Great Moments In Television History #39: The Wolverines


50 years ago tonight, the first episode of Saturday Night Live opened with Michael O’Donoghue giving a language lesson to John Belushi.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon
  17. Charles Rocket Nearly Ends SNL
  18. Frank Sinatra Wins An Oscar
  19. CHiPs Skates With The Stars
  20. Eisenhower In Color
  21. The Origin of Spider-Man
  22. Steve Martin’s Saturday Night Live Holiday Wish List
  23. Barnabas Collins Is Freed From His Coffin
  24. Siskel and Ebert Recommend Horror Films
  25. Vincent Price Meets The Muppets
  26. Siskel and Ebert Discuss Horror
  27. The Final Scene of Dark Shadows
  28. The WKRP Turkey Drop
  29. Barney Pops On National TV
  30. The Greatest American Hero Premieres
  31. Rodney Dangerfield On The Tonight Show
  32. The Doors Are Open
  33. The Thighmaster Commercial Premieres
  34. The Hosts of Real People Say “Get High On Yourself”
  35. The 33rd NFL Championship Game Is Broadcast In Color
  36. The Sopranos Premieres on HBO
  37. Eisenhower Hosts The First Televised Press Conference
  38. The Twilight Zone Premieres On CBS

Great Moments In Comic Book History #41: Tomb of Dracula #41


For my money, the original Tomb of Dracula is still the best horror comic to ever show up at a newsstand.  From 1975, The cover of Tomb of Dracula #41 is a classic.  Credit for this goes to Gene Colan, Tom Palmer, and Gaspar Saladino.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window
  21. Captain America For President
  22. Alex Ross Captures Spider-Man
  23. J. Jonah Jameson Is Elected Mayor of New York City
  24. Captain America Quits
  25. Spider-Man Meets The Fantastic Four
  26. Spider-Man Teams Up With Batman For The Last Time
  27. The Skrulls Are Here
  28. Iron Man Meets Thanos and Drax The Destroyer
  29. A Vampire Stalks The Night
  30. Swamp Thing Makes His First Cover Appearance
  31. Tomb of Dracula #43
  32. The Hulk Makes His Debut
  33. Iron Man #182
  34. Tawky Tawny Makes His First Appearance
  35. Tomb of Dracula #49
  36. Marvel Publishes Star Wars #1
  37. MAD Magazine Plays Both Sides
  38. The Cover of Green Lantern/Green Arrow #85
  39. LBJ Stands Up For The Hulk
  40. Chamber of Chills #2

Music Video of the Day: Are You Ready For Freddy? by the Fat Boys (1988, directed by Harvey Keith)


I always assumed that this song was specifically written for one of the Nightmare on Elm Street movies but actually, the Fat Boys were just fans of the movies and they decided to put a song about them on one of their albums.  The song was included in The Freddy Krueger Special, which aired on CBS in 1988.

This video, which features several of Freddy’s victims and Robert Englund himself, was written by Wes Craven and directed by Harvey Keith.  Keith directed a few films, including 1988’s Mondo New York and 1990’s Jezebel’s Kiss.

Enjoy!

Doctor Who — Robot (1974-1975, directed by Christopher Barry)


Robot, the first serial of Doctor Who‘s 12th season, introduced us to a new Doctor.  The Third Doctor has regenerated and in his place is a slightly younger and more eccentric man.  Robot was the first regeneration story to introduce the idea of the Doctor being disorientated after regenerating.  The Fourth Doctor (Tom Baker) wakes up without the Third Doctor’s pressing concern for Earth or the goings-on at UNIT.  At first, at least, he has the wanderlust of the First Doctor without the Third Doctor’s sense of duty.  He wants to get in his TARDIS and explore the universe.

The only thing that stops him from leaving are his companion, Sarah jane Smith (Elisabeth Sladen), and the Brigadier (Nicholas Courtney).  When they tell him that there have been some technology thefts and that they need his help to investigate, the Doctor agrees to stick around and help out.  Of course, before he investigates, he changes his costume.  Out are the Edwardian clothes that the Third Doctor favored.  In are wide-brimmed hats, trenchcoats, and scarves.  Very, very long scarves.

(His scarf in Robot is nowhere near as long as it would eventually get.)

