A Movie A Day #253: Year of the Scab (2017, directed by John Dorsey)


In 1987, two weeks into the season, the National Football League Player’s Association went on strike.  In the past, player strikes had led to cancelled games and shortened seasons.  But in 1987, the owners fought back.  Instead of cancelling games, they brought in replacements.  Some of the replacements were former college players.  Some were players that were recruited from the Canadian leagues or the recently folded USFL.  Some of them were just locals who could throw a ball or kick a field goal.  They were called scabs and, at first, they were hated by the fans.  But for three weeks, they were the NFL.

Year of the Scab, the latest entry in ESPN’s 30 for 30 documentary series, is about the players who (briefly) played for the 1987 Washington Redskins, the only team to be 100% made up of replacements.  To the shock of everyone, while the team’s stars were walking the picket line, the replacement players won all three of their games, including one against the Dallas Cowboys.  For three weeks, the scabs were stars but, when the strike ended, the replacements were cut and ultimately forgotten.  When the Redskins won the super bowl, the replacements got to join the team at the White House but they did not receive rings.  As one of the replacement players puts it, “Even the girl who answered the telephones in the front office got a ring.”

The most interesting part about Year of the Scab are the interviews with the former replacements today.  Some are still involved in football, coaching high school teams.  One works in a warehouse.  Tony Robinson was paroled from prison so that he could play for the Redskins and then returned to prison as soon as the season was over.  All of them are still emotional about their time in the NFL and, to varying degrees, all of them are aware that, because of their status as scabs, they will never receive the recognition that their gameplay deserved.  Some of them still struggle with their decision to cross the picket line while others just wish they had gotten a ring.  (One player even had a duplicate super bowl ring made but he laments that it’s still not the same as having the real thing.)  Year of the Scab is an interesting and thought-provoking documentary about opportunities received and lost.

Stone Cold: Charles Bronson in THE MECHANIC (United Artists 1972)


gary loggins's avatarcracked rear viewer

Stone-faced Charles Bronson is perfect as an ice-cold, classical music loving hit man who mentors young Jan-Michael Vincent in 1972’s THE MECHANIC. I’d say this is one of Charlie’s best 70’s actioners, but let’s be serious – they’re ALL damn entertaining!

Arthur Bishop (Bronson) takes his work seriously, meticulously planning every assignment he receives from his Mafia boss (Frank De Kova ). Given a job to kill family friend Big Harry McKenna (Keenan Wynn), Bishop does the deed with chilling precision. McKenna’s son Steve (Vincent) is a stone-cold sociopath himself, and soon worms his way into becoming Bishop’s apprentice. Their first caper together goes sour, bringing Bishop’s boss much displeasure. Bishop’s next hit takes the two overseas to Naples, where they’re set up to be killed themselves, resulting in a violent conclusion and a deliciously deadly twist ending.

Bronson, after over twenty years and 50 plus movie roles, became…

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What Lisa Watched Last Night #171: Ten: Murder Island (dir by Chris Robert)


Last night, Drink Slay Love was not the only Lifetime premiere that I watched.  I also watched Ten Murder Island!

Why Was I Watching It?

The obvious answer, of course, is that it was on Lifetime and, whenever I review a Lifetime film, this site gets an upsurge in clicks.

But, beyond that, I liked the commercials for Ten: Murder Island.  They looked moody and atmospheric.  When I read that the movie was about ten people being stalked and murdered on an island, I immediately was reminded of Harper Island, a.k.a. the scariest TV show ever.  How could I not watch, right?

What Was It About?

Ten teenagers have gathered at a house that’s located on an isolated island.  They’re throwing a weekend party but a storm not only knocks out all the power but also everyone’s phone signal.  Add to that, someone on the island is killing everyone, one by one.  Uh-oh!

