What Lisa Watched Last Night #98: The 2014 Winter Olympics Opening Ceremony


Last night, I watched NBC’s tape-delayed pretend-live coverage of the Opening Ceremony of the 2014 Winter Olympics in Sochi.

Why Was I Watching It?

I loved the London opening ceremonies and I wanted to see how Sochi would compare.  Plus, there was always the chance that the ceremony might somehow involve curling…

What Was It About?

It was the opening of the Sochi Olympics.  It was a chance for Russia to celebrate its own history.  It was a ceremony specifically designed for people, like me, who appreciate spectacle for the sake of spectacle.

It was also a chance for NBC to screw everything up and be generally annoying.

What Worked?

As I said, I appreciate spectacle for the sake of spectacle and that’s what the Opening Ceremonies were.  They were a great spectacle, which managed to be thrilling, impressive, ludicrous, and silly at the same time.

There was no way not to be impressed and moved by sight of the teams of athletes marching into the stadium.  My favorite teams: Team Canada, Team Ireland, Team Spain, Team Italy, Team Andorra, and Team Australia.  (No, I’m not rooting for Team USA this time around.  After all, an American team just won the Super Bowl.  It’s time to spread the wealth around.  Go Canada!)

Glowering old Vladimer Putin would make a great villain in the next Bond film, wouldn’t he?

What Did Not Work?

The ceremony was amazing but, unfortunately for those of us in the States, it was broadcast on NBC.  NBC declined to live stream the Opening Ceremonies (which were held around 11:00 am EST) but instead decided to show us an edited version in the evening, with the notoriously vapid Matt Lauer and Meredith Vieira on-hand to provide commentary and “context.”

And what context!  Matt was apparently under the assumption that he’s the only American who knows who has read a novel by Nabokov or appreciated a painting by Kandinsky.  Meredith said things like, “And now Imperialist Russia will be swept away by the revolution and this commercial break…”  Both Matt and Meredith talked through the performance of Swan Lake, which is unforgivable.

NBC declined to show us four of the most-discussed moments from the opening ceremonies.  We did not get to see t.a.T.u perform, which also means we didn’t get to consider the irony of fake lesbians performing at an official ceremony in a county known for its anti-LGBT laws.    We did not get to hear the portion of the IOC President’s speech where he called for tolerance.  (It’s almost as if NBC was going out of their way not to upset Putin…)  We did not get to see the end of the ceremony’s recreation of Russian history.  And, most tragically, we did not get to see the Russian police singing Daft Punk’s Get Lucky, a moment that would have brought some humanity to the ceremony.

Though the show started at 6:30, NBC still made everyone sit through an hour of filler before it actually started to show the Opening Ceremony.  Among that filler was watching Bob Costas interview the President.  Bob started out by assuring the President that he would only be asking him about the Olympics.  When I heard that, I thought, “Yay!  This will be over quickly!”  However, it turns out that our President is just as long-winded when he’s talking about the Olympics as when he’s talking about anything else.  Again, let’s consider that NBC declined to show us the Russian police singing Daft Punk so that we could sit through yet another interview with someone who we see every single day.

Incidentally, Team America’s sweaters were just as hideous as everyone thought they would be.  When they were introduced, they all looked like they had been given the same crappy Christmas present.

“Oh my God!  Just like me!” Moments

Watching all of the ballet made me so nostalgic and a little sad.

Lessons Learned

Matt Lauer is an annoying schmuck. 

Trailer: 24: Live Another Day


Was it just me or did the Super Bowl commercials kinda sorta suck this year?  I mean, I expect the game to always be long and boring but I can usually count on seeing at least a few memorable commercials.  Howevever, with a few notable exceptions (mostly involving puppies and horses), this year’s crop of commercials were just boring.  You could tell that advertisers were going so out of their way to keep things positive that they forgot that commercials also need to be interesting.

However, there was one commercial that seemed to excite everyone on twitter and that was a brief 49-second commercial for the return of 24.  Judging from this commercial, Jack Bauer is back and he’s as violent as ever.  And, apparently, he has some issues with the British.

