Doctor Who — The Daleks (1963-1964, directed by Christopher Barry and Richard Martin)


It’s easy to forget that Doctor Who was originally meant to be an educational show for children.

When the BBC’s Head of Drama, Sydney Newman, first developed Doctor Who, he envisioned it as being a show in which an eccentric old man known as the Doctor and his granddaughter, Susan, would travel to past eras and meet actual historical figures and witness great events firsthand.  Accompanying them would be two teachers, Ian Chesterton and Barbara Wright, who would make sure the kids at home understood what they were watching.  While Newman allowed that, in order to keep the kids watching, there would be occasional episodes that would focus more an adventure than learning, he also said that the show would not feature any “bug-eyed monsters.”

The first serial, An Unearthly Child, stayed true to Newman’s concept.  After stumbling across the TARDIS while investigating the homelife of their newest pupil, Ian and Barbara found themselves traveling to pre-historic times with The Doctor and Susan.  Susan was played by Carole Ann Ford while Ian and Barbara were played by William Russell and Jacqueline Hill.  Playing the role of the Doctor was veteran actor William Hartnell.  Hartnell was 55 years old when he first played the Doctor but he looked and came across as being much older.  He played the Doctor as being a crotchety old man, one who resented being saddled with two new companions and who could be quite rude to those he considered to be his inferior.  This was early in the series so there was no talk of Time Lords or anything else that Doctor Who fans now take for granted.   Susan even took credit for naming The TARDIS, the Doctor’s time machine that, on the outside, appeared to be a blue police call box.

An Unearthly Child introduced the UK to the Doctor.  It got respectable ratings and reviews.  Viewed today, it’s also pretty boring and it’s easy to see the limitations in Newman’s original concept.  Hartnell plays the Doctor as being so ill-tempered that it was a surprise that he didn’t just jettison Ian and Barbara into space.  (I used to watch Doctor Who on PBS with my father.  The first episodes that we got were the Tom Baker years, followed by the Peter Davison and the Jon Pertwee episodes.  It was only then that PBS started showing the Hartnell episodes.  To go from Baker, Davison, and Pertwee to the grouchy Hartnell was indeed jarring.)  If the show had continued in the style of An Unearthly Child, it probably would not have lasted for more than two series.

Fortunately, the second serial changed everything.

Written by Terry Nation and originally called The Mutants, the second serial introduced The Daleks, the shrill-voiced cyborgs whose cries of “Exterminate!  Exterminate!” made them almost as popular as The Doctor himself.  Squid-like creatures who lived in tank-like robotic shells and who spoke in electronic voices, the Daleks lived on the planet Skaro.  Centuries of nuclear war against the Thals had left the Daleks mutated and trapped in their shells but they were still obsessed with exterminating all of the Thals and eventually conquering the universe.  With their robotic exteriors, the Daleks were bulky and often moved awkwardly.  (The recurring joke is that all the Doctor has to do to escape the Daleks is find a staircase.)  But because the Daleks were so relentless and so determine to exterminate everyone who wasn’t a Dalek, they were still intimidating.  Writer Terry Nation based the Daleks on the Nazis, a comparison that was undoubtedly easy for British audiences in 1963, less than 20 years after the end of World War II, to see.

A seven-episode serial, The Daleks premiered on December 21st, 1963 and ran through February 1st, 1964.  While the serial was airing, word spread about The Daleks.  The first episode was watched by six million viewers.  The seventh and final episode was watched by ten million.  Four million people were brought to the show by The Daleks.  Sydney Newman may not have wanted bug-eyed monsters on Doctor Who but no one could argue with ratings like that.  While the First and the Second Doctor would still have a few strictly historical adventures, The Daleks paved the way for the future of the series.  The Daleks would return many times.  The cavemen from An Unearthly Child were never seen again.

