Monthly Archives: October 2022

8 Shots From 8 Horror Films: The Early 70s

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the early 70s!

8 Shots From 8 Horror Films: The Early 70s

The Bird With The Crystal Plumage (1970, dir by Dario Argento, DP: Vittorio Storaro)

House of Dark Shadows (1970, dir by Dan Curtis, DP: Arthur Ornitz)

Hatchet For The Honeymoon (1970, dir by Mario Bava, DP: Mario Bava)

The Devils (1971, directed by Ken Russell, DP: David Watkin)

Tombs of the Blind Dead (1971, dir by Amando de Ossorio, DP: Pablo Ripoll)

Children Shouldn’t Play With Dead Things (1972, dir by Bob Clark, DP: Jack McGowan)

Last House on the Left (1972, dir by Wes Craven, DP: Victor Hurwitz)

Dracula A.D. 1972 (1972, dir by Alan Gibson, DP: Dick Bush)

Horror Film Review: Audrey Rose (dir by Robert Wise)

Posted on by Lisa Marie Bowman

The 1977 film, Audrey Rose, tells the story of an annoying little girl named Ivy (Susan Swift), who is the daughter of annoying Janice (Marsha Mason) and annoying Bill (John Beck).  Everything seems to be perfectly normal in an annoying way until, one day, they notice that they’re being followed around by an annoying man named Elliott (Anthony Hopkins).  Elliott explains that Ivy is the reincarnation of his daughter, Audrey Rose, who was herself kind of annoying.  Whenever Elliott says, “Audrey Rose,” Ivy going into a trance and starts screaming, which gets a bit annoying after a while.  Elliott explains this is because Audrey died in a fiery car crash and was apparently reincarnated too soon after her death.  Therefore, anytime Elliott shows us, Ivy relives the crash and tries to burn herself.  Annoying!

To me, it seems like there’s a simple solution to all of this.  Elliott could just go away or, at the very least, stop saying, “Audrey Rose” every ten seconds.  Anyway, at one point, Ivy starts screaming so Elliott rushes into the apartment and makes her stop.  However, Elliott is accused of attempting to abduct Ivy, arrested, and put on trial.

Elliott’s defense is that he couldn’t abduct his own daughter so therefore, if Ivy is the reincarnation of Audrey Rose, then he’s innocent.  Somehow, this leads to the trial becoming about proving reincarnation.  Hindu holy men are called to the stand.  Elliott smirks and tells his lawyer to call Janice to the stand because he’s figured out that Janice believes him.  Meanwhile, Ivy finds herself drawn towards every fire that she sees…

Audrey Rose was directed by a legitimately great director, Robert Wise.  Unfortunately, Wise takes the material way too seriously.  Just when you think the film is going to be an over the top possessed child flick, it suddenly turns into a turgid and serious debate about reincarnation.  The movie is so busy trying to be realistic that it forgets to be fun.

There’s also a lot of yelling in Audrey Rose.  In between Ivy screaming and Elliott continually calling his dead daughter’s name and Bill arguing with Janice and random characters screaming whenever Ivy gets to close to a fire, it’s easy to get a headache while watching this film.

Mason and Beck are pretty lousy in the roles of Janice and Bill.  Hopkins brings an occasionally neurotic edge to the role of Elliott.  You never quite trust him, even though the movie wants you to.  The best performances in the film come from the performers in the minor roles, character actors like Norman Lloyd, Robert Walden, and John Hillerman.  None of them are required to pretend like they’re taking their dialogue seriously and, as such, they’re a lot more fun to watch.

All in all, Audrey Rose is a fairly silly movie.  For some reason (probably the presence of Hopkins), it does seem to show up on TCM fairly regularly but I wouldn’t recommend watching.  If you want to see a good Robert Wise horror movie, check out The Haunting.

Horror On The Lens: The Cloning of Clifford Swimmer (dir by Lela Swift)

Posted on by Lisa Marie Bowman

Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.

This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine.  Check out my review here and then be sure to enjoy the show!

Music Video of the Day: Lost In America by Alice Cooper (1994, directed by ????)

Posted on by Jedadiah Leland

Alice Cooper can’t get a girl be he doesn’t have a car and he can’t get a car because he doesn’t have a job and he can’t get a job because he doesn’t have a car.  This is one of Alice Cooper’s catchiest songs.  Whenever I watch any of Alice Cooper’s videos, I think about how interesting it is that Alice Cooper has gone from being the controversial face of shock rock to being an almost universally beloved American institution.

Enjoy!

October Positivity: The Pretender (dir by Dave Christiano)

Posted on by Lisa Marie Bowman

The 1987 film, The Pretender, invites us to meet Keith!

As played by Mark Rose, Keith is a typical high school student.  He has a job delivering pizzas.  He likes to hang out with his friends.  He likes to smoke.  He likes to drink.  He takes football a little bit too seriously.  And, most of all, Keith wants to get laid.

