Retro Television Review: Decoy 1.14 “Bullet of Hate”

Posted on December 4, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey solves her easiest case yet!

Episode 1.14 “Bullet of Hate”

(Dir by Teddy Sills, originally aired on January 13th, 1958)

This week, Casey doesn’t go undercover. Instead, she’s just a uniformed police officer who responds to fight between teenage Stella (Sandra Whiteside) and her adoptive aunt, Mary (Joanna Roos). Casey takes sympathy on Stella, who isn’t a bad kid but who is rebelling against her heartless Aunt Mary and Uncle Lester (Alfred Ryder). When Mary ends up getting shot, Stella is the number one suspect and Stella herself even thinks that she’s responsible. But, of course, it turns out that Stella has been framed by Lester.

The main problem with this episode is that we watch as Lester frames Stella by giving her a gun. When Stella fires the gun during an argument, Mary isn’t injured but she does faint. Stella flees. Lester then uses the gun to actually shoot Mary. Since we know that Lester committed the crime, there’s not really any suspense when Casey starts to suspect that Stella’s been set up. We already know she’s been set up and we also know that, since Lester is an idiot, Casey is going to be able to easily solve the case. And since we know that Casey is good with a gun, we’re not that surprised when Casey ends up taking Lester out (in self-defense, of course!). This isn’t like Columbo or the first season of Poker Face where the killer is so diabolically clever that we can’t wait to see how the hero manages to trick them into confessing. Lester’s just a dummy.

Joanna Loos and Alfred Ryder both went overboard as the villainous aunt and uncle but Sandra Whiteside was effective as the desperate Stella. Apparently, this was one of only two roles that Whiteside played in her career. She gives a strong performance.

This is my final Decoy review for 2025. Retro Television Reviews is going on break for the holidays so that I can focus on Awards Season and Christmas movies! Decoy will return on January 8th, 2026.

Retro Television Review: Decoy 1.13 “My Brother’s Killer”

Posted on November 27, 2025 by Lisa Marie Bowman

Episode 1.13 “My Brother’s Killer”

(Dir by Stuart Rosenberg, originally aired on January 6th, 1958)

Anne (Barbara Barrie) goes to the police because her boyfriend, Victor Bernard (Bernard Kates), has been acting strangely and refuses to let her into his apartment. At first, the police point out that there’s nothing they can do about this but then Casey, in what can only be described as a miraculous feat of deductive reasoning, guesses that Victor Bernard’s last name might have originally been Bernardino and he might be the brother of wanted robber, Frank Bernardino.

A look at a picture of Victor reveals that he does look a lot like Frank. However, as Casey discovers when she goes over to Victor’s apartment, Frank is dead. But his partner, Hal Bishop (Sy Travers), is still alive. Hal promptly takes Casey and Victor hostage and heads for the Canadian border.

Once you accept that Casey’s miracle hunch (and, seriously, it takes some effort), this is an intense episode. I’m not really a fan of shows in which people are held hostage — the confined narrative tends to get tedious pretty quickly — but this episode featured a typically good performance from Beverly Garland and an absolutely terrifying one from Sy Travers. It also features what seems like a surprising amount of violence for a 1950s television show. Imagine gathering the family in front of the television in 1958 and being immediately confronted by Sy Travers as Hal Bishop pointing a gun at an innocent man’s head and pulling the trigger. A lot of people get shot over the course of this episode, including Hal Bishop himself. Casey survives but there are no smiles or celebrations. There’s just the weary look of someone who has been confronted with the worst that humanity has to offer.

Retro Television Review: Decoy 1.12 “Queen of Diamonds”

Posted on November 20, 2025 by Lisa Marie Bowman

Casey goes undercover at nightclub.

Episode 1.12 “Queen of Diamonds”

(Dir by Teddy Sills, originally aired on December 30th, 1957)

Casey is working undercover, pretending to be a photographer named Judy. She’s been working at a run-down nightclub for two months, trying to find evidence that the club’s owner, Frank (James Mitchell), was responsible for a payroll theft. Frank has an alibi but Casey is able to get her man when she convinces Frank’s second-in-command, Chi Chi (Al Lewis), to turn on him. Chi Chi is in love with Frank’s girlfriend, Georgia (Kay Medford).