Why are they being targeted?  Does it have anything to do with Claire Hicks, an unpopular student who committed suicide shortly after homecoming?  Considering that pages ripped from her journal keep appearing at every murder scene, that would seem to be a safe bet.  Will the smart and studious (and kinda boring) Meg (China Anne McClain) be able to figure out what’s happening before everyone’s dead?  And will her pseudo-boyfriend TJ (Rome Flynn) ever come clean about what happened at homecoming?

What Worked?

Both the house and the island were well-chosen locations and, visually, the film had a memorably spooky atmosphere.  If nothing else, while you were watching Ten, you were convinced that anyone could die at any moment.  No one seemed to be safe.  The deaths themselves were, for a Lifetime film, surprisingly graphic and rather mean-spirited.  This killer wasn’t missing around.

I especially liked the flashback scenes that accompanied the reading of Claire’s journals.  They were well-handled, with everyone’s face literally scratched out and obscured, keeping you guessing as to who Claire was writing about.

What Did Not Work?

As I watched Ten: Murder Island, I couldn’t help but be bothered by the fact that no one on the island really seemed to be that upset by the fact that all of their friends were being brutally and gruesomely murderer.  Meg and TJ would get upset whenever they stumbled across a body but, in the very next scene, they would be laughing and flirting and teasing each other about homecoming.

This movie also featured a truly cringeworthy line that was uttered right after Meg learned the terrible truth about what happened at homecoming.  After learning about a truly terrible thing that happened, Meg turns to TJ and exclaims, in all sincerity, “I didn’t realize I meant that much to you!”  Now, I can’t say too much without spoiling the movie but, just to indicate how inappropriate this response felt, this is what I tweeted as soon as I heard the line:

I mean, it’s generally accepted that the majority of characters in a movie like this are going to be douchebags but Ten: Murder Island really abused the privilege.

“Oh my God!  Just like me!” Moments

I totally related to Kumiko (Annie Q), who was the sarcastic girl who had no hesitation about accusing Meg of being a murderer and who seemed to be more annoyed than terrified by the all the lethal drama going on around her.

Lessons Learned

There’s only one Harper’s Island.

A Movie A Day #252: The Death Collector (1976, directed by Ralph De Vito)


Jerry Bolanti (Joe Cortese) is a cocky loud-mouth who has just returned to New Jersey after serving a prison sentence.  Jerry needs a work so a mid-level gangster named Tony (Lou Criscuolo) hires Jerry as a debt collector.  The problem is that Jerry is just not very good at his job.  His attempt to collect money from Bernie Feldshuh (Frank Vincent) leads to Bernie hiring a legendary hitman (Keith Davis) to kill Jerry.  Despite working with two experienced enforcers, Joe (Joe Pesci) and Serge (Bobby Alto), Jerry’s next job is just as unsuccessful and leads to even more unnecessary deaths.  Tony starts to wonder if maybe he made a mistake giving a job to Jerry and, unfortunately, no one simply gets fired from the Mafia.

A low-budget and nihilistic film, The Death Collector occupies a strange place in film history.  Though it was largely ignored when it was first released, one of the few people who did see it was actor Robert De Niro.  De Niro brought the film to the attention of Martin Scorsese, who was casting Raging Bull at the time.  Both Joe Pesci and Frank Vincent made their film debuts in The Death Collector and, after watching the movie, Scorsese cast both of them in Raging Bull.

The rest is history:

In Raging Bull, Pesci beats up Vincent.

In Goodfellas, Pesci kills Vincent.

In Casino, Vincent finally gets to kill Pesci.

If not for The Death Collector, Frank Vincent would never have told Joe Pesci to “get your fucking shinebox.”  If not for The Death Collector, Joe Pesci would never have thrown Frank Vincent in that trunk.  It all started with The Death Collector.

As for the film itself, The Death Collector was filmed on location in New Jersey and it occasionally has a raw and intense grittiness but it suffers because there’s never any reason to care about Jerry.  He starts the movie as an asshole and he ends the movie as an asshole and Joe Cortese’s bland performance fails to make Jerry into a compelling antihero.  The Death Collector works best whenever Vincent and Pesci are on-screen.  Pesci’s performance is slightly toned down version of the hyped-up maniacs that he became best known for playing while Vincent shows that, even in his first film, he was already a master at playing slightly ridiculous tough guys.

