The TSL Horror Grindhouse: Snuff (dir by Michael Findlay, Horacio Frederiksson, and Simon Nuchtern)

Posted on October 6, 2023 by Lisa Marie Bowman

For a film that has a reputation for being one of the most controversial ever to be released, Snuff is incredibly boring.

Filmed in Argentina in 1971 as Slaughter, the majority of this film deals with a cult leader whose name is Satan (Enrique Larratelli). Satan pronounces his name with the emphasis on the second syllable, so that it sounds less like the name of the Lord of the Darkness and more like, “Sah-TAN.” I guess even he understood that the importance of not being too obvious when it comes to naming yourself. That said, everything about Satan indicates that he worships the Devil so I’m not really sure why he felt the need to get all fancy with the pronunciation of his name. Interestingly enough, Satan does not have a last name. I imagine that if he did have a last name, he would be one of those pretentious people who would try to spruce up his last name with a “von” or “de,” like Satan von Smith or Satan de Jones.

Anyway, Satan has a group of followers. They’re all young women who ride motorcycles and who look like hippies but they’re actually knife-wielding murder groupies. Over the course of the film, they seduce several men and then kill them. One of them carries a knife in the waistband of her panties, which is not something that I would ever have the courage to do because, seriously, if you sit down at the wrong angle or trip and fall, you’re probably going to have blood everywhere.

An actress named Terry London (Mirta Massa) comes to Argentina with her boyfriend and producer, Max Marsh (Aldo Mayo). They’re going to be making a movie but mostly, Terry just wants to sleep and hang out around their mansion. Some of Terry’s decadent Hollywood friends show up for the carnival. Someone dies and I assume he was a friend of Terry’s. Satan and his followers start plotting to attack and kill all of the Hollywood phonies and their rich friends. Satan is especially offended that one of them is the son of an arms dealer. Satan is about world peace, don’t you know.

Anyway, if you’re dumb enough to actually get caught up in the story of Satan and his followers, prepare to be disappointed because that story ends abruptly and without resolution. Instead, some woman that we’ve never seen before suddenly declares that the movie is turning her on and an actor who is supposed to be the director of the movie proceeds to dismember her while the cameras roll. The idea is that the crew of the movie actually murdered a woman, filmed it, and then decided to release the move into theaters because it’s not like people get prosecuted for murder or anything….

Of course, the murder footage was faked. It’s painfully obvious that it was faked, just as its obvious that the footage was shot long after filming was completed on Slaughter. It’s not even the same film stock. But, in 1976, when Slaughter was released under the name Snuff, there were actual protestors who showed up at the theaters and claimed that the footage was real. Some of those protestors were hired by the film’s distributor but reportedly, some of them were actual grass roots activists who believed what they had heard. As a result, this extremely dull film became a box office success. In New York City, it was the number one film in theaters for three weeks.

Controversy sells and Snuff will always have a place in the history of grindhouse films. That said, the film itself is pretty much unwatchable. If you’re going to watch it, hire someone to come march outside of your house with a sign to keep things interesting. Otherwise, prepare for boredom.

The Eric Roberts Horror Collection: Dark Image (dir by Chris W. Freeman)

Posted on October 6, 2023 by Lisa Marie Bowman

2017’s Dark Image tells the story of two twins.

Jessica and Jayden Browne (April Eden) were two musical prodigies who spent their entire youth either practicing or performing under the guidance of their mother, Phyllis (Leslie Easterbrook). One night, while Phyllis was at the opera with her brother, Alex (John Aprea), someone broke into the house and murdered one of the twins. The surviving twin had a nervous breakdown and soon found herself in a mental hospital, where she was watched over by her uncle Alex.

Assigned to investigate the case was Detective Billy Watts (Thomas Downey), who quickly came to believe that the murderer was the groundskeeper, Ogden Edwards (Ed O’Ross). After one particularly grueling interrogation, Ogden left the police station, got drunk, and then drove to Watts’s home to confront him. Unfortunately, the drunk Ogden not only crashed his car on Billy’s lawn but he also ran over Billy’s son, who only wanted to stay up late so he could watch fireworks. When Ogden was acquitted of murder, Billy swore vengeance and was quickly suspended from the force by Captain Fanning (Eric Roberts).

