Retro Television Review: Fantasy Island 7.2 “The Big Switch/Hooker’s Holiday”

Posted on July 22, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, the tyranny of Laurence continues.

Episode 7.2 “The Big Switch/Hooker’s Holiday”

(Dir by Bob Sweeney, originally aired on October 15th, 1983)

Shelley James (Melinda Culea) is a high-priced call girl who comes to Fantasy Island looking for an escape from her life. For one weekend, she wants not only a normal life but also a chance to meet a man who will love her without paying her for sex. Luckily, Brad Jacobs (Richard Hatch) is also on the Island!

This is the type of fantasy that Fantasy Island handled well in the past. It doesn’t work out quite as well this episode became Mr. Roarke’s new servant (there’s no other word for him), Laurence, makes some rather snarky and judgmental comments about Shelly and her profession (asking at one point whether she’s on the Island for a fantasy or to give someone a fantasy) and it just feels totally wrong. One of the good things about Fantasy Island was that Roarke never judged the people asking for fantasies. He may have warned them about what they would discover. Sometimes, he manipulated them to help them discover something important about themselves. But once you were allowed to come to the Island, Roarke didn’t judge you and neither did Tattoo. In fact, Tattoo was probably even less judgmental than Roarke. Tattoo knew what it was like to be judged. Laurence, on the other hand, is a snooty British butler and seems personally offended by Shelley’s presence on the Island. (Eventually, after she shares her tragic backstory, he comes around but still, it shouldn’t take a sad story to get people to treat each other with decency.) Laurence is the type of employee who would keep me from wanting to visit the Island. I fear he would tell me that my skirt was too short or something.

As for the other fantasy, Laura Walter (Katharine Helmond) feels that her husband George Walter (Vic Tayback) is a chauvinist and she’s right. She wants him to experience what it’s like to be a woman so Roarke arranges for them to switch bodies. Laura is in George’s body and George is in Laura’s body but for some reason, the show dubs their voices so, whenever George speaks, we hear Laura’s voice and whenever Laura speaks, we hear George’s voice. It’s a bit awkward. Why would their voice switch too? Anyway, Laura discovers that women tend to toss themselves at George and George discovers that his business partner is a lech.

It’s the final season and final seasons often feel uninspired. That was certainly the case with this episode. Even the reliable Ricardo Montalban seemed bored with it all. In the end, it’s just not as much fun without Herve Villechaize around.

Film Review: Thunderbolt and Lightfoot (dir by Michael Cimino)

Posted on May 31, 2025 by Lisa Marie Bowman

1974’s Thunderbolt and Lightfoot opens with two men, one young and one middle-aged, facing a moment of truth.

The younger of the two is Lightfoot (Jeff Bridges), a wild and hyperactive rich kid who is in his 20s and who steals a corvette right off of a used car lot. The other man is simply known by his nickname, Thunderbolt (Clint Eastwood). When we first see Thunderbolt, he’s giving a sermon in a small Montana church. When a gun-wielding man steps into the church and promptly starts firing at Thunderbolt, he takes off running. Pursued by his attacker, Thunderbolt runs through a field and just happens to jump onto Lightfoot’s speeding corvette. Lightfoot runs over the Thunderbolt’s pursuer. Thunderbolt slips into the car and Lightfoot drives on for a bit. Lightfoot is excited and talkative. Thunderbolt is more concerned with popping his shoulder back into its socket. A stop at a gas station leads to the men stealing someone else’s car.

And so it goes for a good deal of the movie. Thunderbolt and Lightfoot is a road movie, the majority of which is taken up with scenes of the two men just hanging out. Thunderbolt and Lightfoot take an instant liking to each other. When Lightfoot picks up a prostitute (Catherine Bach), he makes sure to ask that she bring along a friend for Thunderbolt. When a criminal punches Lightfoot, Thunderbolt is quick to punch back. “That’s for the kid,” Thunderbolt says. That’s the type of friendship that they have. Jeff Bridges is handsome and full of energy as Lightfoot and Clint Eastwood smiles more in this film than I think I’ve seen him smile in any other film. For once, Eastwood is not playing a perpetually grumpy stranger or a supercop. Instead, he’s just a blue collar guy who enjoys having a friend to travel with.

