Retro Television Review: The Love Boat 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you!

Episode 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”

(Dir by Richard Kinon, originally aired on February 20th, 1982)

Poor Captain Stubing!  He’s just returned from burying an old friend named George and now, he’s thinking about his own mortality.  When he starts to feel unwell, Stubing goes to Dr. Bricker who tells Stubing that his problems are not physical.  The problem is that …. STUBING’S DEPRESSED!  Stubing decides to live each day to the fullest and good for him.  This was a simple storyline but I liked it.  I always appreciate the episodes that allow Stubing to be vulnerable without turning him into a hard-luck doofus.  In this episode, Stubing was dealing with something that almost everyone has either had to or will deal with at some point in their life.  It was also nice to see Doc Bricker giving good advice for once.  Bernie Kopell is so likable in the role that I always appreciate it when he gets to play Doc as being something other than a lech.

As for the other two stories …. agck!

Three New York friends (played by former teen idols Eddie Byrnes, Fabian, and Bobby Sherman) have boarded the cruise.  They are members of the Alimony Club.  They’re all divorced and they’ve all sworn that they’ll keep each other from marrying again.  They are a club that believes all marriages are doomed to failure.  But when Sherman’s ex-wife, Annette Funicello, boards the boat, it looks like the Alimony Club might lose a member.  And listen, I know that guys have their little rituals and their little clubs and that’s okay.  But the Alimony Club just feels weird.  It should be called the Misery Club because they seem to be more interested in keeping Bobby Sherman depressed than anything else.  I always find it odd when previously divorced couples get back together on The Love Boat.  I mean, did they forget why they got divorced in the first place?

Meanwhile, Jill St. John and Ron Ely have been having an affair for four years.  Every 12 months, they get together for a romantic getaway.  Ron says he can’t marry Jill because he’s married and has children back home.  (*cough* jerk *cough*)  Jill, who really could do better, insists that Ron leave his wife.  She even has her brother board the cruise and flirt with her (*cough*  Oh my Gosh, creepy! *cough*) to make Ron jealous.  Ron gets jealous, alright.  He beats up Jill’s brother and then reveals that he was lying about having a wife.  He’s not married …. he’s scared of commitment!  And now he’s ready to get married!  Uhmmm …. like seriously, WHAT THE HECK IS THAT!?  (I gave up cursing for Lent.)  Jill — you were a BOND GIRL!  You were TIFFANY FREAKING CASE!  YOU CAN DO BETTER!

Oy vey, this episode.

Retro Television Review: Fantasy Island 4.20 “Delphine/The Unkillable”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

Smiles, everyone, smiles!

Episode 4.20 “Delphine/The Unkillable”

(Dir by Cliff Bole, Originally aired on April 11th, 1981)

For our first fantasy, Dr. Paul Todd (Randolph Mantooth) is a paleontologist who feels that the first life on Earth was silicon-based and that the missing link lives underneath a volcano on Fantasy Island.  He comes to the Island with his girlfriend, Liz (Annette Funicello) and his assistant, Kyle (Alex Cord).  With Roarke’s weary approval, they head off to the volcano to search for proof of Todd’s theory.

And they do find proof!  After Kyle attempts to sexually assault Liz, she falls through a crevice and finds herself in the lair of …. well, it appears to be someone who is waring a rubber suit but Paul and Kyle are convinced that they’ve found their silicon man!  (Kyle attempting to force himself on Liz is seemingly forgotten.)  The Silicon Man appears to be immortal, which proves to be a bit of problem when it decides to carry of Liz.  But then the Silicon Man falls in a pool of lava and dies so I guess he wasn’t immortal.  At the end of the show, Tattoo suggests that the The Silicon Man was made of lava and that’s why he was vulnerable to it but …. what?

Mr. Roarke doesn’t seem to be that worried about the Silicon Man or the fact that one of the island’s volcanoes is spewing lava.  He’s more concerned with his goddaughter, Delphine (Ann Jillian).

