Film Review: Another Plan From Outer Space (dir by Lance Polland)


Another Plan From Outer Space opens with both the Star Spangled Banner and a quick trip through history.  We watch and listen as President John F. Kennedy announces that, some day, a man will walk on the Moon.  Kennedy is followed by Barack Obama, announcing that we will land on Mars within his lifetime.  And finally, we have President Trump, announcing that we will not only someday land on Mars but on other worlds as well.

Jump forward to 2024 and all of those predictions have come true.  There are now Martian colonies and space shuttles regularly make the journey from Earth to Mars and back again.  Man may have conquered space but that doesn’t mean that accidents don’t occasionally happen.  For instance, after we’ve heard from the Presidents, we watch as the American spaceship Genesis One crashes into the desert.

Five members of the crew manage to survive the crash.  They know they’re on Earth but, with their communications equipment damaged, they don’t know exactly where they are.  As Chief Hudson (Augie Duke) puts it, they could just as easily be in the Middle East as they could be in North America.  With the mission leader dead, Captain Jackson (Scott Sell) takes command and immediately starts giving out orders, much to the annoyance of Commander Strickland (Jessica Morris).

However, the crew has more than just professional jealousy and hurt feelings to deal with.  Strange things are happening in the desert.  Hudson swears that she saw the ship’s doctor, Yushiro (Minchi Murakami), fatally injured by something in the desert, just for the body to vanish and Yushiro to later show up quite alive and uninjured.  While Lt. Brooks (Hans Hernke) worries that his watch — a family heirloom — has stopped working, Captain Jackson swears that he can hear music in the distance.

And then there’s the seemingly abandoned cabin, sitting out in the middle of the desert….

Though the title may be evocative of Plan Nine From Outer Space, this film actually has more in common with a classic episode of The Twilight Zone than it does with Ed Wood’s infamous UFO epic.  Along with exploring the mystery of where the Genesis has crashed, the film is even more interested in exploring how each of the individual survivors deal with the isolation of being stranded in the desert.  (Let’s just say that some handle it better than others.)  About halfway through the film, there’s an extended sequence in which the survivors simply sit around a campfire and discuss not only their pasts but what they’re hoping for their futures.  It’s a nicely done scene, one that adds an element of relatable humanity to the film’s science fiction story.

The film’s black-and-white cinematography not captures the harshness of the desert but it also contributes to the film’s retro feel.  The film makes the best of its low-budget aesthetic, using the desert to create a properly ominous atmosphere.  At its best, you can feel the oppressive heat burning down on the characters.  Add to that a nicely fierce performance from Jessica Morris and you have a film that favorably compares to the early sci-fi work of Roger Corman.  The film, of course, ends with both a twist and the possibility of continuation.

Another Plan From Outer Space is now available on Blu-Ray and DVD.

That’s Blaxploitation! 16: Pam Grier is SHEBA, BABY (AIP 1975)


gary loggins's avatarcracked rear viewer

The Blaxploitation Explosion was beginning to wind down by 1975, but genre superstar Pam Grier had a few more aces left up her silky sleeve. One was SHEBA, BABY, a film that doesn’t get much love, probably due to its lower-then-usual budget restrictions, but I found it a more than passable entry, mainly because of Pam’s charisma. She carries the movie on her sexy shoulders and makes it watchable, budget be damned!

In this outing, we have gangsters terrorizing local Louisville, KY businesses, including Andy Shayne. Enter daughter Sheba, a Chicago PI who comes home just in time to help. The cops refuse to get involved, so when Andy’s gunned down by hoods, Sheba’s on the case, and there’s no stopping her from getting revenge on those creepy criminals…

Pam is again one bad sista, decked out in stylish 70’s fashions as she pursues the villains with aplomb. In fact…

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Music Video of the Day: Pa’ Bailar (Bailarin En El Tren) by Bajofondo (2009, dir by ????)


Today’s music video of the day comes to us from Bajofondo, a band made up of musicians from Argentina and Uruguay.  Bajofondo’s goal is to create and popularize a more contemporary version of tango and the other musical styles of the Rio de la Plata region.

This is an enjoyable video.  Watching it causes me to flash back to the summer I spent in Europe and especially riding the train into Venice.  Of course, nobody was actually dancing in the aisles on that train but it always seemed like they should have been.

Like yesterday’s music video of the day, I was introduced to this band, song, and video by twitter user @WarrenPeas64.

Enjoy!

Here’s The Trailer for Rim of the World


So, apparently, the plot of this Netflix film is that the aliens have invaded and only a group of children can save us.

In other words, humanity is screwed.

Anyway, I guess this is kind of like Stranger Things meets Independence Day.  It was directed by McG and you can tell the audience that this film has been made for by the fact that the trailer describes McG as being the director of The Babysitter instead of the director of Terminator: Salvation.

I have to admit that I’m always kind of amused by the fact that people actually call the director “McG.”  I know, I know …. it’s a childhood nickname, like Beto.  Still, it’s always a little hard for me not to smile whenever I hear anyone casually talk about “McG” in an interview.  I remember listening to that infamous Christian Bale rant from the Terminator set and thinking that Bale sounded like a rather unpleasant person to work with.  But then Bale said something like, “McG, are you going to say something?” and I just started laughing.

Anyway, here’s the trailer.  It’s a Netflix film so I guess it will be streaming sometime in May.  Have you noticed recently that Netflix seems to be kind of obsessed with the end of the world?  I guess they’re hoping to reinfect us with some of that Bird Box fever.

Here’s The Trailer for American Woman!