This was not a bad episode. Casey got to wear a pretty dress and Beverly Garland got to show off her acting skills as she flirted with Frank and worked to turn Chi Chi against him. Interestingly enough, this episode ended on something of a melancholy note. Casey managed to send Frank to jail and Chi Chi and Georgia left for France together but the night club closed and blind pianist Alex (Richard Ward), the only truly decent person in this episode, ended up out of a job. In the end, Casey looked almost as if she was about to cry. It’s not easy, working undercover.

Retro Television Review: Decoy 1.11 “Two Days To Kill”

Posted on November 6, 2025 by Lisa Marie Bowman

This week’s episode is really, really good!

Episode 1.11 “Two Days To Kill”

(Dir by Stuart Rosenberg, originally aired on December 23rd, 1957)

Selma Richmond (played by a young Diane Ladd!) is the girlfriend of gangster Johnny Troy (Michael Strong). Johnny is about to go on trial and Selma’s testimony about his crimes is the key piece of evidence against him. Knowing that Johnny wants Selma dead, the police put her up in an apartment. Casey is assigned to protect her.

At first, Casey and Selma seem to become unlikely friends. Selma is flighty and obsessed with Hollywood. Even though she’s testifying against him, she claims that Johnny is just misunderstood. Casey, taking some sympathy on her, tells Selma about the man that she loved. For the first time, we learn something about Casey’s background. We learn that her husband was a cop and he died in a shoot out. It’s a surprising moment and one that’s poignantly played by Beverly Garland. (The camera closes in on her face while she slowly smokes a cigarette.) Not only does it help us understand why Casey sometimes to seems to be emotionally detached but it also shows the friendship between the two women. Casey doesn’t open up for many people but she does for Selma.

However, that friendship ends when Selma realizes that Johnny will be facing the death penalty. Selma manages to sneak a letter Johnny, letting him know where she’s being held. Johnny shows up at the apartment, carrying a knife. Casey is waiting for him with her gun drawn. During the stand-off, Johnny tells Selma that he loves her and Selma believes it. The Johnny uses his foot to unplug the apartment’s lamp. In the darkness, he lunges at Selma and Casey opens fire, killing Johnny. Selma’s response is to shout, “I bet you’re glad you killed him!”

This was an outstanding episode. Director Stuart Rosenberg, taking over from Teddy Sallis, makes good use of the gritty New York locations. Each scene is lit like a film noir, with Johnny literally emerging from the shadows at one point. Rosenberg also gets excellent performances from both Ladd and Garland. This was a strong episode and the best of the series so far.

Retro Television Review: Decoy 1.10 “The Scapegoat”

Posted on October 30, 2025 by Lisa Marie Bowman

This week, Casey makes the mistake of being nice.

Episode 1.10 “The Scapegoat”

(Dir by Teddy Sills, originally aired on December 16th, 1957)

Call this one “Casey Screws Up …. Again.”

Casey and Detective Hank Hopkins (John Connell) are escorting embezzler Dorothy Boyer (Lenka Peterson) to jail. As they wait at an airport, Casey cannot help but feel sorry for Dorothy. Everyone who sees Dorothy recoils from the sight of her handcuffs. (“She’s a crook!” one little girl yells.) Casey agrees to take off the handcuffs as long as Dorothy doesn’t try to run away. Of course, as soon as Casey is distracted, Dorothy runs.

Casey and Hank try to track down Dorothy. They discover that Dorothy was embezzling the money so that she could afford a special school for her son, who is repeatedly described as being “retarded” but whose noncommunicative behavior suggests that he would probably, today, be diagnosed as having some form of autism. Casey and Hank fear that Dorothy is going to murder her child, to spare him from being sent to a “public institution” while she’s serving time in prison.

They’re right. Dorothy is on the verge of throwing her son off a bridge when Casey, Hank, and the cops track her down. Casey says that she understand why Dorothy is scared. “You think your son will be sent to a public institution and people will be cruel to him!” Casey says. “What about me? I work for a public institution! Was I cruel to you?”

“Who’s going to give love to a backward child!?” Dorothy cries.

Casey then taunts, “Go ahead, throw him over!”

This causes Dorothy to realize that she loves her son too much to toss him over the bridge. The episode ends with Casey speaking directly to the camera. Dorothy will only have to serve six months in prison. As for Casey and Hank, they’re put on official probation for three months for letting Dorothy escape. “You live and you learn,” Casey says.

