Retro Television Review: The Love Boat 7.10 “Julie and the Bachelor/Set-up for Romance/Intensive Care”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new.  Come aboard, they’re expecting you …. welcome aboard, it’s looooooooove!  Yes, it’s time to take another cruise on the Pacific Princess.

Episode 7.10 “Julie and the Bachelor/Set-up for Romance/Intensive Care”

(Dir by Richard Kinon, originally aired on November 19th, 1983)

As always, we start with one very important question.

Engelbert Humperdinck is on this cruise so the answer is 11 on a scale of 10.

Engelbert plays Colin Crawford, who is Julie’s favorite film star and singer.  Julie is superexcited to meet him and even more thrilled when Colin appears to be romantically interested in her.  What Julie doesn’t know is that Colin’s loyal secretary is actually his wife, Gina (Penny Fuller).  To maintain Colin’s romantic image, they’ve kept their marriage under wraps.  However, Gina is sick of the deception and Colin eventually realizes that major film stars actually can be married.  By the end of the cruise, Colin has announced to the world that he’s married and Julie is surprisingly okay with having been manipulated.  The cocaine probably helped.

Meanwhile, Herbert Chandler (Tom Bosley) is a grump old man who has been in a wheelchair ever since he was in an accident 8 months ago.  Herbert boards the boat with his nurse, Donna (Patricia Carr).  “I’m the purser and you’re the nurser,” a smitten Gopher says.  Doc. meanwhile, figure out that, after 8 months, Herbert’s legs should be healed and able to walk.  It turns out that Herbert is faking his condition because he’s in love with Donna.  It turns out that Donna is in love with Herbert and is remarkably forgiving.  What better way to start a relationship than with eight months of lies?

Finally, Rick Tucker (Mark Harmon) boards the boat with his boss, Mr. Chandler (Bradford Dillman).  Rick also meets Christine Barton (Cristina Raines), who happens to be Chandler’s mistress.  Rick is devastated because he likes Christine too.  Once Rick discovers that Mr. Chandler is lying about leaving his wife for Christine, he’s able to not only end his boss’s relationship but also to get one of his own.  Strangely, it doesn’t occur to Rick to tell Christine that Chandler’s lying about leaving his wife until Rick has a conversation with Isaac.  Isaac apparently has the ability to help people realize things that they should have been able to figure out for themselves.  As Rick runs off to tell Christine, Isaac mentions that everyone he helps always runs off without leaving a tip.  That made me laugh because it’s true.

The Tom Bosley storyline did not work for me.  My Dad spent the last three months of his life in wheelchair and watching Herbert pretend that he needed a wheelchair when he didn’t did not sit well with me.  Otherwise, this was a pleasant episode.  It was one of the episodes that was shot during an actual cruise so it was nice to see the ocean in the background and the wind ruffling everyone’s hair.  None of the stories were particularly complicated but Mark Harmon’s easy going charm kept me watching and even Engelbert Humperdinck was tolerable.  It’s too bad that Julie once again missed out on love but I’m sure the cocaine helped.

Scenes That I Love: Christopher George In City of the Living Dead


Today, we celebrate what would have been the 95th birthday of the rugged American actor Christopher George.

George may have gotten his start in westerns and war movies but he is best remembered for a series of horror films in which he appeared in the late 70s and early 80s.  One of the best of those was Lucio Fulci’s 1980 classic, City of the Living Dead.

In today’s scene that I love, Christopher George plays a reporter who realizes that psychic Catriona MacColl has been buried alive.  He digs her up.  Of course, this is a Fulci film, so things nearly go terribly wrong.

4 Shots From 4 Films: Special Neil Jordan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Irish director Neil Jordan!  It’s time for….

4 Shots From 4 Neil Jordan Films

Mona Lisa (1986, dir by Neil Jordan, DP; Roger Pratt)

Interview With A Vampire (1994, dir by Neil Jordan, DP: Philippe Rousselot)

The Butcher Boy (1998, dir by Neil Jordan, DP: Adrian Biddle)

In Dreams (1999, dir by Neil Jordan, DP: Darius Khondji)

Music Video of the Day: Future Shock by Marc Collin, feat. Clara Luciana (2019, dir by Marc Collin)


Both this song and the scenes in the videos are taken from one of my favorite films of the last few years, The Shock of the Future. A tribute to the women who helped to create electronic music, The Shock of the Future is a wonderfully inspiring film. Go watch it!

But watch the music video first.

Enjoy!

Late Night Retro Television Review: Pacific Blue 3.16 “Double Lives”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Chris screws up again.

Episode 3.16 “Double Lives”

(Dir by Scott Lautanen, originally aired on January 18th, 1998)

Sean McGovern (Rob Youngblood) shows up on the beach, looking for Chris.  It turns out that he’s a former lover who is now in the witness protection agency.  We jump forward several months and Sean has not only vanished by Chris has been accused of helping him flee.  Chris is being investigated and, as is typical with this show, the reaction of the bicycle cops is to get offended that they’re being held to any sort of professional standard.

Seriously, Chris’s former boyfriend escapes custody?  Heck yeah, Chris should be investigated!  (I gave up cursing for Lent, everyone.)  Instead, Chris pouts about having to answer the most basic of questions and Palermo wanders around in the background, talking about how he needs to get Chris back on a bicycle and doing her job.  It’s hard to take any of this seriously when everyone’s wearing bicycle shorts.