The Super Bowl XLVIII ads kick off…


…and there hasn’t even been a commercial yet. Ok, I admit this might seem petty on the surface, but I’m pretty goddamn pissed off. Over the years, I’ve experienced Super Bowl advertisements degenerate from clever, creative entertainment to raunchy, sensationalist garbage, and I’ve accepted it. I’ve seen right-wing nut jobs fork over millions to air their political garbage–anyone recall Focus on the Family’s anti-abortion ad a few years ago?–and I’ve kept my mouth shut. But what I saw in the pre-game show today took tasteless to a new level. For those of you who missed it, Fox got the rights to the game this year, and they exploited their control of the content to interrupt pre-game coverage for a half hour of Fox News and Bill O’Reilly lambasting the president.

Think about that, and forget your opinion of Barrack Obama while you do it. We’re talking about the most televised event in the world, and its exclusive broadcaster this year has set aside tens of millions of dollars worth of content time to advertise for the extreme right wing of the Republican party. “Oh, Bill O’Reilly is relatively moderate, and they just plastered a Fox News logo over it; they didn’t bring up many sensitive issues.” Fuck that. If the KKK sponsored a Super Bowl ad for white hoodies you’d all be shitting bricks. And this isn’t a conventional ad–a business transaction–a hunk of advertisement paid for in full. This is coming directly from the network that ought to be responsible for monitoring advertisement content throughout the game. This isn’t a matter of turning a blind eye for a pay check; Fox shamelessly wants you to know that this program has been brought to you by good, god-fearing straight white people (and their wives).

I suppose they’re not going to lose any viewers over it. I’m still watching–albeit on mute now until the ball’s on the ground–and the money’s already on the books anyway. It was just more dope for the already brainwashed really, and a little salt in the wound for anyone who believes in social justice. But if the NFL accepts without further comment that an endorsement of Fox Sports means an endorsement of Fox News and everything that subsidiary stands for, it’s time we all called it a fun half-century and took up soccer or cricket or something.

Here are the DGA winners!


The Director’s Guild Awards were given out today and Alfonso Cuaron was named best director for Gravity.  For those of you looking for some guidance while trying to predict the closest Oscar race in history, Gravity has now won honors from the DGA and the PGA, American Hustle took top honors at the SAG Awards, and 12 Years A Slave was honored by the PGA (where it tied for best picture with Gravity).

So does Gravity have the momentum now?  Perhaps.  However, Cuaron’s victory isn’t exactly a surprise.  In fact, since before the Oscar nominations were first announced two weeks ago, a lot of Oscar watchers have been predicting that Gravity would win best director while 12 Years A Slave or American Hustle took best picture.

Or perhaps, even more intriguingly, perhaps American Hustle, Gravity, and 12 Years A Slave could end up splitting the vote and allow one of the other 6 nominees to somehow win a totally unexpected victory.*

Anything’s possible but, for now, here are the DGA winners:

FILM AWARDS

FEATURE FILM 
X — Alfonso Cuarón – “Gravity”
Paul Greengrass – “Captain Phillips”
Steve McQueen – “12 Years a Slave”
David O. Russell – “American Hustle”
Martin Scorsese – “The Wolf of Wall Street”

DOCUMENTARY FEATURE
Zachary Heinzerling – “Cutie and the Boxer”
X — Jehane Noujaim – “The Square”
Joshua Oppenheimer – “The Act of Killing”
Sarah Polley -–”Stories We Tell”
Lucy Walker – “The Crash Reel”

TELEVISION AWARDS 

DRAMA SERIES
Bryan Cranston – “Breaking Bad” (“Blood Money”)
David Fincher – “House of Cards” (“Chapter 1”)
X — Vince Gilligan – “Breaking Bad” (“Felina”)
Lesli Linka Glatter – “Homeland” (“The Star”)
David Nutter – “Game of Thrones” (“The Rains of Castamere”)

COMEDY SERIES

Mark Cendrowski – “The Big Bang Theory” (“The Hofstadter Insufficiency”)
Bryan Cranston – “Modern Family” (“The Old Man & the Tree”)
Gail Mancuso – “Modern Family” (“My Hero”)
X — Beth McCarthy-Miller – “30 Rock” (“Hogcock!/Last Lunch”)
Anthony Rich – “The Big Bang Theory” (“The Love Spell Potential”)

