Retro Television Review: Homicide: Life On The Street 3.12 “Partners”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the bar finally opens!

Episode 3.12 “Partners”

(Dir by John McNaughton, Originally aired January 20th, 1995)

As you can tell by the title, this episode was all about partners.

For instance, Megan Russert realized that her former partner from narcotics, Douglas Jones (Robert Clohessy, with his Bronx accent), has been beating up his wife, Natalie (Lily Knight).  He regularly puts her in the hospital, though Natalie always insists that she either fell down the stairs or walked into a door.  Jones, who is now working homicide during the night shift and under Russert’s command, insists that he would never hurt his wife.  When Russert asks Jones’s former boss if Jones had been having any trouble while working narcotics, he refuses to give her specifics.  It’s a boys club and the boys protect each other.  Eventually, Natalie ends up shooting Jones with his own gun, probably killing him.  (We’re told that he’s barely holding on.)  This storyline was well-acted and well-written but watching it, I was reminded of just how awkwardly this show tends to use Russert.  Because she commands a different shift, she doesn’t really get much interaction with the other main characters.  Her affair with Beau Felton has never really made sense.  From what I understand, Russert was created by NBC demanded more personal drama and some glamour.  Isabella Hofman does about as good a job as anyone could with her often underwritten character but there’s really just not much for her to do.

Meanwhile, with Pembleton under suspension and threatening to quit, Bayliss doesn’t have a regular partner.  His attempt to partner up with Lewis ends in disaster when Lewis’s bad (albeit hilarious) driving leads to Bayliss getting a minor concussion.  Fortunately, Pembleton does return to the Homicide Department, though not before nearly burning down his kitchen while trying to make dinner.  Unfortunately, before Pembleton can return to his job, he has to take the fall for offering to drop the investigation into Congressman Wade’s false kidnapping report.  Andre Braugher perfectly plays the scene in which Pambleton testifies in court.  It’s easy to see the emotional and mental pain that Pembleton feels as he essentially commits perjury, taking the blame and letting Commissioner Harris of the hook.  Pembleton is forced to compromise and it eats away at his soul.  At the same time, he also gets to return to doing what he does best.  Early on in the episode, Giardello acknowledges that he and Pembleton are not friends.  “I’ve never been to your house, I’ve never met you’re wife …. I am not your friend ….” but Giardello explains that Pembleton is a good detective.  He turns “red names black” and that’s why he wants and needs Pembleton to return.

Bayliss, Lewis, and Munch finally open their bar and, at the end of the episode, it looks like the entire city of Baltimore has turned out.  Bolander even looks like he’s having a good time!  Munch raises a glass in a toast to the best partners that anyone could hope for and I got tears in mismatched eyes.  Seriously, I was so happy to finally see that bar open!  It was also nice to see everyone else happy for once.  That doesn’t often happen on Homicide.

Retro Television Review: Homicide: Life On The Street 1.8 “And the Rockets’ Dead Glare”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Detective Munch takes a stand!

Episode 1.8 “And the Rockets’ Dead Glare”

(Dir by Peter Markle, originally aired on March 17th, 1993)

Is John Munch a stoner?

That’s the question that Stanley Bolander finds himself considering during this week’s episode of Homicide: Life On The Street.  At a crime scene, Munch displays an encyclopedic knowledge of marijuana and later, while talking to a narcotics detective at the station house, both Munch and Bayliss argue that drugs should be legalized.  That night, as they wait to bust a man who earlier killed a drug currier, Bolander flat out asks Munch if he gets high.  Munch refuses to answer.

Of course, those of us watching already know.  Of course, John Munch gets high!  He’s played by Richard Belzer, the thin, middle-aged man who never takes off his sunglasses and who is continually rattling off trivial knowledge in a mellow tone of voice.  Munch not only gets high but he was probably high through this entire episode.  Whenever Munch appeared on another television show, he was probably high then.  And when he eventually ended up on Law & Order: SVU, he was probably so stoned that I’m surprised Stabler didn’t put him in a headlock and start yelling about how he didn’t want Munch serving as a bad example for the youth of New York City.

There’s no surprise that Munch would be in favor of legalizing drugs.  (It’s a bit more surprising that straight-laced Bayliss would agree but whatever.)  What was surprising, to me, was how I reacted to his argument.  There was a time when I was 100% enthusiastically in favor of legalizing all drugs, or at least leaving it up to individual states.  As I’ve gotten older, I’ve come to realize that it’s not that simple.  Legalizing drugs is not the societal cure-all that many of us assumed it would be.  Then again, weed is kind of boring now that it’s socially acceptable so maybe the best way to keep people off of drugs is to broadcast nonstop YouTube commercials featuring middle-aged suburbanites talking about how much they love their edibles.

(To be honest, Munch and Bayliss’s sudden advocacy for drug legalization reminded me of one of the things that always makes me laugh about Law & Order, i.e. the tendency to have blue-collar cops, who are not exactly the most liberal of constituencies, suddenly start talking like MSNBC pundits.)

While Munch argued for drug legalization, Pembleton considered whether or not to accept a promotion, Kay testified in a murder trial and accepted the offer of a dinner date from State’s Attorney Ed Danvers (Zeljko Ivanek), and Corsetti and Lewis drove to Washington D.C. to investigate the murder of a Chinese dissident.  Officially, they went to D.C. so that they could question the people at the Chinese embassy about the victim and the possibility that his murder was related to politics.  However, the real reason they went to D.C. was so that Crosetti could visit some historical sites and expound on his theories about who really killed Abraham Lincoln.  A somewhat sinister secret service agent (played by Ed Lauter) was happy to show them around in return for them not making trouble at the embassy.  Crosetti was excited.  Lewis was considerably less impressed.  I enjoyed the DC storyline, if just because I’m both a history and a conspiracy nerd and, when Jeff and I last went to our nation’s capital, I got excited about seeing some of the same locations that Crosetti got excited about.

This episode was a day-in-the-life episode, with all of the detectives getting their share of attention.  (Even Felton, who accompanied Kay to the courthouse, got a few moments to shine.)  If the episode didn’t have the emotional impact of Night of the Dead Living, it still did a good job of portraying the comradery of a group of people who are linked by their knowledge of what it’s like to see others at their worst.  In the end, Pembleton turns down the promotion and finally, joins his fellow detectives for an after-work drink.  I’m glad he did.  They’re good company.