Now, the surviving twin has finally stopped hearing voices and is planning on spending the weekend at the house where the murders took place. She’s hoping that staying at the house will lead her to remember something. Alex sends his daughter, Lindsey (Eve Mauro), along to keep an eye on the twin but that turns out to be a bit of a mistake as Lindsey is kind of a drunk. Alex also asks Billy to keep an eye on the house but, again, that plan falls apart when Billy sees Ogden Edwards stumbling around the property.

From the minute she and Lindsey arrive at the house, the surviving twin starts to hear voices and see shadows moving in the dark. When she and Lindsey go out to a bar, everyone in the place briefly appears to be a faceless demon. Could it perhaps be connected to a mysterious note that the twin found in the house, the one that featured a reference to Dante’s Inferno and suggested that the house itself might be a gateway to Hell? Well, that’s always a possibility!

There are plenty of things about Dark Image that don’t make much sense. For instance, the twin is continually freaking out and screaming about her visions but nobody around her ever seems to view that as being particularly strange. The twin’s plan for going back to the house doesn’t make much sense (though, to the film’s credit, it does offer up an explanation as to just why exactly the twin actually did decide to return) and it also doesn’t make sense that Lindsey would agree to accompany her. As soon as Lindsey arrives at the house, she’s drinking wine and joking about picking up men at the bar and you have to wonder why she’s apparently not creeped out about the idea of spending the weekend at the house where one her cousins was brutally murdered by a killer who was never captured. The fact that Lindsey’s an alcoholic can only excuse so much.

That said, though, Dark Image is entertaining as long as you don’t spend too much time worrying about the film’s logic. If you just watch it for the atmosphere and for April Eden’s intense performance, Dark Image is a perfectly serviceable horror thriller that has a decent number of twists and one effectively creepy scene where Eden is menaced by a shadowy figure while taking a shower. Ed O’Ross does a good job playing Ogden Edwards and the ending of the film is properly macabre. It’s an effective film when taken on its own terms.

As for Eric Roberts, he only appears in two scenes but it’s always fun to see him. He plays the somewhat sarcastic police captain who is constantly telling his detectives to do it by the book. Eric Roberts is always entertaining when he’s playing a character in a bad mood.

Previous Eric Roberts Films That We Have Reviewed:

Zombex (2013, directed by Jesse Dayton)

Posted on October 6, 2023 by Jedadiah Leland

In the aftermath of Hurricane Katrina, the residents of New Orleans are suffering from PTSD. Chandler Pharmaceuticals introduces a new pill called Zombex that they claim can conquer the symptoms of PTSD. Because of the crisis, the pill is given rushed approval by the government and introduced to the citizens of Louisiana.

Zombex has one unfortunate side effect. If you take too many of them, you turn into a zombie and start eating all of the people around you. With New Orleans besieged by zombie drug addicts, the government closes the airspace. Even though there are reports of a cure that has been developed in Austin, no one can catch a plane. A group of people, including an annoying talk show host named Aldous Huxley (Lew Temple), get in their cars and head off for Austin.

Zombex is a zombie film with a message. Don’t trust big pharma. Don’t trust mood-altering drugs. Don’t trust the government. They’re all good messages but the film’s execution is lacking, with thinly drawn characters and action that moves slowly. The character of Aldous Huxley is especially hard to take, as he never stops talking, even though all of his talking often seems to slow down the effort to get to Austin. Since the only cure for the zombie apocalypse is in Austin, it seems like our heroes should be in more of a hurry to get there. Instead, they stop ever chance they get. Even though they always seem to get attacked by zombies whenever they stop off somewhere, they still keep doing it. It doesn’t make much sense.

