Late Night Retro Television Reviews: Friday the 13th: The Series 1.7 “Doctor Jack”

Posted on November 17, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week’s episode of Friday the 13th: The Series is actually really good!

Episode 1.7 “Doctor Jack”

(Dir by Richard Friedman, originally aired on November 9th, 1987)

Dr. Vincent Howlett (Cliff Gorman) has a reputation for being a miracle worker. He’s the surgeon who is called in to do the difficult operations that no other surgeon would have the courage to try. Somehow, despite all of the complex surgeries that he has been involved in, he has never lost a patient. The local Toronto hospital is very happy to have Dr. Howlett on staff.

However, Dr. Howlett’s success rate is not just a case of medical skill. He owns a special, lucky scalpel. He purchased it from a knife dealer who earlier purchased it from — you guessed it! — the cursed antique shop. The scalpel is from the Victorian era and it once belonged to none other than Jack the Ripper! The scalpel can make any surgery a success but it demands blood as payment. So, before every surgery, Dr. Howlett has to go out and find someone to murder.

Searching the scalpel as a part of their mission to track down all of the cursed antiques, it doesn’t take long for Ryan, Micki, and Jack to track the scalpel down to Dr. Howlett. However, when Ryan tries to steal the scalpel, a chase through the hospital ensues. When Jack distracts Howlett long enough for Ryan and Micki get away, Jack ends up getting thrown down an elevator shaft.

Jack survives his fall but he’s suffered some terrible internal injuries. In fact, he’s going to need surgery! Fortunately, the best surgeon in Canada is on staff at the hospital. As much as Ryan and Micki want to steal that scalpel, they know that Howlett is going to need it if he’s going to save Jack’s life.

Meanwhile, Jean Flappen (Eva Mai Hoover) is stalking the hallways of the hospital, carrying a gun and hoping to get revenge on Dr. Howlett for the murder of her daughter….

Yikes! Hospital’s are creepy in general but they’re even more creepy when the head surgeon is carrying around a scalpel that once belonged to Jack the Ripper. (Of course, in reality, it’s doubtful that Jack the Ripper was actually a doctor. In all probability, he was a butcher in all definitions of the word.) This episode makes great use of the hospital setting, creating an atmosphere of perpetual unease. It was a genuinely scary location and, for once, the fact that Friday the 13th didn’t have a huge budget worked to show’s advantage. The shots of the empty and shadowy hospital hallways, without even an extra or two populating them, were truly ominous.

Cliff Gorman also gave a wonderful performance as Dr. Howlett, playing him as the type of arrogant jerk who knows that he can get away with being unlikable because he’s the best at his profession. The scene where Howlett can’t find his scalpel and has a sudden meltdown really drives home the idea that the owners of the cursed antiques have become addicted to using them. As soon as Howlett can’t hold his scalpel in his hands, his smooth façade crumbles and he starts going through what can only be called withdrawal.

With its creepy atmosphere and Gorman’s sinister performance, Dr. Jack is the best episode of Friday the 13th that I’ve reviewed so far.

Retro Television Reviews: T and T 2.5 “The Whole Truth”

Posted on November 17, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

This week’s episode begins in Manitoba but ends in Toronto.

Episode 2.5 “The Whole Truth”

(Dir by Allan Kroeker, originally aired on October 31st, 1988)

Apparently, with the start of the second season, the producers of T & T decided that the show no longer needed to begin with Mr. T telling us what was going to happen on “today’s episode.” That’s a shame, as Mr. T’s introductions were one of the highlights of the first season.

This episode begins with a title card telling us that the scene we’re about to watch is taking place in St. Louis. I’m going to assume that the show must be referring to the St. Louis in Manitoba because everyone knows that T & T totally takes place in Canada.

In St. Louis, Manitoba, a teenage pool player named Bobby (Lowell Conrad) is making a lot of money at the local pool hall. But when a man named Mike (James Purcell) steps into the pool hall, Bobby quickly puts away his pool cue and then makes a run for it.

Both Bobby and Mike end up in the city where T & T is set. A title card tells us that this city is apparently named “Metro County,” but again, the viewer only has to look at the snow on the ground and listen to accents of the inhabitants to realize that Metro County is actually Toronto.

