Category Archives: Music

Music Video of the Day: Night Fever by Bee Gees (1978, dir by ????)

Posted on by Lisa Marie Bowman

Seeing as how I’ve spent the first few days of 2022 sharing music videos for danceable hits of the 70s, you had to know that I was eventually going to get to this one.  The name of the song is Night Fever and not, as is often incorrectly assumed, Saturday Night Fever.  Saturday Night Fever was the movie for which this song was recorded.  Night Fever indicates that the fever can hit any night, not just on a Saturday.

This video was apparently shot in 1978 but the Bee Gees didn’t release it until 2004.  I’m not sure why that is.  Perhaps all of the seedy motels gave the wrong impression about what the band was singing about.  Or maybe they just decided that John Travolta in that white suit was a better visual representation for what the Bee Gees were all about.  I will note that the same year this video was produced, the Bee Gees appeared in Sgt. Pepper’s Lonely Hearts Club Band so, obviously, they weren’t too concerned with looking slightly silly.

The video was shot in Sunny Isles Beach, Florida.  Supposedly, most of these motels have since been torn down.  That’s a shame as I think every resort town needs to have at least one strong row of seedy motels.  When my family lived in Colorado, we lived just a block away from some of the seediest motels known to man and whenever we would go back to visit our cousins in Colorado, I would always make it a point to see if the motels were still there.  They were.  They probably still are.  It’s been a while since I’ve been to Colorado.

Anyway, it’s a good song.  If it doesn’t make you want to dance, I don’t know what to say.  You may just not be a dancer.  But it’s never too late to learn!

Enjoy!

Music Video of the Day: You Sexy Thing by Hot Chocolate (1975, dir by ????)

Posted on by Lisa Marie Bowman

Hey, remember this song from the soundtrack of every single film that’s ever been made about the 70s?

You Sexy Thing is one of those songs that pretty much just epitomizes an era.  I’ve heard it used in so many films that I like that I can’t help but smile whenever I hear the song, even though I find real-life catcallers to be totally creepy.  Of course, the song itself is not actually about catcalling, no matter how much one might be tempted to go with that interpretation.  Instead, singer Errol Brown wrote the song about his wife and how she made him feel.  Supposedly, this was the first “happy” song that he ever wrote.

As I mentioned earlier, You Sexy Thing has become a soundtrack mainstay.   During The Dundees episode of The Office, Michael played “You Sexy Thing” after announcing that Ryan the Temp had won “Hottest in the Office.”  (I agree, by the way.  BJ Novak’s adorable.  Timothy Olyphant is adorable as well but there’s still no way Danny Cordray should have taken hottest in the office away from Ryan Howard.)  It’s also appeared in films like Boogie Nights, Reservoir Dogs, Legally Blonde, Nick and Nora’s Infinite Playlist, and Duke Marvin’s All 70s Dance Party.  Admittedly, the Duke Marvin film was never actually released but it’s still a classic to those of us who have seen it.

This video was shot for the UK’s Top of the Pops.

Enjoy and believe in miracles!

Music Video of the Day: Car Wash, covered by The Brady Bunch (1977, directed by Jack Regas)

Posted on by Lisa Marie Bowman

Why are the kids from the Brady Bunch dressed up like characters from the Wizard of Oz and singing the classic 1976 song, Car Wash?

Look, your guess is probably as good as mine but I’m going to assume that cocaine played a role in all of this. I mean, let’s consider the facts. This is from 1977. Everyone in Hollywood was using cocaine by 1977. This was also filmed for the infamous Brady Bunch Hour, which was a show that probably only existed due to cocaine. Well, cocaine and a love for the good wholesome values that were epitomized by The Brady Bunch.

This is from the second episode of The Brady Bunch Hour. It originally aired on January 23rd, 1977. All of the episodes are on YouTube. I watched the first episode last year and I meant to get right on to watching the second episode but …. eh. There’s only so much of the Bradys that you can take. In the show, Mike Brady decided to quit his job and move the family to Los Angeles so that they could star on a musical variety program. That was a decision that I’m sure a lot of families were forced to make in the 70s. Carol and the kids were okay with it and, of course, Alice came along because she apparently belonged to the Bradys or something. According to Wikipedia, the second episode featured The Bradys getting used to their new home with the help of special guest stars Farrah Fawcett and her then-husband, Lee Majors. I’m not how exactly this would lead to Ann B. Davis dressing up like the Wicked Witch of the West and then watching the Brady kids perform Car Wash in a crystal ball. Maybe I should watch the episode and find out. If I do, I’m demanding hazard pay.