This episode was a real time capsule. Yes, it was weird to hear the term “retarded” tossed around so casually, though I found the term “backward child” to be far more offensive. But, let’s be realistic here. This show aired 1957 and it’s a bit silly to expect a 68 year-old television program to sound like it was written in 2025. To me, what was really upsetting was how everyone that Casey talked to seemed to feel it was perfectly understandable that the father of Dorothy’s child abandoned Dorothy because of their son. Everyone, except for Casey and Hank, acted as if Dorothy should be ashamed of her child. To make clear, the show did not endorse that attitude but still, the callousness of almost everyone in Dorothy’s life was hard to take. I was glad that Casey cared.

That said, I did cringe a bit at that “I work for a public institution” line. One nice person does not signify a change in culture.

Retro Television Review: Decoy 1.9 “Necklace of Glass”

Posted on October 23, 2025 by Lisa Marie Bowman

This week, Casey discovers that New York can be a lot of fun when you know the right people.

Episode 1.9 “Necklace of Glass”

(Dir by Teddy Sills, originally aired on December 9th, 1957)

Casey goes undercover as a rich socialite in order to investigate a spree of jewelry thefts. Unfortunately, Casey isn’t very good at her job in this episode. Not only does she suspect the wrong person, a shady gigolo named Larry Babson (Martin E. Brooks), she also comes on too strong while trying to trick Larry into confessing. Larry figures out that she’s a cop, finds the microphone that Casey hid in the apartment, and then storms out. Fortunately, Larry’s wife (Rita Grapel) then shows up shortly afterwards and, not having had a chance to talk to Larry, reveals that she’s the one who has been masterminding the jewelry thefts. Casey, who had been feeling pretty bad up until that point, promptly pulls out her badge.

I actually appreciated the fact that Casey basically blew her assignment in this episode. Characters who are flawless and who never make mistakes are boring. In the episode, Casey says that she was distracted by how much fun it was to pretend to be rich and it makes perfect sense. Why wouldn’t the working class Casey enjoy the chance to live the high life for once?

The important thing is, even though she initially screwed up, Casey solved the case. This was a good episode. Casey wasn’t flawless but, in the end, luck was on her side.

Horror On The Lens: Not Of This Earth (dir by Roger Corman)

Posted on October 23, 2025 by Lisa Marie Bowman

Today’s horror on the lens is the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises. Paul could us be an eccentric. Or, he could be …. NOT OF THIS EARTH! Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien. I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies. Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons. But sometimes, things happen. For instance, someone might show up from your home planet and demand an immediate transfusion! What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out! And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman. (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

Retro Television Review: Decoy 1.8 “Escape Into Danger”

Posted on October 16, 2025 by Lisa Marie Bowman

This week, Casey pursues her neighbor and nearly dies.

Episode 1.8 “Escape Into Danger”

(Dir by Teddy Sills, originally aired on December 2nd, 1957)

Casey Jones (Beverly Garland) returns home from a night shift, hoping to get some rest so that she can get over a bad cold. (I’ve had enough bad colds that I’m fairly confident that Garland herself was suffering from a cold when she filmed this episode and it was written into the script.) She discovers that her neighbor, Mary (Madeline Sherwood), has hit her abusive and drunken husband across the back of his head. Mary is convinced that she’s killed her husband and is terrified that she’ll go to jail. When Casey informs her that her husband is just knocked out and that everything is going to be okay, Mary doesn’t believe her because Casey is a cop and a cop will say anything to make an arrest. While Casey is in her apartment calling for an ambulance, Mary flees the scene.

Mary’s husband does die but he dies of acute alcohol poisoning so Mary’s off the hook. (Apparently, this episode take place in a world where assault isn’t a crime.) Despite her cold, Casey takes to the streets and searches for Mary. Knowing that Mary is masseuse, Casey checks out all the massage parlors. In a move that kind of makes me wonder if Casey is really that good at her job, she decides that she might as well get a massage as well.

The woman who gives Casey the massage is Katy Olin (Virginia Kaye), who is Mary’s sister and a bitter ex-con who hates all cops. While Katy massages Casey, Mary hides in the changing room. When Casey says that she’s looking for Mary, Katy has Mary sneak out of the dressing room and choke Casey into unconsciousness. Mary steals Casey’s gun and then makes her escape.

A few thoughts:

First off, after years of being spoiled by shows like Law & Order, I have to say that I was initially surprised that Casey didn’t know that Mary had a sister or that the sister was an ex-con. But then I remembered that this episode was filmed in 1957, back before all of that information was available at just the touch of a key.

