Brad’s Song of the Day – Guns N’ Roses and a memory of “Patience”

Posted on by Bradley Crain

Today is Axl Rose’s 63rd birthday, which reminded me of a very interesting memory I had of the first time I heard the song “Patience.” 

I grew up on Gospel music and Country music, but late in the 80’s I attended a summer camp called Project Caves where we learned about and explored various caverns in North Arkansas. While there, we were paired up with roommates from across the state. As I was getting to know my roommate on the first night, he shared his favorite current music album with me, which happened to be Appetite for Destruction by Guns N’ Roses. He had his cassette with him so we listened to it. And needless to say, I immediately loved it, especially the song “Sweet Child o’ Mine.”  I also loved “Welcome to the Jungle” and “Paradise City,” and we listened to the album almost on repeat over those couple of weeks. By the time I got back home to Toad Suck, I had “Sweet Child o’ Mine” memorized word for word and note for note. I couldn’t wait to tell my brother and sister about the songs. At first they kind of teased me and called me “heavy metal man,” but it wasn’t long before they were listening to (and loving) those songs as well. 

Music awards shows were a big deal around our house in the 80’s because that’s where we got to watch our favorite singers and bands perform. I remember The American Music Awards show being advertised, with one of their live performances to be provided by Guns N’ Roses. For historical reference, the show was on January 30, 1989, and I had recently turned 15. Giddy with excitement, my brother, my sister and I made sure we were in front of the TV that night so we could watch the group perform one of our favorite songs. Which would it be… Sweet Child o’ Mine, Paradise City, Welcome to the Jungle???

And then the performance started with Axl Rose whistling the slowest song imaginable, the song we’d all come to know as “Patience,” which would be released as a new single a few months later. We all looked at each other like WTF?! We listened to the song together in disappointment, but I do kinda remember liking the part at the end even that night. In full disclosure, the song would go on to grow on me, and I even like the song now, but it was NOT the song we were looking for that night. We still bring that up to each other and laugh at times.

Today, however, I share that performance with you! Happy birthday, Axl! And enjoy, my friends!

Scenes That I Love: Ronald Reagan in Kings Row

Posted on by Lisa Marie Bowman

Today’s scene that I love features future President Ronald Reagan, giving what he considered to be his best performance in 1942’s Kings Row.  He liked one of the lines in this scene so much that he used it as the title for autobiography.

On what would have been Ronald Reagan’s 114th birthday, here is today’s scene that I love.

 

4 Shots From 4 Films: Special Francois Truffaut Edition

Posted on by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 93rd birthday, TSL pays tribute to the great Francois Truffaut.  No one captured the act of falling in love in life, people, and cinema with the skill, sensitivity, and humor of Francois Truffaut.  It’s time for….

4 Shots From 4 Francois Truffaut Films

The 400 Blows (1959, dir by François Truffaut, DP: Henri Decae)

Shoot the Piano Player (1960, dir by François Truffaut, DP: Raoul Coutard)

The Story of Adele H. (1975, dir by Francois Truffaut, DP: Nestor Almendros)

The Last Metro (1980, dir by François Truffaut, DP: Nestor Alemndros)

A Joseph Cotten Scene That I Love From Citizen Kane

Posted on by Jedadiah Leland

Joseph Cotten passed away 31 years ago today.  Cotten appeared in a lot of good films and worked with many important directors but he will always be remembered for bringing to life Jedidiah Leland, the drama critic in Citizen Kane.  I liked the character so much that I paid tribute to him with my penname, though I substituted an A for the first I.

Cotten played Jedidiah as both a young man and an old man in Citizen Kane.  The first time I saw the movie, I reacted to the young Leland.  With each passing year, I think I understand better what the older Leland was talking about when he said that memory is the greatest curse ever inflicted on the human race.

(Even retired and living in what appears to be a nursing home, Jedidiah Leland still spoke like a drama critic.)

 

Music Video Of The Day: you’re like me by Shower Curtain (2024, dir by ????)

Posted on by Lisa Marie Bowman

Today’s music video of the day is a rather moody piece of nightlife from Shower Curtain.  Watching this video really took me back to the day when they was nothing better than going out at one in the morning and being jaded.

Enjoy!

Late Night Retro Television Review: Monsters 3.8 “Shave and a Haircut, Two Bites”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Who needs a haircut?