MOVIE/MINISERIES
Stephen Frears – “Muhammad Ali’s Greatest Fight”
David Mamet – “Phil Spector”
Beth McCarthy-Miller and Rob Ashford – “The Sound of Music”
Nelson McCormick – “Killing Kennedy”
X — Steven Soderbergh – “Behind the Candelabra”

VARIETY/TALK/NEWS/SPORTS – SERIES
Dave Diomedi – “Late Night with Jimmy Fallon” (#799)
Andy Fisher – “Jimmy Kimmel Live” (#13-1810)
Jim Hoskinson – “The Colbert Report” (#10004)
X — Don Roy King – “Saturday Night Live” (“Host: Justin Timberlake”)
Chuck O’Neil – “The Daily Show with Jon Stewart” (#19018)

VARIETY/TALK/NEWS/SPORTS – SPECIALS
Louis CK – “Louis CK: Oh My God”
Joel Gallen – “2013 Rock and Roll Hall of Fame Induction Ceremony”
Louis J. Horvitz – “55th Annual Grammy Awards”
Don Mischer – “85th Annual Academy Awards”
X — Glenn Weiss – “67th Annual Tony Awards”

REALITY
Matthew Bartley – “The Biggest Loser” (“1501”)
X — Neil P. DeGroot – “72 Hours” (“The Lost Coast”)
Paul Starkman – “Top Chef” (“Glacial Gourmand”)
J. Rupert Thompson – “The Hero” (“Teamwork”)
Bertram van Munster – “The Amazing Race” (“Beards in the Wind”)

CHILDREN’S PROGRAMS
Stephen Herek – “Jinxed”
Jeffrey Hornaday – “Teen Beach Movie”
Jonathan Judge – “Swindle”
X — Amy Schatz – “An Apology to Elephants”
Adam Weissman – “A.N.T. Farm” (“influANTces”)

COMMERCIALS
Fredrik Bond
John X. Carey
Noam Murro
X — Martin de Thurah
Matthijs van Heijningen

—–

*However, the best film of the year remains the unnominated Upstream Color.

Here Are The PGA Winners and Guess What? It’s a Tie!


12 Years A Slave

Whenever there’s a tight and potentially unpredictable Oscar race like there is this year, we look to the guild awards for guidance.  Last night, the Producer’s Guild decided not to provide that guidance.  For the first time in the organization’s history, there was a tie for Best Picture as both 12 Years A Slave and Gravity took the top honor.  Even further complicating matters is that the Screen Actors Guild gave their award for best film (or “ensemble”) to this year’s other main contender — American Hustle.  

American Hustle

It seems obvious that one of those three films will be named Best Picture of the year in March but right now, your guess is as good as mine regarding which one will actually take the top prize.

Here are the PGA winners:

FILM AWARDS

BEST PICTURE (TIE)
“American Hustle”
“Blue Jasmine”
“Captain Phillips,”
“Dallas Buyers Club”
X — “Gravity
“Her”
“Nebraska”
“Saving Mr. Banks”
X — “12 Years a Slave
“The Wolf of Wall Street”

BEST ANIMATED FEATURE
“The Croods”
“Despicable Me 2”
“Epic”
X –“Frozen
“Monsters University”

BEST DOCUMENTARY FEATURE
“A Place at the Table”
“Far Out Isn’t Far Enough: The Tomi Ungerer Story”
“Life According to Sam”
X — “We Steal Secrets: The Story of WikiLeaks”
“Which Way Is The Front Line From Here? The Life and Time of Tim Hetherington”

TV AWARDS

BEST DRAMA SERIES
X — “Breaking Bad”
“Downton Abbey”
“Game of Thrones”
“Homeland”
“House of Cards”

BEST COMEDY SERIES
“Arrested Development”
“The Big Bang Theory”
X — “Modern Family”
“30 Rock”
“Veep”

BEST TV MOVIE/MINISERIES
“American Horror Story: Asylum”
X — “Behind the Candelabra
“Killing Kennedy”
“Phil Spector”
“Top of the Lake”

BEST LIVE ENTERTAINMENT/TALK SERIES
X — “The Colbert Report”
“Jimmy Kimmel Live!”
“Late Night with Jimmy Fallon”
“Real Time with Bill Maher”
“Saturday Night Live”

BEST REALITY COMPETITION SERIES
“The Amazing Race”
“Dancing with the Stars”
“Project Runway”
“Top Chef”
X — “The Voice”

