Music Video of the Day: Jive Talkin’ by The Bee Gees (1975, dir by ????)


Yes, everyone, I am still in a 70s-type of mood.  I imagine this will be the case for the rest of January.  Once February comes around, I’ll probably be in a Canadian mood so get ready for a lot of songs off of the Degrassi soundtrack.

Anyway, this video is for Jive Talkin’, which was I guess one of the Bee Gees’s earliest disco songs.  (Apparently, they were originally a non-disco band, which I just can’t imagine what that was like.  Yes, I know that it would be very easy for me to listen to their non-disco music.  That’s not the point.  The 70s are all about disco and dancing.  The 70s didn’t need any folk rock.)  Jive Talkin’ is one of those songs that feels like it should have been written for the Saturday Night Fever soundtrack but it actually came out two years before that film appeared in theaters.  That said, it does appear in Saturday Night Fever.  Unfortunately, the song did not appear in Stayin’ Alive.  That’s a shame since that film was all about jive and I think Frank Stallone could have done wonders with it.

Enjoy!

It’s just your jive talkin’
You’re telling me lies, yeah
Jive talkin’
You wear a disguise
Jive talkin’
So misunderstood, yeah
Jive talkin’
You really no good
 
Oh, my child
You’ll never know
Just what you mean to me
Oh, my child
You got so much
You’re gonna take away my energy
 
With all your jive talkin’
You’re telling me lies, yeah
Good lovin’
Still gets in my eyes
Nobody believes what you say
It’s just your jive talkin’
That gets in the way
 
Oh my love
You’re so good
Treating me so cruel
There you go
With your fancy lies
Leavin’ me lookin’
Like a dumbstruck fool
With all your
 
Jive talkin’
You’re telling me lies, yeah
Jive talkin’
You wear a disguise
Jive talkin’
So misunderstood, yeah
Jive talkin’
You just ain’t no good
 
Love talkin’
Is all very fine, yeah
Jive talkin’
Just isn’t a crime
And if there’s somebody
You’ll love till you die
Then all that jive talkin’
Just gets in your eye
 
Jive talkin’
You’re telling me lies, yeah
Good lovin’
Still gets in my eyes
Nobody believes what you say
It’s just your jive talkin’
That gets in the way
 
Love talkin’
Is all very fine, yeah
Jive talkin’, just isn’t a crime
And if there’s somebody
You’ll love till you die
Then all that jive talkin’
Just gets in your eye, yeah yeah
 
Oh jive talkin’
Jive talkin’
Oh jive talkin’

Music Video of the Day: The Joker by Steve Miller Band (1973, dir by ????)


You know the lyrics.

You know the bassline.

You know the “waa waa” effect.

Even if you don’t know all the lyrics or you don’t know the name of the song or even the band, you do know that, in the 70s, someone was a picker, grinner, a smoker, and a midnight toker.  Someone got their loving on the run.

I once took a creative writing class with an older student who claimed that he once met the Steve Miller Band in a bar.  He said they were a cool group of guys, even in their older years.  I’m not sure if he was telling the truth (it was creative writing, after all) but it was still a good story.

Why was this song not used in The Dark Knight, I ask you.  We all know that Heath Ledger could sing.  Imagine him singing this while holding up a mirror to the face of Aaron Eckhart.  Or, if Heath didn’t want to sing it, Eric Roberts was in that film as well.  Who wouldn’t want to watch Eric Roberts cover this song?  Missed opportunities.

Enjoy!

Some people call me the space cowboy, yeah
Some call me the gangster of love
Some people call me Maurice
‘Cause I speak of the pompatus of love a


People talk about me baby
Say I’m doin’ you wrong, doin’ you wrong
Well, don’t you worry, baby, don’t worry
‘Cause I’m right here, right here, right here, right here at home


‘Cause I’m a picker
I’m a grinner
I’m a lover
And I’m a sinner
I play my music in the sun
I’m a joker
I’m a smoker
I’m a midnight toker
I sure don’t want to hurt no one
I’m a picker
I’m a grinner
I’m a lover
And I’m a sinner
I play my music in the sun
I’m a joker
I’m a smoker
I’m a midnight toker
I get my lovin’ on the run
Ooh, whoo, ooh, whoo


