In The Line of Duty: The FBI Murders (1988, directed by Dick Lowry)

Last night, after I wrote up my review of the last In The Line of Duty movie, I checked and discovered that the first In The Line of Duty movie is now available on YouTube.

In The Line of Duty: The FBI Murders is the one that started it all.  This was the first installment and it set the general format of all the In The Line of Duty films to follow.  It was based on a true story.  The movie was evenly split between the criminals and the members of the law enforcement trying to catch them.  Here, the criminals were two bank robbers played by David Soul and, in an effective turn against type, Michael Gross.  (When this film was released, Gross was best known as the wimpy father on Family Ties.  Today, he’s better known as the survivalist from the Tremors films.  He went on to play cops in two subsequent In The Line of Duty films.)  The FBI agents pursuing them were played by Ronny Cox, Bruce Greenwood, and several other recognizable TV actors.

The FBI Murders was not only the first In The Line of Duty film but it was also the best.  All of the subsequent installments, both good and bad, pale in comparison.  Though the story is familiar and the foreshadowing is sometimes obvious (“Try not to get shot,” one FBI agent’s wife tells him), The FBI Murders still holds up today because of the strong cast and Dick Lowry’s direction of the final shootout between the cops and the criminals.  No matter how many times David Soul gets shot, he keeps getting up and firing more rounds.  Making this part of the film all the more effective is that it’s based on fact.  During the actual incident, the real-life criminals played by Soul and Gross continued firing and killing even though they had been shot a tremendous number of times.  Remarkably, it was discovered that neither had been on any type of pain-killing drug at the time.  Instead, they were determined to just keep shooting until the end.  Though the two men were outnumbered by the FBI, the agents were not prepared to go up against the military-grade weapons that the men were carrying with them.

The actors who play the FBI agents are all effective, especially Ronny Cox as the veteran who has seen it all.  As with the other In The Line of Duty films, a lot of time is spend showing the comradery between the agents and how, even when they’re not at work, they’re all still together.  In other In The Line of Duty films, the comradery could sometimes feel forced but, in The FBI Murders, it feels natural and scenes like Bruce Greenwood’s character finally getting a nickname and one of the older agents deciding to go on a stakeout just for old times sake carry a lot more emotional weight than you might expect.  It makes the final shootout all the more powerful.

Eleven more In The Line of Duty films would follow but none of them would top The FBI Murders.

Film Review: In The Line of Fire (dir by Wolfgang Petersen)

Earlier today, it was announced that director Wolfgang Petersen had passed away.  He was 81 years old and had been suffering from pancreatic cancer.  Though Petersen started his career making films in his native Germany (and his 1981 film, Das Boot, remains the most Oscar-nominated German film of all time), Petersen eventually relocated to Los Angeles and established himself as a very successful director of thrillers and star-filled action films.

Last month, I watched one of Petersen’s films.  First released in 1993, In The Line of Fire stars Clint Eastwood as Frank Horrigan.  Frank is a veteran member of the Secret Service, still serving at a time when almost all of his colleagues have either retired or died.  When we first meet Frank, he and his new partner, Al (Dylan McDermott), are arresting a gang of counterfeiters and Frank (and the then 63 year-old Eastwood) is proving that he can still take down the bad guys.

But is Frank still up to protecting the President?  Of the agents that were with President Kennedy when he was assassinated in 1963, Frank Horrigan is the last one standing.  He’s the only active secret service agent to have lost a president and he’s haunted by what he sees as being his failure to do his job and the feeling that America has never recovered from Kennedy’s death.  Also obsessed with Frank’s history is a mysterious man who calls himself Booth.  Booth (played by John Malkovich, who received an Oscar nomination for his performance) starts to call Frank.  He informs Frank that he’s planning on assassinating the president, who is currently traveling the country as a part of his reelection bid.  Booth views Frank as being a worthy adversary and Frank, looking for redemption, requests to be returned to the Presidential Protective Division.

While Frank struggles to keep up with both the President and the younger agents, Booth slowly and methodically puts his plan in motion.  He builds his own wooden gun and tries it out on two hunters who are unfortunate enough to stumble across him.  Making a heart-breaking impression in a small role, Patrika Darbo plays the bank teller who, unfortunately, comes a bit too close to uncovering Booth’s secret identity.  Booth is friendly and sometimes apologetic and he quickly shows that he’s willing to kill anyone.  It’s a testament to both the skill of Malkovich’s performance and Petersen’s direction that the audience comes to believe that there’s a better than average chance that Booth will succeed.  He just seems to have such a strong belief in himself that the audience knows that he’s either going to kill the President or that he’s going to willingly die trying.

Meanwhile, no one believes in Frank.  The White House Chief of Staff (Fred Dalton Thompson, later to serve in the Senate and run for President himself) views Frank as being a nuisance.  The head of the detail (Gary Cole) thinks that Frank should be put out to pasture.  Only Lilly Raines (Rene Russo), another agent, seems to have much faith in Frank.  While Frank is hunting Booth, he falls in love with Lilly and she with him.  (Fortunately, even at the age of 63, Eastwood still had enough of his old Dirty Harry charisma that the film’s love story is credible, despite the age difference between him and Russo.)  The hunt for Booth reawakens something in Frank.  Just as Booth has a psychological need to be pursued and challenged, Frank needs an enemy to which he can re-direct all of his guilt and self-loathing.  Frank becomes a stand-in for everyone who fears that, because of one particular incident or tragedy, America will never regain the strength and promise that it once had.  (In Frank’s case, that strength is symbolized by his idealized memories of JFK.)  Defeating Booth is about more than just saving America.  It’s about redeeming history.

It all makes for an very exciting thriller, one in which Eastwood’s taciturn style of acting is perfectly matched with Malkovich’s more cerebral approach.  Just as the two characters are challenging each other, Eastwood and Malkovich also seem to challenge each other as actors and it leads to both men giving wonderful performances.  Wolfgang Petersen not only does a good job with the action scenes but also with generating some very real suspense.  The scene in which Malkovich attempts to assemble his gun under a table is a masterclass in directing and evidence that Petersen had not only watched Hitchcock’s films but learned from them as well.

As directed by Petersen and performed by Malkovich and Eastwood, In The Line of Fire emerges as a film that was more than just an exciting thriller.  It was also a mediation on aging, guilt, love, redemption, and the national traumas of the past.  It’s a film that stands up to multiple rewatches and as a testament to the talent of the man who directed it.

AMV of the Day: Want To Be My Soldier? (Hakuouki)

It’s the third week of the month, which sounds like just the right time to share an AMV of the Day!

Anime: Hakuouki

Song: Soldier (by Samantha Jade)

Creator: Panta Na Xamogelas (please subscribe to this creator’s channel)

Past AMVs of the Day


Music Video of the Day: Nothin’ But A Good Time by Poison (1988, directed by Marc Reshovsky)

“You’re getting paid to wash dishes … not listen to that … rock and roll music!”

This video could properly be called Washing Dishes With Poison.  When you wash dishes with KISS, the dishes don’t get done and your boss yells at you.  When you wash dishes with Poison, the dishes not only get one but the boss doesn’t even know what to say when he sees how quickly you did them.  What’s going on in this video?  Did Poison wash the dishes for him?  Is that Poison’s idea of a good time?

This video was directed by Marc Reshovsky, who is also credited as being the director of photography on videos by Seal, kd lang, Billy Joel, and Ice Cube.  Those are all talented artist but none of them will wash your dishes.