Lisa Marie’s Week In Review: 1/2/23 — 1/8/23


And so the first week of 2023 comes to a close!

The Oscar nominations are due to be announced on Tuesday, January 24th, which means that I have a lot of movies to watch over the next two weeks.  Can I make it?  I’m going to do my best!  As you can see by looking below, I’ve already gotten started.  Without further ado, here’s my week in review!

Films I Watched:

  1. Angola, Do You Hear Me?: Voices From the Plantation Prison (2022)
  2. Attack From Space (1965)
  3. Elephant Whisperers (2022)
  4. Emily the Criminal (2022)
  5. Empire Records (1995)
  6. The Flying Sailor (2022)
  7. Future Tense (1990)
  8. The Garbage Man (2022)
  9. The Gathering (1998)
  10. Gold Through the Fire (1987)
  11. Her Majesty’s Queue (2022)
  12. Holding Moses (2022)
  13. The Ice Merchants (2022)
  14. Joe Buffalo (2022)
  15. The Martha Mitchell Effect (2022)
  16. Nuisance Bear (2022)
  17. Prey of the Jaguar (1996)
  18. Primal Fear (1996)
  19. The Runner (2022)
  20. The Running Man (1987)
  21. Save Ralph (2022)
  22. She Said (2022)
  23. Shock Waves (1977)
  24. Steakhouse (2022)
  25. Stranger at the Gate (2022)
  26. Strikers (2022)
  27. What Made Sammy Speed (1959)
  28. Without Reservation (1989)

Television Shows I Watched:

  1. Abbott Elementary
  2. The Circle
  3. Hell’s Kitchen
  4. Law & Order
  5. Madoff: The Monster of Wall Street
  6. Night Flight
  7. Tough as nails
  8. Twilight Zone

Books I Read:

  1. Divine Assassin (1985) by Bob Reiss
  2. Palo Alto (2010) by James Franco

Music To Which I Listened:

  1. Above & Beyond
  2. Adi Ulmansky
  3. Armin van Buuren
  4. Baustelle
  5. Britney Spears
  6. Calvin Harris
  7. Camila Cabello
  8. David Bowie
  9. Dillon Francis
  10. DJ Snake
  11. Emma Bunton
  12. Fiona Apple
  13. Geri Halliwell
  14. Lorde
  15. Nat and Alex Wolff
  16. Moby
  17. PJ Harvey
  18. The Plasmatics
  19. Selena Gomez
  20. Tiesto
  21. Yvonne Elliman

Live Tweets:

  1. Prey of the Jaguar
  2. Primal Fear
  3. The Running Man
  4. Shock Waves

Awards Season:

  1. Columbus Film Critics Association Nominations
  2. Austin Film Critics Association Nominations
  3. Music City Film Critics Association Nominations
  4. North Carolina Film Critics Association Winners
  5. Oklahoma Film Critics Circle Winners
  6. DiscussingFilm Critics Awards Winners
  7. San Diego Film Critics Society Nominations
  8. Columbus Film Critics Association Winners
  9. Set Decorators Society of America Nominations
  10. Alliance of Women Film Journalists Winners
  11. National Society of Film Critics Winners
  12. Georgia Film Critics Association Nominations
  13. San Diego Film Critics Society Winners
  14. Hawaii Film Critics Society Nominations
  15. San Francisco Bay Area Film Critics Circle Nominations
  16. Critics Association of Central Florida Winners
  17. Toronto Film Critics Association Winners

Trailers:

  1. Evil Dead Rise
  2. Plane
  3. Renfield
  4. Emily

News From Last Week:

  1. Actor Earl Boen Dies at 81
  2. Author Russell Banks dies at 82
  3. Author Fay Weldon Dies at 91
  4. Cinematographer Owen Roizman Dies at 86
  5. Canadian Filmmaker Michael Snow Dies At 94
  6. Producer James D. Brubaker Dies at 85
  7. Tony-winning director Frank Galati Dies at 79
  8. Actor Adam Rich dies at 54
  9. Jeremy Renner celebrates 52nd birthday in the hospital after snowplow accident
  10. ‘Avatar: The Way of Water’ Takes Down ‘Jurassic World’ as Seventh-Highest Grossing Film in History With $1.7 Billion

Links From Last Week:

  1. Armond White’s Better Than List For 2022
  2. Celebrating The Holidays – At The White House! Here’s Our White House Holiday Party Tour!

