I Watched “Holiday In Handcuffs” (2007, Dir. by Ron Underwood)


Lisa recommended Holiday in Handcuffs to me.  I said, “I need a break from Hallmark Christmas romances.”  She said, “A.C. Slater in handcuffs.”  I said, “I’ll hold onto the key.”

It’s Christmas time but Trudie (Melissa Joan Hart) doesn’t want to go home.  She fears that she’s disappointed her parents (Timothy Bottoms and Markie Post) because she’s only a cook in a diner and she doesn’t have a rich boyfriend.  Then she sees the obviously successful David Martin (Mario Lopez) having lunch at the diner so she decides to kidnap him, take him home for Christmas, and tell everyone that they’re a couple.  That’s a crime, by the way.

I’m almost embarrassed about how much I enjoyed this movie.  I respect the law and I don’t think you should break it, even to get a boyfriend.  You shouldn’t kidnap anyone, especially at Christmas.  Trudie and David won me over, though.  This was made for ABC Family so even though it involves a kidnapping, it’s a very nice kidnapping.  Trudie may have committed a felony and, at first, David isn’t happy about being kidnapped but soon, Trudie and David are falling in love.  David goes from calling the cops to getting down on one knee. June Lockhart plays Trudie’s grandmother and calls the police “pigs.”  That’s the power of Christmas.   It’s a cute movie that features a heroine who does the exact thing that you should not try at home and who gets Mario Lopez as a result.  Maybe it’s just the holiday spirit getting to me but I loved this unhinged Christmas romance.

Artist Profile: Kunrong Yap (aka Krypt)


Kunrong Yap, aka Krypt, crafts sci-fi concept art that drops you into wild future worlds. His work shows off huge alien vistas, bio-mechanical mashups, and futuristic gear, all with sharp details in big layouts. Check out his portfolio at ArtStation (krypt.artstation.com).

He mixes tight digital skills with smooth organic touches, throwing in strong lights and chill atmospheres for that spooky space vibe. Cool blues, shiny metals, and faint fire pops build up with stacked textures and soft blends that feel real.

From Singapore roots and Tokyo days, Yap pulls in subtle Asian vibes and punchy Western film energy through bold angles and story-heavy designs for games and movies. It keeps his range wide with a solid cyberpunk kick.

Here are the 2025 nominations of the Utah Film Critics Association!


Here are the 2025 nominations of the Utah Film Critics Association!

Best Picture
Hamnet
One Battle After Another
Sinners
Sorry, Baby
Train Dreams

Best Achievement in Directing
Chloé Zhao – Hamnet
Eva Victor – Sorry, Baby
Guillermo del Toro – Frankenstein
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners

Best Lead Performance – Male
Ethan Hawke – Blue Moon
Joel Edgerton – Train Dreams
Leonardo DiCaprio – One Battle After Another
Michael B. Jordan – Sinners
Timothée Chalamet – Marty Supreme

Best Lead Performance – Female
Chase Infiniti – One Battle After Another
Eva Victor – Sorry, Baby
Jessie Buckley – Hamnet
Renate Reinsve – Sentimental Value
Rose Byrne – If I Had Legs I’d Kick You

Best Supporting Performance – Male
Benicio del Toro – One Battle After Another
Delroy Lindo – Sinners
Jacob Elordi – Frankenstein
Jacobi Jupe – Hamnet
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Performance – Female
Amy Madigan – Weapons
Ariana Grande – Wicked: For Good
Elle Fanning – Sentimental Value
Teyana Taylor – One Battle After Another
Wunmi Mosaku – Sinners

Best Ensemble
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man: A Knives Out Mystery
Warfare

Vice/Martin Award for Performance in a Science-Fiction – Fantasy – or Horror Film
Alfie Williams – 28 Years Later
Amy Madigan – Weapons
Elle Fanning – Predator: Badlands
Indy the Dog – Good Boy
Jacob Elordi – Frankenstein

Best Screenplay
Hamnet
Marty Supreme
One Battle After Another
Sinners
Sorry, Baby

Best Cinematography
F1
Hamnet
One Battle After Another
Sinners
Train Dreams

Best Score
F1
Frankenstein
Hamnet
One Battle After Another
Sinners

Best Film Editing
F1
Marty Supreme
One Battle After Another
Sinners
Warfare

Best Visual Effects
Avatar: Fire And Ash
Frankenstein
Predator: Badlands
Sinners
Superman