(What is it with today’s reviews and hair?)

Episode 3.8 “Shave and a Haircut, Two Bites”

(Dir by John Strysik, originally aired on November 18th, 1990)

Tom (played by a young Matt LeBlanc) stands in front of an old timey barbershop and remembers when he was a teenager and he learned the truth about the place.  His friend, Kevin (Wil Wheaton), lived across the street from the barbershop and was convinced that the two elderly barbers who owned the place were actually vampires.  Kevin pointed out the customers were going inside with big jars of blood and then coming with little jars of blood.  Tommy remained skeptical.  I’m not sure why.  Jars of blood are a HUGE red flag.  Still, Tommy warned Kevin that if he continued to follow his vampire theory, he would probably get kicked out of all of his honors classes.  That was a risk that Kevin was willing to take.

Tommy and Kevin snuck into the barbershop one night and searched for evidence of vampires.  Kevin was serious while Tommy treated the whole thing as just being a big joke.  They were caught by the two barbers, Mr. Innes (John O’Leary) and Dr. D’Onofrio (Al Mancini), who revealed that they were not vampires.  Instead, they were just two guys who worshipped a giant slug creature who lived in the basement.  The slug creature stayed alive by drinking the blood that was brought into the barbershop.  In return, it offered up a smaller amount of its blood for the donors to drink.  The blood apparently allowed to people to live for a very long time.  So, I guess they were vampires but not really.

In the present, Tom gets a shave and a haircut and allows Kevin to draw some of his blood.  Then Kevin gets in the barber chair and Tom picks up the razor blade.  They both have noticeable scars on their neck.

This was an odd episode.  It was full of atmosphere and Tom’s voice over contributed to the creepy vibe.  It was generally well-acted.  Not even Wil Wheaton was too annoying.  The premise of the episode was intriguing but the episode’s pay-off fell a little flat.  I was happy that the show did something other than vampires but the weird slug creature really wasn’t that compelling either.  It felt like something out a Lovecraft short story but Lovecraft’s style of horror always works better when it’s something that the reader has to imagine as opposed to actually seeing.  This episode played out like an odd dream.  Even the ending feels like a fragment from a bigger narrative that has been lost to time.

Overall, though, I liked this episode and I appreciated the strange atmosphere.  Monsters was always the most fun when it was weird and this episode was definitely that.

 

The Opening of THE LAST OF THE MOHICANS (1992) – one of my favorite scenes. 

Posted on by Bradley Crain

I can’t let Michael Mann’s 82nd birthday pass without sharing one of my favorite scenes of his filmography. Have y’all ever started watching a movie and immediately knew you were going to love it?! That’s what the opening 4 minutes of THE LAST OF THE MOHICANS did for me. The credits start and the soundtrack reveals the powerful musical theme of the movie as well as its beautiful mountain setting. And then we join Hawkeye (Daniel Day-Lewis), his dad Chingachgook (Russell Means), and his brother Uncas (Eric Schweig) in the middle of their hunt as they’re sprinting through the woods after their prey. They just look so cool running together under Mann’s stylish direction. It’s not even the best scene in the film, but it’s the scene that drew me in and let me know I was in for something special.

Happy Birthday, Michael Mann and thanks for sharing your talent with all of us! 

Enjoy this awesome scene, my friends!

Madhouse (1990, directed by Tom Ropelewski)

Posted on by Jedadiah Leland

Mark (John Larroquette) and Jessa Bannister (Kirstie Alley) have a perfect yuppie lifestyle going until their respective family members show up at their California home and refuse to leave.  First, it’s Mark cousin (John Diehl) and his wife (Jessica Lundy).  Then it’s Jessa’s sister, Claudia (Alison LaPlaca), who has just left her husband and now has to find a new man to support her lifestyle.  Mark and Jessa just want some time alone but instead, they have to deal with a cat who is frequently mistaken for dead, broken marriages, a shipment of cocaine, and a neighbor (Robert Ginty) who builds weird bed frames.  Mark has a big contract to land and Jessa is trying to succeed as a television news reporter but it’s not easy when you’re living in a madhouse.

