Late Night Retro Television Review: Degrassi High 1.4 “Dream On”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube!

Love is in the air …. for some.

Episode 1.4 “Dream On”

(Dir by John Bertram, originally aired on November 20th, 1989)

I hate bullies.

Sadly, bullies are a part of life and they have been since the start of recorded history.  I imagine that even cavemen had their own versions of bullies and nerds.  Bullies deal with their own insecurities by picking on outsiders.  Most people hate bullies but they keep quiet when they see bullying because the unspoken threat is that, if they speak up, they could be the next one to be targeted.  That’s especially true in high school.

Degrassi High has its own set of bullies.  The episode features Tabi (Michele Johnson-Murray), who has decided to spend all of her time standing in front of the ninth grade lockers and refusing to allow the niners to use them.  When Kathleen and Melanie walk by Tabi, Tabi sprays her hairspray in Melanie’s eyes.  That’s not just rude but it’s also potentially dangerous.  Kathleen is usually not a particularly likable character but, when she finally stood up to Tabi at the end of this episode and yelled at her to get away from the lockers, I wanted to cheer.  Kathleen stands up to Tabi and a stunned Tabi walks away, saying something about niners being crazy but surrendering nonetheless.  Yay, Kathleen!

Where did Kathleen find the confidence to stand up to Tabi?  In this episode, she finally gets a boyfriend!  Scott Smith (Byrd Dickens) is an 11th grader with a really ugly mustache.  Looking at Scott, one can automatically smell the beer and see a future in which he spends all of time getting drunk at hockey games.  That said, he seems to like Kathleen and he encourages her to try out for the school play.  He even escorts her across the quad, which Tabi and her friend Dwayne previously declared to be off-limits for anyone in the ninth grade.  Kathleen has a boyfriend and there’s no way this could go wrong, right?  I mean, it’s not as if the Degrassi franchise has a long history of episodes in which insecure girls end up with older boyfriends who turn out to be abusive, right?

Meanwhile, Arthur has a crush on Caitlin and he’s overjoyed when he overhears Caitlin talking about how she’s getting tired of dating Joey, who is insensitive and only cares about his “dumb band.”  However, it turns out that Caitlin is not interested in Arthur.  Instead, she likes Claude, who has a goat-tee and is massively concerned about the environment.  Claude (pronounced “Klohd” because he’s either really pretentious or he’s from Quebec and maybe both) invites Caitlin to a French movie.

“Do you know Jean-Luc Godard?” Claude asks.

“No, does he go here?” Caitlin replies.

It’s okay.  When I was fourteen, I didn’t know who Jean-Luc Godard was either.  That said, I am old enough now to know that Godard’s post-70s films were not exactly date material.  Maybe Claude is asking her to a showing of Breathless.  Still, I think Claude should have waited for a Truffaut and a Lelouch film to come to town.

My point is that Claude is kind of a douchebag.  It’s obvious to everyone but Caitlin but sometimes, relationships are like that.  That’s especially true when there’s an age and educational difference.  I can understand Caitlin liking Claude, even if Claude seems pretty annoying to everyone else.  But I can’t see this relationship ending well.

Oh well — at least Joey has time to work on the band!  We all know from watching Degrassi: The Next Generation that Joey’s future lies in selling cars, not playing the keyboards.

And don’t worry about Arthur.  He may get his heart-broken in this episode but the actor apparently had a growth spurt between Degrassi Junior High and Degrassi High and he now basically towers over everyone in the cast.  No one is ever going to bully Arthur again.

Next week, the drama continues!

 

Lisa Marie’s Week In Review: 12/2/24 — 12/8/24


I’ve got a cold so I’m just going to do an abbreviated week in review.  Thank you for your understanding!

Films I Watched:

  1. After Hours (1985)
  2. The Assassination of Trotsky (1972)
  3. The Baron (1977)
  4. Bull Durham (1988)
  5. The Challenge (1982)
  6. Che! (1969)
  7. Dead For A Dollar (2022)
  8. Death Race 2000 (1975)
  9. The Disappearance of Flight 412 (1974)
  10. The Final Season (2007)
  11. Ghost Can’t Do It (1989)
  12. Night Shift (1982)
  13. Open Grave (2013)
  14. Portrait of a Showgirl (1982)
  15. Red Alert (1977)
  16. Sex and Broadcasting (2014)
  17. Skokie (1981)
  18. Solomon King (1974)
  19. Stealing Home (1988)
  20. Tucker: The Man And His Dream (1988)
  21. Voyage of the Damned (1976)

Television Shows I Watched:

  1. Amerika
  2. A Charlie Brown Christmas
  3. CHiPs
  4. Fantasy Island
  5. Frosty The Snowman
  6. Homicide
  7. How The Grinch Stole Christmas
  8. The Love Boat
  9. Miami Vice
  10. Rudolph The Red-Nosed Reindeer
  11. St. Elsewhere
  12. Snub
  13. Welcome Back Kotter

Links From Last Week:

  1. Actor Thom Christopher Dies At 84
  2. New York’s Lit Up For The Holidays! The 30 Rock Tree Video! + Bergdorf Goodman’s Magical Holiday Windows!
  3. Today’s Inspiration c/o Prince Ramses XII
  4. Tater’s Week in Review 12/6/24

Click here for last week!