BEST NON-FICTION SERIES
“30 for 30”
X — “Anthony Bourdain: Parts Unknown”
“Duck Dynasty”
“Inside the Actors Studio”
“Shark Tank”

BEST CHILDREN’S SERIES
“Dora the Explorer”
“iCarly”
“Phineas and Ferb”
X — “Sesame Street”
“Spongebob Squarepants”

BEST SPORTS SERIES
“24/7”
“Hard Knocks”
“Monday Night Football”
“Real Sports with Bryant Gumbel”
X — “SportsCenter”

BEST DIGITAL SERIES
“Burning Love” (web series)
“Epic Rap Battles of History”
“The Lizzie Bennet Diaries”
“Video Game High School”
X — “Wired: What’s Inside”

Gravity

Trailer: The Walking Dead Season 4 “Don’t Look Back”


the-walking-dead-s4b-key-art

“I see a bad moon rising.”

It’s just less than a month away until the second half of The Walking Dead season 4 begins.

This fourth season of AMC’s massively popular survival-horror series has had a sort of resurgent year. New showrunner Scott M. Gimple has done a good job in fixing some of the issues that popped up during previous showrunner Gen Mazzara’s tenure during the final stretch of season 3. While Gimple has done a good job the show still has some issues when it comes to stand-alone episodes as we saw with the two-parter that reintroduced the Governor.

The ultimate payoff of that two-parter led to the ending that should’ve been the season finale of season 3. The showdown and final attack on the prison was as exciting as how Kirkman wrote it for the comics. There were even scenes that seemed to have been lifted from the pages. With Rick and those who survived the prison assault now thrown to all points of the compass it brings up some interesting prospects of seeing the group trying to survive on the road not as a coherent veteran team, but in piecemeal.

With the Governor and most of his people dead the show will now have room to introduce some new characters. These characters should be familiar to fans of the comics and it will be interesting how Gimple and his stable of writers will be able to translate them from pages to the small screen.

The Walking Dead returns on AMC on February 9, 2014.

Here Are The SAG Award Winners!


new-images-from-the-hobbit-american-hustle-and-the-monuments-men-142354-a-1375953418-470-75

Best Film Ensemble: American Hustle

Best Film Actor: Matthew McConaughey in Dallas Buyers Club

Best Film Actress: Cate Blanchett in Blue Jasmine

Best Film Supporting Actor: Jared Leto in Dallas Buyers Club

Best Film Supporting Actress: Lupita Nyong’o in 12 Years A Slave

Best Film Stunt Team: Lone Survivor

Best TV Drama Ensemble: Breaking Bad

Best TV Drama Actor: Bryan Cranston in Breaking Bad

Best TV Drama Actress: Maggie Smith in Downton Abbey

Best TV Comedy Ensemble: Modern Family

Best TV Comedy Actor: Ty Burrell in Modern Family

Best TV Comedy Actress: Julia Louis-Dreyfus in Veep

Best TV Movie/Mini Actor: Michael Douglas in Behind the Candelabra

Best TV Movie/Mini Actress: Helen Mirren in Phil Spector

Best TV Stunt Team: Game of Thrones

american-hustle-posters-sony

TV Recap: Marvel’s Agents of S.H.I.E.L.D., Episode #12: “Seeds”


AgentsofSHIELD Sometimes it seems that all hope is lost. That a show with recognizable potential has past the point of redemption. That it’s game over. But that time is not this week! No! For indeed, peeking between the clouds of wooden acting and stilted dialogue, comes a new episode of Marvel’s Agents of S.H.I.E.L.D…. and spoiler alert, people of Earth… it’s a pretty good one.

You heard me.

Now Apparently A Permanent Fixture Previously On: As random plots get tied together from earlier in the season, we always need these recaps, I guess. Basically, this time, we need to remember that Skye is looking for her parents.

Cold Open: S.H.I.E.L.D. Academy! Do they have a Sorting Hat at future Hogwarts? Oops, no time to worry. The students are at the pool, only, it’s uh… freezing. For no apparent reason. One student is nearly trapped in the ice when it rapidly freezes over his leg, but another busts the ice open with the hilt of a pool skimmer. Yikes!

