Halloween Havoc!: THE CREATURE FROM THE BLACK LAGOON (Universal-International 1954)


gary loggins's avatarcracked rear viewer

By the early 1950’s, the type of Gothic horrors Universal was famous for had become passe. It was The Atomic Age, and science fiction ruled the roost, with invaders from outer space and giant bugs unleashed by radiation were the new norm. But the studio now called Universal-International had one more ace up its collective sleeve: THE CREATURE FROM THE BLACK LAGOON, last of the iconic Universal Monsters!

Scientist Dr. Maia, exploring “the upper reaches of the Amazon” with his native guides, discovers a fossilized hand that may be the evolutionary “missing link”. Taking his finding to the Institudo de Biologia Martima, he teams with ichthyologist David Reed, David’s pretty assistant/fiancé Kay Lawrence, institute chief Dr. Mark Williams, and fellow scientist Dr. Thompson to form an expedition. They charter the steamer The Rita, skippered by Captain Lucas, and head down the river into the Black Lagoon. Maia’s Indian guides…

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The Skeletal Covers Of The Pulp Era


Skeleton and skulls are naturally creepy, especially when they’re still moving and talking!  Skulls and bones were a mainstay on the covers of pulp and especially horror related magazines.  For this Halloween, take a trip back into the bony past with a few skeletal covers from the pulp era!

by Norman Saunders

by Rafael De Soto

by Robert Gibson Jones

by Robert Stanley

by Rudolph Belarski

Horror On The Lens: The Twonky (dir by Arch Oboler)


In this 1953 satire, a philosophy professor named Kerry West (Hans Conried) buys a television.  (Remember, this was a time when televisions were still a relatively new phenomena.)  Imagine Kerry’s surprise when he discovers that his television can walk, talk, light his cigarettes, clean the house, and make money materialize out of nowhere!

Sounds great, right?

The only problem is that this TV is not only a bit possessive but it also uses its powers to brainwash people and rob them of their individuality!

Technically, The Twonky is more a comedy than a horror movie.  In fact, it’s really not scary at all.  But it is a lot of fun and it’s interesting to see how a filmmaker in the 50s dealt with television’s growing role in American society.

Enjoy!

Chilling Adventures of Sabrina 1.5 “Chapter Five: Dreams In A Witch House” (dir by Maggie Kelly)


They say you can tell a lot about someone by what they dream about.  I certainly believe that to be true.  (In fact, I’ve got an entire site dedicated to that very concept.)  That’s certainly the argument made in episode 5 of Chilling Adventures of Sabrina.

The plot, simply enough, is that Sabrina has unleashed a sleep demon named Batibat.  Years ago, Sabrina’s father trapped Batibat in a puzzle box.  Unfortunately, it was the same puzzle box that Sabrina had to solve to earn her right to take conjuring classes.  As soon as Batibat gets out, she announces that she has two goals: 1) revenge on the Spellmans and 2) screwing stuff up in the outside world.  Zelda casts a spell to trap Batibat inside the house.  The spell works but then Batibat casts a sleeping spell and soon, Sabrina, Ambrose, Hilda, and Zelda are all having nightmares designed to cause them so much pain and anguish that they’ll reveal how to break the spell.

Ambrose’s nightmare is simple but effective.  The nightmare deals with Ambrose’s inability to leave the house.  The dream starts with him performing an autopsy on a corpse who looks just like him.  Ambrose even eats the corpse’s heart, leading to Hilda asking him what it tastes like.  “Bitter,” is the reply.  The self-cannibalism is interrupted by Father Blackwood announcing that Ambrose’s sentence has been commuted and he can leave the house.  However, before Ambrose can walk through that front door, he’s stabbed by Batibat and finds himself in morgue, being cut open by himself.  Agck!

Hilda’s nightmare is finding herself sewn to her Zelda.  Meanwhile, Zelda, in his nightmare, jealousy kills Hilda and then can’t bring her back to life.  It’s an interesting dynamic.  Hilda’s greatest fear is never escaping from Zelda’s shadow.  (She’s also apparently worried that Principal Hawthorne will ask her out, just to reveal that he absorbed his twin brother in the womb.)  Zelda’s greatest fear is losing Hilda.

(It’s also interesting that Zelda’s dream opened with her mocking the biblical version of Adam and Eve’s expulsion from the Garden of Eden but then quickly turned into a retelling of the story of Cain and Abel.  Just as with Cain, Zelda’s anger was sparked by her God’s preference for her sibling’s offering.  After Zelda killed Hilda, she even asked, “Am I my sister’s keeper?”)

And then Sabrina — oh my God, poor Sabrina.  I felt bad for her because I’ve had nightmares like the one that she had.  After dreaming that her school has become a combination of Baxter High and the Academy of the Unseen Arts, she also dreams that Harvey has asked her to marry him.  Even though everyone tells Sabrina that witches and mortal can never marry, Sabrina is convinced that things will work out with Harvey.  (Though, interestingly enough, Nick Scratch shows up pretty prominently in her dream, as well.  Considering that she only met Nick three days ago, it’s telling that Sabrina is already dreaming about him as a possible rival for Harvey.)  Sabrina even tells Harvey that she’s a witch and Harvey says he doesn’t mind.  Sabrina’s father comes back to life to walk Sabrina down the aisle.  However, as soon as Sabrina and Harvey marry, Harvey’s family turns on her.  While the mortals in the church scream at her, Sabrina sees that her side of the family, the witches, are resentfully refusing to come to her aide, leaving her with no one.  Sabrina is dragged away from the altar and tossed in an iron maiden!