As is typical of films like this, there are plenty of familiar actors in small roles. Malcolm McDowell plays the man who developed the drug. His name is Prof. Soulis, which is pronounced “soul-less.” (Tell us how you really feel, movie.) Corey Feldman shows up for a minute as one of Soulis’s co-workers. Sid Haig plays a big bad army man. Kinky Friedman plays a guard. Even Slayer’s Tom Araya gets a blink and you’ll miss it appearance.

Zombex takes on Big Pharma, which it should, but the film doesn’t live up to its intentions.

Horror Scenes I Love: Lon Chaney, Jr. in The Wolf Man

Posted on October 6, 2023 by Lisa Marie Bowman

Ah, Lon Chaney, Jr.

He was the son of a famous man and, like many sons of famous men, he often struggled to escape his father’s shadow. While he would never be mistaken for a man of a thousand faces, Lon Chaney, Jr. did make a name for himself as Larry Talbot, the unfortunate man who found himself cursed to turn into the Wolf Man whenever the man was full. Chaney spent the majority of his career appearing in horror films and, later, westerns. Not only did he play The Wolf Man but he was also one of the many actors to take a shot at playing both Frankenstein’s Monster and Dracula. Later, he would appear in a series of low budget horror films that, quality-wise, were often a far cry from his best-known films. That said, he was also a favorite of producer/director Stanley Kramer, who cast him in both High Noon and The Defiant Ones and who once said that Chaney was one of the finest character actors in Hollywood.

In today’s scene that I love, Larry Talbot learns the facts about being a werewolf. From 1941’s The Wolf Man, here is Lon Chaney, Jr in his signature role.

October True Crime: Happy Face Killer (dir by Rick Bota)

Posted on October 6, 2023 by Lisa Marie Bowman

2014’s Happy Face Killer is loosely-based on the real-life crimes of Keith Hunter Jesperson.

Jesperson was a truck driver who, in the early 90s, murdered at least eight women in six different states. (Jesperson later claimed that he murdered over 160 but no one knows if that’s true or not. For his part, Jesperson has a habit of retracting his confessions shortly after giving them.) The product of an abusive childhood, Jesperson’s trademark was drawing a smiley face on either the bodies of his victim or on the locations where he dumped them. A good deal of Jesperson’s crime spree was inspired by anger that someone else had falsely confessed to one of his murders. Jesperson left graffiti in truck stops all over Oregon, letting people know that the “Happy Face Killer” was still out there.

In The Happy Face Killer, Jesperson is played by David Arquette. The film makes good use of Arquette’s naturally goofy screen persona, showing how a serial killer like Jesperson could convince someone to climb into his truck in the first place. Arquette plays Jesperson as someone who comes across as being maybe a little bit nerdy and little but off-center but who still manages to present himself as being a likable guy. It’s only once he has his victim alone in his truck that Jesperson allows the mask to slip and reveals his true self. Whether making overly glib videos in which he brags about being a murderer or considering whether he should let one potential victim live because she has a baby, Arquette portrays Jesperson as being an all-too plausible and familiar monster. The film’s best moments are the ones where Jesperson is struggling to hold up his façade of normality. It’s those scenes that make the viewers realize that we’ve all probably known a Keith Jesperson or two. Indeed, I think one reason why serial killers have such a hold on the culture right now is because it’s totally possible that anyone of us might know one. Who knows what their neighbors or their co-workers are really doing behind closed doors?

Where the film falters is in its portrayal of the investigation that led to Jesperson’s eventual capture. In real life, Jesperson panicked after the police questioned him about reports that he had been seen with some of the Happy Face Killer’s victims. Afraid that he was going to be arrested, Jesperson twice attempted (and failed) to commit suicide before eventually turning himself in and confessing to the crimes in hopes of getting a lenient sentence. In the film, the investigation is headed up by a tough-as-nails FBI agent (played by Gloria Ruben), who is haunted by the murder of her sister and who spends a lot of time apologizing to dead bodies and fighting the forces of the patriarchy. The scenes with Ruben feel a bit too derivative of every other serial killer film that has ever been made and Ruben’s flat performance fails to bring much depth to her one-note character. The scenes of Ruben snapping at the condescending men who think that a woman can’t catch a serial killer feel less like empowerment and more like pandering.

