Scenes I Love: Oldboy


The month of January has always been a slow one in regards to quality films being released in the theaters, but this weekend a good one comes out with Joe Carnahan’s latest, The Grey.  I plan to see this film over the weekend, but tonight I decided to pass the time and feel better from a bout of the flu by watching one of my favorite films of the past decade: Park Chan-wook’s Oldboy.

The latest “Scenes I Love” pick takes a scene from this classic film of revenge. It’s a scene where we have our film’s protagonist, Oh Dae-su, tracking down one of those responsible for keeping him locked up for 15-years without reason or cause. The scene starts off with some DIY dental work that still makes me cringe every time I see it. Once Oh Dae-su finishes with said dental work he has to get through a gauntlet of thugs and goons with just a claw hammer.

This scene is not just great because of how action-packed it was but how Park Chan-wook ended up shooting the whole scene. A fight scene begins which looks to be shot using just one long take and made to look like those classic side-scrolling action games like Double Dragon and the like. Whether the intention of how the scene was shot was to pay homage to such games or by accident doesn’t diminish the fact that the fight scene ended up becoming one of this film’s iconic sequences that continues to be talked about by new and old fans alike.

Scenes I Love: Tombstone


Kurt Russell I consider one of the biggest badasses of Hollywood and his work in 1993’s Tombstone showed just how much a badass he was and still is.

This scene from that film was one of the best scenes in the entire film. It shows Russell channeling his inner-Wyatt Earp and bitchslapping Billy Bob Thornton (who probably deserves it both in and out of this film). I just love how his demeanor was so confident and how well he judged Thornton’s character as nothing but a blowhard and a bully. This scene even has some killer lines from Russell. How often have we wished we could do what he did in this scene to our own douchebag bosses at work. I know I have imagined it many times.

One cool thing about this scene is how it doesn’t end in the saloon, but continues outside with Val Kilmer just killing it as Doc Holliday. Love how Doc and the Earp’s just ignore Thornton’s Johnny Tyler and how he just stands there looking like the idiot he is. Good thing he said thank you in the end or he may have just gotten another bitchslap session from Wyatt.

Some people love this film. Some people don’t like this film, but I’d be hardpressed to find anyone who didn’t think this scene was the epitome of cool and badassery.

Review: Three Sisters Island Trilogy (by Nora Roberts)


                                                           

[guilty pleasure]

My taste in entertainment tends to be on the darker, violent and existential side of things. Horror, action and sci-fi tend to perk up my attention when looking for something to read, watch and/or play. This particular guilty pleasure I came across by accident. I think most people’s guilty pleasure were discovered by accident or happenstance. I would be the first to admit that romance novels would be the last thing I would consider my type of entertainment. Not saying romance novels have no place, but it definitely doesn’t fill the criteria of what I like and listed above.

Ten or so years ago I would never have picked up these books, but I have since found them to be much to my liking. I’m still not sold on a majority of romance-themed novels, but I have been sold on the one’s written by that queen of the romance novels: Nora Roberts (and to a larger degree the one’s she writes under the pseudonym J.D Robb). The novels which sold me on her type of writing was her Three Sisters Island Trilogy.

1. Dance Upon the Air

Dance Upon the Air was a surprise find for me as a reader. My initial introduction to Nora Roberts’ writing was through a mystery-romance series of hers written by her under the pseudonym, J.D. Robb. Her In Death series had just the right balance of mystery, police procedural, humor and romance to make this male not feel all weird reading was really was a romance novel. On the prodding of a friend who is a voracious reader of all things Nora Roberts, I picked up Dance Upon the Air. From the moment I began to read the exciting introduction of the Three Sisters Island being born, I was hooked line and sinker on this book.

The Three Sisters Island is a small and quaint little island community off the coast of Massachusetts whose origins, legend has it, was due to a powerful spell weaved by three sister witches. Their spell ripped a portion of the Massachusetts coastline from the earth and floated off to just off the coast to form a sort of haven for their descendants. A haven from the puritanical witchhunts which have taken the lives of both real witches and those falsely accused as one. It’s through the later generations and their descendants that the story for this trilogy is played out through.