Act I: After the briefest of cold opens, Fitz-Simmons are talking about how they designed a device that can freeze pools! Well, it wasn’t designed to be used in that way, but someone has apparently weaponized it. For that reason, Fitz-Simmons have been recalled to the Academy. Well, the SciTech Academy. Apparently there are three … Communications, Operations, and SciTech. I think that answers my incredibly important question about how they’re sorted into Houses. I guess you just apply for the division you’re suited for! There’s a rivalry between Sciences and Operations. Skye makes a funny about this to a passing Agent May, who confesses that Ward, Skye, and Fitz-Simmons are going to the Academy… she and Coulson are bound elsewhere. Skye is a little worried about Coulson, actually. Remember, how he had it kind of crappy last week? Ward re-assures her. There’s something about Ward this week that seems less wooden. Maybe I’m imagining things. I hope not though.

At the Academy, the Shield ActionTeam is met by the lovely Agent Weaver (Christine Adams), apparently some kind of administrator. Weird that they don’t make that clear. It also seems like Agent Ward outranks her. I wish I knew a little more about how S.H.I.E.L.D. is organized (and by a little more, I mean a LITTLE, not a lot. Please no one inundate me). Does being Level 7 give Ward clout automatically, as well as determine his secrecy rating? Is Level 7 a rank? Has this already been explained and I just blacked out? Anyway, Agent Weaver is worried they might have a bad seed at the academy. Ward tries to explain the meaning of this term to Skye who helpfully informs him that it is also a phrase that normal people know of! It was a very Joss Whedon moment. I assume that Jed must have had some hand in this scene. It’s fun to try and guess.

While Fitz-Simmons prepare for their lecture on how you should be careful of the potential of dorm room science projects to be weaponized into something dreadful… Ward and Skye visit the Wall of Valor, a memorial to S.H.I.E.L.D. agents who have fallen in the line of duty. Skye wishes that she’d come up through S.H.I.E.L.D. the right way, but Ward talks her down. It’s a stunningly human moment from Ward. Did I drink a lot before this episode? I’d like to believe that, instead, Ward is finally a character instead of a caricature.

On the ActionPlane, Coulson and May rehash the whole ‘Coulson was dead and got brought back by mad science’ thing. More importantly, May has a line on one Richard Lumley (Boyd Kistner), former Agent, who vanished 23 years before. I have deep suspicions that he’s connected to Skye’s mysterious past! Sounds like fun.

At the Academy, Fitz-Simmons begin their lecture. Apparently they’re held in some reverence at the Academy. Meanwhile, Ward is interrogating the near-victim of the pool freeze, a young man named Seth (David Zovatto), one of the top students at SciTech. Seth admits that the academy is competitive, but that they don’t typically attempt to kill one another to gain pole position. He also claims not to know a student named Donnie Gill (Dylan Minnette)…

…Who at the same time is freezing over solid during Fitz-Simmons’ lecture! Fortunately, Fitz-Simmons are seasoned field operatives, and Skye and Ward arrive just in time to identify the freeze device responsible and smash it. Their combined efforts save young Donnie before he suffers much in the way of undue effects.

Oops, there’s the scene changes I’ve been missing. In a tinted limo, we’re re-united with hilariously evil CEO Ian Quinn (David Conrad) who you might remember from the Gravitonium debacle. He’s just here to tell us he’s involved in this somehow, before we’re back to the Academy.

Eh, it’s just some filler dialogue. Donnie has a 190 IQ, no friends, no enemies, has trouble relating, blah blah blah. The faculty is worried about him. Wards wants Fitz-Simmons to take the group to the students’ refuge, The Boiler Room. There’s another scene change in here, but I don’t even want to talk about it. I spent more words explaining that than the time we spent scene-changed. Ugh. Anyway, Ward ACTUALLY wants Fitz to go make friends with Donnie Gill. Simmons and Skye make fun of him, because he’s abruptly acting like a human being, and this is new for all of us. Humour helps break the tension. The rest of them will check out the Boiler Room. I capitalize it, because apparently the SciTech students turned the literal boiler room of the campus into a nightclub. No, I am not kidding. There appears to be no cover, and while Ward is twice the age of any student on campus, apparently real S.H.I.E.L.D. agents drop by from time to time.

Over at Donnie’s place, Fitz and he compare notes on being the biggest nerd on campus. Fitz is impressed by the cool gadgets that Donnie’s been working on. In his own time, he also invented weird things. You know, like technology that could be weaponized into a FREEEEEEZE gun.