Eventually, Thunderbolt and Lightfoot meet up with two of Thunderbolt’s former associates. Red (George Kennedy) is a brutal brawler who, it is suggested, served with Thunderbolt in the Korean War. Goody (Geoffrey Lewis) is a gentle soul who takes orders from Red but still can’t bring himself to shoot anyone, no matter how much Red demands that he pull the trigger. Red and Goody have always assumed that Thunderbolt stole the loot from a bank robbery that they pulled off. Thunderbolt explains that he didn’t steal the money. He just got arrested after hiding it. Lightfoot suggests that maybe the four of them could pull off another bank heist….

Kennedy and Lewis are perfectly cast as the two criminals who end up working with Thunderbolt and Lightfoot. In many ways, the relationship between Red and Goody mirrors the relationship between our lead characters. The main difference is that Red is sadistic and quick to loose his temper, whereas Thunderbolt controls his emotions and tries not to hurt anyone while committing his crimes. Lightfoot looks up to Thunderbolt and Goody looks up to Red. Again, the difference is that Thunderbolt actually cares about Lightfoot, whereas Red is incapable of truly caring about anyone but himself. Eastwood, Bridges, Kennedy, and Lewis make quite a team and it’s hard not to worry about all four of them, especially when the film takes an unexpectedly dramatic turn during its third act.

I really wasn’t expecting Thunderbolt and Lightfoot to make me cry but the final thirty minutes of the film brought tears to my eyes as what started out as a buddy comedy turned into a tragedy. (I shouldn’t have been surprised. I’ve seen enough 70s movies that I really should have known better than to have expected a happy ending.) Thanks to the perceptive script by Michael Cimino (who would go on to make The Deer Hunter and Heaven’s Gate) and the performances of Eastwood and Bridges, the movie’s final moments carry quite a punch and they leave you wondering if Thunderbolt and Lightfoot’s road trip was worth the price that was ultimately paid. The film works as not only a tribute to friendship but also as a fatalistic portrait of life on the backroads of America.

Thunderbolt and Lightfoot was the first Eastwood film to receive an Oscar nomination, with Jeff Bridges competing for Best Supporting Actor. (He lost to Robert De Niro’s star turn in The Godfather, Part II.) Eastwood, reportedly, felt that he deserved a nomination for his performance as Thunderbolt and, considering that that Oscar itself was won by Art Carney for his pleasant but hardly revelatory work in Harry and Tonto, Eastwood was correct. Instead, Eastwood would have to wait for another 18 years before he finally received Academy recognition for starring in, producing, and directing Unforgiven.

Retro Television Review: Fantasy Island 6.7 “Roller Derby Dolls/Thanks A Million”

Posted on March 4, 2025 by Lisa Marie Bowman

This week, things get strange on the Island!

Episode 6.7 “Roller Derby Dolls/Thanks A Million”

(Dir by Don Weis, originally aired on December 4th, 1982)

Norman Hackett (Vic Tayback) is a sports fanatic who wants to coach his own athletic team. Oddly, he doesn’t specify what type of team he wants to coach. I would think that would be the first thing that a true sports fanatic would make clear. “I want to coach the….” Well, I can’t think of the names of any teams off the top of my head. I’m not a sports person so …. okay, he could have said he wanted to coach the Cowboys. You happy? Yes, I’m from North Texas and our football team sucks, Even I’m embarrassed by them and I don’t even follow football. I’d be tempted to coach the Rangers except I know Erin would get mad at me if the team didn’t make it to the championship. We also have a hockey team called the Stars but Leonard is the biggest hockey fan I know and, if anyone here at TSL deserves to coach hockey, it’s Leonard. What’s that, you say? The Mavericks? Ehh. I hate basketball. Those squeaky shoes drive me nuts. Plus Mark Cuban’s been kind of annoying ever since he decided to run for President in 2028.

Anyway, I’m rambling because this episode really wasn’t that interesting. Because Norman didn’t make it clear what he wanted to coach, Mr. Roarke gives him a whistle and then introduces him to the Belles, an all-female roller derby team. It turns out that roller derby is a big deal on Fantasy Island! There’s a roller derby rink and everything. It also turns out that Norman’s check bounced so, if he abandons the Belles, he’ll have to pay Mr. Roarke even more money …. wait, what? Shouldn’t Norman just be sent home or something? And doesn’t Roarke know enough to make sure the check clears before inviting someone to the Island? No wonder Tattoo used to be in charge of the money.

