Category Archives: Music

Found on YouTube: Dean Miller — Zombie Exterminator

Posted on by Lisa Marie Bowman

Nearly a year ago, I was searching YouTube for the trailer to Umberto Lenzi’s 1980 zombie film Nightmare City and I ended up coming across a tribute to the film’s main character, the virile and bearded TV news anchorman Dean Miller (played, with a notable lack of enthusiasm, by Hugo Stiglitz.)

The video artfully takes Lenzi’s overlong film and reduces it down to 3 and a half minutes of Dean Miller killing people.  Interestingly, not a hint of nuance or plot is lost in the process.  Anyway, the video has always made me smile so I figured why not share it?  I should clarify that I have no idea who actually put this together beyond the fact that I had nothing to do with it.

Actually, I’m being a little bit too hard on Nightmare City.  For a Lenzi film, its actually fairly entertaining and it does feature one of the abosolute worst endings in the history of cinema.  If a hurricane ever hits North Texas and I find myself having to stay inside for a few days, my survival plan is to pass the time writing up a review of Nightmare City.

As previously stated, Miller was played by actor Hugo Stiglitz.  Quentin Tarantino, of course, later borrowed Stiglitz’s name for Inglorious Basterds.  Tarantino’s Stiglitz, it must be said, was a bit more interesting than the actual Stiglitz.

A Quickie From Lisa Marie: The Best Freakin’ Commercial Ever!

Posted on by Lisa Marie Bowman

If you follow me on twitter then you can probably guess what I consider to be “the best freakin’ commercial ever.”  It premiered (in its full form) during the last Super Bowl and it made me smile whenever I saw it on come on TV.  It was a commercial that I loved so much that it took me a few times to realize it was actually selling something (a car, in this instance).  Up until then, I just thought the commercial was a showcase for Sockmonkey and his friend, the freaky little red thing.

I’m speaking, of course, of the Kia Sorrento “How You Like Me Now” ad campaign.

Don’t get me wrong.  I’m not saying you should buy a Kia and this commercial left me with absolutely no desire to trade in my beloved Chrysler Sebring convertible but it did inspire me to order sockmonkeys for myself, my older sister Erin, and my niece Shannon. 

As great as the song (How You Like Me Now, performed by Heavy) is and as much charisma as that little red monster thingee displays, Sockmonkey really is the star of the commercial.  Seriously, I might actually watch the Daily Show if they fired smug, aging badly, oddly devoted to Stephen Colbert, old Jon Stewart and replaced him with tattooed, fast-driving, water-skiing, mad dancing, fast driving Sockmonkey.

(Yes, I said fast driving twice!  Because that monkey really drives fast!  And, uhmm, not because — as some people claim — I have a five-second attention span…)

The last time I saw this commercial, my friend Jeff commented, “I bet that monkey gets a lot of tail.”

“Silly!” I replied, “He’s already got a tail!”

Later, I realized I may have misunderstood his meaning.

(True story)

But anyway, it’s a fun little commercial whether it makes you want to drive a Kia or not.  And, a definite plus, it’s not half as disturbing as those old Calvin Klein jean commercials.

Song of the Day: Turn the Page (by Bob Seger)

Posted on by Arleigh

The latest song of the day is one of the best example of 1970’s classic rock. It’s “Turn the Page” by Bob Seger and was originally released in 1973 as part of Seger’s rock album, Back in ’72.

The song really didn’t enjoy very early success once it was released. It wasn’t until he performed the song live for his 1976 live album, Live Bullet. His performance of the song for that live recording and future live performances at concerts made it a favorite for classic rock stations which continues to give the song consistent radio airplay. Seger’s performance has been called a mixture of mournful and soul-shattering as he sang about the hard and difficult life of the on-the-road musician. It has been quite the influential song for other musicians down the years.

Metallica even covered the song for their 1998 cover album, Garage Inc. It is this Metallica cover of Seger’s song which introduced me to it. The Metallica cover pretty much stays along the same pacing and keep the lyrics intact, but giving the whole production a decidedly heavy metal tone.