 

Here Are The Nominations Of The St. Louis Film Critics Association!


Finally, the St. Louis Film Critics Association today announced their nominations for the best of 2024!  The winners will be announced on December 15.

BEST FILM
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Nickel Boys
The Seed of the Sacred Fig
September 5
Sing Sing
Wicked

BEST DIRECTOR
Edward Berger – “Conclave
Brady Corbet – “The Brutalist”
Mohammad Rasoulof – “The Seed of the Sacred Fig”
RaMell Ross – “Nickel Boys”
Denis Villeneuve – “Dune: Part Two

BEST ACTRESS
Pamela Anderson – “The Last Showgirl”
Cynthia Erivo – “Wicked
Marianne Jean-Baptiste – “Hard Truths”
Mikey Madison – “Anora”
Demi Moore – “The Substance”
Saoirse Ronan – “The Outrun”

BEST ACTOR
Adrien Brody – “The Brutalist”
Timothee Chalamet – “A Complete Unknown
Daniel Craig – “Queer”
Colman Domingo – “Sing Sing
Ralph Fiennes – “Conclave
Hugh Grant – “Heretic”

BEST SUPPORTING ACTRESS
Monica Barbaro – “A Complete Unknown
Danielle Deadwyler – “The Piano Lesson”
Aunjanue Ellis-Taylor – “Nickel Boys”
Ariana Grande – “Wicked
Zoe Saldana – “Emilia Perez”

BEST SUPPORTING ACTOR
Kieran Culkin – “A Real Pain”
Clarence Maclin “Sing Sing
Guy Pearce – “The Brutalist”
Stanley Tucci – “Conclave
Denzel Washington – “Gladiator II”

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Hard Truths
A Real Pain
Saturday Night
The Seed of the Sacred Fig

BEST CINEMATOGRAPHY
The Brutalist
Dune: Part Two
Maria
Nosferatu
Nickel Boy

BEST COSTUME DESIGN
Dune: Part Two
Hundreds of Beavers
Maria
Nosferatu
Wicked

BEST EDITING
The Brutalist
Dune: Part Two
Nickel Boys
Saturday Night
September 5

BEST PRODUCTION DESIGN
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

BEST ORIGINAL SCORE
The Brutalist
Challengers
Conclave
Dune: Part Two
The Wild Robot

BEST VISUAL EFFECTS
Alien: Romulus
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu

BEST SOUNDTRACK
A Complete Unknown
Deadpool & Wolverine
I Saw the TV Glow
Maria
Wicked

BEST VOCAL PERFORMANCE

Maya Hawke – “Inside Out 2”
Lupita Nyong’o – “The Wild Robot”
Pedro Pascal – “The Wild Robot”
Amy Poehler – “Inside Out 2”
Sarah Snook – “Memoir of a Snail”

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST ENSEMBLE

Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST HORROR FILM
Heretic
I Saw the TV Glow
Late Night with the Devil
Longlegs
Nosferatu
The Substance

BEST STUNTS
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

BEST COMEDY FILM
Deadpool & Wolverine
The Fall Guy
Hundreds of Beavers
A Real Pain
Saturday Night

BEST ACTION FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

BEST DOCUMENTARY FEATURE
Daughters
Music by John Williams
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST INTERNATIONAL FEATURE FILM
All We Imagine As Light
Dahomey
Do Not Expect Too Much from the End of the World
Emilia Perez
The Seed of the Sacred Fig

BEST FIRST FEATURE FILM
Annie Baker – “Janet Planet”
Anna Kendrick – “Woman of the Hour”
Josh Margolin – “Thelma”
Dev Patel – “Monkey Man”
RaMell Ross – “Nickel Boys”
Malcolm Washington – “The Piano Lesson”

BEST SCENE
Civil War – “What kind of an American are you?”
Dune: Part Two – Riding the Sandworm
The Substance – New Year’s Eve performance
Furiosa: A Mad Max Saga – War Rig battle
His Three Daughters – Dad’s Chair

Wicked Wins In Washington D.C.


