Trailer: Aftershock (Official Red Band)


With all the hoopla over this weekend’s release of Iron Man 3 one shouldn’t overlook the release the following weekend of a little horror film coming in under the radar called Aftershock.

The film has Eli Roth producing and starring in it with Nicolás López directing it. The film is a fictional account of a group of Americans with their Chilean friend trying to survive the aftermath of the real-life massive 2010 earthquake in Chile.

From the look of this official red band trailer the film looks like it’s going to be quite bloody and gory. If there’s anything that Roth seems to know it’s blood and gore. Whether this film  and its director will bring something else to the table will be determined upon the film’s release.

Aftershock is set for a North American release date of May 10, 2013.

Song of the Day: Midnight Rider (by The Allman Brothers Band)


What else to follow up a guilty pleasure than with a classic southern rock song that I still consider one of the best examples of what made 70’s American Rock an equal of the huge British invasion that was currently happening in the US with mega bands like Black Sabbath, Led Zeppelin and The Who. It’s this song from one of the preeminent Southern Rock groups of the 70’s, The Allman Brothers Band, that arrives as the latest “Song of the Day”.

“Midnight Rider” is a great Southern rock tune which successful melds not just blues guitar playing but country and gospel songwriting and vocalizing. It’s well-known for Greg Allman’s powerful vocals and Dicket Betts lead guitar work. Yet, I consider this song as reaching “one of the greatest” status because of the rhythm guitar (with an acoustic guitar no less) work by one of the greatest (call it hyperbole but I truly believe him to be one of the best ever) guitarists who ever picked up the instrument whether one’s genre of music was jazz, flamenco, rock, blues, metal, rock and everything in-between. Duane Allman’s acoustic guitar work makes this song what it is. It’s a rhythm that he sets which everyone else in the band orbits around with their own talent rising to meet it on equal footing.

For some people this song was first experienced as the opening track to Rob Zombie’s underappreciated “grindhouse road flick” The Devil’s Rejects. Others of more recent time probably heard it as part of the GEICO insurance company’s 2013 ad-campaign. It doesn’t matter where one has heard it. The more people who hears it and experiences just why this song continues to be a staple of what made 70’s American rock scene such a great one the better people will be for having heard it.

Long live, Duane Allman.

Midnight Rider

Well, I’ve got to run to keep from hidin’,
And I’m bound to keep on ridin’.
And I’ve got one more silver dollar,
But I’m not gonna let ’em catch me, no,
Not gonna let ’em catch the Midnight Rider.

And I don’t own the clothes I’m wearing,
And the road goes on forever,
And I’ve got one more silver dollar,
But I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

And I’ve gone by the point of caring,
Some old bed I’ll soon be sharing,
And I’ve got one more silver dollar,

But I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

No, I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

No, I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

Guilty Pleasure No. 5: Invasion U.S.A.


Time to put up a new guilty pleasure that goes way, way back for me. This flick came out a year after the ultra-violent, thus equally awesome Red Dawn. As a very impressionable young boy that film had me and my brother and a select group of friends coming up with ways to form our very own Wolverines. While our plans were really just an excuse to play war games in the playground it was the following year in 1985 when this latest “guilty pleasure” had my brother and I moving up to a new level doomsday prepping.

That film was the Chuck Norris classic bloodbath: Invasion U.S.A.

Instead of the Soviet military invading the U.S. mainland this time around it would be Latin American communist guerrillas led by a Rogue KGB agent who would be doing the invading. Well, invading the suburbs and malls of Florida at least. Just like in true exploitation fashion the film would use the fear Americans had of foreign terrorists (this was the era of the airline hijackings, hostage takings and cafe bombings) finally putting it in their heads to strike at the American heartland.

But who would stop them if none other than the poor man’s Sylvester Stallone. He was no Rambo, but his name has become even more feared in popular culture. He is Chuck Norris and he’s the country’s only savior against hundreds of well-armed terrorist guerrillas and the rogue Soviet leaders. For a pre-teen set this was a flick that opened up the imagination to new levels of violence (thus awesome playground wargaming afterwards) and epic action. It’s not a surprise that it would be the Cannon Films group led by Menahem Golan and Yoram Globus (proprietors of some of the 80’s best and most violent action films of the era).

This film has become a sort of cult classic amongst action film aficionados. It’s literally a film that puts on the action gas from the start and doesn’t let up. Even has grindhouse stalwarts like Richard Lynch and Billy Drago to give it some exploitation creds.

They sure don’t make action flicks like this anymore. Which really is a damn bloody shame.

On a side note: this is one flick I hope Lisa Marie, Leonard and these Snarkalecs they seem to be hanging about it to view one night if it ever airs on TV.