According to Roarke, Delphine is the daughter of one of the Island’s oldest families.  She has spent the last few years off the Island, working as an assistant for a magician named The Great Zachariah (Carl Ballantine).  Delphine’s secret is that she actually does have magical powers!  She’s the one who does all of Zachariah’s tricks for him.  However, Delphine now wants to marry Greg (Don Galloway) and she doesn’t want him to know that she can move stuff with her mind and make people materialize out of thin air.  Her fantasy is to lose her powers.

Zachariah, not happy about the prospect of losing his assistant, comes to the Island and teams up with fortune-telling Madame Cluny (Doris Roberts) to trick Delphine into revealing her powers and driving Greg away.  Myself, I’m not really sure I understand why her magic powers would be a deal-breaker.  I mean, Delphine can literally do anything!  And, as we see in this episode, she only uses her powers for good.  Why would Greg have a problem with that?

On the plus side, Ann Jillian (who starred in another show that I reviewed on this site, Jennifer Slept Here) gives a good performance as Delphine and it’s easy to imagine an alternate version of the show where she played Roarke’s sidekick.  On the negative side, the rest of the show and both of the fantasies are just silly and never make any sense.

This was not a memorable trip to the Island.  Seriously …. silicon?

Retro Television Reviews: Fantasy Island 3.21 “Jungle Man/Mary Ann and Miss Sophisticate”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, Fantasy Island is invaded by jungle men and ventriloquists!

Episode 3.21 “Jungle Man/Mary Ann and Miss Sophisticate”

(Dir by Michael Vejar, originally aired on March 8th, 1980)

For years, David Farley (Dennis Cole) starred as Jungle Man on television.  When the show was canceled, David made a living by doing public appearances as Jungle Man but then the producers of the show filed a lawsuit.  As a result, David is no longer allowed to ever dress up in a loin cloth.  David comes to Fantasy Island, hoping for one last chance to be Jungle Man.

(This fantasy, by the way, had its roots in what happened to the original Lone Ranger, Clayton Moore.  Moore was told that he could no longer wear the mask in public because a new Lone Ranger movie was coming out.  The producers also took Moore to court.  Moore reacts by ditching the mask and wearing wrap-around sunglasses instead.)

Mr. Roarke explains to David that his fantasy will make Jungle Man a reality.  There will be no stunt doubles and the bad guys might not be as easy to defeat as on television.  David says he doesn’t care.  He finds himself again in the jungle, transformed into Jungle Man!  He also discovers that all of his friends are upset with him because they haven’t seen him for two years.  They think that Jungle Man just abandoned them and, of course, Jungle Man can’t explain that the show was canceled.

In Jungle Man’s absence, Queen Mara (France Nuyen) has agreed to surrender the jungle to the evil hunter, Derrick Haskell (Dick Butkus, who between Half-Nelson, Hang Time, and this show, is becoming a bit of a regular on this site).  Can Jungle Man prevent Mara from signing over her land?  And can he save Rima (Barbara Luna), the woman he loves?  And, even more importantly, can he convince Roarke to to let him live forever in the jungle?

Of course, he can.  This was a bit of silly fantasy but it still worked because of how earnest Dennis Cole was in the role of Jungle Man.  Plus, I enjoyed that life in the jungle had continued even after the Jungle Man television show was canceled.  It captured the way that a lot of us feel when our favorite TV show is cancelled and we wonder what happened to all the characters after the finale.

The other fantasy was …. well, it was weird and creepy and surprisingly dark.  Annette Funicello played Mary Ann Carlin (Annette Funicello), a world famous ventriloquist.  Mary Ann is worried that she can no longer tell where her personality ends and where the personality of her dummy, Valerie, begins.  Is there anything creepier than a ventriloquist with a personality conflict?

Mary Ann’s fantasy is to separate her personality from Valerie’s for a weekend so that she can decide what to do with her career.  (This sounds like something that would be better handled by a therapist than a resort owner but whatever.)  Mr. Roarke’s solution is to turn Valerie into a living human being.  Unfortunately, it turns out that Valerie has a man streak and she not only seduces Mary Ann’s boyfriend (Don Galloway) but she also gives a surreal performance in which, somehow, Mary Ann is transformed into the dummy.