You’re the cutest thing that I ever did see
I really love your peaches
Wanna shake your tree
Lovey dovey, lovey dovey, lovey dovey all the time
Ooh wee baby, I’ll sure show you a good time


‘Cause I’m a picker
I’m a grinner
I’m a lover
And I’m a sinner
I play my music in the sun
I’m a joker
I’m a smoker
I’m a midnight toker
I get my lovin’ on the run
I’m a picker
I’m a grinner
I’m a lover
And I’m a sinner
I play my music in the sun
I’m a joker
I’m a smoker
I’m a midnight toker
I sure don’t want to hurt no one

Ooh, whoo, ooh, whoo


People keep talkin’ about me baby
Say I’m doin’ you wrong
Well don’t you worry, don’t worry, no don’t worry mama
‘Cause I’m right here at home
You’re the cutest thing I ever did see
I really love your peaches
Wanna shake your tree
Lovey dovey, lovey dovey, lovey dovey all the time
Come on baby now, I’ll show you a good time

Music Video of the Day: The Night Chicago Died by Paper Lace (1974, dir by ????)


Paper Lace was a British band.  None of them were from Chicago.  None of the had ever been to Chicago.  Certainly none of them had a father who was a cop in Chicago or a mother who cried and prayed the night that Chicago died.

In fact …. CHICAGO DIDN”T EVEN DIE!

Well, it came close once.  There was that whole fire that was caused Mrs. O’Leary’s cow.  I’ll be honest, though.  I think the cow was innocent.  I think Mrs. O’Leary just forgot to turn off the stove and she was too embarrassed to admit it.  So, the cow got blamed.

But that’s not what this song is about.  The song is about a huge gunfight between the police and the members of Al Capone’s gang.  However, the Chicago police never got into a gunfight with the Chicago Outfit, largely because Capone owned the cops.

I would also point out that, according to a friend of mine from the area, Chicago doesn’t even have an east side!

So, maybe the song isn’t historically accurate.  Listen, I’m from Dallas.  I know what it’s like when people assume that they know everything that they need to know about your city.  I know how annoying it is. I can’t tell you how many movies I’ve seen that supposedly take place in North Texas but which have big mountains in the background or people exploring caves.  There are no mountains in North Texas!  There is no east side in Chicago.

But, on the plus side, The Night Chicago Died has a killer bass line and you can sing along with it.  That’s always a good thing.  Plus, the drummer looks like he might have been a magician in his spare time.

Enjoy!

My daddy was a cop on the east side of Chicago
Back in the U.S.A. back in the bad old days


In the heat of a summer night
In the land of the dollar bill
When the town of Chicago died
And they talk about it still
When a man named Al Capone
Tried to make that town his own
And he called his gang to war
With the forces of the law


I heard my mama cry
I heard her pray the night Chicago died
Brother what a night it really was
Brother what a fight it really was
Glory be!
I heard my mama cry
I heard her pray the night Chicago died
Brother what a night the people saw
Brother what a fight the people saw
Yes indeed!


And the sound of the battle rang
Through the streets of the old east side
‘Til the last of the hoodlum gang
Had surrendered up or died
There was shouting in the street
And the sound of running feet
And I asked someone who said
“‘Bout a hundred cops are dead!”


I heard my mama cry
I heard her pray the night Chicago died
Brother what a night it really was
Brother what a fight it really was
Glory be!
I heard my mama cry
I heard her pray the night Chicago died
Brother what a night the people saw
Brother what a fight the people saw
Yes indeed!


And ther was no sound at all
But the clock upon the wall
Then the door burst open wide
And my daddy stepped inside
And he kissed my mama’s face
And he brushed her tears away


The night Chicago died
Na-na na, na-na-na, na-na-na-na-na
The night Chicago died
Brother what a night the people saw
Brother what a fight the people saw
Yes indeed!


The night Chicago died
Na-na na, na-na-na, na-na-na-na-na
The night Chicago died
Brother what a night it really was
Brother what a fight it really was
Glory be!


