Monthly Archives: October 2022

We’ve more than a small wonder in the M3gan trailer.

Posted on by Leonard Wilson

It looks like Malignant writers James Wan and Akela Cooper have reunited to give us M3gan, the story of a robot that may be more than she appears. When a young girl (Violet McGraw, Doctor Sleep) loses her parents, she moves in with her aunt Gemma (Allison Williams, Get Out), who introduces her to M3gan, her latest project. When Gemma assigns M3gan to protect her niece, it looks like things are going to escalate a bit.

Gerard Johnstone (The New Legends of Monkey) is handling the direction for M3gan. Wan is producing with Jason Blum (Blumhouse Productions), and Allison Williams is an Executive Producer.

M3gan is due to hit theatres this coming January.

Horror Film Review: The Fog (dir by John Carpenter)

Posted on by Lisa Marie Bowman

“Time for one more story,” Mr. Machen (John Houseman) declares the beginning of John Carpenter’s 1980 horror film, The Fog.

Mr. Machen is a resident of Antonio Bay, California, a coastal town that was founded with the help of gold stolen from a ship that was owned by a wealthy man named Blake (Rob Bottin). Blake wanted to start a leper colony. Instead, he was betrayed by six sailors who sank Blake’s ship, stole the gold, and used it to start the town of Antonio Bay.

At 12 midnight, on the day that the town is to celebrate its 100 anniversary, strange things start to happen. Windows shatter. Masonry falls from walls. A thick fog rolls across the ocean and seems to move from house to house. Inside the fog are several angry spirits, led by Blake. They not only want their gold back but they also want to take six lives as a way of getting revenge on the six conspirators who stole their gold and sank their ship.

It all starts with knock at the door and, if you look out a window, maybe you’ll see a dark shadow standing in an all-enveloping fog. Answering the door is a mistake. At the same time, so is not answering the door. It’s not easy to escape the vengeful spirits in the fog.

The Fog (1980, dir by John Carpenter, DP: Dean Cudney)

The Fog plays out like a disaster film, albeit one with a supernatural twist. The film follows several characters who are trying to survive the night and the majority of them don’t even meet until the final half of the film. There’s a truck driver (Tom Atkins) and a hitchhiker (Jamie Lee Curtis). There’s the alcoholic priest (Hal Halbrook) and the chairwoman (Janet Leigh) of the anniversary committee. Nancy Loomis, who co-starred with Curtis in Carpenter’s Halloween, plays an administrative assistant while Carpenter’s wife, Adrienne Barbeau, plays the local radio DJ whose son is briefly targeted by the fog. There’s even a coroner named Dr. Phibes!

In fact, the whole film is full of references to other films. The Fog finds John Carpenter in a rather playful mood, with characters named after Carpenter associates like Dan O’Bannon, Tommy Wallace, and Nick Castle. There’s even a mention of Arkham, the fictional New England town that served as the setting for many of H.P. Lovecraft’s stories.

42 years after it was made, The Fog holds up as a very well-told ghost story. I mean, fog is just creepy in itself. Then you add in a bunch of silent shadows standing in the fog and it gets even scarier! For the most part, the actors all do a good job playing rather thinly-drawn characters. Tom Atkins is always fun to watch! The true stars of the film, of course, are the ghosts and they will definitely give you nightmares.

The Fog is a good film for Halloween viewing so watch it and don’t answer the door!

The Fog (1980, dir by John Carpenter, DP: Dean Cundey)

(Don’t just take my word for it!  Be sure to read Leonard’s review of The Fog!)

Horror on the Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)

Posted on by Lisa Marie Bowman

Bride of The Monster (1955, dir by Ed Wood)

Since yesterday was the great man’s birthday, it seems appropriate that today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster.

(Much like Plan 9 From Outer Space, around here, it is a tradition to watch Bride of the Monster in October.)

The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi).  Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers.  Or something like that.  The plot has a make-it-up-as-you-go-along feel to it.  That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair.   Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff.  If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.

(For a longer review, click here!)

Smiling Woman, Review by Case Wright

Posted on by casewright

Alex Magana…we meet again. I get that you must punish me, but these actresses are sometimes pretty good, can’t you spare them? No? Fine. Smiling Woman… wait…. Alex, you made two of these “Smiling Woman” films?! On Purpose? This is gonna be a rough day.

A lady is waiting for public transportation, which is really a bad idea. The bright spot of this film is that it discourages the use of public transportation because some monster break dancer will murder you while wearing a summer dress. On that note, I’m all for it. You’re so much safer in a gas powered SUV – EVs stop working when its cold; so, a large SUV that gets 3 miles to the gallon will give you MAXIMUM SAFETY- That’s Just Science! Thanks, Alex! We agree.