In Mexico City, May and Coulson being unobtrusive in their bright red ActionCorvette. They are talking about Skye. Actually, May is doing almost all of the talking. This is a day for breakthroughs for everyone! Skye has finally completely won May over, we discover. This is actually nice to hear. I was tired of May being unbearably frigid toward poor Skye. Or maybe I was just bored after we had to deal with it from Ward as well? Hmm. Coulson’s got concerns about the whole ‘re-worked his brain and implanted false memories’ thing. May does not. I like that Coulson is dealing with some stuff to make him more interesting. He’s not so smarmy here, and he doesn’t feel like he knows everything anymore. He even says he’s ‘tired of secrets’. We all know that’s not true, right? He’s a man of secrets. Fortunately, about this time, they spot Lumley and go into pursuit mode.

It’s a hilarious kung-fu mismatch between Agent May and Lumley. He literally hits her with a pallett, which slows her down for a second, while Lumley attempts to flee. But then we discover that the unobtrusive and very stealthy bright red Corvette can fly. Well, then! Coulson identifies himself, and Lumley sags in relief. Or despair. Or something. “Oh good. This is about the baby girl, isn’t it?” Time to learn cool things!

Lumley tried to take a cyanide capsule. Coulson is horrified. What did he think they were going to do with him? Well, there’s a story! 24 years ago (this is the number associated with Skye’s infancy, in case you forgot) Agents Lumley and Avery were in China. A whole S.H.I.E.L.D. team had apparently been wiped out trying to recover an 0-8-4 (this is the code given to an object of unknown origin. Previous examples include the Peruvian artifact we saw earlier this season, or perhaps even the Tesseract itself (this is the dumb, generic name given to the Cosmic Cube in films such as ‘The Avengers’). It turns out that the 0-8-4 these agents were retrieving was a baby girl, who exhibited no special powers that they ever observed. One by one, everyone who knew about the kid was hunted down and destroyed, including Agent Avery. Lumley is the only other survivor. Before her death, Agent Avery faked a Level 8 (!! who the eff is level 8 if Phil Coulson is only level 7? Just Nick Fury? It all seems kind of arbitrary though, let’s not think too hard) clearance. Avery assigned the S.H.I.E.L.D. foster system to move Skye around every few months not because she wasn’t wanted… but to keep her safe. Wow. Let’s take a breather after that.

Back at the Academy, Skye has blended in. Because she’s very smooth, as we’ve seen, she apparently flirted with the bartender and convinced him that she’s a Level 7 operative at the Sandbox (a S.H.I.E.L.D. pure research facility). After she expressed curiousity over top candidates who might be interested in assignment there, she was pointed toward one of the lovely young ladies from the cold open. Ward decides to check it out. Meanwhile, up in Donnie’s dorm, Fitz tries to befriend the troubled young man. He also helps him solve a problem with power generation for some dorm room science project Donnie’s been working on. I’m sure that was a good idea.

Ward is not good at flirting with young S.H.I.E.L.D. cadets. The dialogue here isn’t that good, and neither is he. It’s kind of a bummer. He’s made great strides during this episode, but right here, I either want to punch him in the face, or do the Picard-style facepalm til the scene is over. Right up until young miss… whatever… drops a bombshell. Donnie and Seth are friends. They’ve been bantering for weeks about how they would get to meet the great Agent Fitz. Ward immediately spots the problem. They just now arrived… and didn’t know they were coming… and oh. Right.

Fitz decides to play hero after he realizes that he’s been had, and that helping Donnie with his science project probably actually means that he just taught Donnie how to power a full scale version of the FREEEEEEEEEEEEZE machine. Unluckily for Fitz, Seth is also present, and shoots him in the head. Probably non-lethally. But still. It all comes together now; Seth and Donnie have been in touch with comically evil CEO Ian Quinn (But he really just loves free enterprise, guys! Emphasis on the comically evil.), who seems to do nothing in life except fly around in his private jet and facilitate supervillains and weapons of mass destruction (though, to be fair, he may just not have had time to rebuild his magnificently appointed villa since we last saw him). Skye even confirms with Coulson that this is Quinn’s modus operandi.