Mike and Amy show up at Decker’s gym, where they have a meeting with T.S. (As opposed to the first season, in which Turner worked out of Amy’s law office, it now appears that T.S. works exclusively out of the gym.) Amy says that Mike is a client who needs help. Mike explains that he works for a St. Louis insurance company that is after a juvenile car thief named Bobby Slayton. Despite the fact that everything about Mike — from his suit to his smirk — radiates evil, T.S. agrees to help.

Joe Casper (Sean Roberge), who is apparently now like totally reformed from his flirtation with being a Neo-Nazi in the previous episode, is now living at Decker’s gym. He helps T.S. by walking around Toronto and asking random people, “Have you seen a 16 year-old, about 5’6?” Somehow, this vague description leads him to Bobby, who is once again making a living as a pool hustler.

As you probably already guessed, Mike is not an insurance agent and Bobby is not a car thief. Instead, Bobby is someone who has been on the run ever since he saw Mike murder a convenience store clerk during a robbery. When Mike comes after Bobby, he finds T.S. waiting for him.

“You’re outta gas, brother!” T.S. yells before grabbing Mike.

The episodes ends on a curious note, with T.S., Amy, and Bobby leaving a courtroom and lamenting that Mike was found not guilty on the robbery charge. Bobby says that the system failed to do its job but T.S. tells him that “sometimes, that’s what happens, little brother.” But, T.S. also assures Bobby that Mike will be going to jail on the attempted murder charge. Well, let’s hope so.

So far, this season of T&T seems like it’s attempting to be a bit more serious than the first season. If this episode had aired during the first season, Mr. T would have picked up Mike by his ankles and carried him around Toronto while inviting all of the citizens to jeer him and throw hockey pucks at him. Instead, in this episode, we just get Mr. T grabbing Mike and then waiting for the police to show up. That’s a shame as the first season was at its best whenever it acknowledged the absurdity of Mr. T working as a private detective in Toronto. This is really not a show that has any business taking itself seriously.

As with the previous second season episodes, there was a serious lack of Mr. T quirkiness in this episode. There was no talk of his love for cookies or gospel music. So far, about the only personality that T.S. Turner retains from the first season is his habit of calling everyone “brother.” Otherwise, T.S. has been turned into a typical, streetwise private eye. Seriously, why would you cast Mr. T and then not let him be Mr. T?

Live Tweet Alert: Join #FridayNightFlix For Universal Soldier!

Posted on November 17, 2023 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1992’s Universal Soldier, starring Jean-Claude Van Damme and Dolph Lundgren!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.

Universal Soldier is available on Prime! See you there!

Scene That I Love: Jordan Meets The Government In The Wolf Of Wall Street

Posted on November 17, 2023 by Lisa Marie Bowman

Since today is Martin Scorsese’s birthday, it only makes sense that today’s scene that I love comes from one of his best films.

In this scene from 2013’s The Wolf of Wall Street, Jordan Belfort (Leonardo DiCaprio) hosts a meeting with two federal agents on his yacht. Jordan knows that the agents want to put him in prison but that they don’t have enough evidence as of yet. The main agent (played by Kyle Chandler) knows that Jordan’s arrogance is his greatest weakness.

This scene, with its faux friendly banter and it’s iconic shot of Jordan throwing money to the wind, is one of Scorsese’s best “confrontation” scenes. DiCaprio and Chandler perfectly play the two adversaries. Jordan knows that the agent is determined to catch him but Jordan also knows the agent will never be rich and there’s no way Jordan’s not going to remind him of that every chance that he gets. The passive aggressiveness of it all is truly a wonder to watch and, in its way, just as intimidating as the conversations between the gangsters who populate many of Scorsese’s other films.

From The Wolf of Wall Street:

6 Shots From 6 Films: Special Martin Scorsese Edition

Posted on November 17, 2023 by Lisa Marie Bowman

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the one and only Martin Scorsese! It’s time for….

6 Shots From 6 Martin Scorsese Films

Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)

Shutter Island (2010, dir by Martin Scorsese, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

Late Night Retro Television Reviews: Highway to Heaven 1.8 “A Divine Madness”

Posted on November 16, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, things get a bit silly on the highway.

Episode 1.8 “A Divine Madness”

(Dir by Michael Landon, originally aired on November 7th, 1984)

Oh, this episode.