The Daleks opens with TARDIS materializing on the planet that will later be identified as Skaro.  The Doctor and Susan want to explore.  Ian and Barbara are upset because they want to go back to 1963.  (Ian and Barbara always annoyed me but, of all the companions on the original series. they probably did have the most realistic reaction to being swept up in the Doctor’s adventures.)  The Doctor flat-out lies about needing to get mercury to repair the TARDIS and uses it as an excuse to explore a nearby city.  Soon, The Doctor, Ian, and Barbara are the prisoners of the Daleks while Susan meets the peaceful Thals in the forest.  The Daleks and the Thals have been at war for centuries and it has destroyed their world.  The Doctor tries to broker a peace, which just leads to the Daleks killing even more Thals.  The Doctor can be excused because this was his first meeting with the Daleks.  The Thals should have known better than to trust the people who specifically decided to become cyborgs because they didn’t want to ever have to stop fighting.

Seen today, The Daleks holds up fairly well.  At seven episodes, it runs a bit long and, for those of us who grew up with Tom Baker and Peter Davison in the lead role, William Hartnell’s Doctor takes some getting used to.  The nonstop bickering between The Doctor and Ian gets old quickly.  The Thals are almost too naive to be believed.

But the Daleks themselves remain a brilliant creation and, even when seen in grainy, black-and-white, it is easy to understand why they became a phenomenon.  Their relentless determination to destroy and exterminate make them intimidating but what really stands out about the Daleks is how forthright they are about what they want.  It’s not just that the Daleks want to exterminate you.  It’s that they’ll tell you that they want to exterminate you, as if it’s the most reasonable desire that any creature could have.  (One reason why The Thals are so unsympathetic is that they keep falling for Dalek tricks, despite the Daleks being pretty honest about their hatred of the Thals.)  From the minute that the Daleks make their first appearance, cornering Barbara in their city, they give Doctor Who a jolt of energy that it very much needed.

This serial ends with The Doctor convinced that the Daleks have been destroyed and will no longer be a threat.  Of course, The Doctor had never been so wrong.  The Daleks would return and Doctor Who would never be the same.

 

Retro Television Review: The Love Boat 6.20 “The Zinging Valentine/The Very Temporary Secretary/Final Score”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Set a course for adventure, your mind on a new romance!

Episode 6.20 “The Zinging Valentine/The Very Temporary Secretary/Final Score”

(Dir by Richard Kinon, originally aired on February 12th, 1983)

It’s a Valentine’s Day cruise!

A football player (John Amos) tries to romance an intellectual college professor (Jayne Kennedy) who doesn’t care about sports.  The professor is impressed when the player reveals that he’s written a book.  But she’s shocked when she reads it and discovers how much time the player spent scoring off-the-field.

The head of a temp agency (Don Adams) comes on the boat to inform a magazine editor (Fannie Flagg) that he hasn’t been able to find a secretary for her.  But, when he meets her, Adams pretends to be the secretary, even though he doesn’t know how to take dictation or type.

Don Most is a cocky jerk who is informed by a singing telegram girl (Suzie Scott) that his girlfriend is dumping him.  Most gets upset.  Scott goes to look for him so she can apologize but — uh oh!  The ship sets sail!  Scott is stuck on the boat but, believe it or not!, she and Don Most eventually end up falling in love.

This was a sweet, uncomplicated, and likably lightweight episode.  At its best, The Love Boat was the epitome of television comfort food.  It’s a show that you watch because you know exactly what’s going to happen and you also know that everyone is going to get a happy ending.  This episode features likable guest stars (and yes, I’m including Don Adams, who was a lot more likable here than he was on Check It Out) and all the romance that you could hope for.  Personally, I loved that the ship was decorated for Valentine’s Day.  All of those hearts?  They totally made me want to take a cruise next February.  (Hint, hint….)

This episode also featured scenes in which all of the guest stars interacted with each other and discussed their problems.  I don’t think I’ve ever seen that on The Love Boat before.  Usually, the guest stars only interact with the people in their stories.  Instead, for this episode, we got scenes of Jayne Kennedy telling Fannie Flagg about how much she liked her magazine.  Suzie Scott told Kennedy and Flagg about how tough it was having to delivers singing messages for people.  Seeing Don Most, John Amos, and Don Adams sitting in the Pirate’s Cove and discussing their problems while Isaac watched was surprisingly entertaining.  In this episode, the boat felt truly alive and active.  It seemed like a genuinely fun cruise and a reminder that the Love Boat offers something for everyone.