However, almost all of the girls at his high school have gone out with Keith and are tired of him.  At least, that’s the way that Keith and his friends explain it.  (Considering how unappealing Keith is, I think he might be giving himself a little bit too much credit.)  Though his friends insist that “Robin Williams” is the hottest girl in school, Keith sets his sights on Dana (Crystal Robbins).  Everyone wants to date Dana but everyone also knows that Dana is ultra-religious.

So, quicker than you can say Dangerous Liaisons or Cruel Intentions or even The Resurrection of Gavin Stone, Keith decides to pretend that he’s become ultra-religious as well!  Keith announces to everyone that he’s met that he became a Christian over the summer.  Keith even fools the leader of the school’s Christians, Frank (Dan Addington).  Keith reads the Bible.  Keith memorizes verses.  Keith goes to church.  And soon, Keith is kind of dating Dana!

Now, if you’re expecting me to say that all of this means that Keith actually becomes a Christian …. well, you’re wrong.  This is a film from the Christiano Brothers and a major theme running through almost all of their films is that most people who claim to be a Christian actually aren’t.  Indeed, the major Christiano theme always seems to be that you should trust no one.  That’s the case with Keith, who comes across as being something of a sociopath, a southwestern Patrick Bateman.  Keith is such a liar that he even convinces another friend of his to start a fight with Frank so that Keith can step in and protect Frank.  Keith may say that he’s all about Jesus but he’s still getting into fights on the football field and threatening kids in class.  Speaking of class, I’m a little bit curious about just what exactly Keith’s grades look like.  He spends so much time setting up fake confrontations and hiring people to lie for him, you have to kind of wonder if he actually has any time left for studying.  Those lies aren’t going to get you into SMU, Keith!  Eventually, much like Valmont, Keith is on the verge of getting what he wants from Dana but don’t worry!  Keith’s not a slick as he thinks he is.

The film is a definite time capsule, full of 80s styles, 80s haircuts, and 80s attitudes.  The grainy cinematography gives the film almost a documentary feel and, as a Southwesterner, it’s always nice when I get to watch a film where everyone has the same accent that I do.  That said, it’s a pretty silly film.  The problem is that Keith’s plan is so obvious that you actually kind of lose respect for Frank and Dana when they don’t immediately see through him.  This is one of those films where things happen not because they make sense but because the film needs them to happen in order to make a bigger point.  Still, the film ends on a slightly upbeat note, suggesting that redemption is available to even sociopaths, like these three toadsuckers below.

Lisa Marie’s Week In Television: 10/2/22 — 10/8/22

Posted on by Lisa Marie Bowman

Here’s some thoughts on what I watched this week!

Abbott Elementary (Wednesday Night, ABC)

Oh Lord, the Story Samurais.  Seriously, I’ve known people just like that.  I was cringing for them through the entire episode.  Ava continues to be the best character on the show.

The Amazing Race (Wednesday Night, CBS)

I wrote about the latest episode of The Amazing Race here.

Atlanta (Thursday Night, FX)

This week’s episode dealt with an enigmatic entertainment mogul known as Kirkwood Chocolate, who was a prolific and popular creator of melodramatic dramas and broad comedies.  Everyone on the show acknowledged that Mr. Chocolate’s shows were not necessarily good but they also wanted to support black art.  Mr. Chocolate, himself, turned out to be a somewhat crazed megalomaniac who also claimed to have no control over his shows.  Lottie briefly became Mr. Chocolate’s biggest star.  It was a funny and thought-provoking episode and it made no attempt to hide that Kirkwood Chocolate was basically Tyler Perry.

Bachelor In Paradise (Monday and Tuesday Nights, ABC)

I just watched it for the scenery.  It is kind of interesting that everyone who has been eliminated so far came from Clayton’s season.  It’s like someone put a curse on that season and the people involved will never find peace.

Beyond The Headlines (Sunday Morning, Lifetime)

This was a one-hour discussion of the Gabby Petito case, which Lifetime aired as a companion to The Gabby Petito Story.

East New York (Sunday Night, CBS)

On Sunday, I watched the first episode of CBS’s newest cop show, East New York.  The main reason that I watched it was because I had been inundated for commercials for the show while I was watching Big Brother last month.  Much as I was expecting, East New York turned out to be a middling cop show, one that tried to walk the fine line between back the blue and defund the police.  It didn’t really work but it was nice to see that the show had good roles for Richard Kind and Jimmy Smits.

Ghosts (Thursday Night, CBS)

Sam started a podcast about Hetty’s murder but, in order to get funding, she had to accept the eccentric and creepy Todd Pearlman as a co-host.  This episode wasn’t quite as funny as the season premiere but it did set up what I assume will be this season’s major storyline.

Hell’s Kitchen (Thursday Night, FOX)

Someone finally tried to serve raw chicken.  It’s not really Hell’s Kitchen until that happens.