Dance Upon the Air deals with one of the descendants of the Three Sisters. The books tale concentrates on the trials and tribulations of one Nell Channing whose a direct descendant of the Sister whose powers were of the element of Air. A delicate woman whose life has been a living hell due to a very abusive and powerfully connected husband, Nell finally escapes her abusive relationship through guile and trickery, but as the story progresses its not long before the husband she left behind finds out the truth about his wife’s apparent “death”. Nell makes it to Three Sisters Island and upon setting foot on its soil feels as if she’s returned home. Whether by fate or providence, Nell soon meets two other women on the island whose destinies have been preordained to entwine with hers.

Dance Upon the Air sounds a bit like the Julia Roberts thriller Sleeping with the Enemy. The similarities are pretty close, but Roberts’ tale of magic, fate and self-reliance was the better of the two. Nell’s experiences as she learns to live and love again on Three Sisters Island has a sense of hope and self-reawakening which the Julia Roberts film lacked. This book shares some of the thriller aspect of the film, but doesn’t rely on it to weave a beautiful tale. Instead, Dance Upon the Air reads more like the journey of a damaged woman whose realization that the place she has now decided to call home and those friends and lovers she’s met will be the anchor in finally realizing the life she’s always thought she should have lived.

2. Heaven and Earth

Heaven and Earth marks the middle installment in Nora Roberts’ Three Sisters Island Trilogy. The first book in the series, Dance Upon the Air, started off the trilogy on a magical note with Ms. Roberts deftly combining romance, abit of the supernatural, and a nice thriller into an exciting tale of intertwined destinies and pasts, strong female characters, and passionate romance.

Heaven and Earth starts with the wedding and honeymoon of Nell Channing and Zack Todd (island town’s sheriff). This helps cement Nell’s full acceptance into the island town’s fabric. Her trials and tribulations which led her to Three Sisters Island and the test she had to pass to finally begin her life anew seem less of a coincidence and more fate and predestiny. Nell is very open to such a possibility and helps explain to her just why she felt so at home upon her arrival on the island. She thinks its the magic in her past and blood that she now has learned she has. Her new sister-in-law and fellow “sister witch” Ripley Todd thinks its all crapola and would rather not dwell on such things. Ripley Todd knows of the island’s magical history and her own role in it, but her fear and stubborn reluctance to accept her magical heritage makes up the meat of the novel.

Ripley’s attitude towards the magic that permeates the island and the two other women supposedly tied to her, Nell Channing and Mia Devlin (the resident island witch and seemingly its most desired woman on the island), run from tolerance to outright restrained hostility. Ripley’s willing to tolerate her new sister-in-law’s acceptance of her magical heritage. Mia Devlin on the other hand she avoids and ridicules in equal amount. Mia takes it all in stride but at the same time drops comments in an attempt to remind Ripley of her past and future. Ripley doesn’t like this at all and does all she can to avoid the fire-haired Mia. But soon a new factor drops into her life which would lead to her finally confronting her fear of her heritage and her role in what could be the survival of Three Sisters Island.

This factor comes in the guise of Dr. MacAllister Brooke. Mac, as he likes to be called, is a professor whose main call in life is the hunt of the so-called supernatural. His travels and research leads him to the island. He plans on researching the island and determining as to the veracity of the island’s supernatural past and origins. For some reason he and Ripley are set on a course to deal with each other. Mac sees Ripley as a challenge and an attraction forms. Ripley on the other hand sees Mac’s research and choice of profession as being something close to being worthless, but as they continue to stay in close proximity she too cannot deny the growing attraction between them.

As the story moves along, Ripley and Mac must contend not just with each other’s prickly and stubborn natures, but an outside force threatens to destroy the peaceful lives of the original Three Sisters’ descendants and the idyllic island home they and the other townspeople call home. Ripley will have to decide in the end whether to accept that which she has feared for so long, or close herself off from it forever and thus dooming her and everyone close to her. In the end, Ripley will not be alone in her own confrontation with the darkness looming over the Three Sisters Island, Mac, Nell, Mia, Zack and many others will be there to help and support her.

