For True Oscar Junkies, Here Are The 2022 Nominations of the Cinema Audio Society and The Motion Picture Sound Editors!


For those of you who are currently making your predictions for which films will be nominated for Best Sound in two weeks, here are the nominations of the Cinema Audio Society and The Motion Picture Sound Editors!  Please note that I’m only listing their film nominations because that’s really what most people are interested in right now.  No offense, television lovers.

First off, here are the nominees of the Motion Picture Sound Editors:

Outstanding Achievement in Sound Editing – Feature Animation
“DC League of Super-Pets”
Warner Bros. Animation
Supervising Sound Editors: Bill R. Dean MPSE, Ando Johnson
Sound Designer: Erick Ocampo
Sound Effects Editors: Chris Battaglia MPSE, Kip Smedley
Supervising Dialogue Editor: Stephanie Brown
Dialogue Editor: Chase Keehn
Supervising Foley Editor: Jessie Pariseau
Foley Editor: Bruce Tanis MPSE
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana

“Guillermo del Toro’s Pinocchio”
Netflix
Supervising Sound Editor: Scott Martin Gershin MPSE
Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon MPSE, Dan Gamache MPSE
Dialogue Editor: Dan Gamache MPSE
Foley Artists: Dan O’Connell, John Cucci MPSE

“Lightyear”
Disney Animation
Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt
Dialogue Editor: Cheryl Nardi
Foley Editors: James Spencer, Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE

“Puss in Boots: The Last Wish”
DreamWorks Animation
Supervising Sound Editors: Jason W. Jennings, Julian Slater MPSE
Sound Designer: Tim Walston MPSE
Sound Effects Editor: Ken McGill
Dialogue Editor: Mia Stewart MPSE
Supervising Foley Editor: Paul Pirola

Outstanding Achievement in Sound Editing – Feature Documentary
“Good Night Oppy”
Amazon
Supervising Sound Editor: Mark Mangini MPSE
Supervising Dialogue Editor: Dave Bach
Sound Designers: Tim Walston MPSE, Dave Whitehead MPSE, Mark Mangini MPSE

“Louis Armstrong’s Black and Blues”
Apple TV+
Supervising Sound Editor: Leslie Shatz
Sound Designer: Leslie Shatz
Supervising Dialogue Editor: Jon Flores

“Moonage Daydream”
Apple TV+
Supervising Sound Editor: Nina Hartstone
Sound Designers: Samir Foco, James Shirley
Sound Editor: Louise Burton MPSE

“The Territory”
National Geographic
Supervising Sound Editors: Rune Klausen, Peter Albrechtsen MPSE
Sound Designers: Rune Klausen, Peter Albrechtsen MPSE
Sound Effects Editors: Mikkel Nielsen, Tim Nielsen
Dialogue Editors: Sebastian Vaskio, Guilherme Tortolo Magrin
Foley Editor: Pietu Korhonen
Foley Artist: Heikki Kossi, MPSE

Outstanding Achievement in Sound Editing – Foreign Language Feature
“All Quiet on the Western Front”
Netflix
Supervising Sound Editor: Frank Kruse
Sound Designer: Markus Stemler
Supervising Dialogue Editor: Alexander Buck
Supervising ADR Editors: Benjamin Hörbe, Alexander Buck
ADR Editors: Thomas Kalbér, Moritz Hoffmeister
Foley Editor: Kuen Il Song
Foley Artists: Carsten Richter, Daniel Weis

“Argentina, 1985”
Amazon
Supervising Sound Editor: Santiago Fumagalli
Sound Effects Editors: Juan Ignacio Giobio, Nahuel De Camillis
Dialogue Editor: Ignacio Seligra
Foley Editor: Nicolás Mannara
Foley Artist: Diego Marcone
Music Editor: Stephen M. Davis

“Bardo, False Chronicle of a Handful of Truths”
Netflix
Supervising Sound Editors: Martín Hernández, Nicolas Becker
Sound Designer: Ken Yasumoto
Sound Effects Editors: Alejandro Quevedo, Jaime Sainz, Carolina Santana
Dialogue Editors: Valeria López Mancheva, Raynier Hinojosa, Omar Blanco
ADR Editors: Alitzel Diaz, Daniel Douglass MPSE
Foley Editors: Oscar Victoria, Pietu Korhonen, Alan Romero
Foley Artists: Heikki Kossi MPSE, Alan Romero

“EO”
Janus Films
Supervising Sound Editor: Radoslaw Ochnio MPSE
Sound Designer: Radoslaw Ochnio MPSE
Sound Editor: Marta Weronika Weronska
Foley Editor: Suraj Bardia MPSE

