Horror Film Review: Cyborg Cop (dir by Sam Firstenberg)

Posted on October 31, 2022 by Lisa Marie Bowman

In this 1993 film, John Rhys-Davies plays Professor Kissel. The professor is a mad scientist with a German accent who has taken over a small island in the Caribbean. From his compound, he has developed a process by which he can turn anyone into a cyborg! The cyborgs follow his orders and …. well, it’s never quite clear what exactly Professor Kissel plans to do with the cyborgs. I guess he just wants to keep them around so that they can do random evil things.

DEA agent Philip Ryan is captured by Kissel and transformed into one of those cyborgs! However, Philip has a brother named Jack (played by martial artist David Bradley). Jack used to work for the government until he was disillusioned when one of his investigations went terribly wrong. However, Jack is willing to come out of retirement to save his brother. Teaming up with a journalist named Cathy (Alonna Shaw), Jack infiltrates Kissel’s compound and battles the cyborgs. Along the way, Cathy falls in love with Jack. I’m not sure why that happens as Jack tends to be a bit surly and self-absorbed. Indeed, he and Cathy somehow manage to have not just zero but less than zero romantic chemistry.

Does this movie sound dumb? Well, that’s because it was pretty dumb. It was directed by Sam Firstenberg, who directed the first two American Ninja films. And it stars David Bradley, who starred in the last three American Ninja films. The American Ninjas were fun but Cyborg Cop just kind of drags. A huge part of the problem is that David Bradley was a good martial artist but he was a less than impressive actor. Seeing as how Jack is trying to save his brother from being turned into an emotionless robot, Cyborg Cop calls for a bit more acting than the American Ninja films did. Unfortunately, it’s hard to make a film about human emotions when your lead actor isn’t capable of showing them. It doesn’t help that Jack is written as being someone who is always in a rather foul mood. Also, from the minute he lands in the islands, he wears a fanny pack around his waist and it just looks so utterly ridiculous. It’s hard to take a fight seriously when one of the combatants is wearing a leather fanny pack. The other big issue is that it takes forever to actually get to the cyborg action. For some reason, the film tries to generate some suspense about what Kissel’s plan is, despite the fact that the word “cyborg” is right there in the title!

On the plus side, the film does feature John Rhys-Davies playing a mad scientist and he’s just the type of cheerfully theatrical actor who can do justice to the role of someone who spends most of his time ranting about how much smarter he is than everyone else in the world. Rhys-Davies, who is best known for playing Indiana Jones’s friend Sallah and for playing both Gimili and the talking tree in The Lord of the Rings, appears to have had a lot of fun as Prof. Kissel and it’s fun to watch him in the role. This is a case where most people watching the film will proudly cheer for the bad guy because the bad guy is so much more entertaining than the good guy.

Cyborg Cop somehow led to two sequels. The work is never done.

8 Shots From 8 Horror Films: 2020 — 2022

Posted on October 31, 2022 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we conclude by taking a look at 2020, 2021, and 2022!

8 Shots From 8 Horror Films: 2020 — 2022

A Quiet Place Part II (2020, dir by John Krasinski, DP: Polly Morgan)

The Invisible Man (2020, dir by Leigh Wannell;, DP: Stefan Duscio)

Army of the Dead (2021, dir by Zack Snyder, DP: Zack Snyder)

Halloween Kills (2021, dir by David Gordon Green, DP: Michael Simmonds)

The Black Phone (2022, dir by Scott Derrickson. DP: Brett Jutkiewicz)

Smile (2022, dir by Parker Finn, DP: Charlie Sarroff)

Nope (2022, dir by Jordan Peele, DP: Hoyte van Hoytema)

X (2022, dir by Ti West, DP: Eliot Rockett)

Horror Film Review: Last Shift (dir by Anthony DiBlasi)

Posted on October 31, 2022 by Lisa Marie Bowman

Oh no, it’s the cops!

