Brad recommends SPEAK NO EVIL (2024)!


My wife and I were browsing around our 10 different movie apps a couple of nights ago when we came across the psychological thriller SPEAK NO EVIL on NBC’s Peacock app. I’ve always kinda liked the actor James McAvoy, at least I did in WANTED (2008), so we decided to give it a spin. 

In SPEAK NO EVIL, the vacationing Dalton family, Ben (Scoot McNairy), Louise (Mackenzie Davis), and their daughter Agnes (Alix West Lefler) meet Paddy (James McAvoy), Ciara (Aisling Franciosi), and their son Ant (Dan Hough). The families hit it off instantly and have a great time together, but they soon say goodbye and go their separate ways back to their homes. A couple of months later, the Daltons receive a letter in the mail asking them to take a week to come visit their fast friends at their family farm. Needing a break from their normal routines, they decide to take Paddy & Ciara up on their offer. At first, everyone seems to be having a great time together. But it soon becomes apparent that Paddy & Ciara see the world radically different than Ben and Louise, whether it be their views on the environment, or much more powerfully and personally, their views on raising children. As the fun turns sour, the Dalton’s try to leave, but getting away from Paddy & Ciara isn’t as easy as it seems. Soon we’re learning why Ant can’t speak properly, and we’re seeing disturbing evidence that the Dalton’s aren’t the first family invited out to the farm. The question now is whether or not they’ll be the last?!! 

SPEAK NO EVIL, which is based on a 2022 Danish film of the same name, opens up in a beautiful countryside paradise. I was blown away by the gorgeous Eastern European locations where the families were enjoying their vacations. The Dalton’s, more vulnerable than they might first appear, are taken in by the outgoing and free-spirited Paddy and Ciara. Even after they’ve gone back to their normal lives, they seem to miss the excitement that their vacation friends brought to their lives. Their vulnerability leads to a terribly shortsighted decision to spend a week at the secluded farm of a couple they barely know. While we might question their decision-making skills, I think that most of us would agree that many of our very worst decisions come from positions of weakness and vulnerability. The Daltons will most certainly soon come to regret their decision. 

I was interested in watching SPEAK NO EVIL because I like psycho thrillers and James McAvoy. As far as I’m concerned, neither disappointed. This film spends the first 90% of its run-time slowly tightening its grip on us viewers prior to unleashing hell over the last 10%. McAvoy is both creepy, powerful and evil as Paddy. When we finally see him snap, we’re not terribly surprised based on his gradually more depraved behavior witnessed earlier in the film. Scoot McNairy is good in the film, even though his Ben Dalton comes across as a relatively weak husband and dad most of the time. The truth is, he’s like most normal people would be if we found ourselves in this situation. And Mackenzie Davis is good as Louise Dalton, although there are a few times when she behaves in ways that undermines her character’s perceived intelligence in order to keep the plot moving along. The children characters end up having meaningful roles in the resolution of the film, and the child actors do a fine job, which is not always the case. At the end of the day, SPEAK NO EVIL doesn’t feel like the most original of films, but I think the director and actors tell a familiar, thrilling story quite well. 

The last thing I’m going to say is that I’ve never seen the original 2022 Danish film that SPEAK NO EVIL (2024) is based on. I understand that its resolution is much, much different than this version. I do plan on watching it soon, as it’s currently playing on Tubi. Regardless of how I end up feeling about the original, my wife and I watched this 2024 version and enjoyed it. No later viewing of the source material can take that away. 

Honor Amongst Men (2018, directed by Fred Carpenter)


Honor Amongst Men?

Don’t even ask.

John Halmo (Robert Clohessy) is a veteran cop who is been on the job for so long that he wears a dinosaur pin.  The film portrays one very long day on Long Island, as John deals with cocky young cops, squabbling drug addicts, his Alzheimer’s-afflicted father (Ed Asner), and a motorcycle gang war.  Chuck Zito plays the the main motorcycle baddie.  Joan Jett plays Stephanie, who spend a lot of time yelling.  It’s cool to see Joan Jett in a movie.

Why is Chuck Zito such an unconvincing biker in this?  He was a member of the Hell’s Angels for twenty-five years.  He did time for the gang.  If anyone should have felt authentic in this movie, it was Chuck Zito.  But Zito seems lost.  Maybe it’s the bad CGI that the movie uses whenever Zito shoots someone.  Bad CGI and a bad performance.

Robert Clohessy is good, though.  Clohessy’s been playing tough cops since the start of his career.  Hill Street Blues, Oz, Blue Bloods, NYPD Blue, Homicide, Ohara (a show the featured Pat Morita as a detective), all of them featured Clohessy as a cop.  Clohessy gives a great performance in Honor Amongst Men.  It’s too bad that the rest of this disjointed film isn’t as good.

Honor Amongst Men is a film that wants to say something about how the world is changing and how there’s less room for honorable men like John Halmo.  John is being pressured to retire.  His father is losing his ability to remember the past.  Even Chuck Zito is just a man looking for old-fashioned revenge.  A lot of good movies have been made about honorable men suddenly finding themselves in a world where honor is disappearing and Clohessy’s performance is good enough that this movie’s message sometimes comes through.  But the movie itself is disjointed and features too many scenes that just don’t work, either because everyone other than Clohessy’s is overacting or because the director lets them drag on for too long.  Good intentions can only go so far.

 

Retro Television Review: Decoy 1.28 “Ladies Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

Episode 1.28 “Ladies Man”

(Dir by Stuart Rosenberg, originally aired on April 21st, 1958)

A man named (Michael Tolan) approaches Pearl Dillard (Chris Kane) at a subway station and gives her a box that he claims is an x-ray camera.  The man claims to be an insurance investigator and he says that he’s pursuing a woman (Lois Nettleton) who has stolen some diamonds.  He says that he needs Pearl to take a picture of the woman.  Because it’s an X-ray camera, it will reveal that she has the diamonds on her.  While the woman waits for her train, Pearl points the box at her and pushes a button.  However, it turns out that the box is not hiding a camera but a gun!  Pearl shoots the woman in the back.

The woman is named Lois and the man was her husband, Mike.  The police get a tip that Mike is hiding out at an upstate hunting lodge.  Casey, who pretends to be a lost tourist, heads up to the lodge.  Mike is indeed there.  With Mike is his new girlfriend (Joan Harvey), who refuses to believe that Mike could have done anything wrong.

This episode was a bit more melodramatic than the typical episode of Decoy.  I found it hard to believe that anyone would fall for Mike’s camera-box lie but I guess there are probably people out there who would be naive enough to believe him.  (I might accept the box from Mike but I would throw it away the first chance I got.)  Unfortunately, once Casey tracked Mike down, Michael Tolan’s performance was so over-the-top that it became difficult to take him or the episode seriously.

Decoy worked better as a low-key, melancholiac show.  I usually love melodrama but this episode didn’t work for me.

AMV of the Day: Don’t Stop Me Now (One Piece)


This AMV, crafted by AliAMV, turns Luffy’s Gear 5 fight against Rob Lucci into a gloriously unhinged, hyper‑frenetic spectacle set to Queen’s “Don’t Stop Me Now.” The edit leans hard into the absurdity: every punch, stretch, and rebound feels like a rubber‑powered cartoon disaster in motion, with Luffy’s contorted, kiddy‑god form bouncing off walls, ceilings, and Lucci’s face like a giddy pinball on amphetamines.

Even in its original form—without Freddie Mercury belting in the background—the scene of Luffy in Gear 5 clashing with Lucci in his Leopard Devil Fruit form is already deeply ridiculous. The animation leans into over‑the‑top impact frames, gravity‑defying acrobatics, and exaggerated expressions that push the whole thing past “serious battle” and into full‑blown, self‑aware slapstick. AliAMV’s timing only amplifies that inherent silliness, using “Don’t Stop Me Now”s unstoppable swagger to justify every impossible hit, freeze‑frame, and impact‑spark explosion in the sequence. The clash stops feeling like a serious assassin‑level duel in One Piece and instead becomes a high‑speed demolition‑derby‑slash‑Saturday‑morning‑cartoon, where Rob Lucci is less a foe and more a crash‑test dummy for Gear 5’s sheer ridiculousness.

For anyone who enjoys One Piece hype‑edits dialed up to eleven, it’s a solid showcase of how chaotic, music‑driven fan editing can turn a seriously animated fight into pure, shameless spectacle. AliAMV definitely does a great job in showcasing what makes One Piece such a popular and beloved shonen anime.

Song: Don’t Stop Me Now by Queen

AnimeOne Piece

CreatorAliAMV

Past AMVs of the Day

Join #TubiThursdasy For Predator!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for Predator (1987)!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Predator (1987, directed by John McTiernan, DP: Donald McAlpine)

Scenes that I Love: Laura Palmer Will See You Again In 25 Years


Since yesterday was Sheryl Lee’s birthday, here’s one of the best all-time examples of foreshadowing.

From the 1991 finale of Twin Peaks:

4 Shots From 4 Films: Special William Castle Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Tomorrow, the Shattered Lens will celebrate the 112th anniversary of the birth of director and showman, William Castle!  It’s time for for an early edition of….

4 Shots From 4 William Castle Films

House on Haunted Hill (1959, dir by William Castle, DP: Carl E. Guthrie)

13 Ghosts (1960, dir by William Castle, DP: Joseph F. Biroc)

Strait-Jacket (1964, dir by William Castle, DP: Arthur E. Arling)

Shanks (1974, dir by William Castle, DP: Joseph F. Biroc)