Speaking of money, Suzanne (Janet Leigh), Roger (James Noble), and Eddie (Art Metrano) come to the Island to take part in a contest. The winner will get $1.000.000 from a mysterious benefactor. The benefactor, by the way, is actually Eddie and it turns out that the entire contest is a private bet between him and Mr. Roarke. Eddie thinks that people will do anything to get money. (This is largely true. Up until a few weeks ago, this moronic woman was trying to sue my dead father’s estate for half a million. Fear not, she got nothing.) Roarke believes that people are good at heart. Eddie puts Suzanne and Roger through a series of increasingly dangerous tests to see how far they’re willing to go. In the end, both Roger and Suzanne prove themselves to be good people, though Suzanne is the one who gets the money. Roarke wins his bet and we’re left wondering how all this came about in the first place. (Seriously, how does Roarke even know Eddie?)

Anyway, this was kind of a strange trip to the Island. I’m not really happy about an episode of Fantasy Island featuring a story that isn’t really a fantasy. Still, at least the scenery was nice. That’s a beautiful island!

Film Review: The Don Is Dead (dir by Richard Fleischer)

Posted on January 2, 2025 by Lisa Marie Bowman

“The Don is Dead!” shouts the title of this 1973 film and it’s not lying.

After the powerful and respect leader of the Regalbuto crime family dies, the Mafia’s governing body meets in Las Vegas to debate who should be allowed to take over the family’s operations. Frank Regalbuto (a smoldering Robert Forster) wants to take over the family but it’s agreed that he’s still too young and hot-headed. Instead, control of the family is given Don Angelo DiMorra (Anthony Quinn), an old school Mafia chieftain who everyone agrees is a man of respect. Don DiMorra will serve as a mentor to Frank while Frank’s main enforcers, The Fargo Brothers, will be allowed to operate independently with the understanding that they will still respond if the mob needs them to do a job. Tony Fargo (Forrest) wants to get out of the rackets all together while his older brother, Vince (Al Lettieri), remains loyal to the old ways of doing things.

Frank is not happy with the arrangement but he has other things to worry about. He knows that there’s a traitor in his family. While he and the Fargo brothers work to uncover the man’s identity so that they can take their revenge, Don Angelo falls in love with a Vegas showgirl named Ruby Dunne (Angel Tompkins). However, Ruby is engaged to marry Frank and, when Frank returns from taking care of the traitor, he is tipped off as to what has been happening in his absence. Frank goes crazy, nearly beating Ruby to death. Don Angelo declares war on Frank and the Fargo brothers are forced to decide which side they’ll serve.

In the 1970s, almost every crime film was either a rip-off of The French Connection or The Godfather. The Don Is Dead is unique in that it attempts to rip off both of them at the same time. The film opens French Connection-style with a couple of hoods trying to double-cross Frank during a drug deal, leading to shoot-out. (Keep an eye out for Sid Haig as one of Frank’s men.) The film is full of scenes that are meant to duplicate the gritty feel of The French Connection though, needless to say, none of them are directed with the cinema verité intensity that William Friedkin brought to that classic film. Meanwhile, Anthony Quinn plays a character who is very much reminiscent of Don Vito Corleone, even pausing at one point to tell Frank that “drugs are a dirty business.” The Godfather‘s Abe Vigoda and Al Lettieri show up in supporting roles and Robert Forster gives a performance that owes more than a little to James Caan’s Oscar-nominated turn as Sonny Corleone. (Interestingly enough, both Quinn and Forster were among the many actors considered for roles in The Godfather.)

Unfortunately, the film itself is slowly-paced and never really draws us into the plot. Director Richard Fleischer, who directed a lot of films without ever developing a signature style, brings none of the intensity that William Friedkin brough to The French Connection nor can he duplicate Francis Ford Coppola’s operatic grandeur. The Don is Dead plays out like a particularly violent made-for-TV movie. There’s a lot of talented people in the cast but they’re defeated by thinly drawn characters. Robert Evans often said that Coppola was hired to direct The Godfather because, as an Italian-American, he would bring an authenticity to the material that a non-Italian director would not be able to do. The Don Is Dead would seem to indicate that Evans knew what he was talking about.

Late Night Retro Television Review: CHiPs 3.1 and 3.2 “Roller Disco”

Posted on December 9, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, season three begins with a classic episode!

Episode 3.1 and 3.2 “Roller Disco”

(Dir by Don Weis, originally aired on September 22nd, 1979)

It’s the roller disco episode!