Meanwhile, a gang of teenagers is mugging closeted gay men because they know the men won’t go to the police.  Victor is told to go undercover as a gay man to catch the muggers.  “No one’s going to believe me as a gay man!” Victor says.  Fortunately, Victor is wrong and he’s able to capture the muggers.

This episode was well-intentioned.  As far as the mugging storyline was concerned, it treated the victims with sensitivity.  Judge Annadale (Gil Gerard) refuses to make a police report because coming out of the closet would end his career and, at the time this show aired, he had every reason to believe that.  That said, the actors playing the muggers were not exactly the most intimidating teenagers around.  As far as Chris’s storyline is concerned …. who cares?  Seriously, why does Chris never have to face any consequences for being awful at her job?

Watching this show is becoming a real trial.

Retro Television Review: Saved By The Bell: The New Class 1.6 “George Washington Kissed Here”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, Scott ruins the school play.

Episode 1.6 “George Washington Kissed Here”

(Dir by Don Barnhart, originally aired on October 16th, 1993)

Mr. Belding is directing the school play, a tribute to the heroes of the American Revolution.  When Scott sees that Lindsay in the play, he decides that he wants her to play Martha Washington while he plays George so that he can kiss her on stage.  Scott goes as far as to convince that Mr. Belding that the play should be an “MTV version” of the American Revolution….

Sorry, I just rolled my eyes so hard that I passed out.  Okay, I’m back.

Anyway, Tommy D gets so jealous that he takes a role as a messenger, despite feeling that acting is “for dweebs.”  Megan is cast as Betsy Ross and Weasel is cast as Ben Franklin.  Vicki is also in the cast because she wants to see Scott in tights.

(Audience: whoooo!)

Tommy D is jealous and tries to ruin the play but Megan calls him out backstage and says, “Tommy D stands for Doesn’t Have A Clue.”  The audience cheers, even though Tommy D’s name should be Tommy DHAC.  Tommy realizes that he’s being a jerk so he apologizes, which leads to Lindsay chasing after him despite the fact that her cue is coming up.  So, Vicki steps in and plays Martha even though Lindsay was previously onstage as Martha.  Vicki kisses Scott, Tommy D and Lindsay get back together, and everyone applauds Mr. Belding, even though the play sucked.

I hated this episode.  As someone who has done high school and community theater, watching these idiots run around backstage ticked me off.  Lindsay missed her cue and everyone acted like it was no big deal.  No, it’s a huge deal.  It was totally unprofessional.  Lindsay should have been expelled.

Watching this episode, it occurred to me that Zack Morris could have pulled it off but Scott’s obsession with Lindsay just comes across as being creepy.  Zack may have been fixated on Kelly and jealous of Slater but at least Kelly was actually single and interested in him.  Lindsay is dating Tommy D and seems pretty happy with him.  Scott needs to move on.  In fact, wasn’t the audience going “whooooo!” about Scott and Megan just two episodes ago?

I hope Mr. Belding never directed another play.

6 Shots From 6 Films: Special Twins Peaks Edition


6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!

It is Twin Peaks Day, after all.

6 Shots From 6 Films: Special Twin Peaks Edition

Twin Peaks: The Pilot (1990, dir by David Lynch, DP: Ron Garcia)

Twin Peaks 1.3 “Zen or the Skill To Catch a Killer” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

Twin Peaks The Return Part Three (2017, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 5 (2017, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch, DP: Peter Deming)

Scenes I Love: Robert Carradine vs David Carradine in Mean Streets


Rest in Peace, Robert Carradine.  The veteran character actor and son of John Carradine (as well as brother of Keith and half-brother of David) has passed away at the age of 71.

Most of the articles about his death describe him as being “Lizzie Maguire star Robert Carradine.”  Robert Carradine, however, had a long career and it started long before Lizzie Maguire.  Eternally youthful, he was still playing teenagers when he was in his 30s.  (Let’s just say that he was a bit old to be a college freshman in Revenge of the Nerds.)  Robert appeared in his share of 70s exploitation films but he also appeared in films directed by Hal Ashby, Walter Hill, and Martin Scorsese.

In fact, one of Carradine’s first roles was in Scorseses’s 1973 masterpiece, Mean Streets.  Here he is, sharing an unforgettable scene with his brother David.

Music Video of the Day: Falling by Julee Cruise (1990, dir by ????)


Happy Twin Peaks Day!  37 years ago today, FBI Agent Dale Cooper arrived in the town of Twin Peaks to investigate a heinous crime.  Things would never be the same.

Sometimes, only the singer at the local roadhouse seemed to truly understand.

Don’t let yourself be hurt this time
Don’t let yourself be hurt this time

Then I saw your face
Then I saw your smile

The sky is still blue
The clouds come and go
Yet something is different
Are we falling in love?

Don’t let yourself be hurt this time
Don’t let yourself be hurt this time

Then your kiss so soft
Then your touch so warm

The stars still shine bright
The mountains still high
Yet something is different
Are we falling in love?

Falling
Falling
Are we falling in love?

Falling
Falling
Are we falling in love?

For the record, it’s tempting to credit David Lynch as director of this video, especially since it utilizes scenes from Twin Peaks.  That said, he’s never been officially credited as director and, given how documented his career became online, I have a feeling that, if he was the director, he would have been credited as such.  As an artist and a filmmaker, Lynch understood the importance of being credited for one’s work.  So, for now, this video’s director is listed as unknown.

Enjoy!