Best Sound
F1
Mission Impossible: The Final Reckoning
One Battle After Another
Sinners
Warfare

Best Stunt Design
F1
From the World of John Wick: Ballerina
Mission Impossible: The Final Reckoning
Predator: Badlands
The Running Man

Best Documentary Feature
2000 Meters to Andriivka
The Alabama Solution
Come See Me in the Good Light
The Librarians
Orwell: 2+2=5
The Perfect Neighbor

Best Animated Feature
Arco
Elio
K-Pop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best Non-English Language Feature
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirāt

The Women Film Critics Circle Honors If I Had Legs I’d Kick You


The Women Film Critics Circle has announced its picks for the best of 2025.  And here they are:

Best Movie About Women
Winner: If I Had Legs I’d Kick You
Runners Up: Hamnet, Eleanor the Great & Sorry, Baby

Best Movie by a Woman
Winner: Chloé Zhao (Hamnet)
Runners Up: Eva Victor (Sorry, Baby), Lynne Ramsay (Die My Love) & Mary Bronstein If I Had Legs I’d Kick You)

Best Woman Storyteller (Screenwriting Award)
Winner: Chloé Zhao, Maggie O’Farrell (Hamnet)
Runners Up: Eva Victor (Sorry, Baby), Lynne Ramsay, Alice Birch (with Enda Walsh) (Die My Love) & Mary Bronstein (If I Had Legs I’d Kick You)

Best Actress
Winner: Jessie Buckley (Hamnet)
Runners Up: Rose Byrne (If I Had Legs I’d Kick You), Amanda Seyfried (The Testament of Ann Lee) & Jennifer Lawrence (Die My Love)

Best Actor
Winner: Ethan Hawke (Blue Moon)
Runners Up: Michael B. Jordan (Sinners), Leonardo DiCaprio (One Battle After Another) & Timothée Chalamet (Marty Supreme)

Best Supporting Actress
Winner: Regina Hall (One Battle After Another)
Runners Up: Andrea Riseborough (Goodbye June), Odessa A’zion (Marty Supreme) & Samantha Morton (Anemone)

Best Foreign Film by or About Women
Winner (tie): Left-Handed Girl
Winner (tie): The Voice of Hind Rajab
Runners Up: All That’s Left of You & Belén

Best Documentary by or About Women
Winner: My Mom Jayne
Runners Up: The Perfect Neighbor, Put Your Soul on Your Hand and Walk & The Librarians

Best Equality of the Sexes
Winner: Sinners
Runners Up: The Testament of Ann Lee, Lilly & Tatami

Best Animated Female
Winner: Rumi (K-Pop Demon Hunters)
Runners Up (tie): Amélie (Little Amélie or the Character of Rain) & Judy Hopps (Zootopia 2)
Runner Up: Scarlet (Scarlet)

Best Screen Couple
Winner: Wunmi Mosaku and Michael B. Jordan (Sinners)
Runners Up: Jessie Buckley and Paul Mescal (Hamnet), Elizabeth Olsen and Miles Teller (Eternity) & Laura Dern and Will Arnett (Is This Thing On?)

Best TV Series
Winner: Hacks (Season 4)
Runners Up: Dying for Sex, The Girlfriend & The White Lotus (Season 3)

Adrienne Shelly Award*
For a film that most passionately opposes violence against women
Winner: Sorry, Baby
Runners Up: Christy, Companion & Lilly

Josephine Baker Award*
For best expressing the woman of color experience in America
Winner: Sinners
Runners Up: Hedda, Rosemead & Wicked: For Good

Karen Morley Award*
For best exemplifying a woman’s place in history or society, and a courageous search for identity
Winner: Eleanor the Great
Runners Up (tie): Die My Love & The Testament of Ann Lee
Runner Up: Familiar Touch

Acting and Activism Award
America Ferrera

Lifetime Achievement Award
Diane Keaton

One Battle After Another Wins In Kansas City


The Kansas City Film Critics Circle have announced their picks for the best of 2025.  The winners are listed in bold.