Inspector Lewis (YouTube)

I watched the end of the 8th series on Tuesday.  Robbie was upset because one of his old cases was being reopened.  I was upset because Hathaway had a truly terrible haircut.  Hopefully, that’ll be corrected next week.

Interview With A Vampire (Sunday, AMC)

I watched the premiere on Monday and I was bored out of my mind.

Law & Order (Thursday Night, NBC)

Anti-Asian hate crimes have been on the rise in New York City so, of course, Law & Order decided to do an episode about it in which they blamed it all on a generic right-wing gun nut who was upset over COVID.  The U.S. government wanted to prosecute the criminal but they also wanted to see the death penalty.  “I don’t know if I can set my personal beliefs aside,” Price said.  When has Price ever been able to set aside his personal beliefs?  Seriously, we’re only to seasons into this season and I’m already sick of Price talking about his personal beliefs.

Law & Order: Organized Crime (Thursday Night, NBC)

I did watch Organized Crime but seriously, don’t even ask me what happened on this week’s episode.  I got bored and kind of zoned out.  All I know is that Stabler needs to relax.  Maybe try yoga or something.

Law & Order: SVU (Thursday Night, NBC)

SVU took a heavy-handed swipe at influencer culture this week.  It was a bit of a generic story but the episode was somewhat redeemed by Killi Giddish’s performance as Amanda Rollins, who is still struggling to put being shot behind her.

Mike Judge’s Beavis and Butt-Head (Paramount Plus)

Never will I forget the horror of Beavis putting on Yoga pants.  The season came to an end this week with an appropriately hilarious episode.  First, Beavis and Butt-Head were thrilled to discover their employer reserved the right to refuse service to customers who created an unsafe work environment.  And then Beavis decided that he would “look really sexy” in yoga pants.  Needless to say it didn’t go well.  As for the overall season, I liked it.  I perhaps would have done a bit less with Old Beavis and Old Butt-Head but otherwise, this was a really funny and sharply satiric show.

Night Flight (NightFlight+)

I watched two episodes of this old 80s show on Friday night.  One dealt with songs about drugs.  The other was a profile of Depeche Mode.

The Real Love Boat (Wednesday Night, CBS)

Basically, this is just Paradise Hotel on a boat.  Who knows?  Maybe everyone will find love before the season ends.

So Help Me Todd (Wednesday Night, CBS)

This is a new show about a lawyer and her son, the private investigator.  Guess what the son’s name is!  CBS advertised the Hell out of this during Big Brother, so I watched the first episode when it was re-aired on Sunday.  It was not quite as bad as I was expecting but it’s still very much a middle-of-the-road, safe to watch with your middle-aged relatives sort of show.  Marcia Gay Harden plays the lawyer and it’s nice to see her playing someone who isn’t a half-crazed victim for once.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here.

Talking Dead (Sunday Night, AMC)

I still like Talking Dead but it’s hard not to feel that everything that can be said about The Walking Dead already has been said.  Even Chris Hardwicke seemed to be kind of bored with it all.

The Walking Dead (Sunday Night, AMC)

The Walking Dead returned with a boring episode.  Let’s hope things pick up next week.

AMV of the Day: This Is Halloween (Blood-C)

Posted on by Lisa Marie Bowman

As the first full week of Horrorthon comes to an end, let us celebrate with an AMV of the Day!

Anime: Blood-C

Song: This is Halloween (performed by Marilyn Manson)

Creator: WOTundPANZER (please subscribe to this creator’s channel)

Past AMVs of the Day

Congratulations the Seattle Mariners On The Best Comeback of The Postseason!

Posted on by Dazzling Erin

Congratulations to the Seattle Mariners, who pulled off one of the most amazing comebacks that I’ve ever seen and defeated the Blue Jays in the Wild Card!  Starting with the sixth inning, the Mariners went from being behind seven runs to winning the game by 10 runs to 9!  This is one of those games that reminds me of why I love baseball!

The Mariners are going to be playing the Astros in the Divisional Series.  I’m a Texan so I’ll have to cheer for the Astros but that doesn’t make me any less proud of the Mariners!

Also, congrats to the Phillies and the Guardians.  The Guardians defeated the Rays 1-0 and are now moving on to play the Yankees in the Divisional.  The Phillies defeated the Cardinals by 2-0 and will now move on to play the Braves.  That just leaves one more Wild Card game for tomorrow, between the Mets and the Padres.  Whichever team wins will face the Dodgers in the Divisional playoffs.

Congratulations to all the advancing teams!

Horror on TV: Ghost Story 1.8 “House of Evil” (dir by Daryl Duke)

Posted on by Lisa Marie Bowman

Tonight’s episode of Ghost Story is full of stars!

Evil grandpa comes to visit his family and, with the help of voodoo cookies (you read that right), he tries to manipulate his deaf and mute granddaughter into helping him kill everyone!  Grandpa is played by Melvyn Douglas.  His granddaughter is played by Jodie Foster!  And the script was written by none other than Robert Bloch and Richard Matheson!

This episode originally aired on November 10th, 1972.