Links From The Site:

  1. Erin shared Weird Tales, Four Men and a Dame, The Imperial Orgy, Spicy Stories, Come Easy-Go Easy, A Peak in Darien, and Silk Stocking Stories!
  2. Erin shared the covers of Wings Comics!
  3. Jeff reviewed McBain, Prey of the Jaguar, and Lost Heroes!
  4. Jeff shared a music video from Earth, Wind, and Fire!
  5. I reviewed Quarantined, She Said, Without Reservation, All Quiet on the Western Front, The Running Man, Gold Through the Fire, The Gathering, Coach, Consider It All Joy, Emily the Criminal, Divine Assassin, Forever and a Day, Deadline, Seven Days Away, and Wrong Place!
  6. I reviewed Hang Time, Fantasy Island, The Love Boat, City Guys, One World, and California Dreams!
  7. I shared my week in television, an amv, and a blast from the past!
  8. I paid tribute to Sergio Leone and Oscar Micheaux!
  9. I shared a scene from Once Upon A Time In America!
  10. I shared music videos from David Bowie, The Plasmatics, Baustelle, Calvin Harris, Jeremy Renner, and John Travolta!

More From Us:

  1. At SyFyDesigns, I shared Happy Rex Manning Day, One Thing I’ve Noticed, I Survived The Power Surge of ’23, 5th Day of 2023 and My Back Hurts, Have You Met The Galactic Council, For Every Day There Is Something From Louis Wain, and Interventions!
  2. At my music site, I shared songs from Emma Bunton, Fiona Apple, Lorde, Geri Halliwell, Camila Cabello, Selena Gomez, and PJ Harvey!
  3. On my dream journal, I shared Last Night’s Dream About My Neighbors, No Dreams for Tuesday, and Last Night’s Reality Show Dream!
  4. At Pop Politics, Jeff shared Damar Hamlin, A New Speaker?, Bolton?, Stabenow Retires, Speaker McCarthy, Good News, and Today’s Prompt!
  5. At her photography site, Erin shared Backyard, Raining, Rain, Lawnmower, Coke, Action Squirrel, and My Shy Friend In Black And White!

Want to see what I did last week?  Click here!

O Canada! Aftersun win in Toronto!


Love you, Canada!

The Toronto Film Critics Association has named their picks for the best of 2023!

And here they are:

Best Film
Winner: ​AFTERSUN

Best Director
Winner: ​Charlotte Wells – AFTERSUN

Best Screenplay
Winner: ​THE BANSHEES OF INISHERIN

Best Actress
Winner: ​Cate Blanchett in TÁR

Best Actor
Winner: ​Paul Mescal in AFTERSUN

Best First Feature
Winner: ​AFTERSUN

Best Documentary
Winner: ALL THE BEAUTY AND THE BLOODSHED

Best Foreign Language Film
Winner: ​SAINT OMER

Best Animated Feature
Winner: TURNING RED

Best Supporting Actress
Winner: Keke Palmer in NOPE

Best Supporting Actor
Winner: Ke Huy Quan in EVERYTHING EVERYWHERE ALL AT ONCE

Retro Television Reviews: Quarantined (dir by Leo Penn)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1970’s Quarantined! It can be viewed on YouTube!