The night Chicago died
Na-na na, na-na-na, na-na-na-na-na
The night Chicago died
Brother what a night the people saw
Brother what a fight the people saw
Yes indeed!

JRJR Gone, Review and Analysis- Case Wright


What if you are living your best life, but it’s horrible?

Depression, Anxiety, and Mental Illness are as common as Brown Eyes, but treated like mystical forces. It wasn’t even until the 1970s that we commonly used the term “Depressed”. Today, we have not acknowledged as a species that the Brain is just another organ. The brain is a miraculous organ, but an organ nonetheless. We are fine with treating a pancreas with insulin, but anti-depressants are still referred to by many as “Happy Pills”, implying recreation; or worse, there use is akin to marijuana or alcohol consumption.

“Gone” was written by Joshua Epstein, Mike Higgins, and Dan Nigro when they were 34. It was featured in films, gained popularity, and yet Joshua remained anxious and sad. Why? It was because Joshua didn’t know that he had clinical Anxiety. The upbeat tempo of the song like his upbeat life and success belied the danger and depression expressed in the lyrics. He was wasn’t diagnosed with Anxiety until after “Gone” was a hit. By danger, I mean suicide. Suicide takes out middle-aged men like a scythe. I have lost friends to it. I’m not writing that ”Gone” was a suicide note, but the lyrics point to it as true a laser sight.

Just as Joshua didn’t know he had anxiety, it was equally likely that he didn’t know that he was writing about suicide. However, I argue that his subconscious must have. The suicide theme has gone unnoticed because the tempo and melody is upbeat. This is similar to the “MASH” theme – “Suicide is Painless”, which used the exact same means to cover up the song’s inherent darkness. Although I believe the “MASH” producers intentionally covered up the theme song’s darkness and JR JR did not.

I will analyze the lyrics and post the video, allowing you to decide if you believe that I am correct.

I’ve made up my mind over and over

Here Joshua is expressing that he doesn’t understand what he’s meant to do. Do I become I dentist like my dad? Do I stay in music? Build canoes in Oregon? These are all dead ends. He’s passionate and smart; so, he might he even be successful at these re-invented Joshua’s, but he’s still wanting.

Keep pressing rewind but I’m getting older
Tried every door, don’t know who I’m looking for

Joshua is in middle-age now and he still has no clear path forward.

And I’ve made up my mind over and over

I can’t be everything you want me to be
I can’t be everything you want me to be

Frustrated, like many middle-aged men. He decides to give up. He’s going to end it.
Finally, I can see the light through the leaves

As he is dying, he looks up from the ground and sees “the light through the trees”. In his last moments, he figures out his path, but he won’t be able to “hit rewind” because his decision is a final one.
But it’s all gone
But it’s all gone

“But it’s all gone” is referring himself being all gone. No more present or future.

What comes from the ground now is returning

“What comes from the ground now is returning” is a reference to Man coming from the ground as clay and now he’s returning- Dust to Dust.
It’s all the same sound and my ears are burning

He states “my ears are burning” because people are talking about him; they’re worried.
In some strange home, don’t know who I’m working for

Now, he’s losing consciousness that’s the “strange home” and because this act is final he doesn’t “know who [he’s] working for because all self-determination and advice is now irrelevant- forever. The final chorus refrain reinforces him drifting into the abyss.
I’ve made up my mind over and over

I can’t be everything you want me to be
I can’t be everything you want me to be
Finally, I can see the light through the leaves
But it’s all gone
But it’s all gone

Over and over, over and over
Over and over, over and over

I can’t be everything you want me to be
I can’t be everything you want me to be
Finally, I can see the light through the leaves
But it’s all gone
But it’s all gone
But it’s all gone

The brain is an organ, but unlike the heart, the brain can call out for help through nightmares, outbursts, reckless behavior, or like this artist’s brain – it used art.

I could be wrong, but I do not believe that I am. If this song or my analysis strikes a chord with you, I implore you to talk to someone ASAP.