Technically, this song is only being performed by half of the Brady Bunch. Maureen McCormick, Barry Williams, and Christopher Knight are there but Fake Jan, Mike Lookinland, and Susan Olsen are nowhere to be seen. That’s a shame, as Fake Jan had the best singing voice of the entire cast. Incidentally, when he was first approached to appear on the show, Barry was promised that he would be the center of most of the performances. According to an interview I saw with him, he was really looking forward to becoming a musical sensation until he actually watched the first episode of the series. Give the Brady kids some credit — they eventually understood the mess they had gotten themselves into.

As for this performance of Car Wash, it might not be good but it’s also kind of brilliant in its badness. You’ll never forget it after you watch it and there’s something to be said for that. The Brady kids are trying so hard that it’s difficult not to kind of hope that they’ll manage to succeed. The audiences sounds like they’re enjoying it so there’s always that.

Car Wash itself is a good song — just try to not get it stuck in your head after listening. It, of course, was written and recorded for the 1976 film, Car Wash. It was originally performed by Rose Royce. Christina Aguilera and Missy Elliott covered the song in 2004 and it was something of a minor hit. Unfortunately, the same can’t be said of the Brady Bunch version.

Still …. enjoy! And work! But mostly, enjoy.

Music Video of the Day: If I Can’t Have You by Yvonne Elliman (1977, dir by ????)

Posted on by Lisa Marie Bowman

To be honest, this is the second video that I’ve shared for this song.  Back in 2020, I shared a clip of Yvonne Elliman performed If I Can’t Have You on the UK’s Top of the Pops.  This, however, is apparently the official video.

(Sidenote: If you’re looking for good music videos that came out before the era of MTV, Top of the Pops is always a good place to look.)

This is one of my favorite songs of all time.  It is certainly my favorite song from the Saturday Night Fever soundtrack.  (Yes, even more than Stayin’ Alive.)  The song was originally written by the Bee Gees and the plan was for them to perform it on the soundtrack while Yvonne Elliman would perform How Deep Is Your Love, which was actually written to be more of a pop ballad than a disco song.  However, Robert Stigwood decided to switch things up by having the Bee Gees perform How Deep Is Your Love while If I Can’t Have You was given to Elliman.  The result was that the Bee Gees gave a disco twist to a ballad while Elliman gave a ballad twist to a disco song.  In other words, it was a pretty good idea.  If I Can’t Have You may be my favorite song on the Saturday Night Fever soundtrack but How Deep Is Your Love is a close second.

Incidentally, Yvonne Elliman also played Mary Magdalene in the film version of Jesus Christ Superstar and gave one of the best musical performances ever captured on film.

Enjoy!

Don’t know why
I’m survivin’ ev’ry lonely day
When there’s got to be no chance for me
My life would end
And it doesn’t matter how I cry
My tears, so far, are a waste of time
If I turn away
Am I strong enough to see it through
Go crazy is what I will do
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-huh, oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-ho, oh oh oh
Can’t let go and it doesn’t matter how I try
I gave it up
So easily
To you my love
To dreams that never will come true
Am I strong enough to see it through
Go crazy is what I will do
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-huh, oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-ho, oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-huh, oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-ho oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-huh, oh
If I can’t have you
I don’t want nobody baby
If I can’t have you, uh-ho oh
If I can’t have you

Music Video of the Day: The Hustle by Van McCoy (dir by ????)

Posted on by Lisa Marie Bowman

“Do the Hustle!”

And may all the scolds go to Hell!

Well, it’s a new year and what better way to ring it in than by dancing and celebrating the Hustle?  Van McCoy’s The Hustle is a song that’s been heard by anyone who has ever watched a movie about the disco era.  It’s pretty much appeared on almost every soundtrack ever compiled.  If it’s a disco film, you’re going to hear The Hustle.  It’s a song that just makes you think about dancing, disco balls, and cocaine.  Lots and lots of a cocaine.  From what I understand, copies of this song were originally sold with their own souvenir coke spoons.  That may or may not be true but you get the idea.

Interestingly enough, the dance came before the song.  Van McCoy was at Adam’s Apple, a New York City nightclub, in 1975 when he saw that the patrons were dancing a new dance that they called The Hustle.  He was so taken with the dance that he wrote a song about it.  He had three lyrics and a beat you could dance to and that was all he needed to create the soundtrack of the late 70s.  The Hustle was a hit and it came to define an era.  Sadly, it was an era that McCoy himself would not survive.  He died of a heart attack in 1979, while in New Jersey.  He was only 39 years old.

