Today’s horror scene that I love comes from 1935’s Bride of Frankenstein!
In this scene, directed by James Whale, the Monster (Boris Karloff) meets his first friend, a blind hermit played by O.P. Heggie. It’s a scene that features Karloff at his best and it’s still touching, even if it is kind of hard to watch it without thinking about Peter Boyle accidentally burning down Gene Hackman’s shack in Young Frankenstein.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
4 Shots From 4 Horror Films
The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)
Black Sabbath (1963, dir by Mario Bava, DP: Ubaldo Terzano)
Flesh For Frankenstein (1973, dir by Paul Morrissey, DP: Luigi Kuveiller)
A Blade In The Dark (1983, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)
by Gene Colan
Have you been chilled today?
Frontier is from Dead Can Dance’s self-titled debut album. This is the sound that largely defined goth in the 80s.
Enjoy!
Tonight, Leonard Nimoy and In Search Of…. take a look at Dracula!
Tonight’s excursion into televised horror is the very first episode of Boris Karloff’s Thriller!
Thriller was an anthology series that lasted from 1960 to 1962. Each episode presented a new story of horror and/or suspense. What makes this series especially memorable is that each episode was introduced by none other than Boris Karloff! I’ve seen a few episodes of Thriller (the entire series is on YouTube) and, to be honest, it’s kind of a hit-or-miss show. But Karloff and that mischievous twinkle in his eye makes it all worth it!
This episode originally aired on September 13th, 1960. It’s called The Twisted Image and stars Leslie Neilsen as a man being stalked by two mentally disturbed individuals. This episode was well-directed by Arthur Hiller and, if it’s more of a suspense story than a horror story, it still has its creepy moments.
In 1996’s DNA, Mark Dacascos plays Dr. Ash Matteley, an American doctor who works to bring healthcare to the residents of Borneo. When Ash’s former boss, Dr. Carl Wessinger (Jürgen Prochnow), approaches Ash and invites him to take part in a jungle expedition to track down some beetles whose genetic material can cure all known diseases, Ash agrees. However, once Wessinger, Ash, and their native helpers find the beetles in an ancient tomb, it turns out that Wessinger has plans of his own. He shoots Ash in the shoulder and then makes his escape.
Two years later, Ash has long hair and he’s taken to wearing a Hawaiian shirt, but he’s still dedicated to taking care of the poor of Borneo. When CIA agent Claire Sommers (Robin McKee) approaches him and asks him to help lead her through the jungle, Ash says that he’s not interested. But when Sommers reveals that she’s looking for Wessinger, Ash realizes that he has no choice but to help her. For some reason, they take a child named Matzu with them. Why you would recruit a child for a dangerous mission that involves going upriver in a canoe, I’m not sure. Then again, I’m also not sure why Claire would wear a dress while exploring the jungle either, other than the fact that the film needed an excuse to have Ash look away and then sneak a peek while Claire undresses and changes into something more jungle-appropriate.
It probably won’t surprise you to learn that Dr. Wessinger has not been spending his time trying to cure all known diseases. Instead, he’s been splicing genetic material to try to bring an ancient creature back to life. Now, before you say that this sounds like a Jurassic Park rip-off, allow me to point out that Wessinger is not bringing back a dinosaur. Instead, he’s bringing back a big alien creature, one that perhaps crashed on Earth during the prehistoric age. This is not Jurassic Park. At most, it’s Jurassic Alien.
Or maybe it’s just Alien. Once Ash and Claire and the little kid make it inside Dr. Wessinger’s headquarters, there are a lot of scenes of people hiding in offices and nervously walking down hallways and hoping that the monster won’t jump out of nowhere and kill them.
Then again, maybe we should just call this movie Predator because eventually, the action moves back into the jungle and Ash finds himself being stalked by the alien, who is apparently a very good hunter and who lives for the hunt. Ash goes from being a hippie doctor to being a full-blown action hero. There’s even a scene where he and Claire and the kid have to run away from a crashing helicopter. Of course, the helicopter was obviously a model. Still, it was hard not to imagine Mark Dacascos saying, “Get away from da choppah!”
