A Blast From The Past: The Day My Kid Went Punk (dir by Fern Field)


First produced in 1987, the short film The Day My Kid Went Punk tells the story of Terry Warner (Jay Underwood), a clean-cut teenager and aspiring violinist who lands a summer job working as a daycare counselor at a luxury hotel.

Feeling that he’s been neglected in favor of his high achieving older brother and his younger sister, Terry acts like a typical middle child and decides to change his image right after leaving home for his job.  (It worked for Jan Brady!)  He decides to become a punk.  (Jan Brady never went that far.)  Could this have something to do with his mother (Christine Belford) being the nation’s leading expert on the “Punk Syndrome,” that is terrifying parents everywhere?  Or could it just be because Terry knows that he’ll never be as cool as his father (Bernie Kopell), who might claim to be named Tom Warner but who is obviously just Adam Bricker living in the suburbs?  Every time Tom looks at his “punk” son, you can just see him dreading the thought of word of this getting back to Captain Stubing.

(Incidentally, the family in film is clearly named Warner but, in all of the advertisements that I’ve seen for this special, including the one at the top of the post, they’re identified as being the Nelson family.)

Needless to say, Terry Warner is, in no way, a convincing punk and judging from the film’s dialogue and plot, it would appear that the film doesn’t really know the difference between punk, goth, and heavy metal.  Everyone at the hotel is a bit taken aback by Terry’s appearance but he proves himself to be a good worker and the kids absolutely love riding horses with him.  I guess the message is that you shouldn’t judge someone based solely on how he looks.  That’s a good message except that it’s ultimately undercut by Terry himself and his decision abandon his punk look as soon as it inconveniences him at school.  So, I guess the message is that teens should dress the way they want unless it keeps them from winning first chair in the school band and parents shouldn’t worry because teenagers are so shallow that they’ll abandon anything after a month or two.  The film suggests that Punk is less of a syndrome and more of a fad that whiny middle children go through during the summer.

(Myself, I’m not a middle child.  I’m the youngest of four and I’ve never felt particularly ignored, even if there were times when it seemed like being left alone would be a nice change of pace.  That said, I definitely went through some phases while I was growing up.  During my junior and senior years of high school, I always made sure that I was wearing at least one black garment and I wrote emo poetry under the name Pandora DeSaad.)

Anyway, Halloween’s approaching and this very (and I do mean very) campy short film feels like a good way to welcome a month that encourages everyone, young and old, to think about putting on costumes.  Here is The Day My Kid Went Punk!

Retro Television Reviews: T. and T. 1.15 “Sophie a La Modem” and 1.16 “Black and White”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Amy’s psycho nephew shows up!

Episode 1.15 “Sophie a La Modem”

(Dir by Stan Olsen, originally aired on April 18th, 1988)

“In this episode,” Mr. T tells us, “Sophie goes AWOL with Amy’s nephew and no one is safe from him …. NO ONE!”

This episode focuses on Sophie (Catherine Disher), who is Amy and T.S.’s administrative assistant.  Since my first job out of college was working as an administrative assistant to an attorney, I appreciated that Sophie finally got to be the focus of an episode.  Seriously, you can’t have an office without an office manager.

Amy’s nephew (Sunny Besen Thrasher) — who T.S. refers to as being “that little bad kid, Donald!” — is at the courthouse, firing a water gun at the security guard.  Amy and T.S. take him to the office, where Sophie is extremely happy because she’s purchased — 80s alert! — a new modem!  Donald, who is way too obsessed with guns, fires a rubber dart at Sophie’s computer screen.  How big of a brat is Donald?  He ever wears a bow-tie, just like the problem child kid.  (Remember him?)

T.S. and Amy have to go to court so they’re not at the office when Mrs. Williams (Ruth Springfield) shows up and says that the people to whom she’s rented a house appear to be building something in the basement.  Donald tells the woman that Sophie is Amy and somehow, this leads to Sophie and that little bad kid Donald going to investigate on their own.

Back at the office, T.S. and Amy return and discover that Sophie and Donald are gone but they don’t seem to be too worried about it.  Instead of wondering where their administrative assistant and the little kid have gone, they talk about the time that Donald put a mouse in T.S.’s cookie jar.  “He’s a bad kid,” T.S. growls.

At the house, Amy and Donald meet the two tenants, Gord (Ron Gabriel) and his slow-witted associate, Benny (Richard Donat).  They also sneak into the basement and discover, as Sophie puts it, “a computer and a modem!”  It turns out that Gord and Benny are using the magic powers of the modem to hack into bank databases.  Unfortunately, Gord and Benny catch Sophie and that bad kid in the basement.  Uh-oh!