The Washington DC Area Film Critics Association — try saying that ten times fast — has announced it picks for the best of 2024!

And here they are:

Best Feature
“Anora” (Neon)
“Conclave” (Focus Features)
“Sing Sing” (A24)
“The Brutalist” (A24)
“Wicked” (Universal Pictures)

Best Director
Brady Corbet – “The Brutalist“
Denis Villeneuve – “Dune: Part Two”
Edward Berger – “Conclave”
Jon M. Chu – “Wicked”
Sean Baker – “Anora”

Best Actress
Cynthia Erivo – “Wicked”
Demi Moore – “The Substance”
Karla Sofia Gascon – “Emilia Perez”
Marianne Jean–Baptiste – “Hard Truths”
Mikey Madison – “Anora“

Best Actor
Adrien Brody – “The Brutalist”
Colman Domingo – “Sing Sing“
Daniel Craig – “Queer”
Ralph Fiennes – “Conclave”
Timothee Chalamet – “A Complete Unknown”

Best Supporting Actress
Ariana Grande – “Wicked”
Aunjanue Ellis–Taylor – “Nickel Boys”
Danielle Deadwyler – “The Piano Lesson“
Isabella Rossellini – “Conclave”
Zoe Saldana – “Emilia Perez”

Best Supporting Actor
Clarence Maclin – “Sing Sing”
Denzel Washington – “Gladiator II”
Guy Pearce – “The Brutalist”
Keiran Culkin – “A Real Pain“
Yura Borisov – “Anora”

Best Animated Feature
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“The Wild Robot“
“Wallace and Gromit: Vengeance Most Fowl”

Best Documentary
“Dahomey”
“Daughters”
“Music by John Williams”
“No Other Land”
“Super/Man: The Christopher Reeve Story“
“Will & Harper”

Best International Film
“Dahomey”
“Emilia Perez“
“Flow”
“I’m Still Here”
“The Seed of the Sacred Fig”

Best Adapted Screenplay
“Conclave” – written for the screen by Peter Straughan
“Dune: Part Two” – written for the screen by Denis Villeneuve, Jon Spaihts
“Nickel Boys” – written for the screen by RaMell Ross, Joslyn Barnes
“Sing Sing” – written for the screen by Clint Bentley, Greg Kwedar
“Wicked” – written for the screen by Winnie Holzman, Dana Fox

Best Original Screenplay
“Anora” – Sean Baker
“A Real Pain” – Jesse Eisenberg
“Challengers” – Justin Kuritzkes
“The Brutalist” – Brady Corbet, Mona Fastvold
“The Substance” – Coralie Fargeat

Best Acting Ensemble
“Anora”
“Conclave“
“Dune: Part Two”
“Sing Sing”
“The Brutalist”
“Wicked”

Best Youth Performance
Alisha Weir – “Abigail”
Alyla Browne – “Furiosa: A Mad Max Saga”
Elliott Heffernan – “Blitz“
Ian Foreman – “Exhibiting Forgiveness”
Isabel DeRoy–Olson – “Fancy Dance”
Izaac Wang – “Didi”
Zoe Ziegler – “Janet Planet”

Best Voice Performance
Amy Poehler – “Inside Out 2”
Auli’i Cravalho – “Moana 2”
Brian Tyree Henry – “Transformers One”
Lupita Nyong’o – “The Wild Robot“
Maya Hawke – “Inside Out 2”

Best Original Score
“Blitz” – Hans Zimmer
“Challengers” – Trent Reznor and Atticus Ross (TIE)
“Conclave” – Volker Bertelmann
“Nosferatu” – Robin Carolan
“The Brutalist” – Daniel Blumberg (TIE)
“The Wild Robot” – Kris Bowers

Best Editing
“Anora” (TIE)
“Conclave”
“Dune: Part Two” (TIE)
“The Brutalist”
“Wicked”

Best Cinematography
“Conclave”
“Dune: Part Two”
“Nickel Boys”
“Nosferatu“
“The Brutalist”

Best Production Design
“Dune: Part Two”
“Gladiator II”
“Nosferatu”
“The Brutalist”
“Wicked“

Best Motion Capture
Eka Darville – “Kingdom of the Planet of the Apes”
Jonno Davies – “Better Man”
Kevin Durand – “Kingdom of the Planet of the Apes”
Owen Teague – “Kingdom of the Planet of the Apes“
Peter Macon – “Kingdom of the Planet of the Apes”

Best Stunts
“Deadpool and Wolverine”
“Dune: Part Two”
“Furiosa: A Mad Max Saga”
“Gladiator II”
“The Fall Guy“

The Joe Barber Award for Best Portrayal of Washington, DC
“Civil War“
“Daughters”
“Shirley”
“Stopping the Steal”

Anora Wins In Boston


The Los Angeles Film Critics Association wasn’t the only group to honor Anora today!  The film was also honored by the Boston Society of Film Critics.