The John C. Bedford Clinic sits atop a cliff overlooking the ocean.  Though it may be a small hospital, it’s also widely respected.  The clinic was started by John Bedford (John Dehner) and the majority of its employees are related to him.  His three sons — Larry (Gary Collins), Bud (Gordon Pinset), and Tom (Dan Ferrone) — are all doctors and they all work at the clinic.  Bud’s wife, Margaret (Susan Howard), is a psychologist and she also works at the clinic, encouraging the older patients not to give up hope in their twilight years.  John Bedford is a stern taskmaster and his youngest son, Tom, resents always having his father and his older brothers staring over his shoulder.  John and Larry explain that they are simply treating Tom the way that they would treat any new doctor.  Tom isn’t so sure.

When the Bedfords aren’t hanging out in the tasteful ranch house that sits next to the clinic, they’re checking on their patients.  As Quarantined opens, they’ve got quite a few to deal with.  The most famous is Ginny Pepper (Sharon Farrell), a film star who has come to the clinic because she’s been suffering from back pain.  Larry quickly diagnoses her as suffering from kidney failure and announces that she’s going to need to get an immediate transplant.  Ginny is not happy to hear that and spends most of her time trying to make both Larry and Nurse Nelson (Virginia Gregg) miserable.  Of course, it eventually turns out that Ginny’s not so bad.

Meanwhile, Margaret attempts to cheer up a dying old man named Mr. Berryman (Sam Jaffe) and an eccentric man named Wilbur Mott (Wally Cox) hangs out in the hospital hallway.  Martha (Terry Moore) and Lloyd Atkinson (Madison Arnold) are at the hospital to visit their son, Jimmy (Mitch Vogel).  Unfortunately, while in Jimmy’s hospital room, Lloyd suddenly collapses and subsequently dies.  John takes one look at Lloyd and announces that Lloyd might have Cholera and, as a result, no one can leave or enter the hospital until the test results come back.

In other words, the John C. Bedford Clinic is …. QUARANTINED!

If you’re thinking this sounds a little bit dull …. well, you’re not wrong.  Quarantined has a 73-minute running time and a large cast but it really does just feel like an episode of a not particularly interesting medical drama.  It wouldn’t surprise me to discover that this movie was actually meant to serve as a pilot for a show that would have followed day-to-day life at the clinic.  Each member of the Bedford family is given a hint of characterization, just enough to suggest what type of situations they would get involved in on a weekly basis.  Larry was the straight shooter who was dedicated to saving lives.  Bud was the well-meaning middle child while Margaret was the one who encouraged the men to talk about their feelings.  Tom was the idealistic but impulsive youngest child.  John was the wise patriarch.  They’re all kind of boring.

The same can be said of Quarantined as a movie.  As directed by Leo “Father of Sean” Penn, the movie promises a lot of drama but it never really delivers and there’s something rather annoying about how casually John announces that no one is allowed to leave the clinic.  He even calls the police and has them set up road blocks around the clinic.  On the one hand, John is doing the right thing.  No one wants a cholera epidemic.  On the other hand, everyone’s so quick to accept that idea of John being a benign dictator that …. well, one can only imagine what a pain in the ass the Bedfords would have been during the COVID era.

As far as I know, there was never a TV show about the Bedford family and their clinic on a cliff.  Personally, I’m okay with that.  

AMV Of The Day: Space Oddity (Cowboy Bebop)


In memory of David Bowie, on what would have been his birthday, here’s an AMV of the Day.

Anime: Cowboy Bebop

Song: Space Oddity (performed by David Bowie)

Creator: Gabriel Jimenez (please subscribe to this creator’s channel)

Past AMVs of the Day

Catching Up With The Films of 2022: She Said (dir by Maria Schrader)


To put it lightly, I had mixed feelings about She Said.