The video below was released in 2010 and, as you can tell, it was made up by clips of McCoy performing the song on various shows.  You can debate whether this is a legitimate music video or just a compilation.  That’s fine, though.  We’re all about debate here at the Shattered Lens!  Ultimately, what is truly important is that it’s a good song and it’s a new year!  It’s 2022!  Get out there and dance!  Get out there and do the hustle!  And you know what!?  Don’t be afraid to use exclamation points!  You’ve earned them and you’ve earned the right to use them as much as you want!

Personally, I think the attitudes of the 1920 and the 1970s are about to make a comeback.  (Actually, the comeback has already started but only a few people are willing to acknowledge it.  That will change soon.)  After the past few years, people want to have a good time.  They want to dance.  They want to move to wherever the music takes them.  The past few years have been dominated by people demanding that everyone else be as miserable as they are.  You may not know it from reading twitter.  You may not know it from watching the news.  But most people want to enjoy themselves.  Most people want to pursue their own pleasures and their own happiness in their own way.  The 2020s are going to have a lot more in common with the 1920s and the 1970s than there are with the 1960s and the 2010s.  Old Joe and Young Greta and the moralistic social media scolds can wag their fingers all they want.  People are ready to do the hustle.

Enjoy!

My Top 25 Albums of 2021

Posted on by necromoonyeti

This is the first year I relied exclusively on Bandcamp for downloads, and I think the artist notifications and trending recommendations paid off a lot. The last time I felt comfortable pushing my aoty list past 20 without resorting to entries that felt like filler name recognition was 2011. This year I ended up at 25 with plenty of potential honorable mentions.

25. Panopticon – …and Again into the Light

post-black metal

Sample track: Rope Burn Exit

I never quite understood why Austin Lunn kept his fiddle and amplifier in separate closets, but, for the most part up to this point, his folk and metal passages tended to make room for each other. They still do stylistically, but the violin has a free hand to enhance the black metal throughout this album in a way I feel he’d only offered brief glimpses at before. The result is a very lush, full recording that’s maybe a bit too post-rocky to fill my tasteometer on a regular basis but offers a very immersive experience when the mood strikes.

24. Mystras – Empires Vanquished and Dismantled

medieval black metal

Sample track: The Fall of the Kingdom of Jerusalem

Ayloss projects always take a while to grow on me, but seven spins in I’m not feeling the magic that lead me to give his last effort as Mystras album of the year. Luckily, it’s not all he had to offer in 2021, and it’s still pretty enjoyable. The feeling his style gives me is rewarding at its weakest, and I certainly wouldn’t call Empires that. It just hasn’t risen above him doing that thing I love to become a sequence of individually outstanding tracks for me, yet. I wouldn’t be surprised if I regret placing this so low down the line.

23. Urdôl Ur – Seven Portals to the Arcane Realms

There should be a specific term for this like dungeon metal or something

Sample track: Munloire

I eat this stuff up and always have and likely always will. It’s just Summoning worship. Listen to it if you worship Summoning. I bet if it had been released in time to binge through October I’d have placed it higher.

22. 1914 – Where Fear and Weapons Meet

epic black/death metal

Sample track: FN .380 ACP#19074

The cheese of story-focused lyrics told with a less than ideal grasp on English can’t hold back this album from feeling pretty epic. The orchestration and cinematic flare pair well with a theme of World War I, and that thematic continuity is what really holds my interest. Polished big label production doesn’t always do much for my aesthetically, but it has a lot of neat moments and the concept album feel to it keeps me engaged. Not sure it will stick with me long, but I found it very approachable and thoroughly enjoyed the sessions I had with it.

21. Boris – No World Tour In Your Head 2021

punk, hardcore, Boris things

Sample track: Quicksilver

I don’t have the energy to accurately count how many releases Boris put out this year. It’s around 20. They offered very little in the way of new songs, but in COVID’s touring void they dusted off a massive volume of live recordings, issued in a mix of independent albums and tack-on bonuses to rereleases of old material. Collectively, they might comprise my favorite listening experience of 2021. But this is an album list, and releases like SMILE -Live at Wolf Creek and Tokyo Wonder Land were recorded years ago anyway. No World Tour In Your Head 2021 is more than worthy to champion this collection–a frantic explosion of pent up energy channeled into a live studio performance of their most recent full length album.

20. Mare Cognitum – Solar Paroxysm

post-black metal

Sample track: Ataraxia Tunnels

A post-oriented bm album that I might have raved about ten years ago lacks quite the same feeling of originality today. I enjoyed most of this in a forgettable sort of way, which is to say I did enjoy it but wasn’t inspired by the overarching sound the way I’d been with say, Panopticon’s Kentucky when this forlorn but subtly joyful approach was much more of a novelty. The album is very back-loaded though, in my opinion, with Luminous Accretion shipping an intensity I can’t so easily ignore and then Ataraxia Tunnels vastly overshadowing everything before it. The emotional grip of the closing track was enough to propel it up my charts. It’s a real treat, though I wish the rest of the album conveyed the same sense of urgency.