Sienna Miller is one of those extremely capable actresses who rarely seems to get the type of roles that she deserves.  She’s played a lot of girlfriends and a lot of loyal wives.  Check out Foxcatcher, The Catcher Was A Spy, and American Sniper for just a few examples.

However, the soon-to-be-released American Woman appears to give Sienna Miller a role with a bit more depth than those previous roles.  In American Woman, Miller plays Deb, a 31 year-old grandmother whose life is turned upside down when her teenage daughter vanishes, leaving Deb to raise her grandchild.  Taking place in a small Pennsylvania town, the film spans 11 years and, from what I’ve heard, it gives Miller a chance to show what she can do with a really good role.

The trailer for American Woman dropped today and, not surprisingly, it was totally overshadowed by the latest Spider-Man trailer. The trailer looks pretty good, though.  Some of the images are evocative of films like Gone Girl, Winter’s Bone, and Under the Skin.  Will the film live up to the trailer?  We’ll find out on June 14th!

Here’s the trailer for American Woman:

I Watched The Phenom


The Phenom is a movie that really took me by surprise.

It’s about a pitcher named Hopper Gibson (Johnny Simmons), a kid just out of high school who has a 100 mile fastball and a big future in major league baseball.  However, after a promising start, Hopper is struggling.  He has control issues.  He’s throwing wild pitches.  He’s losing games.  The team finally sends Hopper to see Dr. Mobley (Paul Giamatti), a sports psychologist who say that he can help Hopper regain his focus.

Hopper has a lot to deal with.  He’s still just a teenager but he feels like he has the weight of the world on his shoulders.  He promised his mom that he’d buy her a new house and, at the same time, the press is constantly hounding him and demanding that he give them a good quote every time that he loses a game.  Meanwhile, Hopper’s father (Ethan Hawke), who has always put tremendous pressure on his son, is failed ball player himself and a drug dealer.  Hopper finds himself torn between two philosophies, his father’s belief that winning is the only thing that matter and Dr. Mobley’s more gentle approach to the game.  The problem is that, with everyone wanting someone from him, Hopper doesn’t know who he can trust.

The Phenom is a baseball movie and the main character is a pitcher but hardly any of the action takes place on the mound.  Instead, most of the movie takes place in either Dr. Mobley’s office or in Hopper’s head.  The Phenom does a good job of showing the type of daily pressure that Hopper is living under.  All of his life, everyone has told Hopper that he has a special gift and now, he’s so scared of not living up to his potential that he can’t get the ball across the plate.  At the same time, the film is also critical about the the emphasis that society puts on celebrities and professional athletes.  While Hopper goes into the major leagues straight out of high school, his valedictorian girlfriend struggles to pay for college.  Because Hopper can throw a fastball, no one has ever cared about whether or not he actually got an education.  But what’s going to become of Hopper and all the professional athletes like him when they can no longer play the game?  Hopper is a kid who was always told that he would never have to grow up and now, he’s expected to make adult decisions about the rest of his life.

Johnny Simmons does a really good job playing Hopper and the film really makes you think about the pressure that society puts on professional athletes to constantly win.  Most people can get away with having a bad day but, if a pitcher or a quarterback does it, the whole world wants their head.  The next time I want to yell at whoever’s pitching for the Rangers, I’m going to remember Hopper and this movie.

The Phenom was directed and written by Noah Buschel and it is currently streaming on Netflix.

Spider-Man Meets Mysterio In The New Spider-Man: Far From Home Trailer


The new trailer for Spider-Man: Far From Home opens with a warning from Tom Holland.  Do not watch this trailer if you have not seen Avengers: Endgame and you want to avoid spoilers.  It should also go without saying that, if you are avoiding Endgame spoilers, do not read any further on this post.

Spoilers below:

Judging from the trailer, Spider-Man: Far From Home finds Peter Parker mourning the loss of his mentor, Tony Stark.  Looking to get away from the pressures of crime fighting and saving the world and also wanting to pursue his crush on Zendaya’s MJ, Peter joins his classmates on a trip to Europe.  Were all of Peter’s classmates from Spider-Man: Homecoming wiped out by the Snap?  According to Avengers: Endgame, bringing everyone back did not change anything that happened over the previous five years.  Peter got lucky that MJ apparently wasn’t around to graduate high school and move away while he was non-existent.

Peter may want to escape from it all but Samuel L. Jackson’s Nick Fury has other ideas.  Judging from the trailer, it appears that Peter has replaced Tony with three new mentors, Nick Fury, Happy Hogan (Jon Favreau, making the transition over from the Iron Man films), and Jake Gyllenhaal’s Mysterio.  Of course, anyone who is familiar with Mysterio’s history knows that Peter should be careful about trusting him.

The trailer also introduces the concept of the Multiverse.  With all the questions that Endgame raised about time travel and alternate realities, the Multiverse is surely going to be an important factor moving forward.  For instance, it may explain how there’s both a Loki TV show and a Black Widow movie in production when both of those characters were apparently very dead at the end of Avengers: Endgame.

Spider-Man: Far From Home opens on July 2nd.

 

The Covers of Gun Molls Magazine


Prepare to take a trip back to the roaring twenties and the days of prohibition with 8 dangerous covers of Gun Molls Magaine!  

For 19 months, from 1930 to 1931, Gun Molls Magazine gave its readers stories about crime and gangster romance.  Most of the covers were done (and, in a rarity for the pulp era, signed) by illustrator Chris Scharre and featured women either in danger or making trouble on their own.  Though most of the issues of Gun Molls Magazine have been lost, a few have survived.

Here are 8 of the surviving covers of Gun Molls Magazine: