POST-COVID UPDATE, by Case Wright


All of your well wishes have been so kind. I recently went to the VA and was diagnosed with both Severe COVID and Severe Post-COVID. I was correct that I had developed a form of encephalitis, explaining my memory lapses, depression, fatigue, and executive functioning difficulties. The Doctor had a tough-determined-cowboy attitude- He had seen COVID cases from the ER to the ICU for 14 months straight; I liked him immediately. There was light admonishment that I did not go to the VA earlier; apparently, I should’ve been in the ICU during my worst symptoms.

He is confident that my respiratory issues are treatable, but my cognitive issues are anyone’s guess with severe Post-COVID. It could even be permanent with all of the lifelong flare-ups. What got to me the most was when I saw one of my old math tests that I got 100% on and I couldn’t remember taking it or how to do the problems. I’m not sure what other memories are gone. It’s like being born blind; I don’t know what I missed. I was able to understand the concepts after a lengthy review, but that took longer for me than before. The Doc described that the action of the maskless-man who sneezed on me as an “Assault”. I agreed. It has been continually difficult to forgive this man who did this to me, but I have to do it. To move on, I re-read all of my old posts for this site and it was like it was the first time that I read them. My review of me: I’m pretty good at this and I would describe Case Wright’s prose as charmingly sardonic with an obvious manliness. I’d recommend him.

Yes, I refuse to lose my sense of humor. It reminds me of a decorated Marine I met who was at Iwo. He had terminal cancer and described himself as a participant in his cancer. I am a participant in my COVID and I do not believe it is leaving anytime soon. It will be with me for a long time and I will continue to live my life. There are obvious challenges now. In the near term, I will find out if my COVID did permanent damage to my heart and lungs. Of course, if I’m correct that there is damage, this will mean a diminished lifespan, but it couldn’t be any worse than the damage I was doing when I was trying to pay the daily light bills at Makers Mark. My hope is that my memories will return. I don’t mind a shorter life, but I want to get back what I lived through and achieved.

For those of you who follow my Twitter unmuted, you know that I got COVID-19 at the beginning of this year. I was visiting my mother and an unmasked man entered the small gym and started sneezing everywhere. At one point, I could see the the sneeze mist and there was nowhere to go. Words were exchanged and a few days later I was notified he was positive and then I found out I was positive. Mine was a “mild case,” but I will describe it for you here …. right now.

Post-exposure, I went from my normal amazing, handsome self to a handsome, tired self. I just felt rundown. Then, like a speaker blew out, my sense of smell and taste were gone. Within hours, my fever went to 103, but I felt cold from the inside. It was as though dry ice was put inside of me. I was wearing long johns, a winter coat, and under 8 blankets and my teeth were still chattering.

It was as though dry ice was put inside of me.

When my fever would break, I would be drenched in sweat like I had just played in my High School homecoming game. I don’t know if I tweeted then or what I said out loud; so, if we got engaged, it will be awkwaaaaaard.

Highly Accurate Dramatization:

There were lucid moments and I could feel my lungs being attacked, chest tightening, head searing with spiderweb-like migraines, and my joints felt like they were trying to see the light of day. I kept thinking nature had help; of course, when I wasn’t having explosive diarrhea or a dry cough that would barely let in air, I would loudly curse the commie scum that brought this plague upon us and then more diarrhea. COVID is very diarrhea forward.

Sidenote: The contact tracers were all over me like a Men’s Warehouse suit from Jumpstreet. When the symptoms ended, they gave me my release from quarantine date.

For the last month, I have been dealing with Post-COVID symptoms and they suuuuuuck. In many ways, COVID is like two illnesses: your first active symptoms and then the chronic Post-COVID symptoms. I got chills, had cognitive issues, and had to pause my GI Bill. There was just no way to study complex math and physics while dealing with Post-COVID. In fact, I’ve had to review math concepts that were rote for me. COVID breaks the blood brain barrier and causes a form of Encephalitis, messing your memory and cognition- some cases are severe and it causes a form of MS. In a way, COVID squished some my memories out of my mind and I’ll never know which ones.

On a positive side, I am getting a bit of my sense of taste back and was able to taste my favorite treat today: Black Licorice. Yep, that’s my favorite – on purpose!

I anticipate recovering fully in another 6 weeks. Cheers!

The Tournament beckons in the Mortal Kombat Trailer


Way back in 1995, Paul W. S. Anderson made his big break with the original Mortal Kombat film. 25 years is high time for an update. Produced by James Wan, this Mortal Kombat seems to be a little stronger with the story it’s sharing. So far, I’m liking the cast here. The Raid‘s Joe Taslim as Sub-Zero, Hiroyuki Sanada (Avengers: Endgame, The Wolverine) as Scorpion, True Blood’s Mechad Brooks as Jax, and those are just the names I recognize. I’m just happy they added Kung Lao to the mix.  I’m hoping there will be more fighting action in this version, and a great soundtrack to boot.