On the one hand, the downfall of Harvey Weinstein is an important story and it’s one that should never be forgotten.  It wasn’t that long ago that Weinstein was one of the most powerful people in Hollywood.  Many of the people who now regularly talk about how much they hated him had no problem working for him, taking his money, and thanking him whenever they won an award.  She Said focuses on the work of the two New York Times reporters, Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan), who wrote the initial article that detailed the allegations against Weinstein.  (Ronan Farrow’s New Yorker piece was published shortly afterwards.)  The film is not only about the article but it’s also about women working together and supporting each other.  Kazan and Mulligan both do a good job of portraying Jodi and Megan, bringing some nuance to a script that is full of dialogue that is occasionally a bit too on-the-nose.

On the other hand, it’s hard not to feel that She Said lets a lot of people off the hook.  While Jodi does originally pitch her story as dealing with systemic sexism, there’s actually very little examination of how the system enabled a monster like Harvey Weinstein.  Mention is made of Weinstein having powerful friends but few of those friends are called out by name and there’s very little discussion about how Weinstein used his money to become a player in Washington as well as Hollywood.  It leads to some odd narrative choices.  For instance, both Jodi and Megan are shocked to discover that Harvey is being represented by prominent feminist attorney Lisa Bloom, the daughter of Gloria Allred.  Jodi later talks about an off-screen conversation that she had with Bloom, in which Bloom tried to use a number of personal, political, and professional appeals to convince Jodi to drop the story.  It sounds like an interesting conversation but why don’t we get to see it?  Would it have cast Bloom in too negative of a light?  The film’s approach leaves it open to such accusations.  Indeed, it’s hard not to be reminded of the way that Rose McGowan was shunned when she (correctly) pointed out that a lot of the people celebrating Weinstein’s downfall were the same people who spent years ignoring what was an open secret in Hollywood.  The film tells us that Harvey Weinstein is a monster but we already know that.  What the film does not tell us is how he came to power and why he was protected for decades.

Thematically, She Said attempts to be a celebration of journalism, in the style of recent films like The Post, Truth, and Spotlight.  Like those films, it shares the same flat visual style.  There’s nothing particularly cinematic about it which is unfortunate as, with everyone already knowing how the story ends, She Said could have used some stylistic flair.  To a certain extent, I can understand the logic.  The emphasis is supposed to be on the reporters doing the hard work of getting the story and all of the recent films about journalism take a straight-ahead, by-the-numbers approach.  The problem with using this approach for She Said is that it leads to a lot of static, poorly framed shots of people talking on the phone, sitting at their desks, and staring at computer screens.  It may be a realistic depiction of modern journalism but it’s not particularly compelling to watch.  If anything, the film’s depiction of clean offices, supportive co-workers, and fair-minded editors makes the film feel like a testimonial about how The New York Times is the best workplace in America.  As opposed to the reporters in Spotlight, one never feels that Jodi and Megan are in danger of losing their jobs.  Unlike The Post or Shattered Glass, there’s no conversations about how the media establishment is often guilty of initially enabling the same behavior that it later condemns.  The New York Times never feels alive in the way that The New Republic did in Shattered Glass.  There’s not even a moment that’s as ludicrously over-the-top as the scene in Truth where Cate Blanchett argues that she shouldn’t be criticized for producing an obviously false story because it could have, in theory, been true.  Instead, She Said is very respectable and very dignified and a little too safe.  There’s not much going on beneath the surface. 

The film drops a lot of famous names.  Ashley Judd plays herself while Gwyneth Paltrow provides her voice for a scene in which she calls Jodi and says that Harvey has shown up at her house.  (Again, this is a scene that would probably have been more effective if we had seen it happen as opposed to just hearing about it.)  Lena Dunham is given a shout-out as someone who (off-screen) called and offered to help.  Someone casually mentions that Martin Scorsese hates Harvey Weinstein.  And yet, the film’s most powerful moments come when Jodi and Megan talk to the women who weren’t famous but who were still traumatized and victimized by Harvey Weinstein.  Samantha Morton and Jennifer Ehle play two former Miramax employees, both of whom eventually tell their stories to Jodi and Megan.  Morton and Ehle both give heart-felt performances and, during their scenes, She Said finds its reason for existing.  The performances of Samantha Morton and Jennifer Ehle both capture the real-life damage caused by men like Harvey Weinstein and the systems that enable them.