Years ago, a ruthless land developer named Arthur Krock (Ron Moody) built a castle for his beloved wife. Tragically, his wife passed away and Arthur had a nervous breakdown. Now, he spends all of his time in his castle and he believes that he actually is King Arthur. He says that he’s waiting for the return of his Guinevere. Only Marian (Helen Kleeb), his loyal maid, has remained with him over the years. He, of course, calls her Maid Marian even though that’s a Robin Hood reference and not anything from the Arthurian legends.

Though the elder Arthur Krock is still the head of his company, the day-to-day business is handled by his son, Arthur Krock, Jr. (played by a young and beardless Jonathan Frakes). Bitter over his unhappy childhood, Arthur, Jr. is just as ruthless as his father once was. Arthur, Jr. has a 12 million dollar deal to force a woman named Gwen (Jean Allison) off of her land and he’s determined to get it done, even if it means displacing all of the dogs that she and her veterinarian son (Scott Stevenson) look after.

Arthur, Sr.’s daughter, Linda (Ellen Maxted), hires two new handyman and you can probably already guess that they’re going to be Jonathan and Mark. Working around the castle, Jonathan arranges for Arthur, Sr. to meet Gwen. When Arthur, Sr. discovers that Gwen is short for Gweneviere, he announces that she can stay on her land. Arthur, Jr. goes to court to get his father declared incompetent.

Can you guess what happens? Well, if you think that Arthur, Sr. hires Jonathan to be his lawyer and then announces in court that he has not been the father that he should have been …. you’re absolutely correct!

When people talk about Highway to Heaven being a campy or cheesy show, it’s usually episodes like this that they’re talking about. Unabashedly sentimental in its approach, this episode suffers from the fact that Arthur, Jr. has a point. Arthur, Sr. is clearly mentally ill and allowing him to run the company is totally unfair to his employees and the people who have invested in his business. Just because Arthur, Jr. isn’t particularly likable, that doesn’t make him incorrect. If the episode had merely portrayed Arthur, Sr. as an eccentric who didn’t want to have to deal with the pain of the real world, that would be one thing. But this episode has Arthur, Sr. living in a literal castle, sitting on an actual throne, and referring to his son as being Lancelot. It’s all just a bit too much and Ron Moody’s over-the-top performance doesn’t particularly help. To the show’s credit, it does eventually acknowledge that Arthur, Sr. needs some help but still, the whole thing just feels a bit …. well, silly.

Next week, Jonathan and Mark help a movie star become a better father! Hopefully, he doesn’t think that he’s Prester John or Robin Hood or anyone like that.

Retro Television Reviews: Jennifer Slept Here 1.7 “Trading Faces”

Posted on November 16, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984. The entire show is currently streaming on YouTube!

This week, Jennifer discovers that she can possess people!

Episode 1.7 “Trading Faces”

(Dir by John Bowab, originally aired on December 2nd, 1983)

While watching Invasion of the Body Snatchers, Joey suggests that Jennifer may be capable of possessing people. Joey’s theory is that, just as Jennifer can walk through walls, she can also step into people’s bodies and control them. This seems like an odd theory for Joey to just come up with. Personally, I think Joey has been obsessing on this for a while.

Still, Jennifer says, “It’s worth a try!” so she crouches down and steps into the body of Joey’s bratty little sister, Marilyn (Mya Akerling). And, it works! Jennifer is able to possess Marilyn! It’s a good thing that worked, I guess. I mean, what if Marilyn died as a result of Jennifer trying to walk through her? How would Joey have explained that?

Jennifer is so excited about possessing Marilyn that she then proceeds to possess Joey’s best friend, Marc (Glenn Scarpelli). “Joey,” Jennifer-as-Marc says, “you have such beautiful eyes.” Joey freaks out but Jennifer is having a ball. The audience thinks its hilarious because this show is from the 80s.

The next morning, as the family eats breakfast, father George (Brandon Maggart) announces that he has a special guest coming by the house, a Spanish film producer (Henry Darrow) who is also an ex-boyfriend of Jennifer’s! (“Jennifer,” George announces, “was like Will Rogers. She never meet a man she didn’t like!”) George tells Joey to act normal and not yell at any invisible people during the producer’s visit.

Of course, it’s not Joey that George should be worried about. That night, when the producer shows up, Jennifer possesses George’s wife, Susan (Georgia Engel), and she flirts with the producer! Uh-oh, what if George finds out? What if this leads to divorce? What if Joey is sent back to New York and suddenly, Jennifer no longer has anyone to harass?