“The Quiet Girl”
Break Out Pictures
Supervising Sound Editor: Steve Fanagan MPSE
Sound Designer: Steve Fanagan MPSE
Sound Effects Editor: Steve Fanagan MPSE
Dialogue Editor: Louise Burton MPSE
ADR Editor: Louise Burton MPSE
Foley Editor: Steve Fanagan MPSE
Foley Artist: Caoimhe Doyle

“Triangle of Sadness”
Imperative Entertainment
Sound Editors: Andreas Franck MPSE, Bent Holm MPSE, Gustav Landbecker, Johannes Dekko, Claes Lundberg, Benny Persson, Daniel Lindvik, Alexander Wunsch, Erik Watland
Sound Designers: Andreas Franck MPSE, Bent Holm MPSE
Foley Artists: Claes Lunderberg, Ulf Olausson

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“The Banshees of Inisherin”
Searchlight Pictures
Supervising Sound Editor: Joakim Sundström
Supervising ADR Editing: Simon Chase
Supervising Foley Editor: Rebecca Glover
Foley Artist: Julien Naudin

“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Douglas Murray MPSE, William Files MPSE
Dialogue Editor: Jacob Riehle
ADR Editors: Bobbi Banks MPSE, David V. Butler

“Elvis”
Warner Bros. Pictures
Supervising Sound Editor: Wayne Pashley MPSE
Supervising Dialogue Editor: Derryn Pasquill
ADR Supervisor: Libby Villa
Dialogue Editors: Nick Breslin, Marisa Marsionis, Lauren Ligovich

“Empire of Light”
Searchlight Pictures
Supervising Sound Editors: Oliver Tarney MPSE, Rachael Tate MPSE

“Everything Everywhere All at Once”
A24
Supervising Sound Editor: Brent Kiser MPSE

“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Bjørn Ole Schroeder, James Mather, Al Nelson
Dialogue Editor: Chris Gridley
Dialogue Editors: Simon Chase, Matthew Hartman, Michael Maroussas, Gwendolyn Yates Whittle MPSE
ADR Editor: Gwendolyn Yates Whittle MPSE

Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Avatar: The Way of Water”
20th Century Studios
Supervising Sound Editor: Christopher Boyes
Supervising Effects Editor: Brent Burge
Sound Designers: David Chrastka, Dave Whitehead MPSE, Christopher Boyes
Sound Effects Editors: Hayden Collow, Matt Stutter MPSE
Foley Editors: Craig Tomlinson, Dee Selby
Foley Artists: Dan O’Connell, John Cucci MPSE

“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Will Files MPSE, Douglas Murray MPSE
Sound Designers: Chris Terhune, Lee Gilmore MPSE, Craig Henighan MPSE
Sound Effects Editor: Diego Perez MPSE, Phil Barrie

“Everything Everywhere All at Once”
A24
Supervising Sound Editor: Brent Kiser MPSE

“Jurassic World: Dominion”
Universal Pictures
Supervising Sound Editors: Al Nelson, Gwendolyn Yates Whittle MPSE
Sound Designers: Pete Horner, Gary Rydstrom MPSE
Sound Effects Editors: Stuart McCowan, Benjamin A. Burtt, Scott Guitteau, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editor: Coya Elliott
Foley Artists: Jana Vance, Ronni Brown

“Nope”
Universal Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff Smith, Beresford Cookman
Foley Editors: Natalia Lubowiecka MPSE, Ewa Mazurkiewicz
Foley Artist: Jacek Wisniewski

“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Al Nelson, James Mather, Bjørn Ole Schroeder
Sound Designers: Christopher Boyes, Jed Loughran
Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editors: Dmitri Makarov, David Mackie
Foley Artists: Jana Vance, Ronni Brown, John Roesch MPSE, Shelley Roden MPSE

Outstanding Achievement in Music Editing – Documentary
“Louis Armstrong’s Black and Blues”
Apple TV+
Music Editors: Louie Schultz MPSE, Jordan Wiggins, Alex Carr-Engler

“Moonage Daydream”
Neon
Supervising Music Editor: John Warhurst
Music Editor: Brett Morgan

“My Life as a Rolling Stone: Mick Jagger”
EpiX
Supervising Music Editors: Ben Newth, Nick Ashe

“The Way Down: Revelations”
HBO Max
Supervising Music Editor: Richard David Brown MPSE

Outstanding Achievement in Music Editing – Feature Motion Picture
“Elvis”
Warner Bros.
Supervising Music Editor: Jamieson Shaw MPSE
Music Editor: Evan McHugh
Scoring Editor: Chris Barrett

“Everything Everywhere All at Once”
A24
Music Editors: Dean Menta, Luke Wilder, Katherine Gordon Miller

“Guillermo del Toro’s Pinocchio”
Netflix
Music Editors: Lewis Morison, Eric Caudieux
Scoring Editor: Chris Barret

“Tár”
Focus Features
Supervising Music Editor: Gerard McCann MPSE

“Whitney Houston: I Wanna Dance with Somebody”
TriStar Pictures
Supervising Music Editor: John Warhurst
Supervising Sound Editor: Nina Hartstone
Music Editors: James Shirley, Victor Chaga

The winners will be announced on February 26th!