Fortunately for Mary Ann. everything works out.  She finally snaps out of whatever spell she was under and she tossed Valerie, who is now suddenly a doll once again, in a fire.  Mary Ann and her boyfriend leave the Island, planning on getting married and settling down.  Apparently, Mary Ann doesn’t have a problem with the fact that her boyfriend had sex with a ventriloquist’s dummy but I still imagine that it’s something she’ll bring up whenever they have a disagreement about something.  “You think I’m spending too much money!?  Remember that time you screwed a block of wood?”

It really doesn’t make much sense at all but it’s so surreal and weird that it’s fun to watch.  This fantasy was the Island at its most nightmarish and certainly, that makes it an appropriate fantasy to close out October with!

Retro Television Reviews: Fantasy Island 2.20 “Birthday Party/Ghostbreaker”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Mr. Roarke reunites a family and arranges for a man to battle a “ghost.”

Episode 2.20 “Birthday Party/Ghostbreaker”

(Dir by Cliff Bole, originally aired on March 3rd, 1979)

This week, Tattoo has both a joy buzzer and a pink carnation that squirts water.  He explains to Mr. Roarke that he read somewhere the women love a man with a sense of humor.  “I want to be the king of humor on Fantasy Island,” he explains.

“Lucky us,” Mr. Roarke replies while dramatically rolling his eyes and reminding viewers of just how much he despises his scene-stealing assistant.

As for the two fantasies, this is another episode where the fantasies don’t really seem like they should be happening on the same island.  One is rather serious.  The other is a bit cartoonish.

The first guest to get off the plane is Elliott Fielding (Ken Berry), a librarian who believes in ghosts and who is pretty sure that he knows how to exorcise a ghost from a haunted location.  He’s so confident that he’s even written a book about it.  However, because Elliott has never actually seen a ghost, no one is willing to publish his book.  Elliott’s fantasy is to exorcise a real ghost and prove that his theories are true.  Mr. Roarke obliges by taking him to a mansion that Roarke explains was once occupied by a murderer known as the Gentleman Strangler.  Now, however, it’s a private all-girls boarding school!  (This is one of those episodes that leaves the viewer wondering just what exactly Fantasy Island is exactly.  When the show started, it was just a resort.  Now, it appears to have become a thriving nation, home to not only industry but also an exclusive boarding school.)

The school’s students have been reporting sightings of the ghost of the Gentleman Strangler.  Elliott sets out to exorcise the ghost and along the way, he falls in love with the school’s headmistress (Annette Funicello).  He also finds an enemy in the form of the school’s fencing instructor (Larry Storch).  Oddly there aren’t any other teachers at the school so I guess the students just spend all of their learning how to fence.

This was an odd fantasy because, on the one hand, you had this ghost potentially threatening to strangle a bunch of teenage girls and, on the other hand, you had the very broad comedy of Ken Berry and Larry Storch facing off.  Of course, it turns out that there really wasn’t a ghost haunting the school so, at first, it appears that Elliott’s fantasy didn’t come true.  However, after Elliott leaves, Roarke explains to Tattoo that Elliott actually did meet a ghost when he had a conversation with a helpful handyman.  That probably would have been a good thing to let Elliott know before he left but …. well, Mr. Roarke does what he wants.  If there’s any lesson to be learned from watching Fantasy Island, it’s that Mr. Roarke makes the rules and it is best to never question his arbitrary decisions.

Meanwhile, Carol Gates (Janet Leigh) comes to the island to be reunited with the twins (Skye Aubrey and Christopher Stone) that she gave up for her adoption.  I was expecting the twins to reject her or to be angry.  Instead, with her support, her son gets signed to a football team and her daughter decides not give her own children up for adoption.  Yay!  It was a bit of an easy fantasy, with little of the drama that I was expecting.  But Janet Leigh was a talented actress and she’s good here, bringing a lot of genuine emotion the story.