Jennifer really didn’t think this through. Or maybe she did and realized that George is the worst person in the world so who cares about destroying his career, marriage, and family?

Anyway, while possessing Susan, Jennifer kisses the producer. When George witnesses this, Jennifer hops out of Susan’s body, leaving Susan totally clueless as to why George is so upset. This leads to Jennifer once again possessing Susan so that she can declare her love for George and say that the producer was actually the one who put the moves on her and then George decides to punch out the producer but then the producer says that women are always throwing themselves at his feet and Jennifer realizes that the producer wasn’t that hot after all and then she steps into George’s body so that she can tell off the producer and….

AGGGGGGH!

Sorry. As you may have guesses, this whole episode was a bit too frantic for its own good but, to give credit where credit is due, both Georgia Engel and Brandon Maggart did credible Ann Jillian impersonations when their characters were possessed. Still, in the end, the sleazy producer decided to hire George as his lawyer and George accepted his offer because George is the worst person in the world and doesn’t have the self-respect necessary to kick the misogynistic old lech out of his house. Wow, that’s kind of depressing. Jennifer’s dead, everyone thinks that Joey is crazy, and George is so desperate for money that he’ll even take it from a guy who just tried to break up his marriage. This show is dark!

Next week, Jennifer helps Joey beat up the school bully!

4 Shots From 4 Films: Special Allison Anders Edition

Posted on November 16, 2023 by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy birthday to the great director Allison Anders! It’s time for….

4 Shots From 4 Allison Anders Films

Border Radio (1987, dir by Allison Anders, Dean Lent, and Kurt Voss, DP: Dean Lent)

Gas Food Lodging (1992, dir by Allison Anders, DP: Dean Lent)

Mi Vida Loca (1993, dir by Allison Anders, DP: Rodrigo Garcia)

Grace Of My Heart (1996, dir by Allison Anders, DP: Jean-Yves Escoffier)

Last Night Retro Television Review: Monsters 1.7 “The Legacy”

Posted on November 15, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

Tonight’s episode of Monsters is …. surprisingly good!

Episode 1.7 “The Legacy”

(Directed by Jeffrey Wolf, originally aired on December 3rd, 1988)

Dale (David Brisbin) is a film teacher and a writer who is hoping to make his name and reputation by writing the authoritative biography of actor Fulton Pierce. Pierce was silent film horror actor who, much like Lon Chaney Sr, was noted for his ability to physically transform himself into the monsters that he was playing. Dale not only wants to write about the events of Pierce’s life but he also wants to explain how Pierce was able to play so many different monsters.

In order to get into Pierce’s mind, Dale moves into Pierce’s former home. When Dale comes across Pierce’s old makeup box, he is convinced that he’s finally found the secret of Pierce’s success. When he opens the makeup box and looks at the mirror within, he seems not his face but instead the face of some of Pierce’s most fearsome characters, including a disfigured monster and a cackling mad scientist.

For the record, the mirror apparitions are inspired by The Cabinet of Dr. Caligari, Thomas Edison’s Frankenstein, Phantom of the Opera, and maybe London after Midnight.

Dale’s girlfriend, a model named Debbie (Lara Harris), fears that Dale is wasting his time on a book that no one is going to care about. When she drops by the house and discovers that Dale hasn’t even been able to come up with an opening line for his masterpiece, she gives him an ultimatum. He can either spend the rest of his life trying to write his book or he can marry her but she’s not going to wait forever. She tells him to “Make up your mind!” Dale latches onto the phrase “Make up your mind!,” shouting that he now knows how Fulton Pierce pulled off his amazing transformations.

I was pretty much wearing the same outfit when I watched this episode.

At first Debbie thinks that she has made a real break-through with Dale but later, that night, she wakes up to find Dale standing in front of a mirror and staggering around like one of Fulton Pierce’s monsters. She also discovers that the first chapter of the book is just the phrase Make Up Your Mind written over and over again. Has Dale’s obsession led him to madness or has he truly been possessed by the spirit of Fulton Pierce?

Someone’s losing it.