Here’s who and what won in Boston.

Best Picture
Winner: Anora

Best Foreign-Language Film
Winner: Do Not Expect Too Much From The End Of The World

Best Director
Winner: Sean Baker – Anora

Best Ensemble
Winner: Sing Sing

Best Actor
Winner: Timothée Chalamet – A Complete Unknown

Best Actress
Winner: Mikey Madison – Anora

Best Supporting Actor
Winner: Edward Norton – A Complete Unknown

Best Supporting Actress
Winner: Danielle Deadwyler – The Piano Lesson

Best Adapted Screenplay
Winner: Nickel Boys

Best Original Screenplay
Winner: Anora

Best New Filmmaker
Winner: Annie Baker – Janet Planet

Best Documentary
Winner: No Other Land

Best Animated Feature
Winner: Flow

Best Cinematography
Winner: The Brutalist

Best Editing
Winner: Challengers

Best Score
Winner: The Brutalist

Anora Wins In Los Angeles!


The Los Angeles Film Critics Association has announced their picks for the best of 2024!  Anora has picked up its first major precursor victory.

Here are the winners in LA:

Best Film
Winner: ANORA
Runner-Up: 
THE BRUTALIST

Best Film Not In The English Language
Winner: ALL WE IMAGINE AS LIGHT
Runner-Up: THE SEED OF THE SACRED FIG

Best Director
Winner: Mohammad Rasoulof – THE SEED OF THE SACRED FIG
Runner-Up: Sean Baker – ANORA

Best Documentary Film
Winner: NO OTHER LAND
Runner-Up: DAHOMEY

Best Screenplay
Winner: Jesse Eisenberg – A REAL PAIN
Runner-Up: Sean Baker – ANORA

Best Leading Performance
Winners: Marianne Jean-Baptiste – HARD TRUTHS & Mikey Madison – ANORA
Runners-Up: Demi Moore – THE SUBSTANCE & Fernanda Torres – I’M STILL HERE

Best Supporting Performer
Winners: Yura Borisov – ANORA & Kieran Culkin – A REAL PAIN
Runners-Up: Clarence Maclin – SING SING & Adam Pearson – A DIFFERENT MAN

Best Animated Film
Winner: FLOW
Runner-Up: CHICKEN FOR LINDA!

Best Editing
Winners: Nicholas Monsour – NICKEL BOYS & Hansjörg Weißbrich – SEPTEMBER 5 (TIE)

Best Production Design
Winner: Judy Becker – THE BRUTALIST
​Runner-Up: Adam Stockhausen – BLITZ

Best Music/Score
Winner: Trent Reznor & Atticus Ross – CHALLENGERS
Runner-Up: 
Eiko Ishibashi – EVIL DOES NOT EXIST

Best Cinematography
Winner: Jomo Fray – NICKEL BOYS
Runner-Up: Lol Crawley – THE BRUTALIST

New Generation
Vera Drew for THE PEOPLE’S JOKER

Douglas Edwards Experimental Film
THE HUMAN SURGE 3

Retro Television Review: Homicide: Life On The Street 1.9 “Smoke Gets In Your Eyes”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, season one comes to a close.

Episode 1.9 “Smoke Gets In Your Eyes”

(Dir by Wayne Ewing, originally aired on March 24th, 1993)

It’s another day in Baltimore.

While the rain falls and the cold wind blows, Detectives Howard and Felton investigate another murder and, for once, it’s Detective Howard who is getting distracted and irritable.  Felton lights a cigarette.  The witnesses all light cigarettes.  The uniformed cops light cigarettes.  The medical examiner looks over a body and lights a cigarette.  Howard bites into a celery stick.  To his horror, Felton realizes that Howard is trying to quite smoking and, therefore, she is going to be Hell to work with until she eventually gives up.  Howard swears that she’s not going to give up,  She’s dating State’s Attorney Ed Danvers and he’s not a huge fan of smoking.  Howard later assures Pembleton that sex with Danvers is so mind-blowing that it’s worth giving up cigarettes.

Bayliss is trying to give up cigarettes as well.  He’s doing it for his health.  (Sorry, Danvers!)  His attempt to go smoke-free lasts for a day or two.  He gives in while on a stake-out with Howard, Pembleton, and Felton.  Bayliss is so desperate to bum a cigarette that detectives nearly miss capturing their suspect.