That said, what type of police officer is going to get a massage while on duty? Even if Casey had looked up from the massage table and seen Mary trying to escape the room, what was Casey going to do? Chase her through the streets of New York while wearing a towel? Also, Casey often seems to just drop her purse anywhere, despite the fact that her purse contains a loaded gun.

Third, Katy mentions to Mary that there’s no way for her to leave the room without walking right past Casey. So, how did Mary get into the room in the first place and how come Casey didn’t notice her when she first arrived?

Fourth, once Casey wakes up, she takes Katy down to the police station. Katy’s interrogated and refuses to answer any questions. She asks if she’s being charged with anything and, because she’s not, she’s allowed to go. Is she not an accessory for hiding Mary and then just standing by while Mary attempted to murder a police officer?

Katy decides that the best thing for Mary to do would be to hide out in her old apartment, the one that is next door to the police officer who Mary just tried to strangle. (Neither Katy nor Mary appear to be that smart.) Casey, of course, discovers that two of them hiding there. She and the neighborhood priest (John McLiam) talk Mary into putting down the gun. They assure her that she did not kill her husband. Mary finally believes that Casey is telling the truth….

….which is all good and well except Mary ASSUALTED A POLICE OFFICER! Indeed, one could argue that what Mary did to Casey counts as attempted murder. So, really, it seems like Mary should be going to jail regardless. Unfortunately, we never learn about what happened to Mary after she stop pointing the gun as Casey. If I was Casey, I would prefer a neighbor who hasn’t tried to kill me.

This episode didn’t really make sense but I’m glad that Casey got over her cold by the end of it.

Horror On The Lens: It Conquered The World (dir by Roger Corman)

Posted on October 16, 2025 by Lisa Marie Bowman

“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah! You tell ’em, Peter Graves!

Today’s Horror on the Lens is 1956’s It Conquered The World. Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien. Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland. Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism. Depending on your politics, you could view the film as either a criticism of communism or McCarthyism. Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!

Retro Television Review: Decoy 1.7 “Deadly Corridor”

Posted on October 9, 2025 by Lisa Marie Bowman

This week, Casey goes to prison!

Episode 1.7 “Deadly Corridor”

(Dir by Teddy Sills, originally aired on November 25th, 1957)

A murder has occurred in the medium security wing of a woman’s prison. The Warden (Agnes Young) and the District Attorney (John Newton) asks Casey to go in undercover to discover who killed a prisoner. Casey will pretend to be a prisoner and only the Warden will know that she’s actually a cop. Casey won’t have her gun, her badge, or her usual backup. It’s a dangerous assignment but the medium security wing will be shut down if there’s another incident. The District Attorney starts to explain the importance of rehabilitation. Casey replies, “I’m a police woman, not a sociologist.” Casey accepts the assignment because that’s her job.

Casey’s in jail! She has a really nice cell. It comes with a dresser, a vanity mirror, a bed, a lamp, and a desk! She’s even allowed to wear makeup in prison. Sign me up! Casey comes to suspect that the murder was committed by the butch Taffy (Colleen Dewhurst) but instead, it turns out the killer was the mentally-fragile Lois (Lois Nettleton). Lois is a kleptomaniac and killed the other prisoner after she ratted Lois out to the warden and caused Lois’s sentence to be lengthened. Lois subsequently attacks Casey because she’s worried that Casey is also “a fink” and Lois doesn’t want to end up spending any more time in prison. She wants to be released in three months so she can finally visit the grave of her baby. (Awwww!) Unfortunately, by the end of this episode, it’s looking like Lois will be lucky to escape the electric chair.

This episode has all of the usual women-in-prison cliches but they were all handed in a way so as to not upset the 1950s television viewing audience. For instance, the episode never came out and said that Taffy was a lesbian but the way she stared at Casey and ordered her to “come and see me,” didn’t really leave much doubt. When Taffy beats up Casey, she’s establishing her dominance and reminding the viewer that no one can walk away from a fight in prison. When Casey snitches to the warden, it’s because she wants to get Taffy out of the way for 24 hours so that Casey can investigate the murder. Casey can get away with that because she’s a cop and she can always just go to the Warden and ask to be released from the prison. If Casey were an actual prisoner, being labeled a snitch (or a “fink” as they apparently put it back then) would be a fatal error.

This episode had its campy moments but Lois Nettleton and Colleen Dewhurst both gave excellent performances and the final confrontation between Casey and Lois was actually pretty suspenseful. To my surprise, this turned out to be a good episode.