Music Video of the Day: Love Me by Yvonne Elliman (1976, dir by ????)


For the past few days, I have been driving everyone around the TSL Compound crazy by continually playing and re-playing the Saturday Night Fever soundtrack.  Though no one will admit it, I’m sure that they’ve all got the lyrics of I Can’t Have You memorized by now.  We could probably start a Bee Gees cover band if we wanted to.  And really, there’s no reason why we shouldn’t!  Leonard can play bass, I’ll sing, Jeff can drum, Erin can play the sitar, it’ll be great!

Well, today, I thought maybe that we would take a break with another Bee Gees song that was covered by Yvonne Elliman, Love Me.  While the Bee Gees version of the song didn’t get much attention, Yvonne Elliman’s cover was a huge hit and it probably played a role in the Bee Gees later writing How Deep Is Your Love for her.  Of course, the Bee Gees later ended up performing How Deep Is Your Love for Saturday Night Fever while Yvonne recorded If I Can’t Have You.  It can be difficult to keep track but the important thing is that everyone got recorded eventually.

Enjoy!

Love me; just a little bit longer
Love me

I remember times my love when we really had it all
You were always there to make me smile, help me when I fall
Ooh, I can’t believe you’re leaving me
When there’s so much more to say – I can’t let you go
Ooh, every time I look at you I still can feel the glow
Let it be, let it grow

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder
Together we can make it
Our love is much too young to break it

Ooh, all I ever wanted was to have you to myself
Then I see you standing there in the arms of someone else
Ooh, you know a girl can stand so much
And it’s more then I can bear – I can’t let you go
Ooh, every time I look at you I still can feel the glow
Let it be, let it grow

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder

Never even try to see things my way
It’s hard on a woman when love ain’t no love at all
And when you walk away – you probably will
You’re gonna be sorry, I’m begging you; please

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder
Together we can make it
Our love is much too young to break it
Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it

Music Video of the Day: Boogie Shoes by K.C. and the Sunshine Band (1978, dir by ????)


I’m sure you’ll remember this song from the soundtrack of any film that’s set during the 70s.  I’ll always associate with John C. Reilly showing Don Cheadle a card trick in Boogie Nights.  I guess that’s appropriate since it’s Boogie Shoes and Boogie Nights.  “Don’t you worry about the evil spirits?” Cheadle asks Reilly shortly before Reilly runs off to help Dirk Diggler launch his musical career.

Apparently, this band was started in a record store.  The man who would eventually be known as KC worked at the store and I guess the band was made up with either his customers or his co-workers.  Either way, they came together to form The Sunshine Band and they spread happiness and cheer all throughout the cocaine-heavy 70s.  They’re still doing it, playing the nostalgia circuit.  Good for them.  Disco is forever.

(That said, the best band to form in a record store remains the Empire Records band.  SUGAR HIGH!)

This is another one of those videos that was originally a performance for a television show.  In this case, the show was American Bandstand. 

Dance and enjoy!

Great Moments In Television History #11: Elvis Sings With Sinatra


The fourth episode of The Frank Sinatra Timex Show was officially called It’s Nice To Go Trav’ling but it’s unofficial name was Welcome Home Elvis.  That’s because this special, which aired on May 12th, 1960, also marked Elvis Presley’s first appearance on television after his release from the U.S. Army.

It was a 30-minute special, sponsored by Timex.  Elvis only appeared in 8 of those minutes.  The rest of the show’s running time was made up of Frank Sinatra hanging out with his Rat Pack pals.  Still, in those 8 minutes, Elvis performed with Sinatra and television history was made.  (Elvis even wore a tuxedo for the occasion, so he would fit in with Frank and the pack.)  This special was the highest rating program of the week and it proved that being away in Germany hadn’t diminished Elvis’s popularity one bit.

Elvis, who was born 87 years ago on this day, would later go on to star with Nancy Sinatra in 1968’s Speedway.

Previous Great Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy

Music Video of the Day: A Fifth of Beethoven by Walter Murphy (1976, dir by ????)