This was a likable episode.  I enjoyed it.  Listen, just because I love horror movies, that doesn’t mean I can’t love my weekly cruise on the Love Boat!

6 Things That I Am Looking Forward To In October


Welcome to October!  October is a big month here at the Shattered Lens.  It’s the month when we devote the majority of our time to the horror genre.  It’s time for our annual Horrorthon!  Last year, we had a record number of Horrorthon posts.  I’d love to break that record this year but mostly. I just want this year’s Horrothon to be fun for both our writers and our readers!

Here’s what I’m looking forward to in October!

  1. Guillermo Del Toro’s Frankenstein — I think I was one of the few people who unreservedly loved Del Toro’s version of Nightmare Alley and I’m very much looking forward to seeing what he does with Mary Shelley’s classic tale.  Oscar Isaac as Victor Frankenstein just feels like perfect casting.
  2. The Horror Movies On TCM — TCM never lets me down in October.  I can’t wait to binge all of the classic horror that will be aired this month.
  3. Nouvelle Vague — Richard Linklater’s tribute to the French New Wave is scheduled to be released in theaters on October 31st and then on Netflix two weeks later.  While I was a bit disappointed with last year’s Hit Man, I still look forward to every new Linklater film.  Speaking of which….
  4. Blue Moon — Linklater’s other 2025 film is scheduled for an October 17th release.  Ethan Hawke is said to be brilliant in this film.
  5. After The Hunt — I’m not really a huge fan of director Luca Guadagnino and I’ll probably never forgive him not only his Suspiria remake but also his uncharitable words about the original.  That said, After The Hunt has gotten such mixed reviews that I’m intrigued.  Julia Roberts is said to give one of her best performances in the film but the film’s storyline has been criticized.  Whenever critics give a negative review to a politically-charged film, I feel almost duty-bound to watch the film and decide for myself.
  6. Halloween — It’s my favorite holiday!  I can’t wait to see all the decorations, all the parties, and all the costumes!

October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you!  What are you looking forward to in October?

Late Night Retro Television Review: Pacific Blue 2.22 “Rumpelstiltskin”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the second season ends.

Episode 2.22 “Rumpelstiltskin”

(Dir by John B. Moranville, originally aired on April 20th, 1997)

Rumpelstiltskin.  That’s the nickname that FBI agent Tim Stone (David Lee Smith) has given to expert counterfeiter Laszlo Parkes (Josh Richman).  Laszlo and his three associates — Sheila (Heidi Lenhart, who was Jenny Garrison on California Dreams), Lana (Diana Barrington), and Bree (Jennifer Sky) — are passing the fake money all around Santa Monica.  Laszlo is planning on scoring a big drug deal.  Meanwhile, Bree and her boyfriend (Tim Griffin) are planning on taking out Laszlo.

Agent Stone requests that Cory and Chris be assigned to work with him.  It soon become apparent that Stone has more in mind than just work.  Chris likes Stone but Stone like Cory.  When Chris find out that Stone and Cory slept together, she throws a fit.   I’ve noticed that Chris really only has to modes on Pacific Blue.  Either she’s disturbingly robotic and unconcerned with civil liberties or she’s getting mad about something and threatening to go all-Fatal Attraction on somebody.  I’ve also noticed that the show’s writers are incapable of imagining Chris or Cory in a situation where they don’t end up falling for whoever they’re working with.

The funniest part of this episode was when word came in of a shoot-out so all the cops jumped on their bicycles and rode over to the scene.  Seriously, a guy was taking fire and instead of jumping in a car and speeding over there, everyone decided to ride their bicycles.  Somehow, the bike cops were able to take down the mob and also arrest Laszlo.  I always wonder how they get people to the jail after they arrest them.  Do they chain them to the bicycle or something?