Fortunately, for Sabrina, Ms. Wardwell is wandering through everyone’s dreams and she gives Sabrina some advice on how to escape.  Even more fortunately, Sabrina has a familiar named Salem….

Look, I’m as disappointed as anyone by the fact that we don’t actually get to hear Salem speak in Chilling Adventures of Sabrina.  That said, this was a great Salem episode.  Salem not only bravely distracted Batibat but he also gave Sabrina good, if unheard (by us), advice.  I have to admit that, considering how dark this series tends to get, I was a bit worried when Batibat started chasing Salem through the house.  Well, fear not!  Salem lives!

In fact, everyone lives, Batibat is once again imprisoned, and Sabrina finally figures out that Ms. Wardwell is more than just a reclusive teacher.  At the end of the episode, Sabrina is at Wardwell’s house, demanding to know “who and what” she is.

This was the best episode that I’ve seen so far.  Not only does this episode do a great job of capturing the twisty logic of dreams but it also provides insight into whose these characters are.  Of course, we already knew that Sabrina is conflicted over being half-human and half-witch but now, we know that she’s worried that the other witches will abandon her and that Harvey wouldn’t be strong enough to stand up for her if her secret got out.  We knew that Hilda felt inferior to Zelda but now, we know just how desperate Hilda is to escape her sister’s shadow.  And, at the same time, we now understand why Zelda will never allow Hilda to escape.  Zelda needs Hilda even more than Hilda needs Zelda.  And finally, this episode was elevated by Batibat, a frightening creation if there ever was one.  Batibat not only gave people nightmares but she was a nightmare herself.

Next episode: Sabrina confronts Ms. Wardwell!

Music Video of the Day: Vampire by Mai Lin (2017, dir by PANAMÆRA)


With Halloween only three days away, how could I resist a song and video about vampires?

I like this video because it has an enjoyably decadent, Eurohorror feel to it.  This seems like one of those films that would be dismissed when first released, just to then be rediscovered by audiences 20 years later.

On a personal note, if I ever become a vampire, I will use this video as my guide for how to behave.

Enjoy!

Lisa’s Week In Review: 10/22/18 — 10/28/18


It’s almost Halloween!

Movies That I Watched:

  1. Absurd (1981)
  2. Anaconda (1997)
  3. Antropophagus (1980)
  4. Blood for Dracula (1974)
  5. Carnival of Souls (1962)
  6. Count Yorga, Vampire (1970)
  7. The Dark Eyes of London (1939)
  8. Death Ship (1980)
  9. Deliverance (1972)
  10. Dellamorte Dellamore (1994)
  11. The Devil Bat (1940)
  12. Diary of the Dead (2007)
  13. Flesh for Frankenstein (1973)
  14. From Prada to Nada (2011)
  15. Honolulu (1939)
  16. The Hunger (1983)
  17. Manhunter (1986)
  18. The Male Animal (1942)
  19. Mark of the Vampire (1935)
  20. Mary Shelley’s Frankenstein (1994)
  21. The Mummy (1959)
  22. Night Monster (1942)
  23. The Room (2003)
  24. The Silence of the Lambs (1991)
  25. Teen Witch (1989)
  26. Thank Your Lucky Stars (1943)
  27. The Two Orphan Vampires (1997)
  28. Waxwork (1988)
  29. Waxwork II: Lost in Time (1992)

Television Shows That I Watched:

  1. 911
  2. Antiques Roadshow
  3. Camping
  4. Channel Zero
  5. Charmed
  6. The Chilling Adventures of Sabrina
  7. Dancing With The Stars
  8. The Deuce
  9. Face The Truth
  10. The Haunting of Hill House
  11. Heathers
  12. It’s Always Sunny In Philadelphia
  13. Jamestown
  14. King of the Hill
  15. Kolchak: The Night Stalker
  16. Manifest
  17. Parking Wars
  18. Shipping Wars
  19. South Park
  20. Survivor 37
  21. The Walking Dead
  22. The Woman In White
  23. You
  24. ZNation

Books That I Read:

  1. Beyond Terror: The Films of Lucio Fulci (1999) by Stephen Thrower
  2. David Warbeck: The Man and His Movie (1996) by Jason J. Slater and Harvey Fenton
  3. Spaghetti Nightmares (1996) by Luca Palmerini and Gaetano Mistretta

Music To Which I Listened:

  1. Big Data
  2. Broken Peach
  3. Coldplay
  4. Dillon Francis
  5. Goblin
  6. The Heavy
  7. Jean-Michel Jarre
  8. John Carpenter
  9. Lindsey Stirling
  10. Lost in Trees
  11. Muse
  12. The Orwells
  13. Peach Kelli Pop
  14. Radiohead
  15. Saint Motel
  16. Sleigh Bells
  17. Steve Aoki
  18. Thom Yorke

