Tag Archives: Betsy Jones-Moreland

I Watched Perry Mason: The Case Of The Telltale Talk Show Host (1993, Dir. by Christian I. Nyby II)

Posted on by Dazzling Erin

 

At the end of this movie… PERRY KISSED DELLA!

On the lips!

I knew they were in love!  Obviously, Della (Barbara Hale) was also in love with Paul Drake, Sr. but with Paul gone and Paul Drake, Jr. doing his own thing, she and Perry (Raymond Burr) can finally be together.  It was about time, too.  Even though Perry comes across like he would be too work-obsessed to really be a good husband or even boyfriend, it has also been obvious that Perry and Della were in love ever since Perry Mason Returns.

As for the mystery itself, it’s a really simple one and I was able to guess who the killer was from the start.  I know that Raymond Burr was terminally ill when he shot this film (and it was the last time Perry Mason movie to ai during his life time) and maybe that’s why the plot isn’t as complicated as usual.  The guest cast is really good, though.  Regis Philbin plays the owner of a talk radio station who is murdered by one of his hosts.  Every host is a suspect and they’re all strange enough to be fun to watch.  Both Montel Williams and G. Gordon Liddy are in this thing!

Knowing this was the last of the films to air during Burr’s lifetime made watching The Case of the Telltale Talk Show Host feel a little sad.  As sick as he was, Raymond Burr still dominated the courtroom.  That was one reason why the kiss made me so happy.  Perry (and Burr) didn’t have much time left but he made sure we all knew how he felt about Della.

 

We Watched Perry Mason: The Case of the Skin-Deep Scandal (1993, Dir. by Christian I. Nyby II)

Posted on by Dazzling Erin

Alana Westbrook (Morgan Fairchild), the ruthless owner of a cosmetics company, is murdered after she announces that she is actually 60 years old and owes her youthful appearance to a miracle skin cream.  Her husband (Patrick O’Neal) is charged with the crime but he’s lucky enough to have Perry Mason (Raymond Burr) as his attorney.  Perry thinks that the murderer is an eccentric gigolo (David Warner) but, for once, Perry might be wrong.  Meanwhile, Ken Malansky (William R. Moses) gets involved with a corporate spy (Lauren Lane) who might know more than she says.

Lisa and I watched this one earlier today.  We really enjoyed it!  It’s the most soapy of all the Perry Mason films that I’ve watched so far.  Morgan Fairchild was great as the murder victim and all of the suspects were enjoyably weird.  What I really enjoyed about this movie was that it featured people who appeared, in different roles, in other Perry Mason films.  Patrick O’Neal went from being the victim in Perry Mason Returns to being the accused here.  David Warner went from being the victim in The Case of the Poisoned Pen to being a suspect here.  This was also a second Perry Mason film for Jonathan Banks but instead of being a tough guy like he was the first time, he was a skin cream creator this time.  This movie understood that people will kill for clear skin.

This was one of the last of Raymond Burr’s Perry Mason films (it aired the same year that he died) and, with the returning actors, it feels like a tribute to Burr and the role that he made his own.

 

So, I Watched Perry Mason: The Case of the Fateful Framing (1992, Dir. by Christian I. Nyby II)

Posted on by Dazzling Erin

Truman York (David Soul), a painter who faked his death in a motorcycle accident five years earlier, reemerges because someone is selling forgeries of his work.  When York turns up dead, a photographer (Mark Moses) is arrested for the crime.  Luckily, the photographer went to college with Ken Malansky (William R. Moses) and Ken is able to convince Perry Mason (Raymond Burr) to take the case.  (If you’re going to get arrested for murder, it helps to be a friend of Ken or Perry’s.)

I was disappointed with this entry in the Perry Mason series.  It had potential but it never really reached it.  I was more interested in how the artist faked his death for five years instead of figuring out who killed him.  Raymond Burr was obviously unwell when he shot this movie and there were times when it was painful to watch him as he had to learn against a wall just to be able to stay standing while delivering his lines.  I felt bad for Burr watching this because, even though he was great in the role of Perry Mason, it was obvious that he was in pain.

Maybe because Raymond Burr couldn’t do as much as usual, Ken got to do more than usual  in this installment.  What’s strange is that the accused photographer was also interrogating people and looking for clues.  He had just been released on bail and he was on trial for murder.  He should have been laying low instead of tracking down witnesses.