The 2014 film, Last Shift, tells the story of Jessica Loren (Juliana Harkavy). Like her father, Jessica’s a cop. Unlike her father, Jessica is hoping that she’ll survive her shift without becoming the victim of some weird cult leader and his followers. Good luck with that, Jessica!

Jessica’s first assignment is to take the last shift at a police station that is in the process of being shut down. All Jessica has to do is stay at the front desk for the entire night and answer the phone. All of the 911 calls have been re-routed to the new station so Jessica’s job is mostly to make sure that no one enters the station who shouldn’t be there. She’s also told to stay out of the way of a HAZMAT crew, which is showing up to clean out the station’s evidence lockers.

Unfortunately, it turns out that just sitting at the front desk is one of those things that sounds easier than it actually is. For one thing, a drunk homeless man keeps showing up and, eventually, Jessica is forced to put him in one the station’s cells. Secondly, the station keeps getting calls from a woman named Monica. Monica says that she’s been kidnapped by a cult. Jessica tells Monica to call 911 and tell the police where she is but Monica replies that she is calling 911. But how can that be if all of the calls have been rerouted to the new station?

On top of all that, Jessica keeps hearing strange singing and seeing out-of-place shadows in the hallways. Is it just her imagination or is there someone — or something — in the station with her and the HAZMAT team? A mysterious woman appears, smoking a cigarette outside of the station. She tells Jessica that, years ago, the same cult that killed her father committed mass suicide in the station. Shortly afterwards, Jessica is visited by another cop who claims that he knew her father and that he was present when the cult died….

Largely taking place in one location and over the course of one long night, Last Shift is an effectively atmospheric horror film. The nearly deserted station is creepy and Juliana Harkavy gives a good and sympathetic performance as Jessica. To a certain extent, the film is a perhaps a bit too quick to make it clear that something supernatural is happening at the station. I would have liked it if the film had played a little bit more with the idea of all of the strange events just being in Jessica’s head. (Early on, the film does play with that possibility.) Instead, by making it a little too obvious what’s happening, this is one of those films that does leave you wondering why Jessica stays in the station for as long as she does. Every bit of common sense would say to leave and deal with the professional consequences once you’ve escaped from the supernatural horror looking to destroy you. Losing your job sucks but it’s still preferable to losing your life. But, if you can overlook that one flaw, Last Shift is a genuinely frightening horror film, one that plays out like a filmed nightmare and which builds up to a surprise ending.

This is one to save for the next time you feel like watching something really scary. Don’t watch alone!

Monday Live Tweet Alert: Join Us For Light Blast and Patriot Games!

Posted on October 31, 2022 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1985’s Light Blast! Selected and hosted by me, this Italian film is the perfect combination of horror, science fiction, action, and Erik Estrada!! The movie starts at 8 pm et! Here’s the playlist!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. We will be watching 1992’s Patriot Games, featuring Harrison Ford as Jack Ryan! The film is available on Paramount Plus and several other streaming services!

It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto twitter, start the Light Blast playlist at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, start Patriot Games, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. I’ve already reviewed Light Blast for this site and I’ll probably review Patriot Games sometime in the upcoming few weeks!

Horror on the Lens: Night of the Living Dead (dir by George Romero)

Posted on October 31, 2022 by Lisa Marie Bowman

Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition! Every Halloween, we share one of the greatest and most iconic horror films ever made. For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally famous review!)

6 Horrific Trailers For October 31st, 2022

Posted on October 31, 2022 by Lisa Marie Bowman

For today’s Halloween edition of Lisa’s Marie Favorite Grindhouse Trailers, I present to you, without comment, 6 trailers for six horror films that I feel are unfairly overlooked. If you’re still looking for something to watch this Halloween night, I recommend any of the films below!

Happy Halloween!