The Death Collector can also be found under the title, Family Enforcer.  It’s been released on DVD by several companies, all of which claim that the film “stars” Joe Pesci.  My copy has a picture of Pesci that was lifted from 8 Heads In A Duffel Bag on the cover.

What Lisa Watched Last Night #170: Drink Slay Love (dir by Vanessa Parise)


Last night, I watched a new Lifetime film, Drink Slay Love!

Why Was I Watching It?

Because it was on Lifetime, of course!

Plus, it was a Canadian film about vampires.  I love Canada and I love vampires!  Ever since that episode of Degrassi where Emma got a “social disease” while playing Mina in a school production of Dracula, Canada and vampires have mixed well.

(Now, I should admit, that, while watching Drink Slay Love, I was also watching a film called The Dead Don’t Die on YouTube.  I’m a big believer in multitasking.)

What Was It About?

Pearl (Cierra Ramirez) has a life that most of us can only have erotically-themed nightmares about.  She’s a sixteen year-old vampire princess.  She’s headstrong.  She’s a little bit bratty.  She’s convinced that nothing can hurt her.  Even after she’s the victim of an attempted staking, she still insists on going out in the middle of the night by herself.  On the plus side, Pearl doesn’t attack animals.  She only attacks humans, especially Brad, the poor guy who works at a 24 hour ice cream parlor and who never remembers Pearl’s nightly visits, in which she always gets a scoop of mint ice cream and a pint of blood.

However, everything changes when it’s discovered that Pearl is immune to sunlight!  She is a rare vampire who can actually walk around in the daylight.  This leads to her parents getting the brilliant idea of sending Pearl to high school.  There’s a big feast coming up and apparently, teenage blood is in high demand.  However, once Pearl arrives at the school, she starts to make friends, almost despite herself.  She starts to do the type of things that teenagers in Lifetime movies always do.  How can she set her new friends up to be the main course?

Of course, some of her new friends have secrets of their own.  You know how that goes…

What Worked?

This was a nice change of pace for Lifetime.  After endless movies about obsessive stalkers and stolen babies and bad celebrity lookalikes, it was nice to see something different on Lifetime.  I’m going to guess that Drink Slay Love was made with October in mind and really, this is a good movie for people who want celebrate Halloween without getting traumatized.  It’s not particularly scary but it’s got vampires and it’s enjoyably silly.

Cierra Ramirez did a good job as Pearl.  Pearl is a very sardonic vampire, which is the best type of vampire to be.  Ramirez delivered her sarcastic dialogue with just the right amount of bite.  (Heh heh, see what I did there?)

If the director’s name seems familiar, that’s because Vanessa Parise has directed several Lifetime movies.  She does a good job with Drink Slay Love, keeping the story moving at a good pace and getting good performances from the entire cast.

What Did Not Work?

To be honest, I liked the whole film.  Even the occasionally sketchy CGI added to the film’s charm.

“Oh my God!  Just like me moments!”

I related to Pearl.  Well, I didn’t necessarily relate to the blood sucking.  But I was really sarcastic when I was sixteen, too.  Plus, I always used to dress in black and then dare anyone to make a comment about it… (Actually, not that much has changed since then…)

Lessons Learned

Canada and Vampires are a good combination!

A Movie A Day #251: Cisco Pike (1972, directed by Bill L. Norton)


Yesterday, the great character actor Harry Dean Stanton passed away at the age of 91.   Cisco Pike is not one of Stanton’s best films but it is a film that highlight why Stanton was such a compelling actor and why his unique presence will be missed.