I love the Perry Mason films and I have so many good memories of watching them with my aunt.  This one didn’t do it for me.

So, I Watched Perry Mason: The Case of the Glass Coffin (1991, Dir. by Christian I. Nyby II)

Posted on by Dazzling Erin

World famous magician David Katz (Peter Scolari) is accused of murdering his assistant (Nancy Lee Grahn) while performing a trick at a charity show.  The prosecution says that David killed her to cover-up a pregnancy that was the result of a drunken, one-night stand.  However, Perry Mason (Raymond Burr) and Ken Malansky (William R. Moses) discover that there were many people who might have a motive for killing the victim.

After the previous emotionally-charged Perry Mason movie, this entry felt pretty bland.  I liked Peter Scolari as the accused magician but otherwise, this was a little boring.  I guessed who would be playing the murderer as soon as I saw their name during the opening credits.  I did find it amusing that Perry and the prosecutor (played by Bob Gunton) seemed to sincerely dislike each other.  That added some bite to the courtroom scenes but I really do miss David Ogden Stiers’s as Perry’s regular courtroom opponent.

At the end of the movie, Perry took the jury to the theater where the murder occurred and then cross-examined the witnesses in the theater.  I guess the movie’s producers were trying to do something new but it just didn’t feel right for Perry to get his confession anywhere other than in a courtroom.

I Loved Perry Mason: The Case of the Maligned Mobster (1991, Dir. by Ron Satlof)

Posted on by Dazzling Erin

Despite being asked to take the case by an old friend (Mason Adams), Perry Mason (Raymond Burr) is reluctant to defend Johnny Sorrento (Michael Nader) in court.  Johnny is a former gangster who has been credibly accused of murder in the past.  Now, he’s on trial for killing his wife and not even Perry is totally convinced that he’s innocent.

Of the 18 Perry Mason films that I’ve watched so far, this was definitely the best.  This is the first time that I’ve seen Perry defend someone who he both dislikes and, even more importantly, distrusts and Raymond Burr was really convincing whenever he got angry at Johnny.  For once, the case wasn’t wrapped up as neatly as usual.  Solving the murder of Johnny’s wife meant delving into a past murder and it uncovered a lot of dark secrets.  The identity of the killer was a real surprise but there was a lot more going on than just solving the mystery of who killed Johnny’s wife.  At the end of this movie, Perry looked like he was about to cry, no matter how much Della (Barbara Hale) tried to comfort him.

Sharing much more would be the same as spoiling all of the movie’s twists and turns so I’ll just repeat that this is the best of the Perry Mason movies that I’ve seen so far.  The guest cast is great, especially Mason Adams and Paul Anka.  The Perry Mason films always follow the same plot and sometimes, they can blend together but this one made a real impression and really took me by surprise.

I Watched Perry Mason: The Case Of The Ruthless Reporter (1991, Dir. by Christian I. Nyby II)

Posted on by Dazzling Erin

When arrogant news anchor Brett Huston (John James) is shot and killed, his co-anchor Gillian Pope (Kerrie Keane) is arrested and charged with the crime.  It looks like an open-and-shut case because Brett was shot with Gillian’s gun.  Luckily, Gillian is friends with Perry Mason (Raymond Burr) and soon Perry is on the case with Della Street (Barbara Hale) and Ken Malansky (William R. Moses).

Now this is how you do a Perry Mason movie!  Brett’s murder is linked to a memo that he wrote in which he criticized the other members of the news team and argued that they should all be fired.  All of the suspects are enjoyably eccentric.  There’s a weatherman (Peter Jurasik) who wants to be a stand-up comedian.  There’s the sports reporter (Philip Michael Thomas) who used and sold steroids.  There’s the producer (Susan Sullivan), who was also Brett’s ex-wife.  Brett even insulted the station manager (Jerry Orbach, who previously appeared as a different suspect in The Musical Murder).  Ken, as usual, finds time for romance, this time with reporter Cassie Woodfield (Mary Page Keller) who appears to have someone trying to kill her as well.  Along with a great cast of characters, this mystery had a solution that took me by surprise but which also made sense when I looked back on it.  The final courtroom reveal was perfect.  This is also probably the only Perry Mason film where the hours of a hamburger restaurant proved to be instrumental to the case.

