October Positivity: Victory By Submission (dir by Alan Autry and Joaquin Juarez)


In 2017’s Victory by Submission, Tommy Hendricks (Brett Prieto) is a UFC fighter who thinks that he wants to be champion more than anything else in the world. He’s following in the footsteps of his boxer father (Alan Autry) and also his older brother (Josh Thomson), an up-and-coming UFC fighter who was killed in Iraq. When Tommy allows himself to be trained by the ruthless Steve Henderson (James Price), he wins his chance to go up against the most dangerous man in the world, UFC champion Crazy Dan McGuire (Casey Olson). But will he be willing to sacrifice his soul for victory?

For what it is—a fighting film with a faith-based theme—it isn’t bad. The story won’t take anyone by surprise, but the fights are well-directed and the actors all give decent performances. Speaking for myself, I appreciated the film’s message, which was that there are some things that are more important than seeing how much blood you can spill in the ring. The conclusion of the fight was a bit unbelievable. When an angry Steve said that the fans were upset because they felt like they had been cheated out of the money that they paid for the tickets to see the fight, I couldn’t help but feel that, as sleazy as he was, he kind of had a point.

Eric Roberts does appear in this film, playing a very enthusiastic fight promoter. It’s a small role but it’s always nice to see Eric in an energetic mood.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Freefall (1994)
  13. Love Is A Gun (1994)
  14. Sensation (1994)
  15. The Specialist (1994)
  16. The Cable Guy (1996)
  17. Dark Angel (1996)
  18. Doctor Who (1996)
  19. Most Wanted (1997)
  20. The Alternate (2000)
  21. Mercy Streets (2000)
  22. Tripfall (2000)
  23. Raptor (2001)
  24. Rough Air: Danger on Flight 534 (2001)
  25. Strange Frequency (2001)
  26. Wolves of Wall Street (2002)
  27. Border Blues (2004)
  28. Mr. Brightside (2004)
  29. Six: The Mark Unleased (2004)
  30. We Belong Together (2005)
  31. Hey You (2006)
  32. Cyclops (2008)
  33. Depth Charge (2008)
  34. Fear Itself: Spooked (2008)
  35. Amazing Racer (2009)
  36. The Chaos Experiment (2009)
  37. In The Blink of an Eye (2009)
  38. Bed & Breakfast (2010)
  39. Enemies Among Us (2010)
  40. The Expendables (2010) 
  41. Groupie (2010)
  42. Sharktopus (2010)
  43. Beyond The Trophy (2012)
  44. The Dead Want Women (2012)
  45. Deadline (2012)
  46. The Mark (2012)
  47. Miss Atomic Bomb (2012)
  48. The Night Never Sleeps (2012)
  49. Snow White: A Deadly Summer (2012)
  50. Assault on Wall Street (2013)
  51. Bonnie And Clyde: Justified (2013)
  52. Lovelace (2013)
  53. The Mark: Redemption (2013)
  54. The Perfect Summer (2013)
  55. Revelation Road: The Beginning of the End (2013)
  56. Revelation Road 2: The Sea of Glass and Fire (2013)
  57. Self-Storage (2013)
  58. Sink Hole (2013)
  59. A Talking Cat!?! (2013)
  60. This Is Our Time (2013)
  61. Bigfoot vs DB Cooper (2014)
  62. Doc Holliday’s Revenge (2014)
  63. Eternity: The Movie (2014)
  64. Inherent Vice (2014)
  65. Road to the Open (2014)
  66. Rumors of War (2014)
  67. So This Is Christmas (2014)
  68. Amityville Death House (2015)
  69. Deadly Sanctuary (2015)
  70. A Fatal Obsession (2015)
  71. Las Vegas Story (2015)
  72. Sorority Slaughterhouse (2015)
  73. Stalked By My Doctor (2015)
  74. Story of Eva (2015)
  75. Enemy Within (2016)
  76. Hunting Season (2016)
  77. Joker’s Poltergeist (2016)
  78. Prayer Never Fails (2016)
  79. Stalked By My Doctor: The Return (2016)
  80. The Wrong Roommate (2016)
  81. Dark Image (2017)
  82. The Demonic Dead (2017)
  83. Black Wake (2018)
  84. Frank and Ava (2018)
  85. Something (2018)
  86. Stalked By My Doctor: Patient’s Revenge (2018)
  87. The Wrong Teacher (2018)
  88. Clinton Island (2019)
  89. Monster Island (2019)
  90. The Reliant (2019)
  91. The Savant (2019)
  92. Seven Deadly Sins (2019)
  93. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  94. The Wrong Mommy (2019)
  95. Exodus of a Prodigal Son (2020)
  96. Free Lunch Express (2020)
  97. Hard Luck Love Song (2020)
  98. Her Deadly Groom (2020)
  99. Law of Attraction (2020)
  100. Top Gunner (2020)
  101. Deadly Nightshade (2021)
  102. The Elevator (2021)
  103. Just What The Doctor Ordered (2021)
  104. Killer Advice (2021)
  105. Megaboa (2021)
  106. Night Night (2021)
  107. The Poltergeist Diaries (2021)
  108. The Rebels of PT-218 (2021)
  109. Red Prophecies (2021)
  110. A Town Called Parable (2021)
  111. The Wrong Mr. Right (2021)
  112. Bleach (2022)
  113. Dawn (2022)
  114. My Dinner With Eric (2022)
  115. 69 Parts (2022)
  116. The Rideshare Killer (2022)
  117. The Wrong High School Sweetheart (2022)
  118. The Company We Keep (2023)
  119. D.C. Down (2023)
  120. If I Can’t Have You (2023)
  121. Megalodon: The Frenzy (2023)
  122. Aftermath (2024)
  123. Bad Substitute (2024)
  124. Devil’s Knight (2024)
  125. Insane Like Me? (2024)
  126. Space Sharks (2024)
  127. The Wrong Life Coach (2024)
  128. Broken Church (2025)
  129. Shakey Grounds (2025)
  130. Stand Your Ground (2025)
  131. When It Rains In L.A. (2025)