Directed by newcomer Simon McQuoid, Mortal Kombat’s release date is set for later this year, and since it’s a Warner Bros. Picture, there’s a good chance HBO Max may get it early as well.

Prince of Darkness, Review by Case Wright


Speilberg had 1941, Lucas had Howard the Duck, and John Carpenter had Prince of Darkness. I’m not going to spend a whole review impugning the Master of Horror, BUT….this was really really really bad. When I was young, several months ago Pre-COVID (more on my COVID experience tomorrow- you’ll love it: there’s sweat, fever, explosive things, and I couldn’t smell any of it!) , I reviewed the Dracula mini-series and now Prince of Darkness (John Carpenter). You’re going to start thinking that I have a vampire fetish, but don’t worry Prince of Darkness not only does not have a Dracula figure; it’s unclear if it has much of anything going on at all. Imagine watching a movie called A Man Named John and John appeared briefly at the very end of the movie with no lines. You’d think that was really weird because you are a smart and discerning film consumer.

It starts out in Los Angeles in the 1980s, which looks like the LA of today, but it had MUCH less poop everywhere than today. Ahhh, progress. After the first 10 minutes of the film, I can tell you that: the Prince of Darkness is infact and evil alien who lives inside of a swirling Vitamix that looks alot the green juice they try sell me at the gym

– This is what the POD looked like for most of the film :

I always knew that the green juice smoothie was pure evil!!!

Jesus was also an alien and trapped the POD in the Vitamix above; furthermore, the Church was aware of it and kept it quiet in LA because they were Angels fans, a professor of physics at the local community college forced his physicist students to become Ghost Facers in exchange for a higher grade, and homeless people are murderers now.  I know these things because I got an expositioning that I shall never ever forget.  The students go to see the Eeeeeeevil Vitamix and get sprayed with evil juice and become really lazy zombies. This goes on for a LONG LONG time.  You’d think they’d just use tomato juice to get out the evil or some Shout, but maybe Shout wasn’t invented yet?

One of the physicists becomes possessed with POD and tries to reach into a mirror to release her more evil dad. Ok, why not? It’s a family affair, it’s a family affaaaaiiiirr.  Just as the evil is about to enter our world one of the physicists pushes the POD into the other dimension through the mirror taking her along with it. This was really dumb. Why not just shove the POD? She didn’t look very big. You’re also physicist; you could’ve made a lever or something. LAZY PHYSICIST!!! You never really got to know the POD or the physicists for that matter. It was like John Carpenter was willed an abandoned building and just wrote a script around that location because why waste a perfectly good abandoned building?! 

The biggest puzzle of all was why the main physicist quasi-hero couldn’t get his mustache to line up properly?  It’s like the left side of his mustache was trying to escape his face and was willing to leave the right side of the mustache behind- such a cowardly left-side mustache! 

 

Hmmm, I wonder if anyone will notice that I trim my mustache while tilting my head?

Thank you all! You get to learn about COVID tomorrow; it’s pretty pretty…. pretty… gross.

Cruella steps into the spotlight with a new Trailer


Disney’s had some success with focusing on their villains lately. With Angelina Jolie’s turn as Maleficent having done well, it’s time for another classic enemy to take the stage. Academy Award Winner Emma Stone (La La Land) is Disney’s newest Cruella DeVille, the nemesis to all 101 Dalmatians. This film looks like it’s a prequel, focusing on how Cruella came into power and possibly why she despises spotted dogs so. The cast includes Mark Strong (1917), Emma Thompson (Late Night), Paul Walter Houser (Richard Jewell) and Dev Patel (Lion)

Cruella is directed by Craig Gillespie, who is known for I, Tonya, The Finest Hours and Fright Night.

The release date is set for May 28, 2021, though no statement on how this will play on Disney+ at this time.