The fantasies were a bit mismatched but I like ghost stories (even when they’re a bit silly) and Janet Leigh is one of my favorite actresses so this trip to Fantasy Island was worth it.

Retro Television Review: The Love Boat 1.24 “This Business of Love / Crash Diet Crush / I’ll Never Fall in Love Again”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Let’s set sail for adventure!

Episode 1.24 “This Business of Love / Crash Diet Crush / I’ll Never Fall in Love Again”

(Dir by Roger Duchowny, originally aired on May 13th, 1978)

This week’s episode of The Love Boat is all about dealing with the past.

For instance, Captain Stubing is shocked when his old high school girlfriend, Jocelyn (Jessica Walter), boards the boat.  He’s even more shocked when Jocelyn points out that he’s gained a bit of weight since high school.  I have to admit that I was also shocked that Jocelyn — or anyone for that matter — would react to seeing an old friend by immediately pointing that out.  Even worse, Jocelyn makes a joke about how one of their other friends no longer has his hair.  This, of course, leads to the Captain refusing to take off his hat and going on a crash diet in an effort to lose weight.  This makes the Captain cranky and his beleaguered staff finally rig his scale to make Stubing think that he’s lost more weight than he has.  This gives Stubing the courage to tell Jocelyn that he’s fallen in love with her.

I had two thoughts on this storyline.  First off, Jocelyn’s kind of a bitch and Captain Stubing, while being a bit of a handful himself, still deserves better than someone who greets him by informing him that he’s no longer as impressive as he was in high school.  Secondly, I didn’t really buy that Stubing would be that insecure in the first place.  He’s the captain of the ship!  He’s in charge!  That takes a certain amount of confidence.  In order to be a captain, you have to have the respect of your crew and it’s hard to imagine the crew respecting a captain who literally refuses to take off his hat because his high school girlfriend is on the cruise.

Meanwhile, Nate (Michael Callan) and Roberta (Annette Funicello) are both depressed because, over the past year, they’ve both lost their spouses.  They meet on the boat and it’s obvious to everyone that they’re meant to be together.  Isaac certainly sees it!  But both Nate and Roberta say that they’re through with love.  Fortunately, an obnoxiously happy couple (played by Morey Amsterdam and Rose Marie) are also on the ship as a reminder that love can live forever.  This was a standard Love Boat storyline.  (Even though the show was still only in its first season, this was not the first time The Love Boat featured a depressed widow finding love on the cruise.)  But Funicello and Callen were both sympathetic in their roles and I was happy they found each other.

Finally, Jill (Caren Kaye) is a former high-priced escort who is setting sail for a new life.  On the Boat, she meets Bill (Christopher George) and they fall in love.  Jill doesn’t want Bill to find out about her past life.  Unfortunately, one of her former clients (Jack Carter) is also on the boat, traveling with his wife (Jayne Meadows).  Again, this was a standard Love Boat story but it worked largely due to the chemistry between Caren Kaye and Christopher George.

This was an okay episode.  The storylines were predictable and a bit forgettable but the guest stars brought a lot of charm to their roles.  It was an pleasant cruise.  I just hope Captain Stubing stops being so hard on himself!

Drive-In Saturday Night 2: BIKINI BEACH (AIP 1964) & PAJAMA PARTY (AIP 1964)


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Welcome back to Drive-In Saturday Night! Summer’s here, and the time is right for a double dose of American-International teen flicks, so pull in, pull up a speaker to hang on your car window, and enjoy our first feature, 1964’s BIKINI BEACH, starring Frankie Avalon and Annette Funicello:

BIKINI BEACH is the third of AIP’s ‘Beach Party’ movies, and this one’s a typical hodgepodge of music, comedy, and the usual teenage shenanigans. The gang’s all here, heading to the beach on spring break for surfing and swinging. This time around, there’s a newcomer on the sand, British rock star The Potato Bug, with Frankie playing a dual role. Potato Bug is an obvious spoof of the big Beatlemania fever sweeping the country, with all the beach chicks (or “birds”, as he calls ’em) screaming whenever PB starts singing one of his songs, complete with Lennon/McCartney-esque “Wooos” and “Yeah, yeah, yeahs”…