In the end, She Said is a film that I wanted to like more than I did.  It tells a compelling story in the least compelling way possible and, unlike Kitty Green’s The Assistant, it lets far too many people off the hook.

 

Music Video of the Day: I’m Afraid of Americans by David Bowie (1997, dir by Dom & Nic)


Today would have been David Bowie’s 76th birthday so it only feels appropriate that our music video of the day should come from him.  In I’m Afraid of Americans, Bowie is pursued through New York City by Trent Reznor.

This is a song that has been interpreted and re-interpreted several times through the years.  Bowie himself indicated that the song wasn’t anti-American as much as it was about America’s cultural and commercial dominance over much of the world.  Of course, more recently, other critics have insisted in finding a message about the current state of American politics in the song’s lyrics, despite the fact that Bowie died before the start of our current political era.  Myself, when I watched the video, I immediately thought of the paranoia that many felt and some still feel about COVID, with Bowie representing the wealthy city dweller who finds himself fleeing from anyone who he fears might be unvaccinated or infected.  Like all great songs and videos, I’m Afraid of Americans can mean a host of different things depending on when you watch or listen to it.

Enjoy!

January Positivity: Without Reservation (dir by Fred Carpenter)


The 1989 film, Without Reservation, opens with a scene that should strike horror in the hearts of many viewers.

A high school basketball teams attempts to rap.  Each member of the team takes a verse, introducing themselves and struggling to come up with an appropriate rhyme to go along with their name.  I suppose that, as far as rapping goes, they’re about as skilled as you would expect any group of white, upper middle class suburban teenagers to be.  This scene goes on forever and, oddly enough, it doesn’t really have much to do with anything else that happens in the film.  One gets the feeling that it was only added to pad out the film’s 24-minute runtime.  Perhaps it was added to let the viewers know that the filmmakers weren’t stodgy old men whose knowledge of music ended with Sinatra.  No, the filmmakers were people who understood that sometimes teenagers enjoyed rap music.  They were down with the youth.

(Actually, as much as I’m making fun of the scene, it may be one of the more realistic pats of Without Reservation.  I went to an upper middle class high school in the suburbs.  The majority of my classmates were dorky white kids who thought they could rap.  Most of them were pretty bad but they were still better than the members of this film’s basketball team)

Anyway, once the rapping’s done, it’s time for six teenagers to climb into a car, drive too fast, and up getting hit by a truck.  Four of the teens suddenly find themselves apparently floating in space in the remains of their car.  They’re all dead and now, they’re waiting to find out where they’re going to go.  Do they have a reservation in Heaven or not?  Fortunately, there’s a man wearing a tuxedo (with a red bow-tie) who is working the heavenly registration desk.  He has a big, bulky, old school computer.  He asks for names and when he get them, he checks to see if they have a reservation.  He ends up telling the majority of people to step to the left, which is a polite way of saying, “Welcome to eternal damnation.”

Needless to say no one in the car has a reservation.  They all wish they could get one but it’s too late because they’re dead now.  We watch as they’re told to step to the left.  One of them ends up getting dragged over to a freight elevator and descends to the underworld.  It’s actually an oddly effective image.  If nothing else, the film does do a good job of creating an atmosphere of impending doom.  And yet, it’s hard not to feel that, like so many similar films, the main goal here is to frighten people into compliance as opposed to making a case for one belief system or another.  The emphasis is on punishment and pain and the film almost seems to encourage viewers to look down on those who don’t have reservations.  Yes, the film seems to be saying, he may be able to rap but he’s still not in the system.  Aren’t you glad that you’re not as dumb of Bill?

Anyway, Without Reservation is crudely effective, even if the ultimate message appears to be that the afterlife is a tacky resort with an out-dated computer system.

