A Blast From The Past: The Day My Kid Went Punk (dir by Fern Field)


First produced in 1987, the short film The Day My Kid Went Punk tells the story of Terry Warner (Jay Underwood), a clean-cut teenager and aspiring violinist who lands a summer job working as a daycare counselor at a luxury hotel.

Feeling that he’s been neglected in favor of his high achieving older brother and his younger sister, Terry acts like a typical middle child and decides to change his image right after leaving home for his job.  (It worked for Jan Brady!)  He decides to become a punk.  (Jan Brady never went that far.)  Could this have something to do with his mother (Christine Belford) being the nation’s leading expert on the “Punk Syndrome,” that is terrifying parents everywhere?  Or could it just be because Terry knows that he’ll never be as cool as his father (Bernie Kopell), who might claim to be named Tom Warner but who is obviously just Adam Bricker living in the suburbs?  Every time Tom looks at his “punk” son, you can just see him dreading the thought of word of this getting back to Captain Stubing.

(Incidentally, the family in film is clearly named Warner but, in all of the advertisements that I’ve seen for this special, including the one at the top of the post, they’re identified as being the Nelson family.)

Needless to say, Terry Warner is, in no way, a convincing punk and judging from the film’s dialogue and plot, it would appear that the film doesn’t really know the difference between punk, goth, and heavy metal.  Everyone at the hotel is a bit taken aback by Terry’s appearance but he proves himself to be a good worker and the kids absolutely love riding horses with him.  I guess the message is that you shouldn’t judge someone based solely on how he looks.  That’s a good message except that it’s ultimately undercut by Terry himself and his decision abandon his punk look as soon as it inconveniences him at school.  So, I guess the message is that teens should dress the way they want unless it keeps them from winning first chair in the school band and parents shouldn’t worry because teenagers are so shallow that they’ll abandon anything after a month or two.  The film suggests that Punk is less of a syndrome and more of a fad that whiny middle children go through during the summer.

(Myself, I’m not a middle child.  I’m the youngest of four and I’ve never felt particularly ignored, even if there were times when it seemed like being left alone would be a nice change of pace.  That said, I definitely went through some phases while I was growing up.  During my junior and senior years of high school, I always made sure that I was wearing at least one black garment and I wrote emo poetry under the name Pandora DeSaad.)

Anyway, Halloween’s approaching and this very (and I do mean very) campy short film feels like a good way to welcome a month that encourages everyone, young and old, to think about putting on costumes.  Here is The Day My Kid Went Punk!

Retro Television Reviews: T. and T. 1.15 “Sophie a La Modem” and 1.16 “Black and White”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Amy’s psycho nephew shows up!

Episode 1.15 “Sophie a La Modem”

(Dir by Stan Olsen, originally aired on April 18th, 1988)

“In this episode,” Mr. T tells us, “Sophie goes AWOL with Amy’s nephew and no one is safe from him …. NO ONE!”

This episode focuses on Sophie (Catherine Disher), who is Amy and T.S.’s administrative assistant.  Since my first job out of college was working as an administrative assistant to an attorney, I appreciated that Sophie finally got to be the focus of an episode.  Seriously, you can’t have an office without an office manager.

Amy’s nephew (Sunny Besen Thrasher) — who T.S. refers to as being “that little bad kid, Donald!” — is at the courthouse, firing a water gun at the security guard.  Amy and T.S. take him to the office, where Sophie is extremely happy because she’s purchased — 80s alert! — a new modem!  Donald, who is way too obsessed with guns, fires a rubber dart at Sophie’s computer screen.  How big of a brat is Donald?  He ever wears a bow-tie, just like the problem child kid.  (Remember him?)

T.S. and Amy have to go to court so they’re not at the office when Mrs. Williams (Ruth Springfield) shows up and says that the people to whom she’s rented a house appear to be building something in the basement.  Donald tells the woman that Sophie is Amy and somehow, this leads to Sophie and that little bad kid Donald going to investigate on their own.

Back at the office, T.S. and Amy return and discover that Sophie and Donald are gone but they don’t seem to be too worried about it.  Instead of wondering where their administrative assistant and the little kid have gone, they talk about the time that Donald put a mouse in T.S.’s cookie jar.  “He’s a bad kid,” T.S. growls.

At the house, Amy and Donald meet the two tenants, Gord (Ron Gabriel) and his slow-witted associate, Benny (Richard Donat).  They also sneak into the basement and discover, as Sophie puts it, “a computer and a modem!”  It turns out that Gord and Benny are using the magic powers of the modem to hack into bank databases.  Unfortunately, Gord and Benny catch Sophie and that bad kid in the basement.  Uh-oh!

Back at the office, T.S. speculates that Donald probably abandoned Sophie somewhere in Toronto and then stole her car.  Instead of heading out to try to find the missing child and the administrative assistant, T.S. heads to the gym.  I guess T.S. really does not like Donald!