When he was cast as the Doctor, Tom Baker was a character actor who has found some success (even receiving a Golden Globe nomination for his performance as Rasputin in Nicholas and Alexandra) but not enough to give up his part-time job as a construction worker.  When he wrote to the BBC asking for a job, the letter was forwarded to Doctor Who producer Barry Letts.  Letts, who was struggling to find someone to replace the popular Jon Pertwee, hired Baker for the role after watching Baker play a villain in The Golden Voyage of Sinbad.  (There’s a movie I might have to review before the month is over.)  Tom Baker would go on to have the longest run of any actor as the Doctor and, for years, he was consistently voted the most popular of the actors who have played the Doctor.  That’s not bad for someone who, before receiving the role, was tauntingly called “Sir Laurence” by his co-workers at the construction site.

Tom Baker was also the first Doctor that many Americans experienced.  When I was a kid and my local PBS station first started showing Doctor Who, they started with the Tom Baker years.  For many American, Tom Baker was the one who introduced them to things like the TARDIS, Daleks, and Cybermen.  Tom Baker’s Doctor, with the scarf and the sneaky smile and the eccentric humor, became an iconic figure the world over.

Considering how important Tom Baker would be to the show, it’s interesting that his first serial is nothing special.  The thefts are the work of a group of humans who want to construct a robot out of “living metal” so that they can steal Britain’s nuclear command codes and hold the world hostage.  An attempt to shoot the robot with a disintegrator gun causes the robot grows to supersize.  It develops a crush on Sarah Jane, and is destroyed by an early computer virus.  The giant robot special effects rival the dinosaurs from Invasion of the Dinosaurs for ineptitude.  The episode ends with asking Sarah Jane and UNIT’s Dr. Harry Sullivan (Ian Marter) to accompany him on a trip in the TARDIS.

The only thing that really stands out about this episode is Tom Baker’s performance as the Doctor.  I hesitate to say that anyone was ever destined to play a role but Baker is so confident from the start and seems like such a natural while interacting with veteran cast members like Nicholas Courtney, Elisabeth Sladen, and John Levene that it’s hard to believe that anyone other than Tom Baker was ever considered for the role of The Fourth Doctor.  From the start, Tom Baker just seems like be belongs there.

Robot may not have been classic Doctor Who but Tom Baker was the classic Doctor.

The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1958, directed by Roger Corman)


The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent.  That’s the title of this one and it’s far too long for a 67-minute drive-in feature.  Maybe Roger Corman thought he could fool people into thinking the movie was better than it was by giving it a pompous sounding title.

A group of Viking men leave on a voyage and never come back.  After waiting nearly a year, the remaining Viking women vote to set sail and look for them.  Leading them is Desir (Abby Dalton) and she even welcomes the bad-tempted Enger (Susan Cabot) onto their boat.  The last remaining male Viking, Ottar (Jonathan Haze), also joins the quest.

The Viking women (and Ottar) have barely set sail when a “giant” sea serpent rises out of the water and strands them on an island.  The Viking women discover that their men are being held prisoner on the island.  Even if they can rescue their men from King Stark (Richard Devon), the sea serpent still waits for them to try to return.

The Saga of the Viking Women and yadda yadda yadda is a remarkably cheap-looking epic.  A major film about the Vikings was scheduled to be released by United Artists and Corman, determined to get his movie into theaters first, shot the film in ten days and for $65,000.  Irving Block and Jack Rabin, two special effects experts, promised Corman an amazing sea serpent and instead delivered what appeared to be a water-proof puppet.  The Sea Serpent only appears in two scenes and Corman doesn’t allow us a very good view of it.  It looks like something you could have picked up at Toys ‘R Us back in the day.

There’s nothing convincing about the movie, from the costumes to the combat to the serpent.  This was one of Roger Corman’s early misfires though, released on a double bill with the Astounding She-Monster, it still made money.  People love Vikings.

 

Music Video of the Day: Can I Play with Madness by Iron Maiden (1988, directed by Julian Doyle)


Director Julian Doyle also directed videos for Kate Bush but he may be best known for working as an editor on several Monty Python and Terry Gilliam films, including Life of Brian, Time Bandits, The Meaning of Life, Brazil, and Terry Jones’s Mr. Toad’s Wild Ride.

Enjoy!