Lisa Marie’s Week In Television: 1/1/23 — 1/7/23


As the first week of January comes to a close, here’s some thoughts on what I watched!

Abbott Elementary (Wednesday Night, ABC)

Abbott Elementary returned this week with a sweet episode in which we got to see that Melissa actually is a really good teacher and that Jacob has no idea how to do a podcast.  I have to admit that I cheered a little when, at the end of the episode, Melissa revealed that, due to the contest rules being poorly written, her “classroom” had indeed won the reading competition.

The Circle (Netflix)

The Circle was back with four more episodes on Wednesday.  Marvin destroyed his game by trying to be a player while Billie-Jean and Shubham ended up getting eliminated.  (Shubham did not help himself by losing his temper while answering a “savage question.”)  I want to like Raven but the whole “everything about Raven is perfect” narrative makes it difficult.  At this point, my favorites are Tom and Xanthi & Brett.  I also have to say that I found Sam to be a lot more likable this week than I did last week.

Hell’s Kitchen (Thursday Night, FOX)

Hell’s Kitchen returned and we have finally reached my favorite part of the season, when Chef Ramsay starts to show his softer and more encouraging side and the remaining chefs finally get a chance to show how good (or bad) they can be.  Abe got sent home but he also get some words of encouragement.  That was nice.  I actually like all of the remaining chefs but it’s hard not to feel like its pretty obvious that Alex is going to win.

Law & Order (Thursday Night, NBC)

Law & Order returned with a new episode and this week and — yeesh!  After several episodes that were generally intelligent, well-done, and not too heavy-handed, this week’s episode felt like a parody of Law & Order.  This week’s murder victim was a undocumented immigrant who had been sent to New York City from Texas so, of course, we had to spend a lot of time listening to the cops talk about how heartless the governor of Texas was.  It always amuses me how this show always features a bunch of blue collar cops suddenly talking like MSNBC analysts.  I wonder if the show will do a future episode about the Democratic governor of Colorado sending people to New York?  I kind of doubt it.

Anyway, it turned out the murderer was a real estate mogul who was obviously meant to be a stand-in for one of the Trump kids.  In order to convict him, the prosecutors had to get testimony from a woman who worked in his office but — are you ready for this? — the woman was also an undocumented immigrant!  As soon as she testified, she was deported back to Lebanon.  After 20+ episodes, Sam was finally allowed to get upset about something and show a hint of personality.  Whatever else you might say about this episode, it’s nice that Sam finally got some hint of a backstory.  Up until last night, she was one of the most underwritten characters in the history of this show.

The show certainly tried to tug at the heart strings with this episode but it was so just so heavy-handed and clumsily written that it had the opposite effect.

Madoff: The Monster of Wall Street (Netflix)

This is Joe Berlinger’s latest Netflix true crime docuseries.  Over the course of four episodes, Berlinger explores the story of Bernie Madoff.  When I started watching, I was skeptical because I really didn’t feel that there was much left to be said about Bernie Madoff but both Berlinger and the show did a good job of explaining not only what Madoff did but also how he was able to get away with it for so long.  Along with taking a look at Madoff’s life, the film also examined the people that he hurt (including his two sons, both of whom emerge as tragic figures).

One thing that I did learn is that, while Madoff did handle accounts for a lot of famous and rich people, the majority of his clients were just normal people who were looking for someone to handle their retirement funds.  These people were victimized twice, both by Madoff and then by the government regulators.  Despite the fact that none of these people knew about Madoff’s crimes, many of them lost their homes and were driven into bankruptcy when they were ordered to help pay back the money that Madoff had stolen.

The film features a lot of footage of the now-deceased Madoff being interviewed in prison.  Even imprisoned and shunned by his family, Madoff still didn’t seem to feel that he had done anything wrong.  This is probably the first Madoff documentary that has really convinced me that Bernie Madoff really was as evil as everyone says.