Oh, right, we’re back on the ActionPlane now. Coulson is acting kind of weird toward Skye. I WONDER WHY. Fitz thinks that Donnie is still not a bad guy. Also, he abruptly realizes that the device he saw used exotic and rare materials that could never be obtained on the open market by cadets. They’ve got a financial backer.

In a parking lot somewhere, Seth is on the phone with amusingly sinister CEO Ian Quinn.

On the ActionPlane, we now learn that Seth’s father works for Quinn WorldWide. Remember how, to the rest of the world, Quinn isn’t full of cackleworthy menace? Hmm. Even Seth and Donnie probably don’t know that he’s hysterically foul. Quinn tells Seth he wants a full-scale demonstration to prove that the device is worth his time now that the ActionTeam is on the case. Then he hangs up the phone and immediately orders his pilot to turn around. Remember what I keep saying about him? It’s ha-ha funny! It’s heinous!

Donnie is having second thoughts about just randomly firing up their untested ice machine at full scale. Seth convinces him otherwise, and they push the big red button. Only, instead of doing whatever idiotic thing they thought they would do… well, even Donnie doesn’t know what dumb thing they just did.

On the ActionPlane, Coulson squares with Skye. He tells her the whole truth. The music rises as he does so. The music tells us how we should feel about each of these scenes! I’m still in shock over the fact that Coulson decided to square with Skye. Is this show getting like… a lot better? Please, dear reader, you tell me. Skye says that the truth about her past cannot be worse than what she imagined. Coulson assures her: “It is.” Rise, emotions! Obey that musical cue! The music is so ascendant, it can carry us through to other scenes…!

Agents Ward and Weaver witness the instanteous formation of a huge, dangerous storm system.

Skye is in tears.

Donnie and Seth are at the eye of the same storm. Seth is triumphant; Donnie is deeply concerned. While the device worked… they could be in terrible danger.

After the break… Donnie is yet more concerned. They seeded the clouds, only they did a REALLY good job. Ice is coming. Like, a capriciously lethal amount. He begs for Seth’s help to try and reverse the process. Coulson orders Ward to see if he can extract Donnie and Seth, but Ward takes one look outside and says: “Not so much”. The only remaining recourse is to land the ActionPlane in the eye of the storm and get the two young men out manually. Luckily, Agent May is a good pilot and stuff. I’m sure they’ll make it. Uhh… not before Seth is hit by a bolt of lightning though. An unfortunate consequence of holding on tight to a metal object that rises up above its surroundings. Donnie is knocked back as well, and the machine is totally fried. The ActionPlane descends, the ActionTeam is here to save the day… but Seth is already too far gone, despite Fitz-Simmons’ best efforts. Donnie is devastated.

In the aftermath, Donnie is being shipped out to the Sandbox, where S.H.I.E.L.D. can keep an eye on him. May wants to revisit the whole ‘she and Ward are making love with machine-like precision and wooden facial expressions’ thing but Coulson’s not concerned. She also seems genuinely upset, like a real human being, at how badly it must have hurt Skye that Coulson told her the truth. Coulson, though, is positively glowing, as he talks about Skye’s reaction… guys, it turns out that Skye is a hero, she’s an ‘up’ person, and she gives her all for the team. Now, I don’t want to put too fine a point on this, BUT ALL THE VIEWERS KNEW THAT ALREADY COULSON, GOOD GRIEF. We got over ‘conflicted allegiances Skye’ like ten episodes ago. As part of the exeunt, we see Donnie making ice with his finger. Hey, it’s the influence of farcically vicious CEO Ian Quinn! Makin’ dem Supervillains!

In a final segment, Coulson calls amusingly malicious CEO Ian Quinn to threaten to blow him out of the sky if he ever comes near a S.H.I.E.L.D. aligned nation again. Quinn’s unruffled, and tells Coulson that … ‘The Clairvoyant told me to say “Hello”‘. Because we can’t have two groups of bad guys. God forbid. They’re all one group of interconnected evildoers, responsible for all of the evil! The musical cue tells me dread, but I felt ‘yawn’. Tsk tsk. The music wasn’t powerful enough.