Doctor Who — Invasion of the Dinosaurs (1974, directed by Paddy Russell)


Fresh from defeating an attempt by a Sontaran to disrupt British history, the Third Doctor (Jon Pertwee) and his newest companion, reporter Sarah Jane Smith (Elisabeth Sladen), return to present-day London and discover that it has been transformed into a ghost town.  Dinosaurs are roaming the streets.  The Doctor teams up with UNIT to try to figure out who has been monkeying with time but what he doesn’t know is that the trusted Captain Yates (Richard Franklin) is working with the people responsible for the dinosaur invasion.

Invasion of the Dinosaurs was the second serial of the 11th season.  Like The Sea Devils, this was another case where I read the novelization long before I got a chance to see the actual serial.  Well-written by Malcolm Hulke, the novelization really got me excited to watch Invasion of the Dinosaurs.  It did not prepare me for how fake the dinosaurs would look.

It was to be expected, though.  Classic Doctor Who was never known for its wonderful special effects.  Instead, it was known for rubber monsters, torn costumes, and alien landscapes that were often made out of cardboard.  For many of us, that was a part of its charm.  The dinosaurs in this serial look like toys that have been unleashed on a still photo of London.  I’ve read that the serial was criticized for its bad dinosaur effects when it originally aired 1974 and that was long before Jurassic Park made everyone take the idea of seeing a realistic dinosaur for granted.

 

Despite the very fake dinosaurs, Invasion of the Dinosaurs still has one of the better scripts of the Pertwee era.  The villains aren’t the typical evildoers who usually showed up on Doctor Who.  Instead, they are people who have convinced themselves that the only way to save humanity is to dial back time to what they consider to be the “Golden Age,” before technology and industry blighted what they believe to be the ideal landscape.  Of course, they plan to take only the very best among the population to their golden age with them.  The villains are elitist environmentalists, convinced that they and only they know what is best.  This may be the first episode of Doctor Who where the main antagonist, Sir Charles Grover (Noel Johnson), is a member of Parliament.

Captain Yates’s betrayal of UNIT and the Doctor adds some emotional depth to this story.  While Yates was never as important a character as the Brigadier or Sgt. Benton, he was still present for almost all of the Third Doctor’s adventures and the small scenes where he would flirt with Jo Grant were some of the most awkward moments of the Pertwee era.  Captain Yates was a loyal member of the Third Doctor’s entourage and his betrayal was motivated not by greed or resentment but instead by a desire to make the world a better place.  The novelization made it clear that it was actually the terrible things that Yates saw as a member of UNIT that convinced him that time needed to be turned back.

This was the final Jon Pertwee story to be set entirely on Earth and, though Yates and the Brigadier would return for Pertwee’s final serial, it was the last true UNIT story of the Pertwee years.  Jon Pertwee had already decided that the 11th season would be his last.  The 12 season would feature a new Doctor.  And while the BBC considered actors like Graham Crowden, Bernard Cribbins, and Jim Dale for the role, the Fourth Doctor was ultimately be played by Tom Baker, an actor who was working as a construction worker when Invasion of the Dinosaurs first aired.

Doctor Who would never the same.

Clash of the Titans (1981, directed by Desmond Davis)


High atop Mt. Olympus, Zeus (Laurence Olivier) and his fellow Gods look down on Earth and jealously manipulate its citizens.  When Zeus impregnates Danae (Vida Taylor), the daughter of the King of Argos, she and her son Perseus (Harry Hamlin) are banished to sea.  Zeus responds by ordering Poseidon (Jack Gwillim) to release the Kraken.

Years later, when Callibos (Neil McCarthy), the son of the Goddess Thetis (Maggie Smith), destroys all but one of Zeus’s flying horses, Zeus transformer Callibos into a tailed monster.  Thetis tries to get her revenge by having Callibos kill Perseus but instead, Perseus chops off Callibos’s hand, comes to possess Pegasus, the last of the flying horses, and also wins the right to marry Andromeda (Judi Bowker).

At the wedding, Cassiopeia (Sian Phillips) declares Andromeda to be even more beautiful than Aphrodite (Ursula Andress).  Big mistake.  Aphrodite demands that Andromeda by sacrificed to the Kraken.  Along with Pegasus, Ammon (Burgess Meredith), Thallo (Tom Pigott-Smith), and robot owl, Perseus goes on a quest to get the snake-haired head of Medusa so he can turn the Kraken into stone.