1. Lisa (1989)

2. A Field in England (2013)

2. Two Orphan Vampires (1996)

3. Scream and Scream Again (1970)

4. Messiah of Evil (1973)

6. Lisa Lisa (1977)

A Blast From The Past: A Trip To The Moon (dir. by Georges Melies)

Posted on October 31, 2022 by Lisa Marie Bowman

On October 1st, Case reviewed Moon. What better way to celebrate October 31st than taking a trip to the moon with classic film that came out 120 years ago?

Directed and written by Georges Melies, A Trip to The Moon is often cited as the first sci-fi film and the image of the capsule crashing into the eye of the man in the moon is one of the most iconic in film history. Seen today, the film seems both charmingly innocent and remarkably ahead of its time.

For me, it always takes a minute or two to adjust to the aesthetic of early films. We’ve grown so used to all the editing tricks that modern filmmakers use to tell their stories that these old silent films, with their lack of dramatic camera movement and obvious theatrical origins, often take some effort to get used to. Still, the effort is often worth it.

Here then is Georges Melies’s 1902 science fiction epic, A Trip To The Moon.

October Positivity: God’s Club (dir by Jared Cohn)

Posted on October 30, 2022 by Lisa Marie Bowman

In the 2015 film, God’s Club, Stephen Baldwin stars as Michael Evens.

Michael is a teacher at the local high school. His wife is also a teacher and it is quickly established that she is quite a bit more religious than her husband. In fact, she’s the sponsor of the after-school Christian club. This club is very controversial because God’s Club is one of those films that takes place in a community where everyone is not only an atheist but also a total jerk about it. It’s like everyone learned how to be an atheist by watching Richard Dawkins YouTube videos. At a school board meeting, parents shout about separation of church and state and warn that they are not going to sit by while their children are brainwashed. Principal Max Graves (Corbin Bernsen, giving the film’s best performance as the sole voice of reason at the high school) explains that no one is being forced to attend the club. Michael, for his part, remains quiet. Later, as they’re driving home, Michael and his wife are in a serious accident. Michael survives. His wife asks him to pray with her and then promptly dies.

Weeks later, a guilt-stricken Michael returns to school. It turns out that most of the students are just as jerky as their parents. When Michael opens his class with a moment of silence for his dead wife, one of his students reports him for praying in class. This leads to the parents demanding that Michael be fired. Spencer Rivers (played by Lorenzo Lamas) is especially adamant that Michael should not be allowed to teach and he even goes so far as to insult the memory of Michael’s dead wife. Making things even more tense is Michael’s decision to restart God’s Club himself. Needless to say, this leads to even more controversy but it also gives Michael a chance to make peace with both himself and his guilt over his wife’s death.

Christian teachers being persecuted by atheist parents and mindless government enforcers is a recurring theme when it comes to faith-based films. Perhaps the best-known example of this is God’s Not Dead 2, in which Ray Wise literally cackles with delight as he thinks about ruining Melissa Joan Hart’s life. (“We are going to prove that God is dead,” Wise explains to his legal team, none of whom point out that it would be smarter to just settle the case and move on.) The debate over whether or not religion should be allowed in schools is a legitimate one but films like God’s Club (and God’s Not Dead 2) tend to approach the subject in such a melodramatic that it’s difficult to really pay much attention to their arguments. It’s not enough that the parents in God’s Club are perhaps being a little bit paranoid in their belief that their children are going to be preached to. Instead, the parents are portrayed as being so evil that they can’t even show the least bit of kindness to a man who has just lost his wife in a sudden tragedy. One thing that all of these films have in common is that they take place in world in which there are no polite atheists.

Stephen Baldwin, who is usually the only lively thing about the films in which appears, gives a rather stilted performance as Michael. According to the film’s IMDb page, Baldwin was dealing with some health issues while filming God’s Club and perhaps that’s why he seems to be so disinterested in the film. Baldwin seems to be just as depressed when his wife is alive as he is after the car accident. At the end of the film, everyone seems to be excited about God’s Club except for him. It’s hard not to think that maybe Michael would be better off just retiring and maybe moving to Florida. By the end of the film, he’s earned some time on the beach.