Live Tweet Alert: Join #ScarySocial for The Bye Bye Man!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  The Bye Bye Man!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: Luca Brasi Is Just Happy To Be At The Wedding


Lenny Montana started out as a boxer and a wrestler.  He eventually ended up working as a bouncer and a bodyguard for the leadership of the Colombo Crime Family.  However, Montana achieved his immortality as a result of veteran tough guy actor Timothy Carey turning down the role of Luca Brasi in The Godfather.  Brasi was the Corleone Family’s most feared enforcer and Carey, who had made a career out of playing psychos, was one of the most feared men in Hollywood, one who was rumored to have pulled a gun on more than a few directors.  (For the record, Stanley Kubrick loved him.)  When Carey turned down the role in favor of doing a television series, Francis Ford Coppola offered the role to Lenny Montana.  Montana may not have had Carey’s screen acting experience but he brought real-life authenticity to the role.  When Michael says that Luca Brasi is a “very scary man,” one look at Lenny Montana confirms it.  Unfailingly loyal to the family and willing to do anything for the Don, Luca Brasi represents the Family’s strength.  When Luca Brasi is killed, you know that the old era of the Corleones is ending as well.  Without Luca, the Corleones are in deep trouble.

My favorite Luca Brasi scene comes at the beginning of the film.  Surprised to be invited to Connie’s wedding, Luca wants to thank the Don personally.  Nervous about acting opposite Marlon Brando, Montana flubbed his lines.  The scene, with the flub, was kept in the film and it served to humanize both Luca and Don Corleone.  (The Don’s smile was due to the fact that Marlon Brando was having trouble not laughing.)  It’s a nice little scene, one that reminds us that even gangsters are human.

4 Shots From 4 Films: Special Texas Edition


 

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I celebrate my home state!

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Dazed and Confused (1993, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Late Night Retro Television Review: Freddy’s Nightmares 2.6 “Lucky Stiff”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a lottery ticket leads to misery.

Episode 2.6 “Lucky Stiff”

(Dir by William Malone, originally aired on November 12th, 1989)

After the lottery-obsessed Lenny Nordhoff (David L. Lander) has a heart attack and dies, his widow, Greta (Mary Crosby), marries her brutish boyfriend, Hank (Richard Eden). Haunted by nightmares of Lenny holding out his bloody heart and accusing her of having broken it, Greta is not happy with her new marriage. When she and Hank realize that Lenny was buried with a winning lottery ticket, they break into the mausoleum, open his coffin, and retrieve the ticket. Then, Greta pushes Hank into the coffin and seals him up.

Months later, Greta is wealthy but now she’s haunted by visions of Hank and threatening phone calls. Eventually, she is confronted by a gravedigger (Tracey Walter), who blackmails her into marrying him.

This episode’s only memorable moment was an outdoor scene that was apparently filmed on a windy day, resulting in Mary Crosby having to awkwardly reach down to keep her dress from blowing up. (I supposed it says something about the show’s budget and production schedule that, rather than reshoot this scene, they just went with it.) Crosby didn’t do a bad job in this episode. She had the right neurotic femme fatale look.

Otherwise, this episode was pretty forgettable. The first story featured Greta having nightmares about a dead man and marrying a loser. The second story featured Great having nightmares about a dead man and marrying a loser. Even Freddy, in his reduced host role, looked pretty bored with the whole thing.

 

Retro Television Review: St. Elsewhere 3.13 “Dr. Wyler, I Presume”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, a famous doctor comes to St. Eligius.

Episode 3.13 “Dr. Wyler, I Presume”

(Dir by Mark Tinker, originally aired on December 19th, 1984)

This week’s episode opens in the hospital gift shop. Dr. Craig is excited because a Nobel Prize-winning surgeon, Dr. George Wyler (David Wayne), is traveling from Africa to St. Eligius. Wyler is bring along a man who needs a kidney transplant. They are hoping to find a donor in Boston.

Dr. Auschlander, who is an old friend of Wyler’s, is a bit more nervous. Craig tells him not to worry so much and then grabs a carnation that he puts on Auschlander’s lapel.
As Auschlander starts to leave the gift shop, Craig says, “Don’t forget to pay for that.”

It’s a brilliant opening for a pretty good episode of St. Elsewhere. It’s always interesting to see the usually arrogant Dr. Craig in fanboy mode and one gets the feeling that, if he’s impressed by Dr. Wyler, than Wyler really must be as brilliant as everyone says.
And maybe he is! It’s hard to say for sure. When Wyler arrives at the hospital, he’s avuncular and obviously intelligent but we really don’t learn much about him, beyond the fact that he’s an old friend of Auschlander’s. The rest of Wyler’s scenes feature him and Auschlander sitting around and talking about how they’re both getting older. It’s not boring, largely due to the performances of Norman Lloyd and David Wayne. But, after all of the build-up, it’s a bit anti-climatic. That said, according to the imdb, Dr. Wyler appeared in a total of three episodes so I imagine things will develop.

While this is going on, Nurse Rosenthal is having a mid-life crisis. Her 45th birthday is coming up and she doesn’t want to celebrate it. She’s not amused when the nurses get her a stripper. Usually, I would have sympathy for a character who hates the idea of getting older but I’m a little bit tired of Nurse Rosenthal and her poor-me attitude. I get that she’s upset that her adulterous affair hasn’t been going well but maybe she should take that as a sign to stop sleeping with married men.

Meanwhile, Mrs. Hufnagle, the patient that no one likes, continues to get on everyone’s nerves. She’s even managed to alienate Elliott! I actually feel bad for Mrs. Hufnagle. Yes, she complains a lot but being in a hospital is a scary thing. I get the feeling that the doctors and nurses getting annoyed with her is probably the most realistic part of the series. Dr. Morrison is now Hufnagle’s doctor and that worries me. Morrison’s stories always end in the most depressing way possible.

At the tv station, Victor is told that his medical segments are not popular with viewers and that he needs to make being sick sound more pleasant than it is. Victor records an upbeat segment about how wonderful it is to go the hospital.

At the hospital, Victor assists Dr. Craig in removing an live exploding bullet from a woman who was shot in a robbery. Victor worries that the bullet could explode as he removes it and end his medical career. Fortunately, the operation is successful but Craig still tells Ehrlich that he’s a disgrace.

Ouch!

Hey, this was a really good episode. It was well-acted. It wasn’t too depressing. Dr. Craig got to snap at a lot of people. The best episodes always feature Dr. Craig going off on someone. St. Eligius may not be the best hospital but, this week, it was the most entertaining.

Live Tweet Alert: Join #FridayNightFlix for Code of Silence!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1985’s Code of Silence!

If you want to join us this Friday, just hop onto twitter, find Code of Silence on Prime or Tubi, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Code of Silence (1985, directed by Andrew Davis)

Scenes I Love: The Beginning of The Fifth Chapter of Inglourious Basterds


This is, without a doubt, one of the best sequences that Quentin Tarantino has ever directed.  Along with the perfect visuals of Shoshanna getting ready for the premiere, Tarantino makes perfect use of Theme From Cat People, reinventing the song from a somewhat silly horror theme to an anthem of revolution and revenge.

4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 63rd birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Kill Bill (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)