Ghost Track (2022, directed by Jason M.J. Brown)


Years ago, a teenager named Morris died when he was run over by a train while five of his friends helplessly watched.  Even though they did not mean for him to die, Morris’s friends grow up feeling guilty.  Years later, all of Morris’s now-adult friends find themselves being stalked by a ghostly presence who slips notes under their door telling them that they are going to die.  Marcus (Adam Probets) thinks that Morris is responsible for the disappearance of the school bus that was carrying his son (along with many other children).  Can Morris’s friends put his soul to rest before he kills all of them?

I will give this movie some credit.  Considering that it wasn’t made for much money, the scenes around the train tracks are effectively shot and feature vivid cinematography.  The inside scenes are too darky lit but the movie looks fine whenever the action moves outside.  Ghost Track also had one good twist towards the end.

For the most part, though, Ghost Track was poorly acted with some of the least convincing death scene that I’ve ever seen.  I think part of the problem is that I never felt like a knew who the characters were either before or after the accident with the train so I never knew how their lives had been effected by Morris’s death.  Plus, the subplot about the missing school bus felt like an unnecessary distraction.  Maybe if we had actually seen the kids on the school bus before it disappeared, it would have been different but instead, the school bus is something that we hear a lot about with really having the context to know what to think about it.

Ghost Track felt like a feature-length version of one of those public information films that the BBC used to air, warning children not to play on the railroad tracks. It’s just not as scary as The Finishing Line.

Music Video of the Day: Push It by Garbage (1998, directed by Andrea Giacobbe)


Push It was the lead single off of Garbage’s second studio album, Version 2.0.  The video was directed by an Italian photographer named Andrea Giacobbe, who was selected after the band saw and was impressed by his video for Death in Vegas’s Dirt.  Though Shirley Manson said that the songs lyrics were intentionally meant to be surreal and that the song was about, “the schizophrenia that exists when you try to reconcile your desires and demons with the need to fit in,” even the band was surprised by the bizarre storyboards that Giacobbe prepared for the video.

What’s happening in the video is definitely open to interpretation, as the action goes from three nuns assassinating Shirley Manson’s rotoscoped “partner” to Manson living in the suburbs with a man who has a light bulb for a head.  Demonic children and aliens also make an appearance.  In the end, the video feels like a throwback to the early days of MTV, when it was more important to be weird and challenging than to craft your image for the adolescent Total Request Live crowd.  It certainly feels as if it’s taking place in a separate universe than the one where MTV is now the exclusive property of Rob Dyrdeck.

What does it all mean?  It doesn’t really matter.

Enjoy!

Murderbot (2023, directed by Jim Wynorski)


“Blow harder!”

— Val (Lauren Parkinson) in Murderbot

In a remote army base, three busty scientists create a busty robot named Raquel (Melissa Brasselle).  General Griffin (Arthur Sellers) is impressed that Raquel has mastered all forms of combat but he is not happy by her dominatrix outfit because, according to him, America’s enemies don’t fear cleavage.

One night, while the scientists all have hot dates, Raquel escapes from the base and goes to a nearly deserted desert town, where she kills a leering gas station attendant and a busty diner owner.  Meanwhile, a group of busty teenagers and their boyfriends run out of gas while driving through town and find themselves being stalked by Raquel.

This is a Jim Wynorski film so you know what you’re going to get, a lot of cleavage (though, for once, no actual nudity), a splattering of blood, and some deliberately corny humor that is sometimes self-aware enough to be funny.  Murderbot was originally named Killbot, a reference to Wynorski’s first film, Chopping MallMurderbot even duplicates that film’s famous exploding head scene, though it’s the entire body that explodes this time.

This is pretty dumb but Wynorski fans should be happy.  Even though no one will be watching this movie for the acting, I actually did like the performances of Walker Mintz and Sylvia Thackery, playing respectively a trumpet player and the girl that he likes.  As Raquel, Melissa Brasselle is no Arnold Schwarzenegger but she still handles dreadful one-liners like “You’ve been deleted,” with enough aplomb to make them tolerable.

Murderbot is proof that, no matter how much things change, Jim Wynorski will always by Jim Wynorksi.

Music Video of the Day: Anything by The Damned (1986, directed by Gerard de Thame)


Technically, it is debatable whether or not this is really a horror video but it does have all the hallmarks of the genre, from a gratuitous shower scene to a decadent dinner being held in what is either a gothic castle or the most ornate sewer known to man.  It’s close enough for me.

Director Gerard de Thame is best-known for his work on commercials but he has also directed music videos for Erasure, Bruce Hornsby and the Range, and Sting.

Enjoy!

The Zombie King (2013, directed by Aidan Belizaire)


Embittered by the death of his wife, Samuel Peters (Edward Furlong) turns to voodoo in an attempt to bring her back to life.  Kalfu (Corey Feldman), the lord of the underworld, agrees to close the gates of Hell and allow the dead to roam the Earth with Peters as the immortal zombie king.

Edward Furlong selling his soul to Corey Feldman might sound like the premise of an entertainingly bad movie but, unfortunately, nether Furlong nor Feldman have much screen time.  As hard as it is believe, The Zombie King may be one of the first recent films that would have benefitted from more Corey Feldman and Edward Furlong.  Instead, the two of them are basically just special guest stars with limited screen time.