Late Night Retro Television Review: Sledge Hammer! 1.11 “To Live and Die on TV”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

This week, Sledge goes on television.

Episode 1.11 “To Live and Die on TV”

(Dir by Daniel Attias, originally aired on December 13th, 1986)

The Million Dollar Question is the most popular game show on television.  Hosted and produced by Bob Kenny (Peter Marshall), the show is famous for the fact that no one has ever won the million dollars.  That’s a good thing because Bob doesn’t actually have a million dollars to give anyone.  When one contestant gets too close to winning the top prize, Bob has him murdered.

Sledge Hammer and Doreau does some research and discover that Bob has a history of declaring bankruptcy.  Doreau also figures out that only stupid-looking people are cast on The Million Dollar Question in order to ensure that they won’t win.  Naturally, this leads to Sledge Hammer going undercover as a contestant.  With Doreau secretly supplying him with the answers, Sledge gets closer and closer to the million.  Bob comes up with a plan to kill Sledge on live television….

This episode was fairly amusing satire of game shows.  The Million Dollar Question successfully predicted Who Wants To Be A Millionaire?  Of course, nowadays, it’s a lot easier to be a millionaire than it was back in 1986 or even 2000.  One million dollars in 1986 is the equivalent of three million dollars today.  It seems a bit odd that Bob Kenny couldn’t afford to pay that but, then again, the whole point of the episode was that game show hosts are not to be trusted.

I enjoyed Doreau giving Hammer the answers to some of the easiest questions ever asked.  Peter Marshall seemed to be having as the sleazy Bob and, as always, David Rasche was amusingly clueless.  When he’s told that Trivial Pursuit is a game the requires brains, Hammer replies that the only thing he pursues is justice and all that requires is bullets.

This was a good episode that reminded me that being  a millionaire used to mean something.

Horror on TV: Thriller 2.17 “La Strega” (dir by Ida Lupino)


For tonight’s excursion into televised horror, we have an episode of Thriller!

This episode is called La Strega and it deals with an artist (Alejandro Rey) who saves a young woman (Ursula Andress) from drowning.  It turns out that the local villagers believe that the woman is a witch.  The artist has no time for superstition and takes the woman back to his home.  She starts as his model and then becomes his lover.  She may not be a witch but her mother (Jeanette Nolan) definitely is…

And, of course, this episode is introduced by the one and only Boris Karloff!

The episode premiered on January 15th, 1962.