19. Conjureth – Majestic Dissolve

death metal

Sample track: Wet Flesh Vortex

Anything you could need to know about this band is explained within the first ten seconds of the opening track. Top tier sitting in commute traffic with the windows down jams from start to finish.

18. Lamp of Murmuur – Submission and Slavery

gothic black metal

Sample track: Deformed Erotic Visage

Basing two ten minute tracks on a thirty minute album around the same riff was an interesting creative liberty that probably paid off. It doesn’t take much exposure to remember Submission and Slavery. It has an endearing lack of polish–an amateurish approach that aligns well with their black metal aesthetic. Add in some quality post-punk interludes and unexpected Knopflerian solos, and you’ve got an album that feels charmingly distinct. A later discovery, it grew on me fast and may well continue to.

17. Trhä – lhum jolhduc

post-black metal

Sample track: dôlh (0:00 through 14:00)

This is a raw spastic emotional rollercoaster. dôlh breaks my heart in seconds and is an absolute triumph while it holds. The slower passages don’t always sustain my interest as much as I want them to, but it’s one of many solid releases this mysterious new project brought to the table in 2021.

16. Non Serviam – Le Cœur Bat

the soundtrack to my dog telling me to kill the president

Sample track: Inno Individualista

This definitely takes the cake for the weirdest thing I’ve heard this year, or any other time I can remember. The only album I can think to compare it to is Peste Noire’s L’Ordure à l’état Pur, which is a feat in itself. I’ve listened to it a ton and never actually attempted to wrap my head around it for fear I might succeed and shatter the mystery. Suffice to say I feel at zero risk of that without trying. I picked up the hour and a half long deluxe edition and have no idea where the album proper is supposed to end, but it never needs to end really.

15. Trhä – inagape

atmospheric black metal

Sample track: tegëndë dicámbrhëha (0:00 through 11:30)

This just dropped December 24th and moved straight off of Bandcamp onto my year end roster. Tracks that are memorable like lhum jolhduc but with less down time sold me fast. Who knows how high it could have risen given more time. Whoever this guy is, his three 2021 albums mark him as the best new thing in atmospheric black metal, and I hope 2022 is just as prolific.

14. Veilburner – Lurkers in the Capsule of Skull

psychedelic death metal

Sample track: Lurkers in the Capsule of Skull

I regret forgetting about this band for a while. I missed a few albums between Noumenon and Lurkers, and chances are they were all great. Veilburner has a knack for never overselling his pop sensibilities. The album’s loaded with memorable moments that seldom repeat–easter eggs well suited for the passive way I engage most metal. It’s easy to avoid overfamiliarizing myself and reexperience the ride with the same enticing curiosity it offered on first exposure. A tough one to rank, this shifted in and out of my top 10 a lot. I found myself appreciating it more than most but directly enjoying a few others more.

13. Portal – Avow

death metal noise

Sample track: Catafalque

I had a friend die to COVID this year, and this album pretty accurately reflected how I felt about it. It’s viscerally ugly and barely pretends to be music. I find it deeply satisfying when my mood calls for harsh intensity stripped of meaningful melodic progression.

12. Koldovstvo – Ни царя, ни бога

melodic atmospheric black metal

Sample track: IV

Enchanting and mysterious bm hailing from somewhere between Russia and Oregon. I love how the album cover sets the mood for me. Its muffled voices and melodies resonate the damaged eloquence of Victorian ghosts drifting about in their hubris, lamenting the hollow halls of some abandoned estate.

11. Alkerdeel – Slonk

black metal

Sample track: Vier

Smooth doomy black n groovy, unforgiving but chill. The fabulous bass line in the first metal passage doesn’t stick around, but it sets a tone that hangs with me for the entire album. It’s no bullshit black metal that feels simultaneously raw and thick, carefully paced and relentlessly plowing forward.

10. Spectral Wound – A Diabolic Thirst

black metal

Sample track: Frigid and Spellbound

This album flows like extremely violent butter through a headbanging indulgence into every reason I still love classic Immortal and Gorgoroth. It’s deliciously aggressive and uncompromising. I picked it up in a pretty large batch of purchases, and I didn’t get through half of them before coming back to it. It’s since become a short term staple, especially in the car. Every track is instantly captivating. The progression is always satisfying. Traditional but flawless.