Cisco Pike (Kris Kristofferson) is a musician who has fallen on hard time.  After having been busted several times for dealing drugs, Cisco now just wants to spend time with his “old lady” (Karen Black) and plot his comeback as a musician.  However, a corrupt narcotics detective, Leo Holland (Gene Hackman), approaches Cisco with an offer that he cannot refuse.  Holland has come into possession of 100 kilos of marijuana.  He wants Cisco to sell it for him and then Leo plans to take the money and retire.  Cisco has the weekend to sell all of the weed.  If he doesn’t, Holland will arrest him for dealing and sent him back to prison,

About halfway through this loose and improvisational look at dealers, hippies, and squares in 1970s Los Angeles, Harry Dean Stanton shows up in the role of Jesse Dupree, an old friend and former bandmate of Cisco’s.  Jesse is a free-living wanderer, too old to be a hippie but too unconventional to be a member of the establishment.  Unfortunately, Jesse also has a nasty heroin habit.  Jesse Dupree is a prototypical Harry Dean Stanton role.  Like many of Stanton’s best roles, Jesse may be sad and full of regrets but he is not going to let that keep him from enjoying life.  Stanton may not appear in much of the film but he still takes over every scene in which he appears.

Stanton is, by far, the best thing about Cisco Pike.  As always, Gene Hackman is entertaining, playing the inverse of The French Connection‘s Popeye Doyle and Karen Black is her usual mix of sexy and weird.  The weakest part of the movie is Kris Kristofferson, who was still a few years away from becoming a good actor when he starred in Cisco Pike.  It is interesting to consider how different Cisco Pike would have been if Stanton and Kristofferson had switched roles.  Stanton may not have had Kristofferon’s movie star looks but, unlike Kristofferson, he feels real in everything that he does.  With his air of resignation and his non-Hollywood persona, Stanton brought authenticity to not only Cisco Pike but to every film in which he appeared.

Along with Stanton, several other familiar faces appear in Cisco Pike.  Keep an eye out for Roscoe Lee Browne, Howard Hesseman, Viva, Allan Arbus, and everyone’s favorite spaced-out hippie chick, the one and only Joy Bang.

Rockin’ in the Film World #12: The Monkees in HEAD (Columbia 1968)


gary loggins's avatarcracked rear viewer

The Monkees (Davy Jones, Mickey Dolenz, Peter Tork, and Mike Nesmith) brought rock’n’roll to TV with their mega-successful 1966-68 musical sitcom. Inspired by The Beatles’ onscreen antics in A HARD DAY’S NIGHT and HELP!, producers Bob Rafelson and Bert Schneider cast four fresh-faced youths (Jones was a Tony nominee for OLIVER!, Dolenz had starred in TV’s CIRCUS BOY, Tork and Nesmith were vets of the folk-rock scene), hired some of the era’s top songwriters (Gerry Goffin & Carole King, Tommy Boyce & Bobby Hart, Neil Diamond, Harry Nilsson) and session musicians (Hal Blaine, James Burton, Glen Campbell  , Carol Kaye), and Monkeemania became a full-fledged teenybop pop phenomenon.

Detractors (and there were many) in the music biz called them ‘The Pre-Fab Four’, looking down their noses at The Monkees while looking up as hits like “I’m a Believer”, “Daydream Believer”, and “Pleasant Valley Sunday” climbed to the top of the…

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Free Movies for all!


Going to try something new and if this catches on I’ll keep it going with them.

A list of movies that you can stream absolutely free, no logins, no subscriptions, no add-ons, no payments, just free movies*.  I’m thinking 4-5 movies per weekend spaced across several genres of movies; Comedy, Drama, Family/Kid-friendly,  Horror, Sci-Fi, and Romance.

Okay, cool, you get the idea! So here we go!

Drama:

Ali:

Amazing performance by Will Smith portraying the G.O.A.T. Muhammad Ali. From Academy award nominated director Michael Mann and co-staring Jon Voight, Ali is a gripping story into his life

Ali is free on Crackle

Ali trailer is here:

 

Comedy:

Woke Up Dead:

Starting out as a web series, Woke Up Dead was turned into a full length feature film. Starring Jon Heder and Krysten Ritter.