My point is that a lot of different DNA was spliced together to create this movie. Take a little from Indiana Jones and a little from Apocalypse Now and then toss in Alien, Predator, and Jurassic Park and you’ve got DNA. Unfortunately, the film still isn’t as entertaining as it should have been. Mark Dacascos barely gets to show off his martial arts skills while the film can’t even give us one good Jürgen Prochnow freak-out. Even with all of the shameless plagiarism, the film still feels like it’s just going through the motions. Sadly, DNA is never as much fun as it should have been.
Decades before he joins the X-Men, James “Logan” Howlett (Hugh Jackman) is just another mutant with retractable claws and a super-healing ability that essentially makes him immortal. With his half-brother Victor Creed (Liev Schreiber), Logan fights in wars throughout the centuries. When both Logan and Creed (who share Logan’s healing abilities) survive being executed by a firing squad, they are recruited by William Stryker (Danny Huston) to serve as members of Team X. Eventually, Logan tires of being an assassin and goes off on his own. However, both Stryker and Creed have plans for him and all the other mutants that they’ve captured or killed over the years. Several familiar characters appear—Scott Summers (Tim Pocock), Gambit (Taylor Kitsch), and the Blob (Kevin Durand) amongst others—but none of them have much of the personality that made them popular to comic book readers. (Just imagine including Gambit in an X-Men film but not Rogue.) Those who made it to the end of the film were given a Patrick Stewart cameo, albeit one that used CGI to de-age Stewart and make him look like an automaton.
With the majority of the X-Men either dead or cured at the end of X-Men: The Last Stand, it only made sense to spin Hugh Jackman’s Wolverine off into his own series of films. Unfortunately, 20th Century Fox didn’t understand that the thing that made Wolverine so interesting as a character was that his past was shrouded in mystery. Their first Wolverine film revealed his origin and it turned out to be not that interesting. X2 had been filled with so many hints about Wolverine’s past that the origin story didn’t feel as if it was telling us anything that we hadn’t already figured out. Even the many fight scenes between Sabretooth and Wolverine felt dull because it was established that both of them were essentially immortal and impervious to pain.
Today, this movie is mostly remembered for featuring the first appearance of Wade Wilson, the mercenary who will eventually become Deadpool. There’s very little of Deadpool to be found in this film’s version of Wilson. He tells a few jokes before getting his lips sewn shut. Imagine introducing a character who is affectionately known as “the merc with a mouth” and then rendering him silent for the majority of the movie. In Deadpool 2, there’s a scene where Deadpool goes back in time and kills this earlier version of Wade Wilson (or Weapon XI as he’s called here). The audience I saw the film with cheered.
After a burglary, Kristi (Sprague Grayden) and her husband Daniel Rey (Brian Boland) install security cameras throughout their house. The cameras capture footage of Daniel firing the maid (Vivis Colombetti) for burning sage to ward off “evil spirits” and a visit from Kristi’s sister, Katie (Katie Featherston). They also capture doors opening and closing by themselves, a dog barking at nothing, and a possessed Kristi ominously staring at her newborn son, Hunter.
Paranormal Activity 2 begins a few weeks before the start of the first Paranormal Activity. By the end, the two movies have caught up with each other and the audience learns what Katie did after she killed Micah. The film also reveals what specifically led to the spirit going after Katie in the first place. (Daniel, you idiot.)
Considering that the sequel repeats the found-footage format and recreates many of the same scares from the first film, it’s surprising just how well it works. The stakes are a little bigger here, in that it’s established that the evil spirit is after baby Hunter. In the first film, nobody cared about Micah, but in this film we actually do care about Kristi, the baby, and Kristi’s stepdaughter, Ali (Molly Ephraim). We don’t care about Daniel because he’s a jerk. Kristi and Katie appear to have really bad judgment when it comes to picking a mate.
Lisa has already done an excellent job reviewing the third, fourth, and fifth films in this series. So I’ll be jumping forward to the sixth film tomorrow.
Why am I supposed to care about this woman? Ok, she lives alone and she ordered food. Maybe, the guy delivered the food to the inside of her house. But how?
She was at the door and there was no way he could’ve gotten past her and she didn’t have headphones on.
Is he a ghost delivery driver? If so, score! No tip! I’m not tipping a dead guy and neither should you. I think that I’m going to review AI again because people are really disappointing me!