BEST FILM
Frankenstein
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Springsteen: Deliver Me from Nowhere
Wake Up Dead Man: A Knives Out Mystery
Weapons

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Ari Aster – Eddington
Ryan Coogler – Sinners
Rian Johnson – Wake Up Dead Man: A Knives Out Mystery
Guillermo del Toro – Frankenstein
Joachim Trier – Sentimental Value

BEST ACTOR
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Michael B. Jordan – Sinners
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon

BEST ACTRESS
Rose Byrne – If I Had Legs I’d Kick You
Jessie Buckley – Hamnet
Jennifer Lawrence – Die My Love
Renate Reinsve – Sentimental Value
Emma Stone – Bugonia

BEST SUPPORTING ACTOR
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Sean Penn – One Battle After Another

BEST SUPPORTING ACTRESS
Glenn Close – Wake Up Dead Man: A Knives Out Mystery
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

BEST ORIGINAL SCREENPLAY
Marty Supreme
Sentimental Value
Sinners
Sorry, Baby
Weapons

BEST ADAPTED SCREENPLAY
Frankenstein
Hamnet
The Life of Chuck
One Battle After Another
Train Dreams

BEST CINEMATOGRAPHY
F1 The Movie
Frankenstein
Hamnet
One Battle After Another
Sinners

BEST ORIGINAL SCORE
The Fantastic Four: First Steps
Frankenstein
One Battle After Another
Sinners
Tron: Ares

BEST ANIMATED FEATURE
Arco
The Bad Guys 2
KPop Demon Hunters
Predator: Killer of Killers
Zootopia 2

BEST FOREIGN LANGUAGE FILM
Arco
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value

BEST DOCUMENTARY
My Mom Jayne
Orwell: 2+2=5
The Perfect Neighbor
Secret Mall Apartment
We Best the Dream Team

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
28 Years Later
Frankenstein
Sinners
Superman
Weapons

TOM POE AWARD FOR BEST LGBTQ FILM
Hedda
The History of Sound
Twinless
Wake Up Dead Man: A Knives Out Mystery
The Wedding Banquet

BUSTER KEATON AWARD FOR THE BEST STUNT ENSEMBLE FILM
F1 The Movie
Mission: Impossible – The Final Reckoning
Nobody 2
The Running Man
Warfare

Brad reviews THE COWBOY WAY (1994), starring Woody Harrelson and Kiefer Sutherland!


Happy 59th birthday, Kiefer Sutherland!

Sutherland portrayed my favorite TV character of all time, when he spent 8 seasons playing Jack Bauer in my favorite TV series of all time, 24. Raylan Givens (Timothy Olyphant) gave him a solid run for his money when I got around to watching the JUSTIFIED series a few years back, but I still believe Bauer edges him out. Another of my favorite shows when I was growing up was CHEERS. And a big reason for that is Woody Harrelson. CHEERS ran from 1982-1993, so when it started I was nine and when it ended I was twenty. I literally grew up on the show. I thought Harrelson’s portrayal of the dim-witted, but lovable and sweet character, Woody Boyd, was so funny. I remember being happy when he started making movies and had some solid success. I’ve always enjoyed THE COWBOY WAY, the film that teamed up Harrelson and Sutherland, so I decided to revisit the 1994 action-comedy on Kiefer’s special day. 

IN THE COWBOY WAY, Woody Harrelson plays the somewhat dim-witted and overwhelmingly carefree Pepper Lewis, while Kiefer Sutherland plays the more responsible and extremely serious Sonny Gilstrap, two lifelong friends and rodeo champions from New Mexico. The story kicks off when their long-time friend Nacho Salazar (Joaquin Martinez) disappears after going to New York City to pick up his daughter Teresa (Cara Buono), who has been smuggled into the U.S. from Cuba. Pepper and Sonny decide to head to the big city themselves to track down Nacho, and soon find themselves taking on the murderous human trafficker, John Stark (Dylan McDermott), who murdered Nacho and is forcing his daughter to work in a sweatshop. With only their country boy common sense (well at least Sonny’s), their exceptional rodeo skills, and the help of an empathetic NY cop ((Ernie Hudson), Pepper and Sonny will do whatever it takes to find out what happened to Nacho and save his daughter from a life of modern day slavery.