A young man who awakes in a full bathtub after ‘drowning’ and has no heartbeat, prompting his friends to believe him to be a zombie.

More in the, um, vein, (sorry for the pun) of comedy-horror, still a funny movie.

Woke Up Dead is also available for free on Crackle

And you can watch the trailer here:

 

Family Movie:

All Dogs Go To Heaven

A-sit-around-the-TV family friendly movie, All Dogs go to Heaven is a song filled story of laughs,tears and true love! Burt Reynolds, Dom Delouise and Lonnie Anderson star in this classic!

All Dogs Go to Heaven is available on TubiTV for free!

And you can see the trailer here:

 

Horror:

Puzzlehead:

For you horror fiends, this movie really twisted me. It’s very post-apocalyptic, Frankenstein-ish twist, with all the suspense and gore you want.  (what is it like to be dead)

Puzzlehead is on MidnightPulp for free.

and you can see the trailer here:

 

There it is y’all, four free movies you can stream this weekend across various genres!

 

If you like the idea of what I am trying to do, please comment, RT or Like!

 

*Can’t say there won’t be commercials in these movies, likely they are, but that is just time for bathroom breaks!

 

 

 

 

A Movie A Day #250: Taking Care of Business (1990, directed by Arthur Hiller)


Jimmy Dworski (Jim Belushi) is a convicted car thief who only has a few days left in his criminal sentence but still decides to break out of prison so he can go see the Cubs play in the World Series.  Spencer Barnes (Charles Grodin) is an uptight ad executive who needs to learn how to relax and have a good time.  When Spencer loses his organizer, Jimmy finds it.  Before you can say “The prince and the pauper,” Jimmy has access to all of Spencer’s money and the mansion that Spencer is supposed to be staying at over the weekend.  While Spencer tries to survive on the streets and track down his organizer, Jimmy is living it up, spending money, impressing a Japanese businessman (Mako), romancing the boss’s daughter, and taking care of business.

Made in the uncertain period between the end of the culture of 80s materialism and the start of the 90s indie boom, Taking Care of Business is a rip-off of Trading Places that came out six years too late to be effective.  Everything that needs to be known about Jimmy and Spencer is apparentl from the minute that Charles Grodin’s and Jim Belushi’s names appear in the credits.  Grodin was usually the best when it came to playing uptight yuppies but he seems bored in Taking Care of Business.  Belushi mugs through his role, overplaying his character’s blue collar roots.  The movie builds up to a huge confrontation between Belushi and Grodin but it never really delivers, instead devolving into a predictable buddy comedy, complete with a trip to Wrigley Field and an elaborate plan to sneak Belushi back into prison before the warden (Hector Elizondo) discovers that he’s been gone for the weekend.  Taking Care of Business has a few laughs but it’s never as good as the BTO song.

A Movie A Day #249: Beatlemania (1981, directed by Joseph Manduke)


In this filmed version of a hit Broadway musical, four musicians who look like the Beatles from a distance play 3o Lennon/McCartney songs while newspapers headlines scroll over their heads and famous events and figures from the 60s appear on the screen behind them.  The camera sometimes follows the musicians backstage as they switch from dark suits to white Magical Mystery Tour tuxedos and later into the uniforms of Sgt. Pepper’s Lonely Hearts Club Band.  They also try on a variety of wigs and fake facial hair.

The main problem with Beatlemania is that the four musicians may be good but they are still not the Beatles and, regardless of how hard they try, they never really sound like the Beatles either.  At first, I was impressed by the fact that they did, at least, physically resemble the Beatles but then I realized that musician I thought was George was actually supposed to be John and that the musician who actually was supposed to be George looked more like Keith Richards.  Ringo, meanwhile, looked like Keith Moon.  On the other hand, the show’s Paul looked exactly like the real Paul but was so stiff and precise in his movement that it was like watching one of the robots from Disney’s Hall of Presidents.

I can understand why nostalgic baby boomers made the original stage show a hit but, ultimately, it is best just to stick with the originals.