Grandma Guignol: WHATEVER HAPPENED TO BABY JANE (Warner Bros 1962)


cracked rear viewer

Joan Crawford  and Bette Davis had been Hollywood stars forever by the time they filmed WHATEVER HAPPENED TO BABY JANE?. Davis was now 54 years old, Crawford 58, and both stars were definitely on the wane when they teamed for this bizarre Robert Aldrich movie, the first (and arguably best) of what has become know as the “Grand Dame Guignol” (or “psycho-biddy”) genre.

Bette is Baby Jane Hudson, a washed-up former vaudeville child star with a fondness for booze, while Joan plays her sister Blanche, a movie star of the 30’s permanently paralyzed in a car accident allegedly caused by Jane. The two live together in a run-down old house, both virtual prisoners trapped in time and their own minds. Blanche wants to sell the old homestead and send Jane away for treatment, but Jane, jealous of her sister’s new-found popularity via her televised old films, descends further into alcoholism…

View original post 419 more words

Film Review: Live By Night (dir by Ben Affleck)


Remember Live By Night?

Released in December of 2016, Live By Night was one of those highly anticipated films that ended up bombing at the box office and leaving critics cold.  The anticipation was due to the fact that Live By Night was the first film that Ben Affleck had directed since Argo won best picture.  It was seen as Affleck’s next prestige picture, the one that would remind everyone that he was more than just the latest actor to be cast as Batman.  Live By Night was expected to be a huge Oscar contender.  As for why it bombed at the box office, that may have had something to do with the fact that Live By Night is not a very good film.

It’s a gangster film, one that takes place during prohibition.  Joe Coughlin (Ben Affleck) is the most boring gangster in Boston.  Or, at least, he is until he falls for the wrong woman and he ends up having to flee down to Tampa.  Once down there, Joe sets himself up as the most boring gangster in Florida.  There’s all sorts of themes running through Live By Night — racial themes, economic themes, even some heavy-handed religious themes — but ultimately, the main impression that one gets from the film’s story is that Joe Coughlin was a very boring gangster.

Anyway, Joe gets involved in all sorts of corruption and violence.  He brings down his friend, Dion (Chris Messina), to help him out.  Whereas Joe is rational and dull, Dion is violent and dull.  You spend the entire movie waiting for the moment when Dion will turn on Joe but it never happens.  I guess that’s a good thing since Joe and Dion are busy battling the Klan.  Joe may be a 1920s gangster but he’s got the political and cultural outlook of a 21st century movie star.

Joe knows that prohibition is going to end someday, so he hopes to make money through opening up a casino.  Standing in the way of the casino is a prostitute-turned-evangelist named Loretta (Elle Fanning).  Loretta is the daughter of the local police chief (Chris Cooper), with whom Joe has an uneasy friendship.  You keep expecting this plot to go somewhere but it really doesn’t.  Loretta’s just kinda there.  That said, we do get a hilarious shot of a tearful Chris Cooper repeating the word repent over and over again so there is that.

Zoe Saldana is also just kind of there, playing Joe’s Cuban wife.  Again, you expect a lot to happen with Saldana’s character but, for the most part, she’s mostly just a plot device who exists solely so that Joe can have some sort of motivation beyond simply wanting to get rich.

It’s a big, sprawling film that never quite feels like an epic.  A huge part of the problem is that Ben Affleck the director is let down by Ben Affleck the actor.  Regardless of what’s happening in the scene, Affleck always has the same grim look on his face.  At times, it seems as if he’s literally been chiseled out of a marble and you find yourself wondering if he’s actually capable of any facial expression beyond glum annoyance.  A gangster film like this need a bigger-than-life protagonist but, as played by Affleck, Joe always seems to be in danger of vanishing into the scenery.

I think part of the problem is that Affleck’s previous films all dealt with places and subjects that Affleck felt comfortable with, perhaps because he could relate their stories to his own personal experiences.  Gone, Baby, Gone and The Town both took place exclusively in Boston.  Argo dealt with the film industry.  Live By Night is a period piece set in the South and Affleck is obviously lost from the minute Joe arrives in Florida.

Live By Night, I think, could have been a good movie if it had been directed by someone like Paul Thomas Anderson and maybe if an actor like Colin Farrell played the role of Joe.  But, as it is, it’s just a rather stolid and uninspiring gangster film.

Music Video of the Day: Cars by Gary Numan (1979, directed by Derek Burbidge)


One of the first great hits of the new wave era, Gary Numan’s Cars was inspired by an incident of road rage.  As Numan explained in an interview

  “I was in traffic in London once and had a problem with some people in front. They tried to beat me up and get me out of the car. I locked the doors and eventually drove up on the pavement and got away from them. It’s kind of to do with that. It explains how you can feel safe inside a car in the modern world… When you’re in it, your whole mentality is different… It’s like your own little personal empire with four wheels on.”

From this humble beginning came the song that not only became synonymous with post-punk new wave music but which also inspired an untold number of teenagers to switch from learning how to play the drums to wanting a keyboard for Christmas.  Cars may have been about something as modern as road rage but its futuristic sound and video made it a science fiction anthem.

(Sorry, you’re probably going to have to go to YouTube to actually watch this video.)

Cars starts with what I like to call a Doctor Who shot.

Anyone who has ever seen classic Doctor Who or really any science fiction movie from the late 70s knows how important neon was to decorating any villain’s intergalactic lair.  When Gary Numan approaches the microphone, he could easily be mistaken for a militaristic alien who had made the mistake of falling under the influence of the Master.

Once Numan starts to perform, it becomes more obvious that he was more inspired by David Bowie than Doctor Who:

The video features several close-ups of Numan’s tambourine.  The effect may seem cheesy now but in 1979, it undoubtedly blew a lot of minds.

Of course, no new wave video would be complete without some synthesizer action.

Cars became an unexpected hit and remains popular today.  Anyone who has played Grand Theft Auto: Vice City knows the pleasure of fleeing the police while listening to Cars on Wave 103.