Instead, the majority of the movie is about a group of humans trying to survive in a village that’s been invaded by zombies and quarantined by the government.  The movie tries to balance horror with British humor in a style that tries way too hard to duplicate Simon Pegg’s success with Shaun of the Dead, right down to casting a Nick Frost look-alike as a quirky milkman named Munch.

Much ends up in a group led by a stoic mailman named Ed Wallace (George McCluskey), who says that delivering the mail in Northgate was just as dangerous as being a member of the SAS.  The movie mixes scenes of zombie mayhem with scenes of Ed, Mulch, and the other survivors having very British arguments about how best to deal with the situation and whether it’s safer to head to a church or a pub.  There are some amusing moments but there’s even more jokes that fall flat and Munch is never as funny as a character as the film seems to think he is.

Even with Edward Furlong welcoming the recently dead to “Hell on Earth” and Corey Feldman giving a surprisingly energetic performance as the lord of the underworld, The Zombie King never escapes the shadow of all the zombie comedies that came before it.

Music Video of the Day: Bullet With Butterfly Wings by Smashing Pumpkins (1995, directed by Samuel Bayer)


The world is vampire

For a period of time in the 90s, you couldn’t go anywhere without hearing that.  It was one of the original memes, thanks to both the song and the video that was made to promote it.  The video, which was inspired by photographs of a Brazilian gold mine, was filmed in a quarry near Simi Valley.  While the extras dressed like miners and were meant to represent the Biblical lepers who asked Jesus to heal them, the band goes for a glam rock look.  It pays to be in the band.

This video was directed by Samuel Bayer, who has done music videos for everyone who is anyone.

Enjoy!

Great Moments In Comic Book History #34: Tawky Tawny Makes His First Appearance


76 years ago, in Fawcett’s Captain Marvel Adventures #79, Tawky Tawny made his first appearance.

Who was Tawky Tawny?  He was a humanoid Bengal tiger from India who spoke perfect English and who simply wanted to come to the United States so that he could learn about American culture.  Though Tawky Tawny is friendly and intelligent, everyone panics when they see him because he’s a humanoid tiger who talks.  It falls to Captain Marvel (in the days before D.C. bought the character and changed his name became Shazam) to track down the Tawky Tawny and discover what is going on with him.

Luckily, Captain Marvel discovers that Tawky Tawny means well and just wants to get to know people.  Captain Marvel gets him a job as a tour guide at a local museum.

Created by writer Otto Binder and artist C.C. Beck, Tawky Tawny soon became one of Captain Marvel’s most important supporting characters.  He even got his own origin story when it was revealed that Tawky Tawny was a normal tiger until he was framed for murder.  A local shaman gave Tawny a serum that allowed him to stand upright and verbally defend himself.  For the rest of Captain Marvel’s run, Tawky Tawny was the hero’s best friend.  While Captain Marvel was the beloved hero, Tawky Tawny was the outsider who never lost his positive outlook and his intellectual curiosity.

Fawcett subsequently sold Captain Marvel and all of his supporting characters to DC Comics.  Unfortunately, DC has consistently proven themselves to be inept when it comes to bringing Tawky Tawny into their continuity.  Still, Tawky Tawny endures as a symbol of hope and optimism.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window
  21. Captain America For President
  22. Alex Ross Captures Spider-Man
  23. J. Jonah Jameson Is Elected Mayor of New York City
  24. Captain America Quits
  25. Spider-Man Meets The Fantastic Four
  26. Spider-Man Teams Up With Batman For The Last Time
  27. The Skrulls Are Here
  28. Iron Man Meets Thanos and Drax The Destroyer
  29. A Vampire Stalks The Night
  30. Swamp Thing Makes His First Cover Appearance
  31. Tomb of Dracula #43
  32. The Hulk Makes His Debut
  33. Iron Man #182

Music Video of the Day: Hands by Jewel (1998, directed by Nick Brandt)


Jewel was not only an inspiring singer who went from being homeless to being a superstar but she was also an everyday hero, as seen in this video.  In this video, Jewel comes across a collapsed building and saves a life.  This video was directed at an abandoned apartment complex in West Covina, California.

Jewel has said that she wrote this song, during her pre-stardom, after she was tempted to steal a sundress from a store in Pasadena.  She felt so bad about even considering being a thief that she wrote a song asking when she had lost faith in herself.

This video was directed by photographer Nick Brandt, who has also done videos for Michael Jackson, XTC, and Moby.

Enjoy!

Music Video of the Day: Insane In The Brain by Cyrpess Hill (1994, directed by Josh Taft)


This 90s anthem was filmed at the DNA Lounge in San Francisco.  Though it might be hard to believe today, a music video that featured people openly celebrating smoking weed was something that still took a lot of people by surprise in 1994.

Director Josh Taft worked with just about everyone in the 90s.  Taft has directed videos for Alice In Chains, Stone Temple Pilots, Nas, A Tribe Called Quest, Mother Love Bone, Pearl Jam, Mad Season, and Fuel.  Taft has also worked as a commercial director, doing ads for Adidas, Reebok, Nike, Energizer, Sprite and Nissan Xterra.  In 2013, he directed a documentary called Alive & Well, which profiled 7 individuals living with Huntington’s Disease.

Enjoy!