All in all, Heaven and Earth is a great continuation of the epic tale began with Dance Upon the Air. Ripley and Mac’s relationship is a source of both humor and heat. It’s amusing to see polar opposites, yet with so much in common personality-wise, fight tooth and nail not to give in to what is definitely two halves of the same coin finally finding each other.

3. Face the Fire

Face the Fire is the third and climactic installment to Nora Roberts’ entertaining and fun Three Sisters Island Trilogy. The first two books dealt with the first two “sisters” whose powers were tied with the elements of Air and Earth. In this third book, Mia Devlin, the third so-called sister of the title takes her power from the element of Fire. Like the element itself, Mia mirrors it in her stunning look, with her flowing fiery-red hair and even fiery demeanor. In the previous two books in the trilogy it was always Mia who guided and helped both Nell and Ripley to finding their true path in life and in finally accepting their magical heritage.

Face the Fire now has Mia becoming the center of all the magical happenings on the titular Three Sisters Island. The previous two books gradually gave its readers more and more information concerning the original Three Sisters and the prophecy/curse which befall them and which still hangs over their descendants and the island refuge their created. Nell and Ripley have done their part in trying to prevent the darkness about to descend on their island home, but its all up to Mia and her own intertwined destiny with a man who broke her heart many years past that must find a way to head off disaster and break the curse that has plagued their line through the generations. Will Mia succeed in breaking the chain of heartache which started with her ancestor? No matter what, Mia has her two “sisters” to help and assist her in her own trials.

Of the three books in the trilogy this one would lean heaviest on the supernatural aspect of the series. We learn even more of the back story of the Three Sisters Island which Mia has called home all her life and one she’s protected by herself against the evil her ancestors (also Nell’s and Ripley’s). Of all the three “sisters” who form the core of the trilogy it’s Mia who has fully embraced her heritage and her story also show’s that she is the most powerful of the three but no less damaged by a past relationship that she must acknowledge and repair if she, Nell and Ripley will succeed in preventing the age’s-old evil from returning to Three Sisters Island and finishing what it was preventing from doing so by the original three sisters.

In the end, Face the Fire is a worthy conclusion to what has been a magical trilogy. The novel continues where Dance Upon the Air and Heaven and Earth left off. It was nice to have Mia becoming the center of the story. In the previous two books she’s always been like the omnipresent powerful white witch who knew all. This time around we got to see her human side and know that she’s as damaged as her other sisters. Ms. Roberts did a great job with this trilogy and as great as the three books has been and why it continues to be a guilty pleasure of mine.

Trailer: Resident Evil: Retribution


The Resident Evil film franchise seems to be the franchise that just keeps on going and going. Like the undead which forms the bulk of the danger to the characters in the film, this film series just won’t die. It’s success has both confounded critics and audiences alike. It’s turned Milla Jovovich into an action star whether we like it or not. It’s also a series that despite some major flaws continues because it makes it’s studios money.

We now have the first teaser trailer for the 5th film in the series, Resident Evil: Retribution, and just like the 4th film in the series it will be in 3D. It will also have several characters from past films who we saw die make appearances in the film. Whether they come back as themselves in the film’s present storyline or in flashbacks has yet to be determined. The trailer itself looks like a major advert for Sony smartphones, PS Vita and tablet products. In fact, I’d say that almost 40% of this teaser is all about pushing Sony products.

If that’s the case then this trailer does teach me one thing: Sony products will lead to a global zombie apocalypse. I think this event would never happen if people bought iPhones and iPads.

Resident Evil: Retribution is set for a September 14, 2012 release date.

Quickie Review: 2012 (dir. by Roland Emmerich)


[guilty pleasure]

When one sees the name Roland Emmerich attached as the director to a film on any given year one almost has to audibly groan. He’s not on the level of Uwe Boll in terms of awful films, but he does give Michael Bay a run for the title of worst blockbuster filmmaker. It’s quite a shame to see Emmerich’s films one after the other get worse and worse. This was a filmmaker who showed some talent in the scifi-action genre with such cult classics as Universal Soldier and Stargate. He would reach his apex with the popcorn-friendly and thoroughly enjoyable Will Smith alien-invasion flick, Independence Day. Since reaching those lofty heights each successive film has been more groan-inducing and worse than the previous one. For a brief moment in 2009 this would change as he finally succeeded in destroying the world that he had only hinted at with previous films such as ID4, Godzilla and The Day After Tomorrow. The film 2012 was released in late-2009 and, while it was universally lambasted by critics and a large portion of the public, I thought it was his most fun film since ID4.