After the shoot out, Tim and Cory enjoyed a romantic sunset and Tim promised that he would return soon.

And so ended the second season!

Wow, the second season sucked.  Here we are, about to start season 3, and I’m still struggling to tell everyone apart.  Chris and Cory still don’t have a personality.  Everyone still looks silly on their bicycles.  This show grows more pointless with each episode.

Next week …. we’ll start season 3!

Retro Television Review: Fantasy Island 7.12 “The High Cost of Loving/To Fly With Eagles”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

The Island just hasn’t been the same without Tattoo.

Episode 7.12 “The High Cost Of Loving/To Fly With Eagles”

(Dir by Jerome Courtland, originally aired on January 21st, 1984)

Craig Bradshaw (Doug McClure) is an aging pilot and daredevil who comes to the Island because he wants to compete in one final competition before he gets too old to keep going up in the air.  His girlfriend (Christine Belford) doesn’t want him to keep risking his life.  In the end, Craig finally comes to peace with the idea of getting older and he also gets engaged.

This fantasy felt pretty familiar.  A lot of people have come to the Island over the years with the hope of winning one final competition.  Actually, that’s probably one of the more realistic recurring fantasies that this show employs.  Who wouldn’t want one last chance to win?  If I went to Fantasy Island, I’d probably want to return to my high school years and compete in another speech and debate or drama competition.  As for this specific fantasy, it’s always difficult for me to take Doug McClure seriously and this episode was no different.

As for the other fantasy …. yeesh!  Lynn Redgrave plays Kristen Robbins, a former advertising exec who was fired when she refused her boss’s sexual advances.  Instead of suing the guy, Kristen comes to Fantasy Island and tells Mr. Roarke that her fantasy is to fall in love and get married and start a family because that means she will never be sexually harassed again.  (For a 40-something veteran of the advertising world, Kristen is incredibly naive.)

Kristen meets Paul Horner (Alex Cord) and it’s love at first sight.  Paul is actually on the Island to interview Kristen for a job with his firm but instead, they have a night of passion.  The next morning, Paul tells Kristen that, before they had sex, he recommended her for a job in which she would be working with him in Hawaii!

Kristen asks Roarke to change her fantasy.  She now wants to get that job and work in Hawaii.  Roarke reluctantly agrees.  Kristen does get the job but the company decides that Kristen will be their sole representative in Hawaii and Paul will remain in New York.  Kristen asks Mr. Roarke to change her fantasy once again.  She doesn’t want the job, she just wants Paul.  (Keep in mind that she’s known for Paul for one day.)  Paul overhears and pretends to be a cad so that Kristen will take the job.

Now convinced that Paul is a compulsive womanizer, Kristen tells Roarke to change her fantasy back to taking the job.  Roarke tells Kristen she needs to make up her own damn mind and then tells her that Paul was only pretending to be a womanizing jerk.  In the end, Kristen decides to take the job and marry Paul.  Paul decides to continue working in New York.  As they leave the Island, they assure Mr. Roarke that they’ll make it work.

Yeah, good luck with that.

This fantasy irked me.  Kristen lost her job because she refuses to sleep with her boss.  I would rather have seen her get a revenge fantasy than a love fantasy.  At the very least, Roarke could have introduced her to a good lawyer.  Instead, we got a fantasy in which the main theme was that women are irresponsible and can’t make up their own mind.

This was not my favorite trip to the Island.

Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos


With our annual Horrorthon starting tomorrow, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.

The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best and scariest of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!

Late Night Retro Television Review: CHiPs 4.15 “Ponch’s Angels: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch continues to train Melanie and Paula.