From the moment that I first announced that I would be watching and reviewing CHiPs for this feature, people have been telling me about the legendary roller disco episode. Having finally reached it, I can say that it lived up to the hype. You’re not likely to see anything more 70s than the third season premiere of CHiPs.

Now, this was a two-hour episode so there were actually quite a few subplot going on, all of which were typical CHiPs storylines. In no particular order:

A kid named Mark (Bobby Rolofson) is roller skating around the beach and idolizing three criminals. Can Baker show him that the good guys always win?
The three criminals are Lita (Helena Kallianiotes), Ty (Fred Williamson), and Romo (Jim Brown). Lita sets up the targets. Ty and Romo steal their purses and their wallets and then escape on roller skates. Ty and Romo are tired of breaking the law. Lita demands that they continue to steal. Eventually, it falls to Baker and Ponch to arrest them.
Carlin (Larry Linville) and Franco (Larry Storch) continually cause accidents on the highway.
Rock star Jimmy Tyler (Leif Garrett) is so tired that he sleeps through one of those accidents. Looking to break free from his well-meaning but overbearing manager (Bill Daily), Jimmy decides to manage his own affairs while staying at Jon Baker’s apartment.

There’s a lot going on but the main plotline is Ponch trying to find celebrities to take part in the annual highway patrol fund raiser. Even with his big smile, Ponch struggles to charm the celebs. He pulls over Ed McMahon at one point but fails to recognize him until McMahon drives off. Gatraer tells Ponch that police work comes first but also tells him that he has to find celebrities. Gatraer’s been giving Ponch a hard time ever since the first season. Some things never change.

Fortunately, Jimmy feels guilty for overstaying his welcome at Baker’s apartment and he makes it up to Baker and Ponch by asking his celebrity friends to take part in the fund raiser. It’s time for a roller disco with the stars!

It all leads to this classic scene:

I recognized a few of the stars, though certainly not all of them. I recognized Victor French because I’ve been reviewing Highway to Heaven. I’ve also seen enough old sitcoms that I immediately recognized Robert Mandan, who was apparently the best roller skater in Hollywood. Melissa Sue Anderson, I knew from Happy Birthday To Me. Cindy Williams, who got two shout-outs, I knew from American Graffiti. Is it just me or did Nancy Kulp look kind of lost? Neither Melissa Sue Anderson nor Cindy Williams seemed to want to talk to her.

The roller disco actually goes on for fifteen minutes, which I appreciated. The show promised a roller disco and it delivered. It was like stepping into a time machine and traveling to the 70s. It was a great way to start season three!

Because of the holidays, this is going to be my final CHiPs review of 2024. My reviews of this show will return on January 6th!

Retro Television Review: Fantasy Island 4.20 “Delphine/The Unkillable”

Posted on April 9, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

Smiles, everyone, smiles!

Episode 4.20 “Delphine/The Unkillable”

(Dir by Cliff Bole, Originally aired on April 11th, 1981)

For our first fantasy, Dr. Paul Todd (Randolph Mantooth) is a paleontologist who feels that the first life on Earth was silicon-based and that the missing link lives underneath a volcano on Fantasy Island. He comes to the Island with his girlfriend, Liz (Annette Funicello) and his assistant, Kyle (Alex Cord). With Roarke’s weary approval, they head off to the volcano to search for proof of Todd’s theory.

And they do find proof! After Kyle attempts to sexually assault Liz, she falls through a crevice and finds herself in the lair of …. well, it appears to be someone who is waring a rubber suit but Paul and Kyle are convinced that they’ve found their silicon man! (Kyle attempting to force himself on Liz is seemingly forgotten.) The Silicon Man appears to be immortal, which proves to be a bit of problem when it decides to carry of Liz. But then the Silicon Man falls in a pool of lava and dies so I guess he wasn’t immortal. At the end of the show, Tattoo suggests that the The Silicon Man was made of lava and that’s why he was vulnerable to it but …. what?

Mr. Roarke doesn’t seem to be that worried about the Silicon Man or the fact that one of the island’s volcanoes is spewing lava. He’s more concerned with his goddaughter, Delphine (Ann Jillian).