Gord and Benny attempt to lock Sophie, Donald, and their landlady up in a crude cell they’ve constructed in the basement.  Fortunately, Donald still has his toy dart gun and, by attaching a string to the dart, Sophie is able to snag the key to the cell.  After unlocking and opening the cell door, Sophie turns on the computer and uses the magic powers of the modem to send a message to Amy, letting her know that they are being held prisoner in the basement.

T.S. shows up at the house and bangs on the door.  “LET ME IN!” he shouts.  When Gord and Benny fail to do so, T.S. kicks the door open.  “I SAID LET ME IN!”  While Gord begs T.S. not to kill him, Sophie uses the dart gun to shoot a rubber dart at Benny.  Gord passes out and T.S. throws Benny through a wall.

Yay!  This was an incredibly silly episode but I enjoyed it because Sophie got to live every administrative assistant’s dream.  She did a good job and so did this episode.  It was fun.

Episode 1.16 “Black and White”

(Dir by Don McCutcheon, originally aired on April 25th, 1988)

“In this episode,” Mr. T. tells us, “Amy and I are caught in the middle when Detective Jones takes the law into his own hands.”

If the previous episode gave Sophie her chance in the spotlight, this episode spotlights Detective Jones (played by Ken James).  Since the second episode, Detective Jones has been the detective with whom Amy and Turner always seem to end up interacting.  He’s also the detective who arrested for T.S. for the crime that T.S. didn’t commit.  Needless to say, their relationship is occasionally awkward but, all things considered, surprisingly friendly.

This episode opens with Detective Jones’s wife (Meredith McRae) coming across two teenage boys breaking into her house and getting knocked unconscious as result.  Jones, who is out for revenge, thinks that one of the boys was Tom (Nicholas Shields), who is later arrested for another burglary and whose attorney is — you guessed it! — Amy Taler.  It turns out that Tom was one of the two teens that broke into Jones’s house but he was not the one who hit Mrs. Jones.  This is all something that Jones finds out after he follows Tom to the surprisingly large warehouse that is owned by Tom’s accomplice, the psychotic Len.  Fortunately, T.S. also follows Jones to the warehouse and helps him to subdue Len.  Tom is given a suspended sentence and Jones and his wife leave for a Miami vacation.

This is a good example of an episode that suffered due to T. and T. having to cram an hour’s worth of story into a 30-minute time slot.  This episode certainly had the potential to be interesting, with Detective Jones turning into a vigilante and T.S. Turner sympathizing with Tom because of their shared background as foster children but, with the shortened running time, the whole thing was juts a bit too rushed to be effective.

Next week: T.S. Turner faces off against two rich kids who think that ruining someone else’s life is just a game!

AMV of the Day: Shatter Me (The Irregular at Magic High School)


As October approaches, here is one final AMV for the month of September!

Anime: The Irregular at Magic High School

Song: Shatter Me by Lindsey Stirling

Creator: AlieZooM (please consider subscribing to this creator’s channel)

Past AMVs of the Day

Live Tweet Alert: Join #FridayNightFlix For Army of Darkness!


Army of Darkness (1992, dir by Sam Raimi)

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1992’s Army of Darkness, starring the one and only Bruce Campbell!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Army of Darkness is available on Prime!  See you there!

4 Shots From 4 Films: Special Nicolas Winding Refn Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 53rd birthday to Danish director Nicholas Winding Refn!  Drive was one of the first films to really be celebrated on this site, receiving reviews from several contributors.  Personally, I preferred The Neon Demon.

In honor of of the man and his work, it’s time for….

4 Shots from 4 Nicolas Winding Refn Films

Bronson (2008, dir by Nicolas Winding Refn, DP: Larry Smith)

Drive (2011, dir by Nicolas Winding Refn, DP: Newton Thomas Sigel)

Only God Forgives (2013,dir by Nicolas Winding Refn, DP: Larry Smith)

The Neon Demon (2016, dir by Nicolas Winding Refn, DP: Natasha Braier)

Music Video of the Day: Insane In The Brain by Cyrpess Hill (1994, directed by Josh Taft)


This 90s anthem was filmed at the DNA Lounge in San Francisco.  Though it might be hard to believe today, a music video that featured people openly celebrating smoking weed was something that still took a lot of people by surprise in 1994.

Director Josh Taft worked with just about everyone in the 90s.  Taft has directed videos for Alice In Chains, Stone Temple Pilots, Nas, A Tribe Called Quest, Mother Love Bone, Pearl Jam, Mad Season, and Fuel.  Taft has also worked as a commercial director, doing ads for Adidas, Reebok, Nike, Energizer, Sprite and Nissan Xterra.  In 2013, he directed a documentary called Alive & Well, which profiled 7 individuals living with Huntington’s Disease.

Enjoy!