Now, here are the nominations of the Cinema Audio Society!

MOTION PICTURES: LIVE ACTION
“All Quiet on the Western Front”
Production Mixer: Viktor Prášil
Re-Recording Mixer: Lars Ginzel
Re-Recording Mixer: Stefan Korte
Scoring Mixer: Daniel Kresco
ADR Mixer: Jan Meyerdierks
Foley Mixer: Hanse Warns

“Avatar: The Way of Water”
Production Mixer: Julian Howarth CAS
Re-Recording Mixer: Christopher Boyes
Re-Recording Mixer: Gary Summers
Re-Recording Mixer: Michael Hedges
Scoring Mixer: Simon Rhodes
ADR Mixer: Bill Higley CAS
Foley Mixer: Tavish Grade

“Elvis”
Production Mixer: David Lee
Re-Recording Mixer: Andy Nelson CAS
Re-Recording Mixer: Michael Keller CAS
Re-Recording Mixer: Wayne Pashley
Scoring Mixer: Geoff Foster
ADR Mixer: Tami Treadwell
Foley Mixer: Amy Barber

“The Batman”
Production Mixer: Stuart Wilson CAS
Re-Recording Mixer: Andy Nelson CAS
Re-Recording Mixer: William Files CAS
Scoring Mixer: Kirsty Whalley
ADR Mixer: Ryan D. Young
Foley Mixer: Darrin Mann

“Top Gun: Maverick”
Production Mixer: Mark Weingarten
Re-Recording Mixer: Chris Burdon
Re-Recording Mixer: Mark Taylor
Scoring Mixer: Al Clay
Scoring Mixer: Stephen Lipson
Foley Mixer: Blake Collins CAS

MOTION PICTURES: ANIMATED
“Guillermo del Toro’s Pinocchio”
Re-Recording Mixer: Jon Taylor CAS
Re-Recording Mixer: Frank Montaño
Scoring Mixer: Peter Cobbin
Foley Mixer: Tavish Grade

“Lightyear”
Original Dialogue Mixer: Paul McGrath CAS
Re-Recording Mixer: Stephen Urata
Re-Recording Mixer: Ren Klyce
Scoring Mixer: Warren Brown
Foley Mixer: Scott Curtis

“Minions: The Rise of Gru”
Re-Recording Mixer: Tim Nielsen
Re-Recording Mixer: Steve Slanec
Scoring Mixer: Alan Meyerson CAS
Foley Mixer: Jason Butler

“Puss in Boots: The Last Wish”
Original Dialogue Mixer: Ken Gombos
Re-Recording Mixer: Julian Slater
Re-Recording Mixer: Greg P. Russell CAS
Scoring Mixer: Alan Meyerson CAS
Foley Mixer: Ryan Squires

“Turning Red”
Original Dialogue Mixer: Vince Caro CAS
Re-Recording Mixer: Stephen Urata
Re-Recording Mixer: Ren Klyce
Scoring Mixer: Chris Fogel CAS
Foley Mixer: Scott Curtis

MOTION PICTURES — DOCUMENTARY
“Good Night Oppy”
Re-Recording Mixer: Mark Mangini
Scoring Mixer: Greg Hayes

“Hallelujah: Leonard Cohen, A Journey, A Song”
Re-Recording Mixer: Bob Edwards
Re-Recording Mixer: Scott R. Lewis

“Louis Armstrong’s Black and Blues”
Re-Recording Mixer: Leslie Shatz
Scoring Mixer: Louis Schultz

“Moonage Daydream”
Re-Recording Mixer: Paul Massey CAS
Re-Recording Mixer: David Giammarco CAS
ADR Mixer: Jens Rosenlund Petersen

“The Volcano: Rescue from Whakaari”
Re-Recording Mixer: Joe Milner
Scoring Mixer: Jacob Johnston
Foley Mixer: Kevin Carvalho

The winners will be announced on March 4th!

The main thing that I’ve noticed from these nominations is that All Quiet On The Western Front seems like it’s going to be perhaps a bigger contender than some might have guessed from just looking at the critics awards.

One response to “For True Oscar Junkies, Here Are The 2022 Nominations of the Cinema Audio Society and The Motion Picture Sound Editors!

  1. Pingback: Lisa Marie’s Week In Review: 1/9/23 — 1/15/23 | Through the Shattered Lens

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.