Episode 4.15 “Ponch’s Angels: Part Two”

(Dir by John Florea, originally aired on March 1st, 1981)

We pick up where we stopped last week.  A man and his girlfriend are stealing purses and wallets at the marina.  Three escaped convicts are in a deserted house and digging for buried treasure.  Ponch and Jon are having to train two new motorcycle cops, Paula (Barbara Stock) and Melanie (Trisha Townsend).  When last we checked in, Ponch was kissing Melanie.  This episode opens with Ponch telling Melanie that they can never kiss again.

Ponch and Baker continue to train Paula and Melanie.  Ponch decides to switch with Baker.  He trains Paula while Baker works with Melanie.  But then almost the entire highway patrol comes down with the flu and, when Baker is put in charge while Getraer recovers at home, Ponch finds himself to work with both Paula and Melanie.  Once again, it’s all on Ponch because it’s The Ponch Show!

It’s all a bit exhausting to try to keep up with, to be honest.  Ponch and Baker spend this episode wondering whether or not women actually could handle being motorcycle cops.  Baker especially seems to be confused at the idea of a woman driving a motorcycle.  One gets the feeling that Ponch is just mad because he knows he’ll get fired if he tries to make a move on either woman.  Almost this entire episode is made up of Ponch trying to keep track of who is riding with who.

Luckily, Paula and Melanie prove themselves by catching the purse snatchers and also helping to catch the escaped convicts.  Good for them!  At the end of the opposite, they toss their motorcycle helmets in the air and leap for joy.  The picture freezes while Ponch and Baker have a good laugh.

I was not surprised to read that this episode was meant to be a backdoor pilot for a Paula/Melanie show.  Stock and Townsend were both likable and they acted well opposite each other so I could actually imagine them starring in a fairly entertaining series.  It didn’t happen, though.  Maybe the network felt that Ponch and Jon didn’t need the competition.

This was an okay episode of The Ponch Show.

Retro Television Review: Miami Vice 4.22 “Mirror Image”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, season 4 comes to a close.

Episode 4.22 “Mirror Image”

(Dir by Richard Compton, originally aired on May 6th, 1988)

Trying to recover from the assassination of his wife, Sonny Crockett throws himself back into his Sonny Burnett persona.  As this episode starts, Sonny has managed to get close to a ruthless drug dealer named Gutierrez (Antonio Fargas).  When Guiterrez blows up a boat that is full of rival drug dealers, the Vice Squad assumes that Gutierrez died in the explosion.  They also assume that Sonny was lost as well.

They are incorrect.  Gutierrez got off the boat before the bomb went off and somehow, Sonny was able to survive being blown up without suffering any sort of physical injuries.  However, mentally, he wakes up with amnesia.  When Gutierrez’s doctor tells Sonny that he’s a drug dealer and this his last name is “Burnett,” Sonny believes him.

In Ft. Lauderdale, Sonny quickly moves up in the organization of drug lord Miguel Manolo (Tony Azito).  Now believing himself to be a criminal, Sonny has no hesitation about murdering anyone who he views as being a threat.  He kills Gutierrez in cold blood about halfway through the episode.  At the end of the episode, he shoots a corrupt detective (Chris Cooper) in cold blood.  Tubbs, who has been investigating Manolo, witnesses that final murder.  “SONNY!” he yells as Sonny escapes in a speedboat and season 4 comes to an end.

Season 4 was truly uneven, featuring some terrible episodes and also some episodes that were good but not particularly memorable.  Before I started this season, I read that it was considered to be the worst of Miami Vice‘s five seasons and, having now watched every episode, I can see why.  Sonny marrying Caitlin never made any sense.  Most of the villains were either generic or ludicrous.  Most of the episodes just didn’t have the style that made the first three seasons so memorable.  Even worse than the boring episodes were the ones that tried too hard to be quirky.  Trudy going into space was definitely not a great idea.  With all that in mind, this final episode was great.  The action was stylish, Don Johnson actually seemed invested in the story for once, and Phillip Michael Thomas got to show off his own skills as an actor.  If only the entire season had been this good!

As well, I should mention that, along with Chris Cooper as a bad cop, this episode also featured Julia Roberts as Manolo’s girlfriend.  Roberts didn’t really get to do much but, even in a small role, her screen presence was obvious.  It’s not a surprise she became a star.