There are some films that you just like despite yourself and that’s the way I feel about Madhouse.  It’s very much an 80s film, with its emphasis on material goods and achieving the perfect lifestyle.  (The appearance of Dennis Miller as Mark’s co-worker only reminds us of just how much a product of its era that Madhouse is.)  There are a lot of jokes that don’t work and some, like the cat that is continually mistaken for dead, that shouldn’t work but do.  It’s a sitcom transferred to the movies and the humor rarely rises above that level.  It ever stars two of the decade’s biggest sitcom stars, John Larroquette and Kirstie Alley.  Larroquette shows us why he was better suited for television while Alley shows how tragic it was that she didn’t have a bigger film career.  Kirstie Alley gives such a dedicated and fearless performance as someone who has been driven to the end of her rope that it keeps you interested in the film.  Alley, like the great comedic actresses of Hollywood’s golden age, was an actress who could mix physical comedy with barbed one-liners and who was undeniably appealing as she moved from one disaster to the next.  In Madhouse, she was beautiful, frantic, sexy, neurotic, relatable, and funny all at the same time.  By the end of this movie, you really do wish she had gotten more and better opportunities to show off her talents in the years after Cheers went off the air.

Madhouse is nothing special.  It’s a generic comedy about unwanted family guests.  But I’ll always appreciate it for Kirstie Alley.

Retro Television Review: The Love Boat 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Julie wears a wig!

Episode 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

(Dir by Richard Kinon, originally aired on January 30th, 1982)

“Where’s Julie?” Captain Stubing demands and he’s got good reason.  The Love Boat is only a few minutes away from setting sail.  The passengers are checking in and being given directions to their cabins.  And yet, Julie McCoy — the cruise director — is nowhere to be seen!

Fire him, Captain!  Seriously, she’s been erratic this entire season and she seems to have a permanent cold so it’s time to get a new cruise director.

Julie shows up at the last minute.  She reveals that she’s late because she went to see her hair dresser.  And now, she’s a platinum blonde!  She says that she’s proud of her new look.  The rest of the crew pretends to like it.  As for those of us watching, it’s hard not to notice that Julie is actually just wearing a very obvious wig.

Watching this episode, I couldn’t help but think about the fact that, according to a documentary about the show that I recently watched on Tubi, Lauren Tewes was dealing with a fairly serious cocaine problem during the fifth season.  I don’t say that suggest anything bad about Lauren Tewes.  From what I’ve read, cocaine was everywhere in the 80s and she’s hardly the only performer from the time to get into trouble with it.  (Tewes, it should be noted, went to rehab and cleaned herself up.)  Instead, I point that out because a lot of Julie’s actions during the fifth season seem as if they’re best explained by Julie being under the influence.  The moodiness, the impulsivity, the fact that she suddenly doesn’t seem to be all that focused on her job, I think Julie had a problem!  Her hair isn’t platinum blonde.  It’s cocaine white!

Gopher eventually works up the courage to tell her that her new hair color is not flattering.  (And, to be honest, he’s right.)  Gopher gives her some hair dye that he picked up — uh oh! — and Julie uses it — JULIE, WHAT ARE YOU DOING!? — and she wakes up the next morning with green hair.  Julie spends the rest of the cruise in her cabin while the rest of the crew feels guilty.  Even Vicki has a hard time talking to Julie with her green hair.  Then the rest of the cruse decides to die their hair green in solidarity with Julie, just to discover hat Julie’s hair has gone back to its natural color….

Yeah, it’s silly but I kind of enjoyed the storyline.  I like stories about the crew and the members of the cast had enough chemistry that they could even carry a story as silly as this one.  They’re a fun group to watch.

As for the other two stories, Lynda Day George boards the ship with her hyperactive son (a young Corey Feldman).  She meets a high school coach (John Philip Law) who is not scared by her son.  This was a predictable story but I’m a horror fan and an Italian movie fan so seeing George, Feldman, and Law interacting made up for any narrative flaws.

The third story starred Bert Convy and Tanya Roberts and it was about reincarnation.  I don’t believe reincarnation, mostly because people who claim to remember their past lives never remember anything boring.  Instead, they always remember being members of French royalty or the mistress of a Spanish pirate.  As for this story, Convy lies and tries to convince Roberts that they were lovers in a past life.  But then he has black-and-white visions of a chandelier falling on Roberts.  Maybe they were once lovers at another time!  Honestly, who cares?

This was an above average cruise.  I’m glad Julie finally took off that wig.