We’re getting near the finish line here, I promise. Two lists to go, including this one, TOP TEN CONTEMPORARY COLLECTIONS. This is another fairly broad category, with ALL comics published from the year 2000 to the present day eligible, as long as they are not original, stand-alone graphic novels. So basically we’re talking about any trade paperbacks that are a collection of single issues; any translated works such as Eurocomics, manga, etc.; any anthologies; any print collections of webcomics; or any collections of strips or assorted odds and ends, etc., as long as fit my admittedly absurd 21-year definition of “contemporary.” And with that out of the way, we’ll jump right in :
10. Go Fck Myself : The Fckpendium By Mike Freiheit (Kilgore Books) – Sprawling, ambitious, heartbreaking, and hilarious, Freiheit’s cartoon “thesis statement” on human history — and humanity’s future — is as personal as it is universal. The kind of book that makes you feel glad to be alive — except when it doesn’t — and a legit tour-de-force work.
9. My Begging Chart By Keiler Roberts (Drawn+Quarterly) – A year just doesn’t feel complete without a glimpse into the lives of Roberts and her family, and this is one of her very best books to date. One day we’re going to look back at these and recognize them as perhaps the pre-eminent example of long-form memoir in the medium’s history.
8. Tono Monogatari By Shigeru Mizuki, Translated By Zack Davisson (Drawn+Quarterly) – A poignant and lavishly illustrated adaptation of Japan’s most timeless collection of “fairly tales,” done by a master working at the height of his powers. Many of the pages in this will quite literally take your breath away, as will the scope and grandeur of the project itself.
7. Fungirl By Elizabeth Pich (Silver Sprocket) – The funniest “hot mess” in comics finally gets her due in a comprehensive collection of hijinks and mayhem sure to make you laugh hard and then feel appropriately guilty for having done so. Pich has her finger on the pulse of something truly unique here that straddles a fine line between blissful ignorance and willful amorality. Consequences — unintended or otherwise — have never been this much fun.
6.Post York By James Romberger (Dark Horse/Berger Books) – A refreshingly human-scale take on post-apocalyptic survival stories, Romberger’s work is greatly fleshed out and expanded upon in this new definitive edition that finally gives the material the presentation it’s always deserved. A strong contender for the best-drawn comic you’ll lay eyes on all year, this is a truly timeless tale that both honors and transcends its genre-specific origins.
5.Night Bus By Zuo Ma, Translated By Orion Martin (Drawn+Quarterly) – A wide-screen, epic modern-day fable by one of the brightest lights of the Chinese cartooning underground, don’t let the vaguely “YA” trappings of this one fool you for an instant : this is visionary, hallucinatory, reality-bending stuff. As immersive as visual storytelling gets, yet somehow speaking in a language all its own, this is a book that demands you meet it on its own terms and rewards you for doing so with a journey unlike anything you’ve ever seen or read.
4. Are Comic Books Real? By Alex Nall (Kilgore Books) – Nobody in comics better understands — or more respects — children than arts educator Nall, who communicates both the simple truth and impenetrable mystery of their worldview with grace, humor, and heart. This collection marks the end of the road for his Teaching Comics strips, and trust me when I say you’ll miss them well before you’ve even finished reading them.
3. Aerosol Plus By C.F. (Mania) – This slim collection of comics by the former Fort Thunder mainstay showcases the work of an artist who is forever pushing the boundaries of his own creativity forward and refusing to let what comics have been determine what they will be. Visually, conceptually, tonally, and formally transformational work by someone for whom the term auteur is almost too confining and restrictive.
2. Heart Shaped Tears By Abby Jame (Silver Sprocket) – With this collection, Jame makes a strong case for being the cartooning voice of her generation, communicating as she does the inner lives of fundamentally-unimpressed young women and teens with all the nonchalance and cynicism of a true “insider.” Today’s youth have been there and done that before they’ve even been anywhere or done anything, it seems — but could it be that they come off as smarter than us old-timers because they actually are? Forget crap like Euphoria — this is the real deal. And besides, TV is such old news.
We’ll wrap things up tomorrow with the TOP TEN ORIGINAL GRAPHIC NOVELS list, but until then I’m non-contractually obligated to remind you that all of these columns/round-ups are “brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Subscribing is the best way to support my continuing work, so I’d be very appreciative if you’d take a moment to give it a look by directing your kind attention to https://www.patreon.com/fourcolorapocalypse