This episode of Monsters was based on a short story by Robert Bloch and certainly, the plot is more intriguing than any of the stories that preceded it. How exactly does an actor become a character and, more importantly, can you play a monster without becoming one yourself? Can one enter the mind of a madman without becoming mad themselves? (One wonders if Bloch, who was reportedly very much a no-nonsense personality, was satirizing the excesses of method acting.) Though the episode is only 21 minutes long, the story doesn’t feel rushed and the deliberate pace helps to create a properly ominous atmosphere. Add in two strong performances from David Brisbin and Lara Harris and you have the best episode of Monsters so far.

Retro Television Reviews: The Love Boat 3.16 “Making the Grade/The Gift/Doc’s ‘Ex’ Change”

Posted on November 15, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Doc Bricker gets his moment in the spotlight.

Episode 3.16 “Making The Grade/The Gift/Doc’s “Ex” Change

(Dir by Gordon Farr, originally aired on December 15th, 1979)

Since the very first episode of The Love Boat, viewers have continually been told that Doctor Adam Bricker is a notorious swinger, a lothario was has been married numerous times and to whom almost every woman is immediately attracted. There’s really not much about Bernie Kopell’s likable but rather mild-mannered performance as Doc that would lead anyone to think that any of that would be true but the show insists that Dr. Bricker is a legend of the high seas.

On this week’s episode, Doc’s most recent wife, Samantha (Juliet Prowse), boards the ship. She and Doc split up a few years ago and they have a friendly relationship. However, when Samantha informs Doc that her crooked lawyer never actually filed their divorce papers, Doc realizes that they are technically still married! Will they get a quickie divorce in Mexico (which is Doc’s first idea) or will the give marriage another try? (That’s Doc’s second idea.) In the end, they realize that they are just too different to make a marriage work. Samantha is smart and practical, while Doc is …. well, actually, Doc is the exact same way. Doc insists that he and Samantha don’t have much in common but actually, they have a lot in common. I think Doc is kind of fooling himself into thinking that he’s more of an impulsive wild man than he really is. Anyway, at the end of the cruise, they decide to get divorced but at least they still like each other. Doc never quit gets his heart broken like the rest of the cast does. I guess that’s why he’s a legend.

Meanwhile, Vicki finally gets someone her own age to hang out with when Danny Harris (Johnny Timko) boards with his mother, Madeline (Jessica Walter). Unfortunately, Danny is also kind of a spoiled brat and he’s really not happy when he discovers that his teacher, John Hurley (Dick Gautier), is also on board. And then Danny is even more upset when John starts to romance Madeline. And really, Danny has a point. No one wants to see their teacher (or their boss) while they are on vacation. And seriously, no one wants to deal with the idea of their teacher (or, again, their boss) suddenly becoming their stepfather. That said, Danny eventually makes peace with the idea of his mom dating his teacher and everyone leaves the boat happy.

The final storyline features one of those plots that drives me crazy, because it could have easily been resolved by everyone not acting like an idiot. Buddy Redmond (Red Buttons) boards the boat with his wife, Joan (Kaye Ballard). Buddy claims that it’s been years since he last gambled but actually, he’s lying. He has $2,000 in his suit pocket, money that he got from his bookie. Joan doesn’t know about it. When Joan hears that two other passengers, Benny Carter (frequent Love Boat guest star Sonny Bono) and Sally (Ronee Blakely), have lost their luggage, she donates Buddy’s jacket so that Benny will have something to wear at dinner. When the envelope containing the money falls out of the jacket, Benny and Sally think that all of their financial problems have been solved. Meanwhile, Buddy desperately wants to get back both the jacket and the money but he doesn’t want his wife to find out why. Meanwhile, Benny and Sally need the money but they don’t want to steal it if it actually did fall out the jacket so they try to convince themselves that the envelope could have been left in their cabin by a previous passenger who is no longer on the boat. Seriously, it’s exhausting to try to keep up with these people. Fortunately, once Buddy discovers that Benny and Sally really need the money, he lets them keep it. Joan is so touched that she totally forgets about the fact that her husband is apparently still a degenerate gambler.

Even by Love Boat standards, this was a silly episode. At the same time, it was a pleasant diversion. Juliet Prowse and Bernie Kopell made a nice couple, even if you never quite bought the idea of Doc being a playboy. Red Buttons wisely underplayed his role and therefore, Buddy remained sympathetic even while demanding the return of his jacket. Even Sonny Bono and Ronee Blakely were likable as a nice couple who found themselves in over their heads. This cruise was silly but pleasant.