The Happy Face Killer is at its most effective when it focuses on the loneliness of the late night truck stop and the danger hiding behind the smiling face of the seemingly friendly man offering you a ride. David Arquette gives a frightening performance as the soulless Jespersen. In real life, Keith Jespersen is currently serving four life sentences and will hopefully never see the outside of a prison again.

4 Shots From 4 Films: Special Lamberto Bava Edition

Posted on October 6, 2023 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order! That’s right, we’re going from Argento to Zombie in one month!

Today’s director in Lamberto Bava, one of the most underrated directors in the history of Italian horror cinema.

4 Shots From 4 Lamberto Bava Films

A Blade In The Dark (1983, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Demons (1985, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Midnight Killer (1986, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Delirium (1987, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Horror Film Review: Black Friday (dir by Arthur Lubin)

Posted on October 6, 2023 by Lisa Marie Bowman

The 1940 film, Black Friday, opens with Dr. Ernest Sovac (Boris Karloff), a once-respected scientist, being led out of his cell on Death Row and being taken to the electric chair. As he enters the death chamber, he hands one of the gathered reporters his journal. Dr. Sovac says that he wants the reporter to know the true story of how he came to be on Death Row. While the police strap Dr. Sovac into the electric chair, the reporter reads the journal.

It’s flashback time!

Months earlier, Dr. Sovac’s best friend, an befuddled English professor named George Kingsley (Stanley Ridges), is nearly fatally injured when he has the misfortune to get caught in the middle of an attempt to assassinate a gangster. In order to save George’s life, Sovac performs a brain transplant, giving George part of the gangster’s brain. George does recover but now he’s got the gangster inside of his head, trying to take control. Much like Dr. Jekyll, George continually switches identities and becomes a viscous hoodlum who is looking for revenge against those who betrayed him, including gang boss Eric Marnay (Bela Lugosi).

Dr. Sovac, however, is more concerned with the fact that, before he died, the gangster apparently hid a good deal of money somewhere. Sovac wants that money for himself so that he can build his own laboratory and hopefully help other people with otherwise incurable brain conditions. Sovac tells himself that, once he gets his hands on the money, he can find a way to rid George of his evil alternative personality. But until George finds the money, Sovac is content to allow George to continue turning into a murderous gangster. Things, however, come to a head when George starts to threaten Sovac’s daughter (Anne Gwynne).

Black Friday is yet another Universal Horror Film featuring Boris Karloff was a mad scientist. What makes Dr. Sovac a compelling character is that he starts out with the best of intentions. He just wants to save the life of his best friend and Sovac’s desperation is increased by the fact that George himself was just an innocent bystander when he was injured. Later, when Sovac starts searching for the gangster’s money, his intentions are again not necessarily bad. He sincerely wants to do some good with that money and he uses those good intentions to justify allowing George to do some very bad things. In the end, Sovac becomes so obsessed with being able to fund his laboratory that he loses sight of the price that both he and George are having to pay. Karloff does a great job of playing Sovac, showing how a kind man manages to lose track of his morals until it is too late. Stanley Ridges is also well-cast as George and does an excellent job of switching back and forth from being a befuddled professor to a ruthless gangster. There’s an excellent scene in which George, attempting to teach his class, suddenly hallucinates that all of his students have become gangsters. Ridges does a great job playing it.

Reportedly, the film was originally conceived with Karloff playing George and Bela Lugosi playing the role of Dr. Savoc. However, Karloff said that he would rather play Savoc and, as such, Lugosi lost a role for which he probably would have been very well-cast. Since Lugosi was a bit too naturally sinister for the role of George, he instead had to settle for a small role as a gang leader. Lugosi, it should be said, is a convincing gangster but it’s still hard not to be disappointed that, in this film, he and Karloff don’t share any scenes together.

Previous Universal Horror Reviews:

Live Tweet Alert: Join #FridayNightFlix For A Force of One!

