Lisa Marie’s Week In Television: 8/16/25 — 8/23/25


Aaron Hernandez and The Untold Murders of Bristol (Hulu)

I watched this true crime documentary on the 17th.  As I watched it, I found myself wondering just how many documentaries will ultimately be made about Aaron Hernandez.  I’m going to guess that there will be quite a few just because his story really does capture the current cultural zeitgeist.  Americans love celebrities and they love true crime and the Aaron Hernandez case gives them both, along with CTE and toxic masculinity and repressed sexuality.  As for this documentary, it mostly focused on the Hernandez case but it also told the story of two other football players who went to high school with Hernandez and who also ended up becoming murderers.  I guess there must be something in the Gatorade up in Connecticut.  This documentary didn’t really bring anything new to the table.  Above all else, Aaron Hernandez appears to have just been a total idiot.

Big Brother 27 (CBS, Paramount+, Pluto TV, 24/7)

Go Ava!  If Ava wins, I’ll be happy.  I’ve ben writing about Big Brother over at the Big Brother Blog.

Murder Under Fright Night Lights (Hulu)

The Aaron Hernandez documentary led to me watching two seasons of this true crime show about football-related murders.  The first season was considerably better than the second season, leading me to suspect that the show made the mistake of front-loading all of the interesting stories.  Seriously, you have to spread things out if you want to keep people tuning in.

Retro Television Review: The American Short Story #12: The Man That Corrupted Hadleyburg


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a Mark Twain novella.

Episode #12: The Man That Corrupted Hadleyburg

(Dir by Ralph Rosenblum, originally aired in 1980)

In this loose adaptation of one of Mark Twain’s darkest novellas, Robert Preston stars as The Stranger.  When we first meet The Stranger, he’s looking down on the small town of Hadleyburg and it’s hard not to notice that he looks a lot like Mark Twain.  The Stranger explains that the people of Hadleyburg consider themselves to be honest and free of sin.  The town’s motto is “Lead us not into temptation!”  The Stranger has a plan to test them.

Riding into town, the Stranger stops at the home of Edward and Mary Richards (Tom Aldredge and Frances Sternhagen).  The Stranger gives them a sack that he claims is filled with $40,000 worth of gold bars.  The Stranger says that he was once a poor man and someone in Hadleyburg gave him $20 and some meaningful advice.  Now that’s he rich, he wants to pay back the person who helped him.  The Stranger explains that there is an envelope inside the sack.  In the envelope, the Stranger has written out the advice he was given by his benefactor.  The Stranger’s instruction is for the man who helped him to write out that advice and give it to Rev. Burgess (Fred Gwynne), who recently lost his church when the citizens of Hadleyburg tired of him calling them out for their hypocrisies.  The honest man who remembers the advice he gave the Stranger will be very rich as a result.  The Stranger then leaves.

News of the sack and the gold travels throughout town and eventually the rest of the nation.  The most powerful families in Hadleyburg, including the Richards family, receive a letter telling them that the advice given to the stranger was “You are far from being a bad man, go and reform.”  Burgess is soon swamped by notes, all featuring that same phrase.  At the town meeting, Burgess reads each note, revealing that everyone wrote down the same phrase and that none of the town leaders is as honest as they claim.

The Man That Corrupted Hadleyburg is one of Twain’s most stinging satires, featuring an ending that is surprisingly dark.  This adaptation takes a much lighter approach to the material, altering Twain’s ending to something much more gentle and friendly.  Unfortunately, changing the ending causes the adaptation to lack the bite of the original short story.  Twain’s portrayal of greed and guilt instead becomes a mild story about a quirky town that learns a lesson.  It’s well-acted, especially by Fred Gwynne, but this adaptation doesn’t honor Twain’s intentions.  It just doesn’t add up to much.

Live Tweet Alert: Join #ScarySocial for Don’t Look In The Basement!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  Don’t Look In The Basement!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: “Good Mornin'” from Singin’ In The Rain (Happy Birthday, Gene Kelly!)


In honor of Gene Kelly’s birthday, today’s scene that I love comes from the 1952 classic, Singin’ In The Rain.  In this scene, Debbie Reynolds performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.

4 Shots From 4 Films: Special Gene Kelly Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth of Gene Kelly!  It’s time for….

4 Shots From 4 Gene Kelly Films

Anchors Aweigh (1945, dir by George Sidney, DP: Charles Boyle and Robert Planck)

An American In Paris (1951, dir by Vincente Minnelli, DP: Alfred Gilks)

Singin’ In The Rain (1952, dir by Gene Kelly and Stanley Donen, DP: Harold Rosson)

Xanadu (1980, dir by Robert Greenwald, DP: Victor J. Kemper)

Retro Television Review: St. Elsewhere 2.12 “Hearing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Peter White faces the judgment of the medical board.

Episode 2.12 “Hearing”

(Dir by Charles Braverman, originally aired on February 1st, 1984)

At his disciplinary hearing for giving a controlled substance to an undercover officer, Dr. White lies to protect Shirley Daniels.  Even though Shirley tossed him the keys to the drugs on that night, White says that he took the keys without Shirley noticing.  It’s a rare case of Dr. White actually trying to help someone else.  It gets Shirley off the hook but it leads to Dr. White receiving a two-year suspension from working in an ER or prescribing medicine.  Westphall and Auschlander both agree that Dr. White’s career is probably over but Westphall, who has been White’s biggest supporter since he returned from rehab, says that they’ll find a place for him in the hospital.

The new X-ray tech, Lee Tovan (Robert Daniels), cannot hear.  His supervisor (Raymond Singer) claims that Lee is too difficult to work with.  Westphall pledges to support Lee, no matter how much his supervisor complains.

Victor meets Roberta’s wealthy parents and, to everyone’s shock (especially his), he manages to charm them.  Victor also asks Dr. Craig if he can use his house for the wedding.  Dr. Craig misunderstands and thinks that Victor is asking him to be his best man.  Victor explains that he’s already asked his friend, “Dogger,” to be best man.  Craig rolls his eyes but agrees to let Victor use the house.

Finally, Dr. Auschlander asks Fiscus to help him get some marijuana to help with his chemo side effects.  Fiscus tries and fails to call his old college weed guy and then asks Luther if he knows anyone who deals drugs.  Luther rightly points out that Fiscus is stereotyping him but he still manages to get Auschlander a baggie of joints.  Auschlander gets high.  For a first time smoker, he gets REALLY high!  He also ultimately decides that marijuana is not for him.

This episode was a bit uneven.  I liked the irony of White saving Shirley, just to potentially lose his own career as a result.  (Saying that he stole the keys probably didn’t help his case.)  Victor’s wedding storyline has been kind of dragged out more than it needs to be but it’s still entertaining to watch Dr. Craig get frustrated with him.  Norman Lloyd was adorable playing stoned.  But the storyline about the deaf x-ray tech was sabotaged by some very bad acting and some very heavy-handed writing.  That was a shame.

Next week, Victor Ehrlich gets married!

 

Live Tweet Alert: Join #FridayNightFlix for Bloodsport!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1988’s Bloodsport!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Bloodsport is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Intergalactic Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s let celebrate life in space!

4 Shots From 4 Intergalactic Films

Close Encounters of the Third Kind (1977, dir by Steven Spielberg, DP: Vilmos Zsigmond)

Star Wars: A New Hope (1977, Dir. by George Lucas, DP: Gilbert Taylor)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Dune (1984, dir by David Lynch, DP: Freddie Francis)