According to Roarke, Delphine is the daughter of one of the Island’s oldest families. She has spent the last few years off the Island, working as an assistant for a magician named The Great Zachariah (Carl Ballantine). Delphine’s secret is that she actually does have magical powers! She’s the one who does all of Zachariah’s tricks for him. However, Delphine now wants to marry Greg (Don Galloway) and she doesn’t want him to know that she can move stuff with her mind and make people materialize out of thin air. Her fantasy is to lose her powers.

Zachariah, not happy about the prospect of losing his assistant, comes to the Island and teams up with fortune-telling Madame Cluny (Doris Roberts) to trick Delphine into revealing her powers and driving Greg away. Myself, I’m not really sure I understand why her magic powers would be a deal-breaker. I mean, Delphine can literally do anything! And, as we see in this episode, she only uses her powers for good. Why would Greg have a problem with that?

On the plus side, Ann Jillian (who starred in another show that I reviewed on this site, Jennifer Slept Here) gives a good performance as Delphine and it’s easy to imagine an alternate version of the show where she played Roarke’s sidekick. On the negative side, the rest of the show and both of the fantasies are just silly and never make any sense.

This was not a memorable trip to the Island. Seriously …. silicon?

Retro Television Review: The Love Boat 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”

Posted on February 7, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, come aboard for season 4!

Episode 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”

(Dir by Roger Duchowny, originally aired on October 25th, 1980)

Well, it’s time for the fourth season of The Love Boat and let’s see who is going to be taking a cruise this week….

Hey, we know that guy!

Yes, it’s a young Tom Hanks, making one of his first television appearances on The Love Boat. Tom had a sitcom coming out so ABC decided to promote the then-unknown actor by giving him a guest role on one of their most popular series.

Who does Tom play? He plays a complete a total douchebag named Rick Martin, a former fraternity brother of Gopher’s who enjoys giving Gopher a hard time about his reputation for being “Strike-Out Smith.” Rick makes Gopher feel so uncomfortable that Gopher impulsively claims that Julie is his girlfriend. Julie plays along with Gopher. This not only leads to sleazy Rick trying to steal Julie away from Gopher but it also causes Julie and Gopher to have real feelings for each other.

Yes, it is interesting to watch Tom Hanks play a sleaze but what is even more interesting, for longtime watchers of the show, is that Julie and Gopher make a surprisingly credible couple. They actually do have a very likable chemistry together and it never seems improbable that they might end up together. Of course, in the end, they decide to just stay friends because anything else would have upset the balance of the show.

Tom’s presence overshadows the rest of the show but there are two other stories to deal with. Vic Tayback plays a former dill sergeant who reunites with his former recruits (Nipsey Russell, Harvey Lembeck, and Jack Somack) and who turns out to still be such a hardass that they bribe their cabin stewardess (Doris Roberts) to pursue a romance with him. Of course, the two of them fall in love for real. This was all a bit silly and Tayback’s drill sergeant was a bit annoying but it was nice to see him drop his guard around Doris Roberts and admit that he was only acting like a drill sergeant because that was all he had ever been.

Finally, Gwen Hutchins (Shelley Smith) boards the boat and tells Doc Bricker that she is two-months pregnant.

“Your husband must be very proud!” Doc replies, without missing a beat.

No, Gwen explains, she’s not married. Once again, we are reminded that Doc is a walking HR nightmare.

Anyway, Gwen falls for a guy named Dennis (Dennis Cole) but she worries how Dennis will react to learning that she’s pregnant. At first, Dennis does not react well, even asking her if she considered getting an abortion. (She explains that she doesn’t support abortion, which definitely would not fly if this episode were made today.) It all works out in the end but, seriously, I think she deserves better than Dennis. Dennis Cole is an actor who I have seen in quite a few of these shows and he always seem kind of lost. That was certainly the vibe that he gave off here.

This was an entertaining-enough episode, though almost all of the credit for that goes to the presence of Tom Hanks and the likable chemistry between Fred Grandy and Lauren Tewes. It was definitely a good way to start off the fourth season.

Retro Television Reviews: The Love Boat 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

Posted on October 4, 2023 by Lisa Marie Bowman

This week, the Love Boat gets a new member of the crew!

Episode 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

(Dir by Gordon Farr, originally aired on November 3rd, 1979)

This episode is a big one for Captain Stubing so let’s quickly get the non-Stubing storylines out of the way.