9. Kvadrat – Ψυχική Αποσύνθεση

moody death/black metal

Sample track: Αποξένωση

This vibes Ulcerate hard and the opening track is sick. It’s only 23 minutes, and it’s the artist’s first debut under any name that I can find. A great ride with lots of promise for things to come.

8. A Compendium of Curiosities – The Resting Place of Dreams

dungeon synth

Sample track: Hope Never Dies Forever

Along with two hour+ metal opuses, Ayloss found the time this year to record three dungeon synth albums and a pretty outlandish martial mix. The Resting Place of Dreams in particular fully captivated me on a higher level than any dungeon synth I’ve heard before it. The tones on this album are just goddamn gorgeous, and he didn’t hesitate to drop instantly memorable melodies he could have saved for his higher visibility projects. It might not be his most galaxy brain work of the year, but in terms of personal enjoyment, the numbers don’t lie; I accumulated 250 plays of Ayloss’s dungeon synth collection in 2021, and it’s still going strong.

7. Mechina – Siege

symphonic djent

Sample track: Blood Feud Erotica

A djent noodler of epic proportions, the album starts off slow but satisfying and continues to perfect on a sound I think Mechina has gotten better at with every album. If you like to surf symphonic waves while semi-automatic bubbles blast into your ears, you will probably enjoy this. The climax on Blood Feud Erotica is my favorite Mechina moment to date and oh God why did they name it that.

6. Ad Nauseam – Imperative Imperceptible Impulse

avant-garde death metal

Sample track: Human Interface to No God

Chaos shouldn’t feel this right. It’s a challenging slog given undivided attention, but it hits a perfect sweet spot as a moody background piece that constantly engages my senses while engulfing me in lush intensity. Too unpredictable to ever grow stale, too aesthetically pleasing to overwhelm.

5. Këkht Aräkh – Pale Swordsman

emo black metal

Sample track: Thorns

Not to be confused with the screamo black metal pioneered by Cara Neir before they evolved into video game grindcore, this album is for true cult sad boys only. Këkht Aräkh’s ability to convey emotion through heavily memed-out black metal tropes is pretty compelling. Quality metal moods blend with melancholy sweet piano and vocal interludes to craft an album I fell in love with completely.

4. Trhä – endlhëtonëg

atmospheric black metal, ambient

Sample track: endlhëdëhaj (9:15 through 19:30)

Cast your gaze into the dreamy void. “Atmospheric” fails to convey the extent to which Trhä’s heavy synth over washed out blast beats conjures a surreal ethereal voyage. It’s proven especially aesthetically pleasing at Christmas time, though I’m letting the kiddos stick to Vince Guaraldi.

3. The Armed – Ultrapop

glitzy digital post-hardcore

Sample track: All Futures

I’m not sure how this actually feels like a pop album, because they seem to have figured out how to turn amplifiers up to 12, but it does. An endless barrage of catchy riffs and choruses bludgeoned into my face with rainbow-tinted brass knuckles. Their ability to start off in hyperdrive and make every track climax anyway is insane.

2. Spectral Lore – Ετερόφωτος

medieval black metal

Sample track: Ετερόφωτος

Hollow echoey tones that conjure scenes of rain and spring time. Endless transitions from one intriguing melody and mood to the next, delivered in Ayloss’s trademark warp speed tremolo. This album is hard to enjoy passively for all the right reasons. It rips me out of my environment and casts me into some amalgamation of the artist’s. Every track is so vivid and thick with content, I feel like I’m still discovering it dozens of plays later. Ayloss continues to cement his legacy in my mind as the best song writer of the past decade.

The only drawback is the 19 minute closer Terean, a drug out ambient noise piece. I don’t find it particularly compelling as that style goes. Ετερόφωτος clocks just shy of an hour without it and otherwise closes with a song that very much feels like a closer (and transitions into some unexpected and quite welcome Tool worship in the process). I’m often finding myself listening out Terean afterwards waiting for something more while the better half of me knows I’d be more satisfied just skipping the thing. A pety complaint to focus on, but something had to separate this from the winner.

1. The Ruins of Beverast – The Thule Grimoires

industrial/doom/black metal

Sample track: Kromlec’h Knell

An aural journey that felt inspired on first encounter and never let up all year. Blut Aus Nordian grooves traveling through vivid, harsh landscapes that achieve their threat level via robust song-crafting rather than excess. It’s a genre-spanning masterpiece. I never gave Ruins of Beverast extensive attention prior to this year, but I’ll absolutely be deep diving the discography after I’ve wrapped up 2021.

Previous years on Shattered Lens:

2011 / 2012 / 2013 / 2014 / 2015 / 2016 / 2017 / 2018 / 2019 / 2020