2012 literally has the world greet it’s apocalypse according to the Mayan Calendar in the year 2012. The first forty or so minutes has Emmerich explaining the details of how the world will end in 2012 either through the film’s lead scientist (played by Chiwetel Ejiofor) or through a conspiracy-theorist played with manic glee by Woody Harrelson. The bulk of this film is almost like disaster porn for film lovers who are into disaster flicks. We have earthquakes which sends the whole California coast sliding into the Pacific. Supervolcanoes erupting in what is the Yellowstone National Forest right up to mega-tsunamis that dwarf the highest mountain ranges.

The cast might be called an all-star one, but I rather think it’s more a B-list with such names as John Cusack playing a goofy everyman who must save his ex-wife and two young children right up to Danny Glover playing the lame duck of lame duck presidents (I guess Morgan Freeman was unavailable or already done with disaster films after doing Deep Impact). The performance by this cast ranged from alright to laughable, but even with the latter the sense of fun never wavered. This was a flick about the world ending and Emmerich delivered everything promised.

It’s the scenes of world devastation which made this film so enjoyable for me and has become one of my latest guilty pleasures. No matter how bad the dialogue got or how wooden some of the acting came off the sense of wonder from Emmerich destroying the world on the big-screen and on my TV made this film fun to watch. Maybe those who hated it or thought it was trash were aiming to high. I will admit that the film is trash, but in a good way that past enjoyable disaster flicks of the 70’s were fun. It took the premise serious enough, but the filmmakers involved didn’t skimp on over-the-top destruction. I mean this film’s premise means we get to see in high-definition billions of people die as the planet decides to suddenly switch things around to get a better feng shui vibe to the planet.

Scenes such as the mega-tsunamis topping over the Himalayan mountain range was awesome. But even that scene couldn’t top the super-quake which destroys Los Angeles around Cusack’s character who tries to outdrive the quake and the resulting chasms which appear to chase his limo with is family inside. Seeing Los Angeles and the bedrock it’s on upheave and slide into the Pacific was one of the best disaster porn sequences I’ve ever seen and I don’t see anything topping it in the near future.

2012 as a Roland Emmerich production already has a black mark on it because of his reputation as a filmmaker, but for once he actually made a film that was able to surpass all the glaring flaws from it’s one-note, stereotypical characters to it’s wooden dialogue. He did this by making a film with disaster scenes of such epic spectacle that one had no choice but to just sit back and enjoy the ride. It’s a bad film, but it sure was a fun ride. This is why I decided on a fan-made trailer which best exemplifies this film and not the one made by the studio.

I eagerly await the sequel I fully expect from Hollywood: 2013: Disaster Strikes Back.

AMV of the Day: Fullmetal’s Back


Ok, I never thought I’d say this but it looks like Backstreet Boys has finally been part of something that’s been fun to watch and quite enjoyable. It’s this very one thing which is the latest entry in our recurring blog feature: “AMV of the Day”.

The video makes a play on the Backstreet Boys’ party song title, “Everybody (Backstreet’s Back)”, by taking out the band’s name and putting in Fullmetal. Yes, this is an anime music video where creator Rider4ZMusicVideos has combined the very popular shonen anime series, Fullmetal Alchemist, with the aforementioned Backstreet Boys song. To say that it was a surprise to see the two work well hand-in-hand would be an understatement.

Rider really plays up some of the comedy in the series with scenes chosen, but also does a great job of picking particular scenes to help lip-synch the lyrics of the song. Once again, I was thoroughly surprised just how enjoyable this video was and for the first time in my life I actually enjoyed listening to a Backstreet Boys song.

