Artist Profile: Raymond Johnson


The work below was all done by Raymond Johnson.  Other than that he was active in the 1950s and 60 and he painted the covers for several paperback publishers, I haven’t been able to find much biographical information about this artist.  His work will just have to speak for itself.

The Affairs of A Leading Lady

The Affairs of A Leading Lady

Adultress Cleopatra's Nights Diagnosis Homicide Hired Girl I'll Call Her Every Monday Love in Suburbia So Sweet So Wicked The Forsaken The Green Girl The Iron Mistress The Strong Don't Cry

Artist Profile: Fred Charles Rodewald (1905 — 1955)


Fred Charles Rodewald was an illustrator who was active from 1926 until his death in 1955.  Unfortunately, I couldn’t find much biographical information about Rodewald.  He was born in Hanover, Germany but moved, with his family, to New Jersey when he was six years old.  He dropped out of school in 1920, worked in his family’s store, and apparently never had any formal artistic training before he started his career as an illustrator.  In 1954, one year before his death, he wrote and illustrated a book entitled Commercial Art As A Business, a detailed guide to the practical concerns of earning a living as a commercial artist.

A small sampling of his work can be found below.
Bed Time Girl Blood Lusting Demon Illicit Love Is Sweet But Bloody Last Fling of the Playgirl Wife Passion's Mistress Paula Has A Price Pay For My Kiss Respectable Harlot Shamed Vera Is A Tramp

Artist Profile: Rudolph Belarski (1900 — 1983)


Born in Pennsylvania at the turn of the 20th Century, the prolific illustrator Rudolph Belarski dropped out of school at the age of 12 and spent the next ten years working in the coal mines.  During this time, he studied mail-order art courses at night from the International Correspondence School, Inc. of Scranton, PA.  In 1922, he moved to New York City and studied at the Pratt Institute.  Upon graduating in 1926, he taught at Pratt for 5 years.  He started his career as a cover artist in 1935 and worked regularly until 1960, painting covers for both pulp magazines and paperback books.  His greatest work may have been done during World War II, when he served with the USO and drew thousands of portrait sketches of hospitalized veterans in New York and London.

A small sampling of his pulp work can be found below.

1 Dead Hands on the Moon Don't Ever Love Me Homicide Johnny The Case of the Constant God The Devil's Diary The Gods Hate Kansas The Murder of the Circus Queen The Wingless Wonder The Young Sinners

Artist Profile: Earle Bergey (1901 — 1952)


1

Born in Philadelphia, Pennsylvania and educated at the Pennsylvania Academy of Fine Arts, Earle Bergey is considered to have been one of the most prolific and influential pulp fiction artists of the 20th Century.  His most famous cover was the one he painted for Gentleman Prefer Blondes in 1948.

Check out that cover and some more of Earle Bergey’s work below!

 3 4 5 6 7 8 Dragon's Island Gay Book Gentlemen Prefer Blondes Her Life to Live Revolt of the Triffids The Curtain Never Falls The Hero Tonight is Forever Venus of the Counting House

Artist Profile: Robert Stanley (1918 — 1996)


Born in Kansas and educated at the Kansas City Art Institute, Robert Stanley was a prolific cover artist who worked for paperback publishers like Bantam, Dell, Eagle Books, Lancer Books, Lion Books, Popular Library, and Pyramid Books.  He’s probably best known for the racy work he did for Beacon Books.

A small sampling of his work can be found below.

Cradle of the Sun

Crows Can't Count Framed in Blood Nightmare Town Pagan Passions Rocket To The Morgue Sin in Space Slan The Creeping Siamese The Dead Ringer The Deviates The Male Response Universe Virgin Planet When World Collide

 

 

Artist Profile: Robert A. Maguire (1921–2005)


Over the course of his 50 year career, Robert Maguire produced over 600 paperback covers, doing work for almost every mainstream publishing house in New York City.  After beginning his education at Duke University, Maguire served in World War II and then studied with the Art Students League.  He did his first covers in 1950 and, over the next two decades, his paintings would define the pulp genre.  Below is a small sampling of his art.  You can learn more about Robert Maguire and see more of his work at R.A. Maguire Cover Art.

Conjure Wife Death Watch Fire In My Blood Flight Into Terror Hell's Angels I Prefer Girls Muscle Boy Negative of a Nude Nude Croquet Pick-Up On Noon Street Sex Around the Clock Sucker Bait Superluminal The Blonde on the Street Corner The Machine in Ward Eleven The Sins of Billy Serene TV Tramps

Artist Profile: James Avati (1912 — 2005)


Painter James Avati has been called both the “Father of the Paperback Book Covers” and the “Rembrandt of Paperback Book Covers.”  Born in New Jersey, Avati studied architecture at Princeton University and, after serving in World War II, became a prolific commercial illustrator and cover artist.  At first he used professional models but the majority of his paintings used friends, family, and people he spotted on the streets of Red Bank, New Jersey.  Ten years before his death at the age 92, Avati was inducted into the Society of Illustrators’ Hall Of Fame.

bantam_far_cry signet_if_he_hollers_let_him_go signet_nightmare_alley tragic ground z1 z2 z3 z4 z5 z6 z7 z8 z9 z10