I’ve Seen The Future And It Looks A Lot Like “Spiny Orb Weaver” #1


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I hardly think I’m making news here by informing all you good readers that the economic landscape for small press comics and self-publishers is absolutely brutal right now — and by that I mean even more brutal than usual — but there are still plenty of people making a go of it by means of every distribution and financing mechanism you can think of, the most popular being crowd-funding and online serialization. It’s no stretch to say that some of the most talked-about comics of the so-called “pandemic era” have been instagram comics, and that platforms such as Kickstarter have afforded many a cartoonist the ability to have their work see print even when their own bank accounts were hovering near rock bottom. There are, however, other less-utilized means of hustling up the money necessary to produce a comic, and one that I’m frankly surprised isn’t utilized more often in…

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“Mothers Tales” : Thomas Lampion’s Generational Journey


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I can’t speak to whether Thomas Lampion conceived of and created his semi-recent (as in early 2020, perhaps? Or late 2019?) mini Mothers Tales ( and before you ask, I assume the lack of an apostrophe in the title is intentional) — an impressive riso-printed number, featuring a subtle array of third “spot” colors, lovingly and painstakingly produced by an outfit out of Moscow, Russia called ESH-PRINT — while he was at work on his long-form graphic novel (previously reviewed on this site) The Burning Hotels, or not, but there’s some serious serendipity going on either way. That book, after all, deals with an unplanned move home on the cartoonist’s part from Philadelphia to Appalachia (a town called Hot Springs, N.C., to be specific) and how the same things he was going through in the here and now oddly mimicked and echoed events that took place in his mother’s…

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“Death Plays A Mean Harmonica” — And Steve Lafler Crafts A Really Nice Comic


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Oaxaca is an interesting, dare I say even magical place — a unique intersection of indigenous traditions, modern-day Mexican culture, and American expat bon vivant-ism that’s been added to the mix thanks to its large gringo transplant community. On any given night, anything can happen, and the air is pregnant with festivity, possibility, and even a dash intrigue.

Or so I’m told, at any rate — largely by my parents, who became part of that aforementioned gringo transplant community when they retired down there nearly two years ago. I’d dearly love to visit, but the pandemic has made that wish an impossibility for the time being, although hopefully not for too much longer. Until then, though, I’ve got their emails and photos — and the comics of EX-expat Steve Lafler, who returns to the place he once called home (or, in a pinch, a home away from home) for his…

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Music Video of the Day: Things Can Only Get Better by Howard Jones (1985, directed by Nigel Dick)


Without a doubt one of the best pop songs ever written, Things Can Only Get Better was meant to be a gift of positive energy for the people who had purchased Howard Jones’s first album.  There’s no irony or sarcasm in this song, which is one of the thing that makes it so effective.  Howard Jones is telling his fans that things can only get better.  It’s not just humans that Jones’s song has helped through the years.  He also recorded a version in the language of the Sims for The Sims 2.

This video was directed by the prolific Nigel Dick.  The video features Jones trying to get ready for a concert, while Charlie Chaplin and … I guess that’s supposed to be Daniel LaRusso from The Karate Kid, hang out backstage.  Chaplin was played by Jed Hoile, who was a mime who regularly performed as a part of Jones’s stage act.  It was the 80s.  It didn’t have to make sense.

The video was popular on MTV and helped make the song into a hit, though I’d like to think that a song this upbeat and catchy would have been a hit even without the video.  This is another song that I have fond memories of listening to while driving around Vice City.

 

The Ballad Of Kitty And Raymond : Lane Yates’ “Single Camera Sitcom” #1


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s tricky, when you’re reading something that strikes you as being wholly original yet wears its influences so plainly on its sleeve, to adequately describe the sensation it leaves you with : deja vu for something that never was? Or perhaps, to quote Jello Biafra, “nostalgia for an age that never existed”?

I dunno — and I’m really good at not knowing lately, incidentally — but it’s fair to say that Lane Yates’ self-published comic (and an admirably slick and glossy self-published comic it is) Single Camera Sitcom #1 took me to places both familiar and foreign, but with the added caveat that they seemed familiar precisely because they were foreign and vice-versa. In a pinch, I’d say its most immediate stylistic antecedent is Greg Stump’s Disillusioned Illusions, but in another pinch I might say nah, that honor belongs to — well, to any actual single-camera televised sitcom. Can…

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Never Forget — As If You Could : Garrett Young’s “Sketch Zine 2020”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Don’t let the blank cover fool you — the images contained inside Garrett Young’s Sketch Zine 2020 are rich, inky, and brain-searingly indelible. And besides, this particular cover’s only blank because Young hasn’t adorned it with one of the individual drawings he puts on them, one of the perks of self-publishing for both creator and consumer. My own copy features a young woman looking both distant and possessed with unknowable intent simultaneously — but my own copy really isn’t what’s important here.

Rather, we’re here to talk about the myriad glimpses at either a slightly pre- or slightly post-fallen world that Young serves up in the pages of this ‘zine, a cornucopia of personages and, occasionally, creatures for whom vacuous amorality appears to be a default mindset — or perhaps, even more chillingly, an aspiration. Some shit haunts your dreams, sure, but some shit can’t even be bothered to go…

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