The short opens with a commuter-lady waiting for an above ground subway and a casually dressed demon with a part/bangs-hybrid hairstyle decides that this is the evening to murder-hug a commuter. The demon has an off-the-shoulder thing working for her, but I don’t know if that’s an evil thing or a That’s So Last Season kinda thing.

You can be murdered in a lot of ways, I guess? We don’t really see the commuter-lady die, but at the very least she was hugged and NOT in the slap you on the back fun hug. It was a hug hug- the hug we now know is a prelude for murder….probably.

Music Video of the Day: Fear No Evil by Grim Reaper (1985, directed by ????)

Posted on by Jedadiah Leland

This was the second Grim Reaper video to be watched and commented upon by Beavis and Butt-Head.  The only difference was that, opposed to See You In Hell, the band actually requested that Mike Judge roast this video.  They were definitely good sports about that whole thing, unlike a certain singer named Kip Winger.

Here are Beavis and Butt-Head, with their thoughts:

Enjoy!

October Positivity: Late One Night (dir by Dave Christiano)

Posted on by Lisa Marie Bowman

The 2001 film, Late One Night, takes place in a diner.  As you can probably guess from the title, it also takes place late one night.  It’s so late that there are only five people in the diner.  There’s a cook.  There’s three men who work at a local factory, the main one of which is named Larry (Brad Heller).  And then, there’s a quiet guy (John Gaffga) sitting at the counter.  Though the guy never introduces himself, Larry decides to call him Jesus.

To say that Larry is a bit of an obnoxious character really doesn’t do justice to just how grating a human being Larry is.  At work, Larry sexually harasses the only woman working at the factory.  In the diner, he sexually harasses a waitress as her shift ends.  When he sees the quiet man sitting at the counter, Larry starts to harass him.  Larry is angry.  Larry, as we learn, was abandoned by his father, raised by an unstable mother, and he spent several years in jail before ending up at a go-nowhere job at a bottling factory.  Larry has his reasons but that doesn’t make him any more likable.

In fact, Larry is such a jerk that you kind of wonder why the cook even allows him to hang out in the diner.  From the dialogue, it becomes clear that Larry has a long history of harassing people.  At one point, Larry does point out that he spends a lot of money at the diner but you have to consider how many people probably avoid the place whenever they see Larry and his co-workers sitting in their booth.  No matter how much money Larry spends, it seems likely that he keeps even more money out.  Really, the cook should call the cops whenever he sees Larry and maybe slap with him a trespassing charge.  I imagine Larry probably isn’t even a good tipper.

Anyway, on this night, Larry is obsessed with the quiet stranger.  When the stranger briefly goes into the restroom, Larry searches the stranger’s jacket and finds a pamphlet about Christianity.  When the stranger returns, he’s been given the nickname “Jesus” and he now has to deal with Larry mocking him by asking, “Am I going to Hell when I die?”  “Jesus” controls his temper, no matter how much he is taunted.

If you’ve seen any other films from director Dave Christiano, you might be excused for expecting “Jesus” to reveal himself to actually be Jesus.  In this case, though, I think he’s simply meant to be a believer who simply wants to eat in peace.  For that matter, you might also expect the film to end with Larry converting but instead, he’s as confused and angry at the end of this short film as he was at the beginning.  Particularly when compared to the films that he was making in the 80s and the 90s, Late One Night shows a certain dramatic restraint on the part of Christiano.  The main theme, of course, still seems to be that non-believers are going to suffer forever but, for once, Christiano doesn’t seem to be asking the viewer to take any pleasure out of that.

That said, I do have to say that, in college, I spent a lot of time in a lot of late night diners and I never once saw anyone get into the type of random verbal altercation that Larry gets into in this film.  I kind of suspect that might not happen in the real world as often as it happens in the movies.

Horror On TV: Ghost Story 1.10 “Elegy For A Vampire” (dir by Don McDougall)

Posted on by Lisa Marie Bowman

On tonight’s episode of Ghost Story, college co-eds are being drained of their blood!  Who could the culprit be?  Oddly, some say that they saw a recently deceased college professor near the scene of the crime.  What was that professor studying when he died?  Vampirism!

This one is kind of silly but I always enjoy a vampire story.  This episode aired on December 1st, 1972.

The TSL’s Horror Grindhouse: Studio 666 (dir by B.J. McDonnell)

Posted on by Lisa Marie Bowman

In Studio 666, the members of Foo Fighters play themselves.  Struggling with writer’s block and hoping to remain musically relevant in a world where the culture belongs to the young, the band heads to an Encino mansion so that they can work on their latest album.  The mansion is infamous because years ago, another band was murdered while attempting to record there.  (Oddly enough, Jenna Ortega plays the drummer of the murdered band.  Ortega had quite a year as far as the horror genre is concerned.)