Based on Beethoven’s Fifth Symphony, Walter Murphy’s A Fifth of Beethoven …. oh, wait a minute.  I just got that.  Fifth Symphony …. A Fifth of Beethoven.  That’s clever.  How would Beethoven have felt about a disco version of his symphony?  I imagine Beethoven would probably sue for royalties.  The music business is cutthroat.

Anyway, this song is best known for appearing on the Saturday Night Fever soundtrack.  When Tony Manero and his friends step into the club, this is the song that’s playing in the background and it fits in perfectly with Tony’s view of himself as being a God among men.

The song was composed by Walter Murphy, who had previously been a jazz musician.  He played all of the instruments himself on the original recording but the song was still credited to Walter Murphy and The Big Apple Band because it was apparently felt that it was better to be known as a member of a band than a solo artist.

This video is from 1976.  Is that the Big Apple Band that Murphy’s performing with?  I don’t know.  It’s a good song, though.  For the longest time, I thought it was also the theme music for Judge Judy but then I did some research at the University of Google and I discovered that Judge Judy’s theme song was actually the Fifth Symphony.  I also discovered that Judge Judy was still alive so it was a productive session.

Enjoy!

Music Video of the Day: Disco Inferno by The Trammps (1976, dir by ????)


Burn, baby, burn!

I kid you not when I say that this song was supposedly written after a viewing of the 1974 Best Picture nominee, The Towering Inferno.  Now, of course, the song is also about the heat that rises from the dance floor while everyone’s out there moving and apparently, there are some who think that the song was meant to be a reference to the counter-culture’s cry of “burn, baby burn!”  Myself, though, I will always assume that this song is all about Paul Newman, Faye Dunaway, William Holden, Steve McQueen, OJ Simpson, and a cast of thousands trying to survive that towering inferno.

“You keep building them,” McQueen said to Newman, “and I’ll keep putting them out.”

Disco Inferno became a hit when it was included on the Saturday Night Fever soundtrack.  More recently, it’s become a hit-of-a-different-sort because of the Bernie Sanders presidential campaigns.  It turns out that “Burn, Baby, Burn” can also be heard as “Bern, Baby, Bern.”  I mean, no wonder he won Iowa.

(Did Bernie win Iowa?  I can’t recall.  Hey, remember when I said that I was going to vote for Marianne Williamson and everyone thought that I was being serious?  What was that all about?)

Anyway, The Trammps is one of those bands that actually had a few hits in their heyday but will probably always be associated with just this one song.  The Trammps are still performing, though they’ve split into two different groups, each one using the Trammps name.  The fires of the disco inferno will never be extinguished.

Enjoy!

Music Video of the Day: Disco Duck by Rick Dees & His Cast of Idiots (1976, dir by ????)


I have long been of the opinion that everything that happened in the world of entertainment during the 70s was the result of cocaine.  If you doubt me, then I dare you to explain this to me:

Now, I’m not making the argument that the song Disco Duck was necessarily written while anyone was high, though it probably was.  However, I am arguing that a lot of people probably first heard the song while they were high and perhaps trying to talk to a duck and that explains why Disco Duck became a hit.  Apparently, it also won the 1977 People’s Choice Award for Best New Song and again, everyone knows that the People’s Choice Awards were determined by people who spent most of their spare time with a credit card, a mirror, and rolled-up twenty.  That’s just the truth of the matter.

Anyway, Rick Dees was a DJ and Disco Duck was a novelty record.  The song is officially credited to Rick Dee and His Cast of Idiots but, personally, I think the band was being a bit too self-critical with that name.  I mean, it takes a certain amount of intelligence to turn a song called Disco Duck into a number one hit.  The song, itself, is not actually about a duck but about a man who dances like a duck …. wait a minute, what?  How do you dance like a duck?  (“With great difficulty!  Ha ha ha!”  Thank you, hack comedian.)  It doesn’t matter.  The song was a hit.

This performance was from a show called Midnight Special.  It aired on October 29th, 1976, just a few days before Halloween.  According to the imdb, ABBA, KC & The Sunshine Band, and the Bay City Rollers also appeared on this episode but none of them performed with a guy in a duck costume.

Enjoy!