Meanwhile, Lt. Giardello is shocked to discover that the upper flood of the building, the floor right above his department, has been closed for asbestos removal.  No one bothered to tell the detectives that they were working in a toxic environment.  Actually, with all the cigarette smoke, I doubt they would have noticed.  As always, Yaphet Kotto’s performance was one of the highlights of this episode.  Both his outrage over the asbestos and his joy about having found something to hold over the head of Captain Barnfather were wonderful to watch.

Finally, Munch and Bolander investigate the death of a 14 year-old boy who was beaten to death as a part of a gang initiation.  Fortunately, the members of the gang are not very smart.  One suspect confesses all that he knows after Munch and Bolander hook him up to what they claim is an atomic-powered lie detector that causes sterility.  (It’s actually the xerox machine.)  The head of the gang turns out to be a snot-nosed, middle class kid who says that the murder was an act of kindness.  A disgusted Bolander ends the episode, sitting in a bar and talking about how American society destroyed Elvis.  The bartender is played by a bemused John Waters.

This episode was originally meant to be the final episode of season one.  NBC, not wanting to end the first season on such a downbeat note, instead decided that Night of the Dead Living should be the finale, despite the fact that moving the episodes around caused all sorts of continuity problems.  For the purpose of the site, I’m reviewing the episodes in the order that they were meant to be shown.  So, for us, this is indeed the season finale.

And what a dark way to end the season!  But it also feels like the right way to end season one.  In its first season, Homicide was not an optimistic series.  The murder of Adena Watson went unsolved.  Bolander is alone and still pining for his ex-wife.  No matter how many murders are solved, there’s always another one right around the corner.  The first season of Homicide would have been downright depressing if not for the sense of humor of the detectives.  It was gallows humor, of course.  But it was very much needed.

Season one featured some great episodes (Three Men and Adena, the pilot, Night of the Dead Living) but it faltered towards the end.  Bolander’s relationship with Carol was never as interesting as the show’s writers seemed to think and the whole plotline with Chris Thormann getting shot went for an at least one episode more than necessary.  But still, the first season was challenging and frequently compelling.  It was also very low-rated.  Homicide came close to being canceled after the first 9 episodes.  When it did return for a second season, it was only given four episodes in which to prove itself.

We’ll start looking at those four episodes next week.

#SundayShorts with THE HITCHER!


Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.

Jim Halsey (C. Thomas Howell) is driving a car across the country to San Diego. Tired and needing some help staying awake, he makes the major mistake of picking up a hitchhiker, the psychotic John Ryder (Rutger Hauer). Through a stroke of luck, he’s able to knock the “Hitcher” out of his car and keep going. Unfortunately, John Ryder isn’t content with being dumped by young Jim Halsey. Rather, he decides to stalk Jim and frame him for a cross-country murder spree.

I first saw THE HITCHER at a friend’s house when I was in the 4th grade. It scared the ever living crap out of me. I have never even pondered the possibility of picking up a hitchhiker because there’s always a chance that it could be a psycho like John Ryder. The genius of THE HITCHER is how it taps into the horror of everyday life. We pass by strangers every day. Who’s to know if there’s a John Ryder in our presence just waiting for us to invite them into our lives?! 

What can I say about Rutger Hauer as John Ryder?! He absolutely owns the film. There’s no wonder his roles in BLADE RUNNER and THE HITCHER would come to define his career. He was one of the great artists, and I’ve missed him ever since I learned of his death while I was sitting on the beach in Perdido Key, FL in 2019. C. Thomas Howell & Jennifer Jason Leigh are excellent as well. As a big-time Rutger Hauer fan, THE HITCHER is an intense film that I watch at least once a year. 

Five Fast Facts:

  1. C. Thomas Howell admitted that he was actually afraid of Rutger Hauer on and off the set because of Hauer’s general intensity.
  2. Writer, producer, and director Christopher Nolan (THE DARK KNIGHT, OPPENHEIMER) has listed THE HITCHER as one of his favorite movies.
  3. Entertainment Weekly ranked THE HITCHER as the nineteenth scariest movie of all time.
  4. Gene Davis, the psycho killer from Charles Bronson’s 10 TO MIDNIGHT plays Trooper Dodge in this movie. Based on my love of the Bronson Cannon classic, I love seeing Davis in any film. 
  5. President George W. Bush served on the board of the company that lent money to HBO to finance this movie. During the 2000 presidential election, Bush’s critics used his involvement in this film to discredit his stance on “family values” and his criticism of pervasive violence in Hollywood movies.