Anime: Fullmetal Alchemist: Brotherhood

Song: “Everybody (Backstreet’s Back)” by Backstreet Boys

Creator: Rider4ZMusicVideos

Arleigh’s 10 Worst Films of 2011


I’ve been pretty good at avoiding fillms that I knew was going to be awful before I even stepped into the theater so certain films from 2011 that everyone call the worst I probably won’t have on my list since I never saw them. So, such films as Jack & Jill, Bucky Larson and Zookeeper will not make my list since I was smart enough to not pay to watch it.

This ten worst list of 2011 are from films I did see during the year whether in a theater or on video. I couldn’t decide which film was worse than the next so this order doesn’t really determine which was worst. It’s just my way of keeping things organized.

  1. Shark Night 3D – I had high hopes that this film would be 2011’s version of Piranha 3D in that it would be silly, goofy and over-the-top and knew it. Instead it’s tame with it’s PG-13 rating (seriously a film about Sharks eating college kids in 3D gets a PG-13 treatment) and has none of the joie de vivre that Piranha 3D had or the bugnuts craziness that Drive Angry 3D threw at you.
  2. Pirates of the Caribbean: On Stranger Tides – With a cast that looked to be better than the Orlando Bloom/Keira Knightley one of the original trilogy I thought this new beginning for Capt. Jack Sparrow would breathe new life to the trilogy, but instead we get one of the worst entries in the franchise (that’s saying a lot) and one that ended up wasting the talents of Ian McShane in the role of Blackbeard.
  3. Season of the Witch: I never saw it in the theater after I read Lisa Marie’s review of it. So, I waited until it arrived on Netflix and took a chance that maybe it wasn’t as awful as she said it was. I think she was being kind with her review. This film was awful in it’s awfulness that I couldn’t even enjoy just how bad it was.
  4. Transformers: Dark of the Moon – When I first saw this film I enjoyed enough of the action when it was robot vs robot so all the human interaction part never registered, but as I saw it again on blu-ray I realized just how awful this third entry in the Michael Bay franchise was in a franchise that should’ve been fool-proof. I mean it’s giant robots that transform fighting other similar robots. I think if Shia LeBouf was replaced by someone like Jason Statham I would’ve enjoyed this film more, but Shia’s whining and screeching took away any enjoyment I had from seeing robots fighting.
  5. Cowboys & Aliens – Another film that had a premise tailor-made for the summer blockbuster season with a cast that had Harrison Ford, Daniel Craig, Olivia Wilde (Mmmmm), Paul Dano, Clancy Brown, etc…not to mention Jon Favreau in the director’s chair. I thought that Favreau may have been railroaded and made a scapegoat for some of the failures of Iron Man 2 in 2010, but seeing what he ended up doing with this film made me rethink that maybe Marvel Studios was smart to cut him loose and bring in someone else.
  6. Green Lantern – DC Studios…Geoff Johns…one of the Justice Leaguers. One would think that was recipe for one kick-ass space opera that would rekindle the fun that are superheroes the way Iron Man did in 2008. Instead what we ended up getting was one of the worst superhero films ever made which made Hal Jordan an emo character fighting against a villain who wasn’t terrifying and a cosmic evil that made the Lost smoke monster look horrific in turn. Fuck you DC and Johns for ruining what could’ve been a great franchise.
  7. Arthur – I’m a child of the 80’s so I remember the original Dudley Moore version, but I was willing to give this one a chance. I shouldn’t have and any goodwill Russell Brand got from me with his performance from Get Him to the Greek vanished with this film.
  8. Apollo 18 – Moon rocks with legs!! Nuff said.
  9. Dream House – Another film that I thought was interesting enough to take a chance on despite the trailer pretty much ruining the twist in the story, but I thought it would have an interesting path getting to that twist. Daniel Craig may need to just stick to being James Bond, because he was almost like a cardboard in this film and the rest of the cast weren’t far behind. I never thought Jim Sheridan would ever make a bad film. I guess I was right. He didn’t make a bad film. He made a horrendously awful film.
  10. Priest – This was another film that could’ve been fun fluff or even an entertaining bad film, but it wasn’t either of those. This was directed by Scott Stewart who did the abysmal Legion from 2010. I thought maybe he would do better a second time around adapting a popular Korean manwha title, but I guess the saying is true: “Fool me once, shame on you. Fool me twice, shame on me.”