Turn the Page

On a long and lonesome highway
East of Omaha
You can listen to the engine
Moanin’ out his one note song
You can think about the woman
Or the girl you knew the night before
But your thoughts will soon be wandering
The way they always do
When you’re ridin’ sixteen hours
And there’s nothin’ much to do
And you don’t feel much like ridin’,
You just wish the trip was through

Here I am
On the road again
There I am
Up on the stage
Here I go
Playin’ star again
There I go
Turn the page

Well you walk into a restaurant,
Strung out from the road
And you feel the eyes upon you
As you’re shakin’ off the cold
You pretend it doesn’t bother you
But you just want to explode

Most times you can’t hear ’em talk,
Other times you can
All the same old cliches,
“Is that a woman or a man?”
And you always seem outnumbered,
You don’t dare make a stand

Here I am
On the road again
There I am
Up on the stage
Here I go
Playin’ star again
There I go
Turn the page

Out there in the spotlight
You’re a million miles away
Every ounce of energy
You try to give away
As the sweat pours out your body
Like the music that you play

Later in the evening
As you lie awake in bed
With the echoes from the amplifiers
Ringin’ in your head
You smoke the day’s last cigarette,
Rememberin’ what she said

Here I am
On the road again
There I am
Up on the stage
Here I go
Playin’ star again
There I go
Turn the page
Here I am
On the road again
There I am
Up on the stage
Here I go
Playin’ star again
There I go
Turn the page
There I go
There I go

A Quickie From Lisa Marie: Running Out Of Empty (by The Spaceship Martini)

Posted on by Lisa Marie Bowman

One of my favorite songs from 2009 was the Spaceship Martini’s Running Out Of Empty.  The song was written for Lymelife, a flawed but still oddly effective little movie that featured excellent performances from Rory Culkin, Emma Roberts, Alec Baldwin, and especially Timothy Hutton.

Running Out Of Empty is used to score the film’s final scenes and it brings the perfect melancholy touch to the entire movie.  I could devote a lot of space to everything that didn’t work in Lymelife but it does have an absolutely perfect ending and this song and its use in the film has a lot to do with that perfection.

Song of the Day: A Princess (by Javier Navarrete)

Posted on by Arleigh

The latest Song of the Day is from one of the best films of the past decade and, in my opinion, the best film of 2006. I speak of Pan’s Labyrinth by acclaimed Mexican-filmmaker Guillermo Del Toro.

“A Princess” was composed by Spanish composer Javier Navarrete and this particular piece of music from the film continues to use the main lullaby waltz-theme introduced in the beginning of the film. Where the music’s first time being heard by the audience is full of innocence and child-like magic in its tonal structure and melody in “A Princess” Navarrete dials back the innocent quality by adding in some of the hard-won wisdom the main character of Ofelia gains through her trials and tribulations throughout the film’s running time. While the song starts off with a sad and melancholy theme to its melody the song gradually moves back to it’s innocent and magical tone at it’s midway point to signify the main character’s final and complete transition from Ofelia to Princess Moanna.

It’s truly one of the best use of the leitmotif in a film score in quite a while. The fact that Navarrete was able to mine so man different emotional beats from a simple lullaby theme into one final distinct piece of music to end the film shows he was in tune with what director Guillermo Del Toro had in mind. He could easily have gone the usual fantasy music cliche of a huge number of brass and percussion to score the film, but instead went on a more subtle yet complex manner to accentuate a fairly simple fairy tale retelling which also happened to have many complexities in it’s narrative if one was willing to peel back the pages.

Song of the Day: Colors (by Ice-T)

Posted on by Arleigh

In honor of the recent passing of Dennis Hopper the Song of the Day shall be from his 1988 film about the world of the Bloods and Crips gangs in LA and the gang unit in the LAPD who try to control the violence between the gangs from spilling onto the streets. The song is “Colors” by rapper Ice-T.

There’s not much else to say other than even 22 years after it’s release this particular classic rap track still resonates and sounds better than most rap albums released in the last couple years.

R.I.P. Ronnie James Dio \m/ \m/

Posted on by Arleigh

It is a sad day in the metal world today. Legend metal frontman Ronnie James Dio has passed away at the age of 67 after battling stomach cancer for the past couple years. His death was confirmed by his wife, Wendy Dio, through his website.

Ronnie James Dio would always remains one of the pioneers of metal and one of its gods. He fronted such hard rock and metal bands like Elf and Rainbow during the late 60’s and early 70’s before finally landing his most famous gig in his career: frontman of Black Sabbath. Ronnie James Dio was chosen to replace Ozzy Osbourne after he was fired by the band. It was during his stint with Black Sabbath where Dio popularized the use of the so-called “devil’s horns” hand symbol during concert shows. While this symbol has been used in the past it was Dio’s use of it as Black Sabbath frontman which soon epitomized the “devil’s horns” as metal’s own symbol.

Ronnie James Dio would continue to beyond Black Sabbath as he formed his own metal band named Dio and in the latter part of his life another band called Heaven and Hell. His death puts a pall of sadness on the world of metal. While he’s now gone to Valhalla with the rest of the rock and metal gods of past his music will live on forever.