Retro Television Review: St. Elsewhere 4.16 “Family Affair”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, Bobby Caldwell faces his future.

Episode 4.16 “Family Affair”

(Dir by Bruce Paltrow, originally aired on February 12th, 1986)

This episode deals with the fallout of the assassination of Sen. Gordon Endicott. As I watched it, I found it surprising that the doctors and the patients didn’t seem too shaken by the fact that a presidential contender had been shot in the chapel. One could argue that this was meant to show that violence in the United States had become so commonplace that people barely noticed it. I think it has more to do with bad writing. There is no real emotional impact to the Endicott family drama because the Endicotts themselves never come across as actual human beings. They’re thin stand-ins for the Kennedy family, and the show doesn’t seem to know what it wants to say about them. St. Elsewhere was an undeniably liberal show, and the Endicotts, with their sense of noblesse oblige, are clearly meant to evoke nostalgia for the Kennedy era. At the same time, the show can’t quite convince itself that the Kennedy era was all it was cracked up to be.

The Endicott story comes to an end here. Augusta survives her heart surgery. Her granddaughter goes into labor and gives birth to the first Endicott of the next generation. Augusta’s grandsons argue over who will lead the family. It falls flat. That’s especially true in 2026, when the Kennedys are no longer deified. Today the name Kennedy is just as likely to bring to mind vanity congressional campaigns as it is Camelot.

(For all the effort St. Elsewhere put into recreating the Kennedy family, no effort is made to recreate Mary Jo Kopechne.)

Far more compelling is the story of Bobby Caldwell, who struggles to carry on as a doctor despite his AIDS diagnosis. At first, only Westphall, Auschlander, and Morrison know. Morrison tells Fiscus, mostly to get Fiscus to stop giving Caldwell a hard time about his scar. Westphall tells Dr. Craig. Craig confronts Caldwell, says “Tough break,” and then asks him to leave the hospital. Craig also says he had no idea Caldwell was, in Craig’s words — not mine — “a fag.”  Caldwell says that he’s not but the implication is clear.  In Craig’s eyes, the virus is a punishment.

Caldwell’s illness makes Fiscus hesitant about sleeping with Clancy, at least until Fiscus’s own AIDS test comes back. Bobby’s ex, Joan Halloran (Nancy Stafford), gets tested and is relieved to discover she’s negative. When Joan complains that she’s never done anything to deserve getting sick, Morrison tells her that AIDS is a disease, not a metaphysical judgment. I’m glad someone finally pointed that out.

Caldwell resolves to kill himself in his apartment, but just as he’s about to take a lethal objection, someone knocks on his door. The young daughter of the woman who lives above him needs help with a leak in their bathroom. Caldwell realizes that having AIDS doesn’t mean he can’t help people.

In the end, Caldwell does leave St. Eligius. He tells Westphall that he’s moving to California to work at an AIDS hospice. He takes one last look around the hospital and then exits both St. Eligius and the show.

I have to admit I was really moved by the episode’s final image of Caldwell stepping outside. He hasn’t always been my favorite character. When he was first introduced in the second season, he seemed bland. During the third season, the show didn’t know what to do with him. He spent much of the fourth season treating everyone else terribly. But in this episode, Caldwell finally seemed like a real person. Mark Harmon’s performance, especially in those last moments, was outstanding.

Goodbye, Bobby Caldwell.

Horror Film Review: The Incredible Shrinking Man (dir by Jack Arnold)


Some films should never be remade and that’s certainly the case with 1957’s The Incredible Shrinking Man.

Why does Scott Carey (played by Grant Williams) start to shrink? While the film does offer up a vague explanation involving chemicals that altered his molecular structure, the film doesn’t waste too much time on the reasons. Instead, what’s important is that he is shrinking. Every day, Scott Carey finds himself getting smaller and smaller and nobody can do anything to stop it. Even the scientific cure proves itself to be only temporary. It’s not just that Scott is getting smaller physically. His confidence is also shrinking. Everything that used to define him as a human being is disappearing. When the press learns that he’s shrinking, he loses his dignity. When he lashes out at the world around him, he loses his self-respect. When he gets angry at his wife, he loses his security. Finally, he’s small enough that, even though he can still speak, he’s essentially lost his voice. He loses the world that he knows and discovers an entirely different world existing within the reality that he once took for granted.