Back at the office, T.S. speculates that Donald probably abandoned Sophie somewhere in Toronto and then stole her car.  Instead of heading out to try to find the missing child and the administrative assistant, T.S. heads to the gym.  I guess T.S. really does not like Donald!

Gord and Benny attempt to lock Sophie, Donald, and their landlady up in a crude cell they’ve constructed in the basement.  Fortunately, Donald still has his toy dart gun and, by attaching a string to the dart, Sophie is able to snag the key to the cell.  After unlocking and opening the cell door, Sophie turns on the computer and uses the magic powers of the modem to send a message to Amy, letting her know that they are being held prisoner in the basement.

T.S. shows up at the house and bangs on the door.  “LET ME IN!” he shouts.  When Gord and Benny fail to do so, T.S. kicks the door open.  “I SAID LET ME IN!”  While Gord begs T.S. not to kill him, Sophie uses the dart gun to shoot a rubber dart at Benny.  Gord passes out and T.S. throws Benny through a wall.

Yay!  This was an incredibly silly episode but I enjoyed it because Sophie got to live every administrative assistant’s dream.  She did a good job and so did this episode.  It was fun.

Episode 1.16 “Black and White”

(Dir by Don McCutcheon, originally aired on April 25th, 1988)

“In this episode,” Mr. T. tells us, “Amy and I are caught in the middle when Detective Jones takes the law into his own hands.”

If the previous episode gave Sophie her chance in the spotlight, this episode spotlights Detective Jones (played by Ken James).  Since the second episode, Detective Jones has been the detective with whom Amy and Turner always seem to end up interacting.  He’s also the detective who arrested for T.S. for the crime that T.S. didn’t commit.  Needless to say, their relationship is occasionally awkward but, all things considered, surprisingly friendly.

This episode opens with Detective Jones’s wife (Meredith McRae) coming across two teenage boys breaking into her house and getting knocked unconscious as result.  Jones, who is out for revenge, thinks that one of the boys was Tom (Nicholas Shields), who is later arrested for another burglary and whose attorney is — you guessed it! — Amy Taler.  It turns out that Tom was one of the two teens that broke into Jones’s house but he was not the one who hit Mrs. Jones.  This is all something that Jones finds out after he follows Tom to the surprisingly large warehouse that is owned by Tom’s accomplice, the psychotic Len.  Fortunately, T.S. also follows Jones to the warehouse and helps him to subdue Len.  Tom is given a suspended sentence and Jones and his wife leave for a Miami vacation.

This is a good example of an episode that suffered due to T. and T. having to cram an hour’s worth of story into a 30-minute time slot.  This episode certainly had the potential to be interesting, with Detective Jones turning into a vigilante and T.S. Turner sympathizing with Tom because of their shared background as foster children but, with the shortened running time, the whole thing was juts a bit too rushed to be effective.

Next week: T.S. Turner faces off against two rich kids who think that ruining someone else’s life is just a game!

AMV of the Day: Shatter Me (The Irregular at Magic High School)


As October approaches, here is one final AMV for the month of September!

Anime: The Irregular at Magic High School

Song: Shatter Me by Lindsey Stirling

Creator: AlieZooM (please consider subscribing to this creator’s channel)

Past AMVs of the Day

Live Tweet Alert: Join #FridayNightFlix For Army of Darkness!


Army of Darkness (1992, dir by Sam Raimi)

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1992’s Army of Darkness, starring the one and only Bruce Campbell!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Army of Darkness is available on Prime!  See you there!

4 Shots From 4 Films: Special Nicolas Winding Refn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 53rd birthday to Danish director Nicholas Winding Refn!  Drive was one of the first films to really be celebrated on this site, receiving reviews from several contributors.  Personally, I preferred The Neon Demon.

In honor of of the man and his work, it’s time for….

4 Shots from 4 Nicolas Winding Refn Films

Bronson (2008, dir by Nicolas Winding Refn, DP: Larry Smith)

Drive (2011, dir by Nicolas Winding Refn, DP: Newton Thomas Sigel)

Only God Forgives (2013,dir by Nicolas Winding Refn, DP: Larry Smith)

The Neon Demon (2016, dir by Nicolas Winding Refn, DP: Natasha Braier)

Music Video of the Day: Insane In The Brain by Cyrpess Hill (1994, directed by Josh Taft)


This 90s anthem was filmed at the DNA Lounge in San Francisco.  Though it might be hard to believe today, a music video that featured people openly celebrating smoking weed was something that still took a lot of people by surprise in 1994.