The Case of the Ruthless Reporter was a good one!

I Watched Perry Mason: The Case of the Silenced Singer (1990, Dir. by Ran Satlof)

Posted on by Dazzling Erin

When singer Terri Knight (Vanessa Williams) is shot and murdered, her husband and manager, Jack (Tim Reid), is arrested.  It’s a good thing that Jack’s professor in law school was Perry Mason (Raymond Burr)!  Perry and Ken Malansky (William R. Moses) take the case and investigate to see who silenced the singer.  (Does Perry know anyone who hasn’t been accused of murder?  Someone even tried to fame Della!)

This Perry Mason movie was slightly different than those that came before it.  It was full of flashbacks, showing how Terri became a star and went from being nice and innocent to being a diva.  Every time that Perry or Ken would interrogate someone, it would lead to scene of Vanessa Williams wearing a wig and playing Terri at a different time in her life and career.  There was also a lot singing and the movie actually seemed to be more focused on the music and showing Terri’s rise to fame than it did on solving the actual mystery.  It was was if Perry Mason got dropped into the middle of a production of Dreamgirls.  It didn’t really work for me because Terri wasn’t an interesting enough character to carry the flashbacks but it was still interesting to see a Perry Mason movie trying to do something different.

The most memorable thing about this movie was Angela Bassett, playing a fellow singer and a former friend of Terri’s. She even told off Perry Mason at one point!  It was early in her career but it was easy to see that, from the start, Angela Bassett was obviously going to be a star.

The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1958, directed by Roger Corman)

Posted on by Jedadiah Leland

The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent.  That’s the title of this one and it’s far too long for a 67-minute drive-in feature.  Maybe Roger Corman thought he could fool people into thinking the movie was better than it was by giving it a pompous sounding title.

A group of Viking men leave on a voyage and never come back.  After waiting nearly a year, the remaining Viking women vote to set sail and look for them.  Leading them is Desir (Abby Dalton) and she even welcomes the bad-tempted Enger (Susan Cabot) onto their boat.  The last remaining male Viking, Ottar (Jonathan Haze), also joins the quest.

The Viking women (and Ottar) have barely set sail when a “giant” sea serpent rises out of the water and strands them on an island.  The Viking women discover that their men are being held prisoner on the island.  Even if they can rescue their men from King Stark (Richard Devon), the sea serpent still waits for them to try to return.

The Saga of the Viking Women and yadda yadda yadda is a remarkably cheap-looking epic.  A major film about the Vikings was scheduled to be released by United Artists and Corman, determined to get his movie into theaters first, shot the film in ten days and for $65,000.  Irving Block and Jack Rabin, two special effects experts, promised Corman an amazing sea serpent and instead delivered what appeared to be a water-proof puppet.  The Sea Serpent only appears in two scenes and Corman doesn’t allow us a very good view of it.  It looks like something you could have picked up at Toys ‘R Us back in the day.

There’s nothing convincing about the movie, from the costumes to the combat to the serpent.  This was one of Roger Corman’s early misfires though, released on a double bill with the Astounding She-Monster, it still made money.  People love Vikings.

 

Halloween Havoc!: CREATURE FROM THE HAUNTED SEA (Filmgroup 1961)

Posted on by gary loggins

gary loggins's avatarcracked rear viewer

Roger Corman  satirizes himself in CREATURE FROM THE HAUNTED SEA, throwing in everything but the kitchen sink to create one of the most wacked-out goofy drive-in flicks ever filmed, that gets even goofier as it goes along. We’ve got goony gangsters, a lovesick spy, beautiful babes, and the silliest looking monster you’ll ever see.

Rapid Roger had just wrapped up shooting THE LAST WOMAN ON EARTH in sunny Puerto Rico, and since the weather was so beautiful, decided to quickly churn out another picture. He got screenwriter Charles B. Griffith to whip up a monster movie spoof (having had success with Griffith’s A BUCKET OF BLOOD and LITTLE SHOP OF HORRORS) and retained the previously shot film’s stars. Actor Beach Dickerson designed the sea creature out of a wet suit, with ping-pong ball eyes and covered in an oil cloth to give it that straight from the depths look. Hokey looking…

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