First off, Barney Briscoe (Louis Nye) and Rose Kennycott (Gale Storm) are two older passengers who board the ship looking for love. Since they’re both kind of old-fashioned and not a fan of public displays of affection, Julie thinks that they would be perfect together. Unfortunately, while Barney does like Rose, he also thinks that Julie is hitting on him while Rose thinks that the man Julie says likes her is Doc Bricker! Rose decides to take matters into her own hands and heads to Doc Bricker’s office. Thinking that she’s feeling ill, Doc tells her to go in the exam room and remove her clothes. Rose, fearing that things are moving too quickly, flees from Bricker’s cabin. Fortunately, she and Barney do end up together but Barney is always in such a cranky mood that you can’t help but feel that Rose is going to get tired of dealing with him after a week or two.

Meanwhile, Harry Stewart (Vic Tayback) boards the ship, fresh from getting finished with jury duty. He was a part of jury that heard a case that drew national attention. A woman was accused of poisoning her husband and the trial ended with a hung jury. Harry explains to Gopher and Isaac that 11 men were ready to convict but the one woman on the jury refused to vote guilty. That woman is Ann Noyce (Jo Ann Pflug) and — surprise! — she’s also a passenger. Harry and Ann spend the entire cruise arguing the facts of the case before eventually falling in love. It’s a typical Love Boat storyline and Tayback and Pflug don’t exactly have the greatest romantic chemistry. It’s easy to believe them when they’re arguing but not quite as easy to buy them as sudden lovers.

But really, the only storyline that matters is the one involving Captain Stubing and his daughter Vicki (Jill Whelan, who is listed as a guest star for this episode but joins the regular cast next week). Now 11 years old, Vicki has been writing to Stubing on a regular basis and telling him about how much she wishes she could see him again. However, Stubing tells Bricker that he has resolved never to see Vicki again because it would be too painful for him to have to say goodbye to his daughter all over again. However, Vicki has discovered that Stubing is her father and she decides to take matters into her own hands by running away from home and boarding the ship in Acapulco. Stubing finally admits that he is Vicki’s father but he still feels that a ship is not the right place for a child. He returns her home to her aunt, just to discover that her aunt is in the middle of a divorce and she feels that Vicki should be with her father. Stubing and Vicki return to the ship, where Vicki will now live.

Awwwwww!

Actually, I’m not totally sure how this thing with Vicki living on the ship is supposed to work. She’s 11 years old, which is a bit young to be working on a cruise ship. Does the Love Boat have a school on one of its decks? Is Vick really going to be happy living on a boat that is largely populated by elderly people? There’s a lot of questions to be considered but it really doesn’t matter. Gavin MacLeod gives such a sincere and emotional performance that it feels almost churlish to obsess on the specifics of how Vicki is going to be raised. Captain Stubing has always been more interesting of character than one might assume. Though he’s often a bit goofy and it’s hard not to cringe whenever he gets a storyline that requires him to flirt, Gavin MacLeod always did a wonderful job of showing Stubing’s more vulnerable side. Whether he was talking about Vicki’s mother or his own struggles with alcoholism, there was always an undercurrent of melancholy with Captain Stubing and MacLeod always seemed to make the most of those scenes that allowed Stubing to open up about his life and regrets.

In the end, the viewer is just happy that Captain Stubing has finally been reunited with his daughter.

Next week: The Dallas Cowboy Cheerleaders board the ship!

Retro Television Reviews: Fantasy Island 3.12 “The Cheerleaders/Marooned”

Posted on August 29, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!

Let’s see what’s happening on the Island this week….

Episode 3.12 “The Cheerleaders/Marooned”

(Dir by Earl Bellamy, originally aired on December 8th, 1979)

I’m just going to be honest here. This week’s episode of Fantasy Island is not a good one. Neither one of the fantasies work. In fact, they’re both really, really annoying. Usually, this show does a fairly good job of balancing a fun fantasy with a serious fantasy. This episode, though, both fantasies are meant to be humorous. They’re not. They are both rather shrill.

That said, this episode did feature the return of Roarke and Tattoo bantering before going to meet their guests. When Roarke steps out of his office to meet the plane, he’s surprised to see that Tattoo is hiding in a red fire hydrant costume. When Roarke demands to know what Tattoo is doing, Tattoo explains that he’s training to be a secret agent. Roarke rolls his eyes so violently that I’m surprised he didn’t injure himself. Later, Tattoo attempts to disguises himself as a bale of hay and ends up getting chased by an enraged bull that just happens to be wandering around the Island. Roarke laughs and laughs because there’s nothing that makes him happier than the idea of his assistant suffering a terrible injury. That said, though it was all a bit mean-spirted, it was nice to see the return of the banter.