The band arrives at the mansion and things quickly go downhill.  The band isn’t getting along.  Lead singer Dave Grohl is revealed to be a bit of megalomaniac.  One of the band’s electricians is killed in what appears to be a freak accident.  Most people would move out of a house after someone dies under mysterious circumstances but not this band!  Instead, the band decides to dedicate the album to the memory of the dead guy.

Soon, however, there are a lot more dead people at the mansion.  Why are there so many dead people there?  This is going to sound like a spoiler but it’s not….

DAVE GROHL IS KILLING THEM!

Yes, Dave Grohl has been possessed by the evil spirit of mansion.  On the one hand, it’s given him the inspiration necessary to get over his writer’s block.  On the other hand, it also leads to him killing the other members of the band in various grotesque ways.  Studio 666 is a horror comedy that doesn’t shy away from the gore.  If you’ve ever wanted to see a member of Foo Fighters get cut in half with a chainsaw while having sex with Whitney Cummings, I guess this is the film to track down.  (Cummings, I should note, does not play herself.  This film stars the band as themselves but it’s also filled with recognizable actors who are not playing themselves.)

Studio 666 is a bit of a lark, a horror film starring a band that most people don’t really associate with the horror genre.  Indeed, a good deal of the film’s humor comes from the fact that it’s Dave Grohl doing all of the killing.  In real life, a good deal of Dave Grohl’s appeal is that he comes across as being as close to a regular guy as a rock star can be.  He’s one those famous guys who most people could imagine having a beer with.  Studio 666 gets a lot of mileage out of presenting Dave Grohl as being a pretentious taskmaster who would happily sell his soul for the chance to have a successful solo career.  It helps that Dave Grohl seems to be having a blast playing such an exaggerated version of himself.  It’s hard not to be happy for him because he really does appear to having the time of his life.

That said, once Grohl is revealed to be the killer (and that happens very early in the film so, again, this is not a spoiler), the film really has nowhere else to go.  The whole thing simply becomes Grohl tracking down various members of the band and killing them in grotesque ways and it gets to be a little boring.  There’s little suspense and, since the Foo Fighters are playing themselves, there really aren’t any stakes because we know the band wasn’t actually murdered while recording a new album.  With a 106-minute running time, Studio 666 really grinds its one joke into the ground.

I will say that longtime fans of Foo Fighters will probably enjoy the film, if just because there’s several jokes and comments that are obviously meant to be inside jokes that only a select few will get.  Personally, I think it’s nice that the band did something for the fans, even if the movie itself doesn’t really work.

Omegle, Review by Case Wright

Posted on by casewright

You know, I’m a good person, but somehow though, Alex Magana has inadvertently become my Moriarty: my archnemesis. See, he doesn’t know it, but I’m in a pickle. I need to consistently do brilliant reviews this October- for every day as best as I am able, AND also prepare for my second round of mid-terms as I rocket towards my Senior Year of Engineering, all the while being a Super Handsome Italian Dad.

N.B., I would like to review features; ideally, live tweeting them with the TSL staff and other great people. Until that day, I have….Alex Magana. He has an abundance of fun-sized short horror films and because of my constant time crunch these wee Rabbit-Raisinets are impossible to ignore. Here I am….reviewing ANOTHER Alex Magana film….ok… here it comes.

Omegle is an actual company that, as far as I can tell, wants to bring serial killers and their victims together. It’s business is to allow people to NOT register on the site and randomly pair you to video chat with any random psycho in the whole wide world. This short plays up on the obvious conclusion for this terrible terrible business. A nice, but lonely lady is paired to chat with a random person. This random person does evil magic tricks and puts her into the upside-down or some such mishigas.

Alex is really hot on people being attacked in their safe spaces. His films are a true commitment to obviousness! He is to filmmaking what Popsicle Stick Jokes are to comedy. This is our fault. We allow Alex to make films. Really, how tall could he be? Four or Five us could wrest the camera from him and if he’s really short, we could hold it over his head and say, Mine Now!!!

We allow Omegle to exist too for some stupid reason and of course some evil magician from the IT Department starts whacking people. Didn’t we always know that IT guys were psychopath magicians? Who wakes up soaked with flop sweat from an epiphany-fever-dream and exclaims, “I shall network strangers to Windows 12…TODAY, I TELL YOU WORLD, TODAY!!!!

Whether it’s Omegle or Alex, the fault is not in the stars, it is in our inability to hold him down and stop him from filming.