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New Recipe: HOW TO STUFF A WILD BIKINI (AIP 1965)


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HOW TO STUFF A WILD BIKINI, the sixth entry in American-International’s “Beach Party” series, attempts to breathe new life into the tried-and-true  formula of sun, sand, surf, songs, and corny jokes. Frankie Avalon and Annette Funicello are still around as Frankie and Dee Dee, but in this go-round they’re separated; he’s in the Navy stationed on the tropical island of Goona-Goona, while Annette has to contend with the romantic enticements of Dwayne Hickman .

Frankie’s part amounts to a cameo, enlisting local witch doctor Buster Keaton (!!) to keep those girl-hungry beach bums away from Dee Dee (while he frolics unfettered with lovely Irene Tsu !). Keaton’s magic ain’t what it used to be, so he has his daughter conjure up a knockout named Cassandra, who first appears on the beach as an animated bikini. All the boys go ga-ga for Cassandra, including a go-go ad man named Peachy Keane…

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Fun in the Sun: BEACH BLANKET BINGO (AIP 1965)


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You’d think by the fourth entry in American-International’s ‘Beach Party’ series, 1965’s BEACH BLANKET BINGO, the formula would be wearing a bit thin. Frankie and Annette are still trying to make each other jealous, Eric Von Zipper and his Rats are still comic menaces, and the gang’s into yet another new kick (skydiving this time around). But thanks to a top-notch supporting cast of characters, a sweet subplot involving a mermaid, and the genius of comedy legend Buster Keaton , BEACH BLANKET BINGO is loads of fun!

Aspiring singer Sugar Kane skydives from a plan into the middle of the ocean and is “rescued” by surfer Frankie. But not really… it’s all been a publicity stunt by her PR agent ‘Bullets’. Sugar is played by lovely Linda Evans, right before she landed on TV’s THE BIG VALLEY, and ‘Bullets’ is none other than the fantastically sarcastic Paul Lynde. But wait… Eric Von Zipper…

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Back to the Beach: MUSCLE BEACH PARTY (AIP 1964)


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The “Beach Party ” gang’s back and so’s the familiar formula in MUSCLE BEACH PARTY, second in the American-International series. It’s Easter vacation and Frankie Avalon is still horny, Annette Funicello’s still waiting for marriage, and a beautiful foreign woman is again coming between them. This time it’s Lucianna Paluzzi as Countess Julie, a rich heiress who wants to make Frankie a singing star and her personal property.

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Eric Von Zipper and his Rats aren’t around this time, replaced by a bunch of bodybuilders led by trainer Jack Fanny (the inimitable Don Rickles). Julie first sets her sights on “Mr. Galaxy” Flex Martian, but dumps him when she spies Frankie. This leads to war between the surfers and the musclemen, with the inevitable slapstick melee. Flex is played by Rock Stevens, a real-life bodybuilder who muscled his way through a few Italian peplum films before reverting to his real name of Peter Lupus and…

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Rockin’ in the Film World #3: BEACH PARTY (AIP 1963)


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Finally! The weather here in New England has begun to break, and we’re heading into summer. I even managed to get some beach time in today. TCM beat me to the punch when they aired BEACH PARTY as part of their month-long salute to American International Pictures, a blast from the past filled with sand, surf, teenage sex, and plenty of good ol’ rock’n’roll! BEACH PARTY spawned a series of films and a whole slew of imitators , but AIP did ’em first and best.

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Teen idol Frankie Avalon and ex-Mouseketeer Annette Funicello starred in most of the AIP’s, using the same plot over and over. Frankie wants sex, but Annette wants to wait for marriage. They fight, and try to make each other jealous by dating someone new, but wind up together by film’s end. Simple, and rehashed using gimmicks like bodybuilding, drag racing, sky diving, and skiing to make things seem fresh…

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