Links From Last Week:

  1. On Horror Critic, I reviewed Death Ship!
  2. On Reality TV Chat Blog, I reviewed the latest episode of Survivor!
  3. On my music site, I shared music from Radiohead, Jean-Michel Jarre, Lindsey Stirling, Muse, Coldplay, Steve Aoki, and Dillon Francis.
  4. On Sleeping Lisa (that’s my dream journal!), I shared a weird TCM dream, a weird car theft dream, and a weird kidnapping dream!
  5. On her photography site, Erin shared: A Very Large Puddle, Cemetery, Jake is Watching, Grave Marker, Watching, and Fog!
  6. The Death of FlimStruck and What We Can Do About It

Links From The Site:

  1. Case reviewed the first two episodes of Chilling Adventures of Sabrina!
  2. Erin celebrated Dracula and Frankenstein Through The Ages.  She reviewed It’s The Great Pumpkin, Charlie Brown and Eight Men Out.  She shared the following artwork: Terror From the Year 5,000, The Brain Eaters, The Amazing Colossal Man, War of the Colossal Beast, Invasion of the Saucer Men, I Was A Teenage Frankenstein, and How To Make A Monster!
  3. Gary reviewed Jungle Woman, The Invisible Man’s Revenge, The Mummy’s Ghost, The Mummy’s Curse, Jungle Captive, Snake People, House of Dracula, and House of Horrors!  He shared some Alice Cooper and wrote about a Halloween double feature!
  4. Jeff shared a music video from Nekrogoblikon and reviewed Fatal Bond, All-American Murder, Spellcaster, Old Dracula, Beaks, An American Vampire Story, and Dead of Winter!  He also shared the weekly trailer round-up!
  5. I reviewed a lot of stuff, too much to really list.  Check out my thoughts of episodes 3 and 4 of Chilling Adventures of Sabrina!
  6. Ryan reviewed Late Era Clash, Sphere Fear, and The Blackwell Ghost.  He also shared his weekly reading round-up!

To see what I did last week, click here!

Have a safe Halloween everyone and I hope you enjoy the last three days of TSL’s Horrorthon!

Horror on TV: Kolchak: The Night Stalker 1.18 “The Knightly Murders” (dir by Vincent McEveety)


Tonight on Kolchak….

The armor of a 12-century knight is possessed and determined to keep anyone from harming the museum in which it is currently housed.  This includes anyone who might want to build a nightclub nearby.  With the armor trying to prevent Chicago from enjoying disco, it’s up to Carl Kolchak to report the story and solve the case!

I like this episode because it features a holy ax.

This episode originally aired on March 7th, 1975.

Enjoy!

Cold Terror: Dead of Winter (1987, directed by Arthur Penn)


Katie (Mary Steenburgen) is a struggling actress with an out-of-work husband (William Russ) and a deadbeat brother (Mark Malone).  Desperately in need of money, Kate goes to an open audition and is immediately hired by Mr. Murray (Roddy McDowall), who explains that Katie will have to meet with one of the film’s investors, the wheelchair-bound Dr. Lewis (Jan Rubes).  In the middle of a raging snowstorm, they go to Dr. Lewis’s home and, once they’ve arrived, Katie discovers that she is meant to replace an actress who looked exactly like her but who Dr. Lewis claims had a nervous breakdown.  She’s told that she must stay the night so she can meet the director in the morning and when she tries to call her husband to let him know where she is, the line is dead.  (For those born after 1996, the line being dead was the 80s equivalent of not being able to get a signal.)  Dr. Lewis says it must be due to the storm but he promises to have Mr. Murray take her into town in the morning.  Of course, the next morning, the car doesn’t start and it becomes clear that Dr. Lewis is not planning on ever letting Katie leave his home.

Dead of Winter is a throw-back to the type of gothic, damsel-in-distress films that actresses like Nina Foch, Ingrid Bergman, and Linda Darnell used to make back in the 1940s and 50s.  If you can accept that anyone could ever be as naive as Katie, it’s not that bad of a thriller.  Director Arthur Penn fills his movie with homages to Hitchcock and the scene where a drugged Katie wakes up to discover that she’s missing a finger is an effectively nasty shock.  By the end of the movie, Mary Steenburgen has played three different characters and she does a good job as all three of them.  Jan Rubes makes Dr. Lewis’s too obviously evil but Roddy McDowall is great as the polite but psychotic Mr. Murray.  When Mr. Murray sees that Katie has tried to escape by climbing out a window, he yells, “Oh dear!” and only Roddy McDowall could have pulled that off.

Dead of Winter was Arthur Penn’s second-to-last theatrical film.  After making films like Bonnie and Clyde, Little Big Man, and Alice’s Restaurant, Penn’s career went into decline as the American film industry became increasingly centered around blockbusters and Penn’s cerebral approach fell out of favor.  After Dead of Winter, Penn would direct Penn & Teller Get Killed before returning to his roots as a television director.  Penn ended his long and distinguished career as an executive producer on Law & Order.