The film is famous for the scene in which Scott, who has been reduced to living in a dollhouse, is attacked by a cat. (Officially, the cat that attacks Scott later played Audrey Hepburn’s cat in Breakfast at Tiffany’s. Rumor has it, though, that Orangey the Cat was actually several different cats who all used the same name.) The cat attack is certainly a bravura bit of filmmaking on the part of director Jack Arnold. Whenever our cats get upset over getting fed a minute or two late, I’m reminded of Scott opening the door of the dollhouse and seeing that giant cat staring in at him. That said, for me, the scariest moment in the film comes at the start when Scott is enveloped in the strange mist that will eventually cause him to start shrinking. It’s such an atmospheric and creepy scene but Arnold is smart enough not to overplay anything. Scott and his wife originally dismiss it as nothing. That’s what most of us do when something strange happens. It’s a scene that also captures the random cruelty of Scott’s fate. If he had simply gone below deck on his boat, he never would have started to shrink. If his wife had remained on deck with him, she would have shrunk with him and Scott wouldn’t have had to face his fate alone.

Jack Arnold is truly the often-unsung hero of The Incredible Shrinking Man. He took the material seriously. Even more importantly, he stuck with screenwriter Richard Matheson’s ending. When the studio insisted that the film should end with Scott returning to his full height, Arnold refused to shoot it and, amazingly, the studio didn’t make him. Even when test audiences said that they would have liked the film better if Scott had returned to his original height, the studio released Jack Arnold’s version of the film. Not many studios would have the guts to do that today. (Then again, after 20 years of comic book movies, audiences would probably just assume that Scott was going to turn into a superhero and not get upset.) The film ends with the triumph of Scott defeating a spider, but it also ends with Scott still shrinking and we’re left to wonder what could be smaller than microscopic.

I’m normally not a huge fan of science fiction but The Incredible Shrinking Man is a great film. Occasionally, there will be a report of someone wanting to remake it. Hopefully, it’ll never happen. The Jack Arnold/Richard Matheson version is the only one we need.

Bonus Horror on the Lens: The Beach Girls and the Monster (dir by Jon Hall)


In 1965’s The Beach Girls and the Monsters, a monster that might be a mutated barracuda is hiding out on the beach and killing teenagers.  Can Dr. Otto Lindsay (played by the film’s director, Jon Hall) figure out how to defeat the monster?  Will Otto’s son Richard (Arnold Lessing) ever stop surfing long enough to get back to studying science?  Will Otto’s much younger wife Vicky (Sue Casey) seduce the troubled and crippled sculptor Mark (Walker Edmiston)?  And will it ever occur to anyone to just go to a different beach?

Complete with a ludicrous monster, a great soundtrack, tons of dancing, melodramatic acting, and a twist ending that will surprise no one, The Beach Girls and the Monster is low-budget favorite of mine.   It’s also, I think, a perfect movie to watch on a rainy October Saturday.

Enjoy!

Horror On The Lens: Snowbeast (dir by Herb Wallerstein)


A killer yeti is ruining a resort’s Snow Carnival.  Can Bo Svenson, Clint Walker, and Robert Logan set aside their differences and work together to defeat the monster before Sylvia Sidney is forced to shut the whole thing down?  Let’s hope so!

Originally made for television in 1977 and subsequently included in a hundred Mill Creek box sets, Snowbeast is an surprisingly enjoyable and, at times, rather intense little horror movie.  There’s nothing scarier than an angry yeti!

Live Tweet Alert: Join #FridayNightFlix for The Giant Spider Invasion!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  Join us for The Giant Spider Invasion!

If you want to join us this Friday, just hop onto twitter, find The Giant Spider Invasion on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Horror Song Of The Day: The Lions and the Cucumber by The Vampires’ Sound Incorporation


Today’s song of the day comes from the 1971 film, Vampyros Lesbos.  The Vampires’ Sound Incorporation was a band specifically formed to do the soundtrack for Jess Franco’s classic portrait of Eurotrash decadence.  This song found renewed popularity in the 90s when Quentin Tarantino included it on the Jackie Brown soundtrack.

I like this song.  It’s great driving music and it sounds like something that a vampire would actually listen to.