Director Josh Taft worked with just about everyone in the 90s.  Taft has directed videos for Alice In Chains, Stone Temple Pilots, Nas, A Tribe Called Quest, Mother Love Bone, Pearl Jam, Mad Season, and Fuel.  Taft has also worked as a commercial director, doing ads for Adidas, Reebok, Nike, Energizer, Sprite and Nissan Xterra.  In 2013, he directed a documentary called Alive & Well, which profiled 7 individuals living with Huntington’s Disease.

Enjoy!

The TSL Grindhouse: Trucker’s Woman (dir by Will Zens)


The 1975 drive-in film, Trucker’s Woman, opens with the tragic (and rather horrifying) death of Jim Kelly, a trucker who meets his demise when the breaks on his truck fail.  We watch as Jim is tossed back and forth inside the cab of his truck and, in fact, the film’s opening credits play out over freeze frames of Jim’s gruesome end.  Jim was a beloved member of the trucking community and his funeral is about as well-attended as a funeral taking place in a low-budget film can be.  Everyone is going to be miss Jim but fortunately, his son Mike (Michael Hawkins) is going to carry on the family business!

As Mike explains to his father’s permanently soused friend, Ben Turner (Doodles Weaver), he’s giving up a lot to take over for his father.  Mike is dropping out of college and sacrificing his dream of becoming a philosophy professor.  Of course, Mike appears to be nearly 50 so, if he still hasn’t gotten that degree, it’s probably for the best that he went ahead of gave up on that dream.  From what little we saw of Jim, he appeared to be 50 as well so you have to kind of wonder if Mike is actually his son.  My theory is that Mike was just a drifter who happened to see a funeral occurring off the side of the road and decided to cash in.

Anyway, Mike is soon driving a truck and discovering that his boss, Fontaine (Jack Canon), is a bit of a jerk who favors certain truckers more than others.  Mike also meets Fontaine’s daughter, Karen (Mary Cannon), at a roadside bar and ends up following her back to her motel, pounding on her door until she gets out of the shower and answers it while wearing a towel, and then announcing that he’s going to be accepting her offer to spend the night with her….

So, you can probably already guess what the main problem with this film is.  At best, Mike is a jerk.  At worst, he’s an alcoholic misogynist who breaks into a woman’s motel room, demands sex, and is then offended when she leaves the next morning without telling him where she’s going.  The film tries to portray Mike as being a strong, independent man who works hard and refuses to be ordered around.  However, he comes across less like Burt Reynolds in Smokey and the Bandit or Kris Kristofferson in Convoy and more like one of those truckers who eventually gets caught with a dead body in the back of his cab.  Everything about Mike just screams homicidal drifter.  Not even the title character from Henry: Portrait of a Serial Killer would have accepted a ride from this guy.

Anyway, Mike and Ben attempt to discover who sabotaged the brakes on old Jim Kelly’s rig and since only a mechanic could have done it, suspicion immediately falls on Diesel Joe (Larry Drake) because he’s the only mechanic in the film!  And who paid Diesel Joe to sabotage the brakes?  Well, there’s only person in the film who has any money so it looks like it’s time for Ben to rally the other truckers and Mike to toss a bunch of people into Fontaine’s pool.

Trucker’s Woman does not work as a thriller or a mystery or a comedy.  It does work as a time capsule of the 70s.  Seriously, look at all of those wood-paneled rooms!  Look at all of those plaid jackets!  Seriously, there’s enough plaid in this film it could have just as easily been called Forever Plaid.  Filmed on the highways of South Carolina, Trucker’s Woman is a film the epitomizes an era but there’s plenty of other films that do the exact same thing and don’t feature an alcoholic misogynist as the lead character.  (Seriously, Rubber Duck would have tossed Mike Kelly out of a moving truck.)

Finally, Trucker’s Woman is infamous in some circles for featuring a random shot of a pepperoni pizza sitting on a wooden deck.  It’s a shot that pops up out of nowhere and has nothing to do with the rest of the film.  It’s thought that the shot was included as an experiment in subliminal advertising and I will admit that my sister and I did order a pizza after this film ended.

Retro Television Reviews: South Central 1.9 “Dog” and 1.10 “Date”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing South Central, which aired, for 10 episodes, on Fox in 1994.  The entire show is currently streaming on YouTube!

This week, South Central comes to an end.

Episode 1.9 “Dog”

(Directed by Stan Lathan, originally aired on May 31st, 1994)

Deion finally gets to be the focus of an episode and it’s seriously, the most depressing 30 minutes ever.

After eight episode of never speaking and never smiling, Deion is briefly happy when a stray dog follows him and Andre home.  Deion loves playing with the dog and he even starts to bark just like the dog.  Joan, however, is not happy about the idea of having the dog in the house.  As she sensibly points out, they don’t know if the dog is sick and dog’s are expensive to keep.  Still, when she sees how Deion loves the dog, she says that the dog can stay as long as he doesn’t make a mess in the house.  Andre agrees to watch over the dog.