I’m sure I left out a few other titles that ohters think should be on this list, but those probably I actually enjoyed or weren’t bad enough to bump any of these ten from my list. This list is pretty much almost a full day of my life wasted and me not able to get a refund. It’s near to 24-hours of awful that took a full day off of my lifespan. Ten films which could be the death of me down the line.

AMV of the Day: This is War (One Piece)


[Marineford War spoilers]

The fourth and final One Piece-themed “AMV of the Day” doesn’t come courtesy of AMV creator PixelCreekAMVs, but instead from Regiosk8 and is the best of the four.

“This Is War” takes it’s title from the 30 Seconds to Mars song of the same title. I will admit that I’m not the biggest fan of this group, but for some reason this song of their’s continue to be a favorite amongst amv creators especially when trying to convey and video’s epic nature. The Marineford War story-arc in One Piece definitely fills the criteria of being quite epic. One must consider the fact that this anime was and still is epic on it’s right, but this story-arc took it to a new level. It’s the arc which added a major level of seriousness to everyone’s fun as it’s creator, Oda Eiichiro, decided to kill off several main characters (fan favorites) and do so in a way that didn’t leave no question as to their final moments (American comic book writers could learn a thing or two about how to kill off characters and keeping them dead from manga writers).

I’m sure that 30 Seconds to Mars’ “This Is War” will be make another appearance in other amv’s but for now this one looks to be the best. Great job by Regiosk8 on the video and a nice tribute to one Edward “Whitebeard” Newgate to end the video.

“Throughout the Battle of Marineford alone Whitebeard had received 267 sword wounds, 152 gunshot wounds and 46 wounds from cannonballs- adding up to a total of 465 injuries upon his time of death. Despite this, there was not a single scar on Whitebeard’s back showing cowardice.”

Anime: One Piece

Song: “This Is War” by 30 Seconds to Mars

Creator: Sergio Tomas Reyes Ramos

AMV of the Day: Move Along (One Piece)


[Marineford War spoilers]

This latest “AMV of the Day” mark the third entry which has the Marineford War story-arc in the One Piece anime series as the basis for the video.

“Move Along” is also the third AMV I’ve chosen from PixelCreekAMVs who has done a remarkable job of taking scenes from this epic One Piece story-arc. The video takes it’s name from the song used which happened to be by The All-American Rejects. This video once again highlights what has made One Piece such a huge fan favorite. It’s all about non-stop action with bits of comedy or comedy with bits of action. This is a series that goes full-bore and really not subtle about it’s storytelling on the surface.

I’ve got one more video in this One Piece-themed set but this penultimate choice til the last one has become a favorite of mine.

Long live Portgas D. Ace and Whitebeard!

Anime: One Piece

Song: “Move Along” by The All-American Rejects

Creator: PixelCreekAMVs

Song of the Day: Death Is the Road to Awe (by Clint Mansell)


Just a little under a year ago I had chosen a particular favorite song as the latest “Song of the Day”. This song was Clint Mansell’s “Together We Will Live Forever” which was part of his exceptional film score for Darren Aronofsky’s 2006 scifi love story, The Fountain. I’ve decided to finally bookend that choice by choosing what has to be the best song in that film’s soundtrack and one of the best piece of film score ever composed: Mansell’s “Death Is the Road to Awe”.

While I’ve given Mansell with the final credit for the creation of this epic song (not just in tone and execution but in length), he had help from frequent collaborator Kronos Quartet and Scottish post-rock band Mogwai. “Death Is the Road to Awe” takes the entirety of Mansell’s film scoring for The Fountain and distills them into a mixture of classical, post-rock and ambient dissonance which seems to all work so well together despite their very differing musical styles.

The Fountain was (still is) a film which brings out either love and admiration for it or utter hate for what some think was a pretentious, jumbled mess. Whether one loved or hated the film (rarely is there one who falls in the middle in their reaction to this film) the reaction most have had for the soundtrack has been mostly positive. I, for one, truly believe it to be one of the greatest film scores ever composed for any film. This song is the ultimate culmination of Mansell’s work for this film and just shows that classical, rock and electronic could co-exist side-by-side to create something truly unique and one-of-a-kind.