Someone is stalking soap opera star, Kristin (Catherine Oxenberg). She is receiving frightening notes and her coworkers are dying. Who is after her and what does it have to do with a tragic fire at a birthday party? Is it one of her jealous co-stars? Is it her duplicitous boyfriend (David Naughton)? Is it the stranger (William Bumiller) that she’s having an affair with? Or is it the obsessed fan (Karen Black)? Detective Morrison (Larry Brand) is on the case!
The return of Detective Morrison (played, again, by the film’s director) makes Overexposed a sequel to The Drifter. (Both films were directed by Brand and executive produced by Roger Corman). Morrison has much more to do in Overexposed than he did in The Drifter so maybe the plan was to launch a low-budget franchise of Detective Morrison movies. It didn’t happen, because Overexposed is much less interesting than The Drifter. The spoiled and rich Kristin is never a likable character and the movie’s real star was Oxenberg’s busy body double, Shelley Michelle.
Overexposed does have a few good scenes, including death-by-acidic-facial-cream. The best thing about movie is Karen Black, who brilliantly delivered a monologue about why she loves television. It doesn’t have much to do with the rest of the movie but Karen Black knocked it out of the park. The monologue ends with Karen Black paying homage to The Mod Squad by shouting out, “Solid!”
If the American Western film wasn’t completely dead in 1964, it was surely on life support. Television had saturated the market with weekly oaters to the point of overkill. John Wayne’s starring vehicles were still making money, but the rest of Hollywood’s big screen Westerns were mainly made to fill the bottom half of double feature bills, from Audie Murphy outings to the low budget, veteran laden films of producer A.C. Lyles.
Meanwhile in Italy, writer/director Sergio Leone was as tired of the sword & sandal films he was making as was his audience. He had a notion to revitalize the failing western genre by giving it a new, European perspective. Leone grew up on Hollywood westerns, and wanted to turn them on their ear by showing a more realistic, grittier version of the Old West. Searched high and low for an American name actor to star, Leone was turned down by the likes of Charles Bronson, James Coburn, and Rory Calhoun…
I had to do this video eventually. It’s one of those that’s so infamous that I’m going to point you to the Wikipedia article. I have no intention of discussing the messy history of Public Enemy. I will also point you to the video the Rap Critic did on the song.
I’m posting this while it’s still relevant to mention that this was the theme song for Spike Lee’s Do The Right Thing (1989), which was the movie Barack and Michelle went to see on their first date.
As for the people who worked on the video, I honestly had no idea that Spike Lee directed music videos. According to mvdbase, he has done about 40 of them going back to White Lines by Grandmaster Flash & The Furious Five in 1983. Oh, and yes, Lee did direct Hip Hop Hooray by Naughty By Nature. I guess that’s where that urban legend came from that Obama was in that music video.
The video was shot by Ernest Dickerson. He seems to have only shot 4 music videos, but there is one that is noteworthy considering he did this one. He shot Born In The U.S.A. by Bruce Springsteen. Dickerson went on to do a lot of work as both a cinematographer and a director, including episodes of The Walking Dead and the movie Juice (1992).
Hank Blumenthal was the script supervisor for this music video. I’m not sure if I’ve ever come across that credit before on a music video. He appears to have worked on about 10 music videos and has worked as a producer.
If you haven’t seen Do The Right Thing, then do so. If you haven’t heard this song or seen the video, then also do so.