Joan leaves for the Co-op, where Bobby has declared the day to be “Black Dollar Day.”  Of course, as soon as Joan does leaves the house, the dog makes a mess on the floor.  Neither Andre nor his friend Rashad are willing to clean it up, with Andre is more concerned with calling Nicole and begging her to take him back.  Finally, Tasha’s friend Shanelle (Shar Jackson) cleans up the mess because she wants to get together with Andre.  However, Andre rejects Shanelle, telling her that she needs to have more respect for herself.  (Andre wasn’t too concerned about Shanelle’s self-esteem when she was cleaning up after the dog for him.)  Later, Andre and Tasha catch Shanelle and Rashad fooling around in Joan’s bedroom.  This leads to multiple fights and the dog getting so agitated that it bites Shanelle.

The end result is Shanelle goes to the hospital, animal control takes away the dog, and Deion is left without his only friend.  The next morning, Deion steps out of the house and stands on the sidewalk, barking like a dog.

My God, what a depressing show!  But I should also add that it was a remarkable well-acted episode, especially the scene in which Joan explained to Deion that the dog wouldn’t be coming back but that the dog was okay and still cared about him.  Seriously, I’m tearing up just writing that and I’m not even dog person.

Let’s move on to the series finale.

Episode 1.10 “Date”

(Directed by W.E. Baker, originally aired on June 7th, 1994)

Joan orders Andre and Rashad to take Tasha to the Ujamaa Hi-Life and pushes Deion onto Sweets so that she can have the house to herself for a night.  However, almost as soon as the kids leave, Ray (Ken Page) shows up.  (Yay!  Ray’s back!)  Ray sweetly asks Joan if she would like to have dinner with him.  They head out to the local catfish place but they discover that there is a 45-minute waiting time for a table.  Except …. OH MY GOD, IT’S ISAIAH!  Isaiah (Michael Beach) explains that he is friends with the owner of the restaurant and he always has a table.  Isaiah invites Joan (and, by extension, Ray) to have dinner with him.

Needless to say, dinner is a bit awkward, with Ray and Isaiah each mentioning that they own multiple homes and tying to impress Joan.  Isaiah is as much of a charming jerk as he was the last time he went out with Joan.  Ray, once again, promises to always be there for Joan and Andre despite the fact that Joan is obviously not interested in him.  As bad as I do feel for Ray, he should realize by this point that Joan doesn’t share his feelings.  You can’t create chemistry where there isn’t any.

Meanwhile, at the Co-Op, Rashad and Andre look for dates (which I guess means that Andre is over Nicole) and Tasha eventually cheers up when she gets to perform on stage.

To be honest, it’s a bit of an underwhelming ending for a show that featured so many powerful episodes.  The finale feels far more conventional in its humor than the previous episodes and that probably has something to do with the fact that this was the only episode of South Central to not be directed by Stan Lathan.  The finale feels more than a bit off when compared to what came before but, at the same time, it’s nice that the show ended with Tasha finally getting a moment to be the center of attention.

South Central only ran for ten episodes and it’s easy to see why it struggled in the ratings.  For a comedy, South Central could be a very dark show.  There weren’t a lot of standard happy endings to be found in South Central and even the upbeat finale left viewers feeling that things were only going to get more difficult for the Mosely family.  Joan is still going to be working herself to death at Ujamaa.  Andre is still going to often be his own worse enemy.  And, even after performing in front of the entire community, Tasha is still going to be the one who is always expected to sacrifice to help out around the house.  This show was all about the small moments of happiness that can be found even in the most difficult of circumstances.  Ultimately, though, those moments can only take you so far.

Next week, just in time for October, we start a new Thursday show and it features a ghost!  Are you ready for …. Jennifer Slept Here!?

Matt Vaughn is back in the spy game with the Argylle Trailer!


I was just thinking about Matthew Vaughn this morning, with the passing of Layer Cake‘s Michael Gambon. Vaughn’s teamed up with Apple Films on Argylle, which looks like another spy caper similar to James Mangold’s Knight and Day, as well as own Kingsman series.

Argylle stars Bryce Dallas Howard (Jurassic World) as a writer who’s work may be hitting a little too close to home for a network of spies. Alongside a really cute cat, Argylle also stars Henry Cavill (Mission: Impossible – Fallout), Academy Award Winner Sam Rockwell (The Nice Guys), Emmy Award Winner Bryan Cranston (Breaking Bad), Dua Lipa (Barbie), Emmy Award Winner Catherine O’Hara (Schitt’s Creek), Academy Award Winner Ariana Debose (West Side Story), John Cena and Samuel L. Jackson.

Argylle premieres in theatres next February.