THE COWBOY WAY is silly and unrealistic at times, with shifts in tone that will make your head spin, but I still love it anyway. This type of action-comedy was commonplace in the 80’s and 90’s, but you don’t see movies like this much anymore. I’ll admit that my personal nostalgia, as well as my lifelong appreciation of Sutherland and Harrelson, plays into my enjoyment of the film. It’s a movie that leans into the once popular formula of outsiders from the country being looked down upon by city slickers, and then proving themselves to be more than capable. Think CROCODILE DUNDEE, but without the romance. This is the kind of movie that is trying its best to give us a good time for our box office dollars. Many in Hollywood have forgotten how to entertain, and it’s such a breath of fresh air to watch movies that exist solely for that purpose, even when they’re not perfect. 

As is often the case for me, the cast of THE COWBOY WAY plays a big factor in my enjoyment of the movie. Woody Harrelson is certainly over the top as the irresponsible New Mexico cowboy, but he’s also funny at times and more than capable of handling the action scenes. Kiefer Sutherland’s cowboy is the exact opposite, he’s serious, extremely responsible, and very capable. If nothing else, he needs Harrelson’s character in his life to help him remove the stick from his ass at times! Ultimately, it’s their relationship and banter that carries the film for me. Dylan McDermott is good as the sleazy villain, but if you’ve seen many 80’s and 90’s action movies, he’s pretty much exactly what you’d expect. As a fan of spaghetti westerns, I also enjoyed seeing the genre stalwart Tomas Milian pop up as McDermott’s soon-to-be ex-boss. It’s not a big role but this movie buff appreciated it. Finally, Ernie Hudson is just so likable as the kind-hearted and helpful horse-mounted cop. I like to think that he and Kiefer’s character kept a John McClane / Sgt. Al Powell type relationship going after the events of the movie.

Ultimately, in my opinion, THE COWBOY WAY may not be a great movie by critical standards, but it is a fun movie. If you’re in the mood for 90’s era action-comedy, featuring a great cast, fun stunts (e.g. men on horseback taking on New York City traffic), and a little Travis Tritt on the soundtrack, then you’ll probably have a good time with this one. 

Holidays On The Lens: Santa Who? (dir by William Dear)


Oh no!  Santa Claus has amnesia!

That’s the premise behind this 2000 Christmas movie, which features Leslie Nielsen as the amnesiac Santa.  Having fallen out of his sleigh, Santa finds himself in Los Angeles.  When a reporter (Steven Eckholdt) comes across Santa, he does a story about him.  Santa becomes a mini-celebrity and gets a job as a department store version of himself.  While his elves search for him, Santa struggles to recover his memory.

It’s a cute little made-for-TV movie.  Leslie Nielsen as Santa?  Who could resist that?

Song of the Day: I Dreamed I Saw Jack Nance Last Night by Dumb Numbers


Eraserhead (1977, dir by David Lynch)

Today would have been the 82nd birthday of Jack Nance, the talented but troubled actor who was a favorite of David Lynch’s and who died under mysterious circumstances in 1996.  Born in Massachusetts but raised in Texas, Nance first won acclaim as a star of the stage show, Tom Paine.  The director of Tom Paine later received a fellowship to the American Film Institute where he met a young director named David Lynch and recommended that Lynch cast Nance as the lead character in his film, Eraserhead.  Lynch and Nance were kindred spirits, two all-American eccentrics with their own unique view of the world.  Lynch went to use Nance in almost every film that he made up until Nance’s death.  Nance would also appear in small roles in films from other directors, usually cast as quirky and obsessive characters.  Outside of his role in Eraserhead, Nance is probably best known for playing Pete Martell on Twin Peaks.  Pete’s discovery of Laura Palmer’s body launched the entire saga.

Twin Peaks 1.1 — The Pilot (dir by David Lynch)

 In honor of Jack’s talent and legacy, here is today’s song of the day!

4 Shots From 4 Films: Special Jack Nance Edition


In honor of the late, great Jack Nance’s birthday, here are…

4 Shots From 4 Films

Eraserhead (1977, directed by David Lynch)

Twin Peaks 1.1 “The Pilot” (1990, directed by David Lynch)

Whore (1991, directed by Ken Russell)

Meatballs 4 (1992, directed by Bob Logan)