Posted on October 6, 2023 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1979’s A Force of One, starring the one and only Chuck Norris!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.

A Force of One is available on Prime! See you there!

Horror On The Lens: The Man Who Changed His Mind (dir by Robert Stevenson)

Posted on October 6, 2023 by Lisa Marie Bowman

In this film from 1936, Anna Lee plays Dr. Clare Wyatt, who leaves behind her reporter boyfriend (John Loder) so that she can accept a job working with the eccentric scientist, Dr. Laurience (Boris Karloff). Dr. Laurience lives in a spooky mansion with a sarcastic, wheelchair-bound assistant (Donald Calthorp). It turns out that Dr. Laurience believes that he has discovered how people can switch minds and bodies. The scientific community ridicules Dr. Laurience but soon, Laurience is putting his theories to the test. Dr. Laurience finds himself falling in love with Clare but he knows that she’s in love with her suspicious boyfriend. What if Dr. Laurience changed his mind?

This is an entertaining British production, featuring almost the entire cast playing more than one role as various minds are moved into different bodies. That said, the film is dominated by the great Boris Karloff, who gives one of his most enjoyable performances as the mad Dr. Laurience. Though Karloff became a star playing the Monster, he always seemed happier whenever he got to play the mad scientist.

October Positivity: Finding Faith (dir by Justin Rossbacher)

Posted on October 5, 2023 by Lisa Marie Bowman

The 2013 film, Finding Faith, opens with a skeezy-looking man attempting to abduct a teenage girl. Of course, what the man doesn’t know is that the girl is not a teenager at all. Instead, she’s an undercover cop who has spent the last few days engaging in online conversations with the man who tried to kidnap her. The man is arrested and, as he’s taken away, she comments that she’s glad she won’t have to spend anymore time chatting with him.

Indeed, it’s dangerous world out there. We tend to laugh about Nigerian prince emails and painfully obvious phishing scams but there’s a lot of unsavory people lurking around online. Faith Garrett (Stephanie Owens) is an intelligent and popular high school cheerleader who thinks that she’s met a cute boy online. However, as she soon learns, she wasn’t actually talking to Eddie Blue. Instead, she was talking to a methhead redneck who was talking to her so that he could figure out the best way to track her down and abduct her. In New Jersey, there’s a warehouse that is full of abducted teenage girls who are scheduled to be sold to the highest bidder and Faith’s abductor feels that he’ll be able to make a lot of money off of her.

If this sounds familiar, you’ve probably seen Taken or one of the many movies that was inspired by that film. Or maybe you’ve seen one of the countless Lifetime films in which a mother is forced to grab a gun and rescue her daughters from the people who have kidnapped them. Finding Faith does feature some gunplay. Erik Estrada plays Sheriff Mike Brown, who is in charge of the investigation into Faith’s abduction. Sheriff Brown carries a gun and so do the people working for him. That said, Finding Faith puts much more emphasis on the power of prayer than the power of firearms. Faith prays. Faith’s father prays. Sheriff Brown prays. You know who doesn’t pray? The kidnapper.

Finding Faith is based on a true story. Indeed, the film was executive produced by the real Sheriff Mike Brown and, judging from some of the performances, it wouldn’t surprise me if some of the film’s cops were played by actual cops. Because the film is based on a true story and because the threat of being abducted by someone who has been stalking you online actually is something that most people should be aware of, it’s a bit disappointing that Finding Faith isn’t a better movie. Unfortunately, it’s a bit overlong and it’s plagued with slow spots. On the plus side, Stephanie Owens gives a good performance in the lead role of Faith. Erik Estrada tersely delivers his heavy-handed narration and delivers most of his other lines through clenched teeth. Estrada is one of those actors who never lets you forget that he’s acting. As a result, he can be entertaining to watch but, at the same time, watching him tends to take the viewer out of the reality of the film. As an actor, Estrada is better-served by films like Guns than films like Finding Faith.

That said, the film’s final message is to be careful out there and that’s definitely a good idea!