Night Flight (Night Flight+)

On Friday night and Saturday morning, I watched the Parts 3 and 4 of Night Flight’s 1983 New Year celebration.  The music was good.  The stand-up comedians were bad.  A surprisingly coherent Ozzy Osbourne was interviewed about whether or not he had actually bitten the head off of a bat.  He said it was an accident and assured the interviewer that the rabies shots were not fun.

Tough as Nails (Wednesday Night, CBS)

The blue collar reality show is back.  To be honest, this show would be more interesting if it was office workers and executives being forced to do things like build buildings and unclog drains.  But whatever.  I like Phil Keoghan as the host.  Just as with The Amazing Race, he seems to genuinely care about the people competing.

The Twilight Zone (Sunday and Monday, SyFy)

On New Year’s Day, SyFy had their annual Twilight Zone marathon!  I watched a few episodes, in between watching movies and doing other things.  I caught the Monsters Are Due On Maple Street and the one where Burgess Meredith breaks his reading glasses and realizes that he’ll never be able to read another book.  Unfortunately, I did not catch the one with William Shatner and the Gremlin on the wing.

I watched a few more episodes on Monday.  Again, I missed the Gremlin on the wing but I did see the one with the guy who was dreaming about being on death row.  That’s personal favorite of mine.

Everything Wins In Florida


Yesterday, the Critics Association of Central Florida announced their picks for the best of 2023!

And here they are!

Best Picture
Winner: Everything Everywhere All At Once
Runner-up: Top Gun: Maverick

Best Director
Winner: Daniel Kwan and Daniel Scheinert – Everything Everywhere All At Once
Runner-up: Steven Speilberg – The Fabelmans

Best Actor
Winner: Brendan Fraser – The Whale
Runner-up: Austin Butler – Elvis

Best Actress
Winner: Michelle Yeoh – Everything Everywhere All At Once
Runner-up: Cate Blanchett – TÀR

Best Supporting Actor
Winner: Ke Huy Quan – Everything Everywhere All At Once
Runner-up: Brendan Gleeson – The Banshees Of Inisherin

Best Supporting Actress
Winner: Angle Bassett – Black Panther: Wakanda Forever
Runner-up: Stephanie Hsu – Everything Everywhere All At Once

Best Cast
Winner: Glass Onion: A Knives Out Mystery
Runner-up: Everything Everywhere All At Once

Best Screenplay
Winner: Everything Everywhere All At Once
Runner-up: Glass Onion: A Knives Out Mystery

Best International Film
Winner: RRR
Runner-up: Decision To Leave

Best Documentary
Winner: All The Beauty And The Bloodshed
Runner-up: Good Night Oppy

Best Animated Film
Winner: Guillermo del Toro’s Pinocchio
Runner-up: Marcel The Shell With Shoes On

Best Cinematography
Winner: Top Gun: Maverick
Runner-up: Avatar: The Way Of Water

Special Honor – Golden Paw For Best Animal Performance Winner
The Horses of Nope / The Donkeys of EO (TIE)

Best Production Design
Winner: Babylon
Runner-up: Everything Everywhere All At Once

Best Makeup And Hairstyling
Winner: The Whale
Runner-up: Everything Everywhere All At Once

Best Costume Design
Winner: Elvis
Runner-up: Everything Everywhere All At Once

Special Honor – Best First Feature
Marcel The Shell With Shoes On

Best Visual Effects
Winner: Avatar: The Way Of Water
Runner-up: Everything Everywhere All At Once

Best Stunt Coordiantion
Winner: Top Gun: Maverick
Runner-up: Everything Everywhere All At Once

Special Honor – Best Choreography
RRR

Best Score
Winner: The Batman
Runner-up: Babylon

Best Original Song
Winner: “Hold My Hand” – Top Gun: Maverick
Runner-up: “Naatu Naatu”- RRR

Best Central Florida Film
Winner: Calendar Girls

Best Achievement in Diversity
Winner: Nope