Next week …. we’ll start the final season of Miami Vice!

Who Can A Southern Girl Cheer For In The MLB Play-Offs?


It’s a sad time to be a Southern baseball fan.

The regular season is over.  The playoffs begin tomorrow.  Despite giving me a brief moment of hope in the final weeks, the Rangers did not make the playoffs.  Usually, when the Rangers don’t make it, I cheer for the Astros but they didn’t make it either.

Instead, the following teams will be contending for a spot in the World Series:

For the American League:

  1. Toronto Blue Jays
  2. New York Yankees
  3. Boston Red Sox
  4. Cleveland Guardians
  5. Detroit Tigers
  6. Seattle Mariners

For the National League:

  1. Philadelphia Phillies
  2. Milwaukee Brewers
  3. Chicago Cubs
  4. Cincinnati Reds
  5. Los Angles Dodgers
  6. San Diego Padres

In other words, a bunch of yankees and I don’t just mean New York.

Who will I cheer for out of that collection of teams?  I know who I don’t want to win.  If the World Series comes down to the Blue Jays and the Phillies, I might just stop watching baseball all together.  (I’d have to cheer for the Blue Jays in that matchup but I wouldn’t be happy about it.)

The Guardians are tempting, even if they did clinch their spot by beating the Rangers.  They were the last team to make it to the playoffs and I love a good underdog story.  They may have beat the Rangers but they’re not the team that I blame for keeping the Rangers out of the playoffs.  (I’m looking at you, Astros.)  Ohio may be up north but it’s not that much up north so I guess I can support the Guardians or even the Reds!

Go Guardians!

Late Night Retro Television Review: Degrassi: The Next Generation 1.7 “Basketball Diaries”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Jimmy decides that Ritalin might be key to improving his jump shot.  Meanwhile, Liberty makes a fool out of herself

Episode 1.7 “Basketball Diaries”

(Dir by James Allodi, originally aired on April 29th, 2002)

This epiosde features two stories.  The weaker of the two, not surprisingly, focuses on Liberty and her desire to do the video announcements.  Ashley finally agrees to let Liberty do them before the big basketball game with Earl Grey Academy.  Liberty, of course, bombs.  Paige laughs because she thinks that Ashley set Liberty up.  Feeling guilty, Ashley gives Liberty some pointers and then allows Liberty to do the post-game announcements.  Liberty does much better and Ashley says that Liberty will be great when she starts regularly doing the announcements …. after Ashley graduates.

This storyline was a Liberty storyline so who cares.  During the first three seasons, Liberty was the most annoying character on the show and her storylines were always cringe.

Fortunately, the episode’s other storyline features Jimmy and Spinner.  Jimmy is worried about making the basketball team, especially with Ms. Kwan constantly on his back about reading Lord of the Flies.  Jimmy convinces Spinner to hand over his last Ritalin.  As a result, Jimmy goes crazy on the court and scores a lot of points but he also injures his teammate, Sean.  Meanwhile, Spinner loses focus and moons the gym.

So, the reason why I love this storyline is becuase it features every myth that people seem to believe about ADD.  For the record, the medication does not give you super powers and also most people don’t suddenly go wild just because they miss one pill.  I have ADD.  There have been days when I’ve forgotten to take my pills and, while there is definitely a difference in those days than the day when I do take my pills, I’ve still always managed to survive without breaking the law or crashing my car or doing any of the other things that always seem to happen on television.  Whenever I forget to take my pills, I usually end up doing something like deciding it would be a good idea to start doing daily late night retro television reviews on top of everything else that I have to do.

(The first time my mom ever took me to an appointment to get my perscription refilled, she said she could tell who was at the doctor’s office for ADD because we were the ones who couldn’t go 5 minutes without grabbing another magazine to look through.)

As for Jimmy, he wins the game but he still gets cut from the team because he’s not a good teammate.  That’ll teach him to take Ritalin without a perscription!