As for the two fantasies …. God, I don’t even want to talk about them.

The marginally more interesting one featured Vic Tayback as a blue collar guy named Melvyn whose fantasy was to spend some time with his favorite movie star, a total diva named Liz Merrill (Jayne Meadows). When Liz shows up on the Island, it turns out that her fantasy is for everyone to think that she’s lost at sea before she’s eventually found on a tropical island. She’s told that Melvyn has been hired to row the boat taking her to the island. Instead, Melvyn and Liz get lost and really do end up on a deserted island, where Liz eventually drops her arrogant attitude and Melvyn wins her love by barking orders at her. The fact that this was the “better” fantasy should tell you just how bad the other fantasy was.

The other fantasy features Georgia Engel and Patty McCormack as Cathy and Marg, two roommates whose fantasy is to be cheerleaders for their favorite football team, the Titans. Fortunately, the Titans training camp happens to be on Fantasy Island! Marg has a crush on quarterback Roger Mosely (played by Dan Pastorini) but Roger is more interested in Cathy. This leads to the two friends not being friends anymore but then Mr. Roarke tells them that there’s nothing more important than friendship. It’s a nice message but it’s hard to believe either Georgia Engel or Patty McCormack as cheerleaders and Engel and Pastorini had absolutely zero chemistry. The whole thing just felt too silly for its own good.

(I even forced Erin to watch this episode with me so that I could get her perspective as a former cheerleader. She agreed with me. As far as cheerleader stories go, this was no Bring It On.)

Sigh. This week’s episode was not great. Hopefully, next week’s will be better!

Retro Television Reviews: The Alpha Caper (dir by Robert Michael Lewis)

Posted on March 26, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1973’s The Alpha Caper! It can be viewed on YouTube!

After years of faithful service and hard work, parole officer Mark Forbes (Henry Fonda) is on the verge of mandatory retirement. He’s spent his entire career playing by the rules and taking orders and helping recently released criminals go straight. For all of his service, all he’s gets is a small party and a cheap retirement gift.

Still, Mark is on the job when he gets a call that one of his parolees, Harry (Noah Beery, Jr.), is currently in the middle of a stand-off with the cops. Mark goes to the crime scene, where he discovers that Harry was trying to rob a warehouse full of weapons. He also discovers that Harry is dying, as the result of being shot by the police. Before Harry passes, he tells Mark that he and three other ex-cons were plotting to steal a shipment of gold bars.

Mark decides to carry out Harry’s plan. Working with Mitch (Leonard Nimoy), Tudor (Larry Hagman), and Scat (James McEachin), Mark comes up with a plan to rob the armored cars that are going to be transporting the gold. While Tudor and Scat are quick to join up with Mark, Mitch is a bit more hesitant. In the end, though, they all decide to work together. The plan they come up with is a clever one but its main strength is that it’s being spearheaded by Mark, a man who no one would ever expect to commit a crime. No one but his colleague and friend, Lee (John Marley), that is.

I watched The Alpha Caper last night, with my friend Phil, Janeen, and Spiro. To be honest, I selected the film because the title led me to suspect that it would be a science fiction film of some sort. I was a little surprised when it turned out to be a crime thriller but I was even more surprised by just how good the film itself turned out to be. Cleverly plotted and well-acted by the entire cast (and featuring a scruffy Leonard Nimoy playing a role that’s about as far from the coldly logical Mr. Spock as one can get), The Alpha Caper is an entertaining crime film but it’s also surprisingly poignant. Mark is someone who feels that he’s lived his entire life without taking a single risk and, as a result, he has nothing to show for it. He compares his situation to the mythical Kilroy of “Kilroy was Here” graffiti fame. Kilroy will always be remembered, even though no one is really sure who he was. Mark fears that he’s destined to be forgotten. The robbery is Mark’s way of announcing that “Mark Forbes was here.” The film ends on a surprisingly touching, if rather bittersweet, note.

The Alpha Caper originally aired on ABC on October 6th, 1973. It was apparently meant to be a pilot for an anthology show that would be called Crime. The series wasn’t picked up but, two years later, The Alpha Caper was theatrically released in Italy. Today, it can be seen on YouTube. Like Mark Forbes and Kilroy, the film has not been forgotten.