Guys, this episode was great! The best one so far, by a clear margin! I know that people have already fled this show, and believe me, I get it. No one watches it more times than I do, despite the pain and suffering it causes. But if every week was like this one, we’d have an above-average TV show. Isn’t that all we can ask for from the broadcast networks anymore? Anyway, I’ll join you all again next week, for another journey into the unknown. Meanwhile, I’m going to see how a guy gets entrance into the S.H.I.E.L.D. academy… seemed like a pretty happening place.

What Lisa, Evelyn, and Erin Watched Sunday Night #96: The 71st Annual Golden Globe Awards


On Sunday night, my sister, my best friend, and I gathered together and watched the 71st Annual Golden Globes.

golden_globes_logo_2014

Why Were Watching It?

Because it was an awards show!  Seriously, I love awards.

What Was It About?

When you think about it, the Golden Globes are a lot like that nerdy kid in high school that everyone tolerated because he had rich parents but who they still made fun of every chance they got.  Whenever his parents went out of town, he would throw a wild but somewhat desperate party.  Everyone would spend the weekend trashing his house and drinking all of his alcohol and then leave without bothering to help him clean up afterward.

(I guess now would be a good time to add that, if Taylor is reading this, sorry!)

Seriously, the Golden Globes are so weird!  Nobody is really sure who is in the Hollywood Foreign Press but, every year, they serve free drinks and give out a lot of awards and, as a result, everyone in Hollywood gets together for one night.

What Worked?

Okay, first thing first — a lot of people on twitter thought that the speech Diane Keaton gave and song she sang while accepting the Governor’s Award for Woody Allen was creepy but I thought it was really sweet!  I know that a lot of people have issues with Woody Allen (see below) but I usually enjoy his movies.

(When they were showing clips from Allen’s career, they showed Diane Keaton in Annie Hall going, “La dee da, la dee da…” and Evelyn says, “Is she playing Lisa?”)

Last year, I was one of the few people who didn’t think that Tina Fey and Amy Poehler did that great of a job as hosts but this year, I agree with everyone else.  Tina and Amy should host everything.

I loved it when Melissa McCarthy was pretending to be Matt Damon.  What I especially loved was how Matt Damon played along with the joke, to the extent that when Michael Douglas praised him while accepting his Golden Globe, Matt actually pointed over at Melissa.

I can’t complain about any of the winners, which is a rarity for me.  I was surprised to see Brooklyn Nine Nine win the Golden Globes for Best Actor and Best TV Show Comedy but I’ve never actually watched the show so I can’t complain.

My favorite acceptance speech came from Matthew McConaughey, mostly because he said, “Alright, alright, alright…”

Finally, a most importantly, a lot of redheads were honored this year.  It was a good night for my fellow members of the 2%.

What Did Not Work?

Oh, where to start?  Because of all the alcohol involved and the mix of television and movie stars, the Golden Globes have gotten a reputation for being more fun than the Oscars but, for every celebrity who is a fun drunk, there’s about a hundred more who are boring drunks and the 71st annual Golden Globes proved this point.  For every Emma Thompson, there was a Jacqueline Bisset.  For all the attention that’s being given to a few unexpected moments (and NBC’s reaction to those moments — who would have guessed the censors would get so worked up over vagina?), the Golden Globes were actually rather restrained and boring this year.

The award for most obnoxious presenter goes to Diddy.  What was Diddy even doing up there?

The Golden Globes Ceremony was scheduled to last three hours and, unlike the Oscars, it ended on time.  However, a lot of those three hours were taken up with watching the winners trying to navigate their way up to the stage.  It got boring.  Add to that, I am so tired of nominees who don’t bother to come up with a coherent speech before they win their award.  It’s not that cute.

All in all, the ceremony could have really used a big production number or two.

Of course, Woody Allen can’t ever win an award without his son, Ronan Farrow, going on twitter and whining about how terrible his father is and all of the little sycophants who follow him chimed in with their usual, “Oh Ronan, I’m sorry!”  Uhmmm, just curious — would anyone know who Ronan Farrow is if not for his parents?  A lot of people have had shitty fathers but very few of those people have managed to get their own show on MSNBC as a result of it.  Just saying.

Who exactly told Emma Stone it would be a good idea to wear a dress that appeared to be decorated with sperm?

“Oh my God!  Just like me!” Moments

I'll Show You Some Golden Globes!

I’ll Show You Some Golden Globes!

Lessons Learned

Award shows can be boring.