Source: Los Angeles Times

Song of the Day: Iron Man (by Black Sabbath)

Posted on by Arleigh

I think it would’ve been quite remiss of me to not set this as song of the day just days before the release of Iron Man 2.

Black Sabbath’s iconic song from their second studio album (Paranoid) should be well-known to everyone by now. I’m not even talking about metal and rock fans, but even those who wouldn’t be caught dead listening to the so-called “devil’s music”. If people have seen 2008’s superhero film Iron Man then they’ve heard of this song. This song is pretty much classic heavy metal before all the different metal sounds started appearing years later.

Iron Man wasn’t your typical current heavy metal where sometimes speed and overly complex playing has been the choice of some metal bands. Not with Sabbath and definitely not with this song. It’s pretty straightforward and still has some of the progressive stylings that Led Zeppelin introduced with their third and fourth album. Where Black Sabbath really made the song their own was how heavy they made it. Whether it was Iommi’s lead guitar starting off the song right up to Butler’s near Bonham-like tree-trunk drumming.

With the sequel to Iron Man right around the corner I wouldn’t be surprised if this song ended up on iTunes top ten song download for the whole summer of 2010.

Iron Man

Has he lost his mind?
Can he see or is he blind?
Can he walk at all,
Or if he moves will he fall?
Is he alive or dead?
Has he thoughts within his head?
We’ll just pass him there
Why should we even care?

He was turned to steel
In the great magnetic field
Where he traveled time
For the future of mankind

Nobody wants him
He just stares at the world
Planning his vengeance
That he will soon unfold

Now the time is here
For iron man to spread fear
Vengeance from the grave
Kills the people he once saved

Nobody wants him
They just turn their heads
Nobody helps him
Now he has his revenge

Heavy boots of lead
Fills his victims full of dread
Running as fast as they can
Iron man lives again!

Song of the Day: Feeling Good (by Nina Simone)

Posted on by Arleigh

I just realized that I haven’t picked a song from the jazz corner. I think I have just the song to fix that problem.

Song of the day comes courtesy of the one and only Nina Simone and her jazz cover of the Anthony Newley and Leslie Bricusse song, “Feeling Good”. This song is just smooth cool from start to finish and why jazz singers will always have a special place in my music collection. Nina Simone croons and sings the devil out of this song. When the song segues smoothly from Simone’s acapella section in the beginning to the smoky and sultry way the horns starts off the song proper one cannot help but nod their head to the beat.

The song is pretty brief, but for a little under 3 minutes one can and will fall in love not just with Nina Simone’s singing but jazz music as well.

Feeling Good

Birds flying high you know how I feel
Sun in the sky you know how I feel
Reeds driftin on by you know how I feel

(refrain:)
Its a new dawn
Its a new day
Its a new life
For me
And Im feeling good

Fish in the sea you know how I feel
River running free you know how I feel
Blossom in the tree you know how I feel

(refrain)

Dragonfly out in the sun you know what I mean, dont you know
Butterflies all havin fun you know what I mean
Sleep in peace when day is done
Thats what I mean

And this old world is a new world
And a bold world
For me

Stars when you shine you know how I feel
Scent of the pine you know how I feel
Oh freedom is mine
And I know how I feel

Song of the Day: God’s Gonna Cut You Down (by Johnny Cash)

Posted on by Arleigh

This song has been a favorite Johnny Cash track of mine. God’s Gonna Cut You Down really brings the Old Testament gospel side of Johnny Cash to light. This song will probably get more mentions and airplay with it’s usage by Ubisoft in the release trailer for their latest Sam Fisher game, Splinter Cell: Conviction. While it’s probably not the way I would want young people to get introduced to Johnny Cash by way of video game at least they will get to hear and learn one of the greatest musical icons in American music history.

The Man in Black takes what really is a very upbeat and hopeful gospel folk song and turns it onto it’s head. Using a rhythmic stomp-clap to accompany his acoustic guitar playing, Cash imbues God’s Gonna Cut You Down with a grimness that shows God in vengeful, Old Testament flame and sword vengeance mode. It is difficult not to get into this song even if one is not religious. The way Cash song-speaks the lyrics just pulls one into the song until it’s completely hooked it’s talons onto one’s mind and won’t let go. I know I get into humming the song almost by instinct whenever I catch a bit of it on the radio and now on tv.

God’s Gonna Cut You Down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

Well my goodness gracious let me tell you the news
My head’s been wet with the midnight dew
I’ve been down on bended knee talkin’ to the man from Galilee
He spoke to me in the voice so sweet
I thought I heard the shuffle of the angel’s feet
He called my name and my heart stood still
When he said, “John go do My will!”

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s done in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down