey opens fire, killing Johnny. Selma’s response is to shout, “I bet you’re glad you killed him!”
This was an outstanding episode. Director Stuart Rosenberg, taking over from Teddy Sallis, makes good use of the gritty New York locations. Each scene is lit like a film noir, with Johnny literally emerging from the shadows at one point. Rosenberg also gets excellent performances from both Ladd and Garland. This was a strong episode and the best of the series so far.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey makes the mistake of being nice.
Episode 1.10 “The Scapegoat”
(Dir by Teddy Sills, originally aired on December 16th, 1957)
Call this one “Casey Screws Up …. Again.”
Casey and Detective Hank Hopkins (John Connell) are escorting embezzler Dorothy Boyer (Lenka Peterson) to jail. As they wait at an airport, Casey cannot help but feel sorry for Dorothy. Everyone who sees Dorothy recoils from the sight of her handcuffs. (“She’s a crook!” one little girl yells.) Casey agrees to take off the handcuffs as long as Dorothy doesn’t try to run away. Of course, as soon as Casey is distracted, Dorothy runs.
Casey and Hank try to track down Dorothy. They discover that Dorothy was embezzling the money so that she could afford a special school for her son, who is repeatedly described as being “retarded” but whose noncommunicative behavior suggests that he would probably, today, be diagnosed as having some form of autism. Casey and Hank fear that Dorothy is going to murder her child, to spare him from being sent to a “public institution” while she’s serving time in prison.
They’re right. Dorothy is on the verge of throwing her son off a bridge when Casey, Hank, and the cops track her down. Casey says that she understand why Dorothy is scared. “You think your son will be sent to a public institution and people will be cruel to him!” Casey says. “What about me? I work for a public institution! Was I cruel to you?”
“Who’s going to give love to a backward child!?” Dorothy cries.
Casey then taunts, “Go ahead, throw him over!”
This causes Dorothy to realize that she loves her son too much to toss him over the bridge. The episode ends with Casey speaking directly to the camera. Dorothy will only have to serve six months in prison. As for Casey and Hank, they’re put on official probation for three months for letting Dorothy escape. “You live and you learn,” Casey says.
This episode was a real time capsule. Yes, it was weird to hear the term “retarded” tossed around so casually, though I found the term “backward child” to be far more offensive. But, let’s be realistic here. This show aired 1957 and it’s a bit silly to expect a 68 year-old television program to sound like it was written in 2025. To me, what was really upsetting was how everyone that Casey talked to seemed to feel it was perfectly understandable that the father of Dorothy’s child abandoned Dorothy because of their son. Everyone, except for Casey and Hank, acted as if Dorothy should be ashamed of her child. To make clear, the show did not endorse that attitude but still, the callousness of almost everyone in Dorothy’s life was hard to take. I was glad that Casey cared.
That said, I did cringe a bit at that “I work for a public institution” line. One nice person does not signify a change in culture.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey discovers that New York can be a lot of fun when you know the right people.
Episode 1.9 “Necklace of Glass”
(Dir by Teddy Sills, originally aired on December 9th, 1957)
Casey goes undercover as a rich socialite in order to investigate a spree of jewelry thefts. Unfortunately, Casey isn’t very good at her job in this episode. Not only does she suspect the wrong person, a shady gigolo named Larry Babson (Martin E. Brooks), she also comes on too strong while trying to trick Larry into confessing. Larry figures out that she’s a cop, finds the microphone that Casey hid in the apartment, and then storms out. Fortunately, Larry’s wife (Rita Grapel) then shows up shortly afterwards and, not having had a chance to talk to Larry, reveals that she’s the one who has been masterminding the jewelry thefts. Casey, who had been feeling pretty bad up until that point, promptly pulls out her badge.
I actually appreciated the fact that Casey basically blew her assignment in this episode. Characters who are flawless and who never make mistakes are boring. In the episode, Casey says that she was distracted by how much fun it was to pretend to be rich and it makes perfect sense. Why wouldn’t the working class Casey enjoy the chance to live the high life for once?
The important thing is, even though she initially screwed up, Casey solved the case. This was a good episode. Casey wasn’t flawless but, in the end, luck was on her side.
Through the Shattered Lens 