There’s a lot that I love about Clash of the Titans, from the Ray Harryhausen’s stop-motion special effects to the blind witches who pass one eyepiece among them to Burgess Meredith’s performance as Ammon.  I even like the robot owl.  But the thing that has always made the biggest impression on me is that Mt. Olympus is portrayed as having a shelf that holds a figurine for every human in the world.  The Gods casually move the pieces around and transform them on whims.  Of all the films that have been based on Greek mythology, Clash of the Titans is one of the few that really captures the idea of the Gods essentially being a bunch of petty and jealous libertines who view humans are just being their playthings.

Let’s not overthink Clash of the Titans, though.  The main appeal of Clash of the Titans is that it’s just a good, old-fashioned adventure movie.  In this age of CGI and humorless heroes, it’s hard not love the film’s mix of old-fashion stop-motion animation, strong characters, and occasional moments of humor.  (I like the owl and I won’t apologize for it.)  Also, Medusa has appeared in a lot of movie but she’s never been scarier than in this movie.  Who can forget the yellow glow of her eyes, followed by men turning to stone?  Who can forget the hiss of her tail or the moment when Perseus waits to strike while trying not to look into her eyes?  Beyond Medusa, who can forget the Kraken rising from the sea or the blood of Callibos giving birth to giant scorpions?  Without CGI, Clash of the Titans still captures the feel of living in a different time and a different land.  Clash of the Titans brings mythology to life in a way that few other films have been able to,

I loved the original Clash of Titans when I was a kid.  I rewatched it last month and I happy to say that I love it still.

Doctor Who — The Three Doctors (1972-1973, directed by Lennie Manye)


For the tenth season of Doctor Who, the BBC knew that they needed to start things off with a bang.  The first serial of season ten, The Three Doctors, brought together the first three actors who had played the Doctor.

A crisis was needed to explain why the Time Lords would decide to break their owns laws by bringing the Second Doctor and then the First Doctor out of their respective time zones.  Writers Dave Martin and Bob Baker came up with a story about the Doctor’s homeworld having its energy drained through a black hole.  If Gallifrey is destroyed then all of time and space will unravel.  (Everyone who has seen an episode of the original Doctor Who knows the drill.)  The villain is Omega (Stephen Thorne, who also played Azal in The Daemons), the first Time Lord, who has never forgiven his fellow Time Lords for abandoning him in an anti-matter universe that looks like a quarry.  The story is silly in the way that Doctor Who often could be but I think anyone watching will understand that the story is not that important.  Omega, the black hole, the energy blob that is sent to Earth to capture the Third Doctor, all of it was really just an excuse to bring back Patrick Troughton and William Hartnell.

Hartnell does not get to do much.  He was in increasingly poor health when he returned as the First Doctor and was also suffering from memory problems.  Sadly, this prevented him from sharing the same physical space as Troughton and Jon Pertwee.  Instead, it’s explained that the First Doctor is caught in a time eddy and can only communicate via the TARDIS’s viewscreen.  Even if he isn’t physically present, the First Doctor reveals himself to be the smartest of the three Doctors.  When he isn’t scolding the Second and Third Doctors, he’s figuring out how to enter Omega’s universe.  It’s not always easy to watch Hartnell looking frail and clearly reading some of his lines from cue cards but, even when ill, he still had the natural authority that he brought to the first two and a half  seasons of Doctor Who.

Patrick Troughton and Jon Pertwee are a delight to watch.  Their bickering is one of the highlights of the serial and both Troughton and Pertwee appear to have really enjoyed their scenes together.  The show also gets mileage from including the Brigadier (Nicholas Courtney) and Sgt. Benton (John Levene) along with the three Doctors.  I’ve always enjoyed how both of them come to accept the strangest of things with barely a shrug.  This is the episode where Benton enters the TARDIS and, when the Third Doctor asks if Benton’s going to point out that it’s bigger on the inside than the outside, replies, “It’s pretty obvious, isn’t it?”

The Three Doctors is hardly a perfect Doctor Who adventure.  (If any adventure needed the presence of the The Master, it was this one.)  It is, however, a tribute to the men who played the first three Doctors and the role they all played in making the show an institution.  The Three Doctors was also the final acting role of William Hartnell, who passed away two years after the serial was broadcast.